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10 Books for Writers Focusing on Craft

When I’m teaching, I do bring some books to class in order to point students toward them. I don’t think books are a substitute for the act of writing, but they can help focus and direct your practice and give you a list of things to work on that might not otherwise occur to you. Here’s a list of my top ten for speculative fiction writers focusing on their craft. I was sad to find some not available on the Kindle, but where possible, I’ve pointed to the e-version.

  1. The 10% Solution by Ken Rand from Fairwood Press. I love this slim little book, I recommend it above all others for both fiction and nonfiction writers, and I think you cannot get more bang for your buck than buying this book and applying its methods. I use it on all my pieces — the process becomes less mechanical and more automatic as time goes by.
  2. The Elements of Style by Strunk and White. Kindle version. You get this when you go off to college but no one ever reads it. It is well worth sitting down and working your way through.
  3. Steering the Craft by Ursula K. LeGuin. Thoughtful and poetic writing instruction. I often use the Expository Lump exercise in my Writing Fantasy & Science Fiction class, and learn something new from it every time.
  4. Beginnings, Middles, and Ends by Nancy Kress. Useful and practical, Kress goes over the basics, putting them together in a coherent and easily understandable fashion that includes plenty of exercises to work through.
  5. Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg. Kindle version. While this book will prove too new-agey hippie for some (I’d advise those to turn to Strunk & White or the Kress), it’s a useful and exciting kick in the butt to write for others. I appreciate Goldberg, whose book taught me the habit of doing timed writings, a mainstay of my process.
  6. About Writing: Seven Essays, Four Letters, and Five Interviews by Samuel R. Delany. Delany is one of the greatest voices of the 20th/21st century, and his writing advice is practical and elegant and deep. One of the things he says is that you can’t write anything better than the quality of what you’re reading and that seems like great, inspirational advice to me.
  7. Surrealist Games by Alastair Brotchie. If you want to enliven your writing, play some of the games enclosed here, which inspired some of the greats of the Surrealist movement.
  8. The Passionate Accurate Story: Making Your Heart’s Truth Into Literature by Carol Bly. Some great stuff on writing here, and interesting exercises, including writing a scene that doesn’t actually appear in the story.
  9. Style: Lessons in Clarity and Grace by Joseph M. Williams. I originally ran across this book while teaching composition at Johns Hopkins, and I think it’s just fabulous for focusing on the sentence level. I’ve found it often hard to find over the years, so I’m happy to see it in print again.
  10. On Writing by Stephen King. (Kindle version) The first part is raw autobiography that is a useful insight into how a writer can be off the rails and still productive. The second part, which focuses on writing, is full of terrific stuff that shows what a craftsman King is.

2016 addendum! I still stand by all these, but here are five more:

Million Dollar Outlines

Storyteller by Kate Wilhelm

talk the Talk: A Dialogue Workshop for Scriptwriters by Penny Penniston

The Three Jaguars: A Comic about Art, Business, Life by M.C.A. Hogarth

Wonderbook: The Illustrated Guide to Creating Imaginative Fiction by Jeff VanderMeer. Worth it just for the pretty illustrations and marvelous charts produced by Jeremy Zerfoss in collaboration with VanderMeer, but also jam-packed with good and interesting writing advice that I have found best absorbed in small chunks, dipping into the book now and again for inspiration.

7 Responses

  1. I haven’t read Techniques of the Selling Writer, but I’ve now added it to my reading list. I really like the Style book. It comes at the sentence from an angle that a lot of writing books don’t when it includes the idea of “grace” (in my opinion).

  2. “Writing the Blockbuster Novel” by Al Zuckerman is definitely on my top 10 list.

    I just finished reading a couple of those others (Steering the Craft most recently, wow what a good book). Kress has another book, on characters and viewpoints I believe, that’s pretty good too and a nice supplement to Card’s “Character and Viewpoint”.

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You Should Read This: The Blazing World by Margaret Cavendish

Portrait of Margaret Cavendish, the Duchess of Newcastle
Margaret Cavendish, Duchess of Newcastle and author of The Blazing World
If you want to explore the deepest roots of fantasy and science fiction, here’s a text that’s been obscured by time: The Blazing World by Margaret Cavendish, which is one of the first portal stories, in which a protagonist ends up in a world much unlike their own, as well as a Utopian novel. Written in 1666, it features a heroine who enters another realm, the Blazing World of the title, through an entrance located at the North Pole. There, she ends up becoming empress of a harmonious and progressive as well as wealthy kingdom.

Her kingdom is populated by races of talking animals: fox-people, bear-people, bird-people, etc. Eventually she decides to invade her former world, marshaling her forces and marching back to her homeland, using technology from the Blazing World in its defense.

Cavendish, who was the Duchess of Newcastle, evens writes herself into the text:

Hereupon a Councel was called, and the business debated; but there were so many cross and different Opinions, that they could not suddenly resolve what answer to send the Empress; at which she grew angry, insomuch that she resolved to return into her Blazing- World, without giving any assistance to her Countrymen: but the Duchess of Newcastle intreated her Majesty to abate her passion; for, said she, Great Councels are most commonly slow, because many men have many several Opinions: besides, every Councellor striving to be the wisest, makes long speeches, and raise many doubts, which cause retardments. If I had long-speeched Councellors, replied the Empress, I would hang them, by reason they give more Words, then Advice. The Duchess answered, That her Majesty should not be angry, but consider the differences of that and her Blazing-World; for, said she, they are not both alike; but there are grosser and duller understandings in this, than in the Blazing-World.

I found the book through Dale Spender’s excellent Mothers of the Novel, and one reason to read Cavendish is so she doesn’t get lost. So many of the writers Spender touches upon have been obscured, while their male peers remain, and give students the impression that only men were writing. Cavendish was a notable and prolific author of her time as well as an English aristocrat who spent time at the French court. Her life is well worth investigation, full of trials and tribulations as well as triumphs.

Other speculative fiction writers have referenced this book: Alan Moore in the League of Extraordinary Gentlemen and China Mieville in Un Lun Dun. You can find the book online in its entirety here.

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You Should Read This: A Biography of the English Language by C.M. Millward

The cover of A Biography of the English Language by C.M. Millward, recommended by speculative fiction writer Cat Rambo
Our language is nuanced with a thousand historical references, even when we think it at its most innocent.
What:There’s a t-shirt that reads “English is a language that lurks in dark alleys, beats up other languages and rifles through their pockets for spare vocabulary.” In A Biography of the English Language, Millward presents some of this complicated history of the English language, first talking about what a language is, along with basics of phonology and writing before moving into Indo-European, Old English (the sage of the arrival of the English, the Christianization of England, and various Viking invasions), Middle English, Early Modern English, and then the array of recent forces shaping our language: the printing press, the industrial revolution, colonization, the codification of grammar, and more. It finishes up with present day English, at least as present day as a book written in 1989 can be. I should note that, looking at Amazon, the book is expensive as heck. I suspect any thorough history of the English language will do as well, but this book is VERY thorough. I bet it’s also available through libraries.

Who:Read this if you are a writer who likes to know what’s built into the words you’re using, what they say about their circumstances as well as what resonances they add for the knowledgeable. Read it if you love the minutiae of language, all the little “who would have thought” and “Although unlikely” facts that get seeded into long and drifty conversations, like the fact that Indo-European had three numbers: singular, plural, and dual.

Why: Read this so you can use words both more efficiently and more artfully. SO you know how the literary tradition you are working for and against, bound inextricably within, has been affected by linguistic change and created its own pressures to change in turn.

When: Read this when going among bores, for it will arm you with facts with which any recitation of X-Files plots or sports trivia can be met. Read this when you want something a little academic, with that cleansing flavor of self-improvement that the scrub of dry details can bring. Read it when you’re cramming for a test that involves volcabulary.

Where and how: Read this sporadically, tucking facts away, or with a notebook in hand. Read it for a class that takes you through centuries of linguistic change, showing you how history is tucked into every Vocabulary lesson.

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