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An Octet of Useful Resource Books For Writers

I blogged a couple of weeks ago about books I’d recommend for writers focusing on their craft. This time I’m choosing books that are handy to have on a nearby shelf, particularly books that help spark new ideas, whether it’s at the overall story or plot level, or bits that can be used to adorn a story, the tiny embellishments like filagree or the lines in the Book of Kells, because we can always use new idea, little shocks, a kick in the head that turns the world askew in a way that lets us see it more clearly.

  • The Penguin Dictionary of Symbols. Sometimes when I’m stuck on a story (or even a polish of a story), I like to look up things that appear in the story, using this dictionary. Looking at the lore behind a symbol can often help you use it effectively.
  • Talk the Talk: The Slang of 65 American Subcultures by Luc Reid. I love this little book both as a way to spark ideas for stories or characters, but also creating touches of authenticity when ivoking subcultures like rock climbers, sky divers, and UFO believers.
  • Visual Dictionary – I like my Macmillan Visual Dictionary, but there’s also plenty of others, like Merriam Webster’s. If you don’t know what a widget or boat part or architectural feature is called, this will have it. A great aid towards precision.
  • Some book of poetry. It could be anything, Shakespeare to Ogden Nash. T.S. Eliot. Sylvia Plath or Emily Dickinson. Something densely poetic. It can be prose, but it has to be dense, poetry-drenched prose, like Djuna Barnes or James Joyce. Recently I’ve been employing Rumi. Use it several ways – to spark timed writings or stories or whatever, but I use it primarily for coming up with titles.
  • People’s History of the United States by Howard Zinn. (Kindle version) This is a view of history from the left, and one that looks at a lot of moments that are not covered in the mainstream history books. Look here for interesting story ideas or historical details for period pieces.
  • Booklife by Jeff VanderMeer. (Kindle version) A career guide that is worth looking at repeatedly. (Disclosure: I wrote the appendix on writing workshops, but there are much, much wiser voices throughout the book, particularly Jeff’s.
  • A tarot deck. Yes, technically not a book, but certainly there’s been plenty of books written about them and these books tap into all sorts of archetypes.
  • The White Goddess: A Historical Grammar of Poetic Myth, by Robert Graves. A rich source of European Mythology, Graves is both reading through or dipping into on an occasional basis, this can be another useful source of starting images, symbols, or even poetic titles. For similar books, look at Weston’s From Ritual To Romance or Frazer’s The Golden Bough.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Media Consumed in October, 2017

happyhalloweenNot much October travel, yahoo! Game-wise it’s still StarDew Valley and Skyrim on computer and console, D&D5E and Star Wars RPG (Fantasy Flight) for tabletop.

In television, I’m happy to have a new season of DC Legends and The Flash start; I’ve been working my way through The Arrow and am finishing up Season 2 now, but it lacks the humor and sweetness of the other two. We did finally get around to watching season 1 of Stranger things, which didn’t really grab me much at first, but finally won me over. We finished that up last night and are looking forward to season 2.

As part of my reading, I did learn how to pick a lock this month, or at least have gotten to the point where I can pick the practice one in about ten seconds (which makes me feel a little badass, but in a pretty limited way) and also understand both how a skeleton key works and what a padlock shim is. I figure this will be a useful skill, post zombie-apocalypse. Maybe. Lotsa story ideas brewing from it, though, including a new Serendib piece.

Here’s the books I read:

Anonymous. Visual Guide to Lockpicking.
Michael Bishop. Light Years and Dark. One of the strongest anthologies I’ve ever had the pleasure to come across.
Leigh Brackett. The Long Tomorrow.
Rutger Bregman. Utopia for Realists: How We Can Build an Ideal World. Great argument for basic income, lots of fascinating history of what’s been tried (and worked with amazing effectiveness).
Chesya Burke. Let’s Play White.
Chesya Burke. The Strange Crimes of Little Africa.
Robert Coram. Boyd: The Fighter Pilot Who Changed the Art of War. Interesting bio, particularly if you’re curious about 4GWarfare since his concepts inform it.
Tananarive Due. The Black Rose.
Tananarive Due. My Soul to Keep.
George Alec Effinger. Heroics.
Laurie Forest. The Black Witch.
Victor Gischler. Ink Mage.
Robert Graves. Watch the North Wind Rise. Well, that was interesting, is all I’m going to say about that.
Charlaine Harris, Day Shift.
Brandon Massey. Whispers in the Night.
Anne McCaffrey and Elizabeth Ann Scarborough. Space Opera.
Nnedi Okarafor. Binti.
Lorenzo Pecchi and Gustavo Piga. Revisiting Keynes: Economic Possibilities for Our Grandchildren.
Declan Shalvey. Deadpool vs. Old Man Logan #1.
Michael Swanwick, Being Gardner Dozois.
Pamela Samuels Young. Buying Time.

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You Should Read This: The Gentle Art of Verbal Self-Defense by Suzette Haden Elgin

Cover for The Gentle Art of Verbal Self-Defense by Suzette Haden Elgin, recommended by Cat Rambo
Elgin identifies eight basic types of verbal violence and the modes for dealing with each one.
This book changed my life. I read it in college, at a time when I was becoming aware of how much could be contained in language. It helped me deal with dysfunctional relationships and it provided strategies for dealing with verbal bullies that I still use on a regular basis. Elgin is also a science fiction writer that I highly recommend, including her book, Native Tongue. I still buy anything I see by Elgin, because I know I’ll end up giving it away.

What: The Gentle Art of Verbal Self-Defense helps identify sneaky verbal attacks like back-handed compliments, insults disguised as jokes, and other jabs, as well as providing tactics for dealing with each other.

Who: Read this if you’ve ever felt bullied and didn’t know exactly why. Or if you’ve ever been accused of bullying someone in communication.

Why: Even if you feel totally in command of conversations, this book will help you write better dialogue by showing many of the constructions bullies use, as well as a better understanding of verbal interactions overall.

When: Read this when you’re at your wits end in dealing with a friend, colleague, or anyone else.

Where and how: Keep it handy for frequent reading. If you don’t understand what all the fuss is about, try working through the exercises.

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