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The Lonesome Trail

Here the poets go again, riding down the trail of words into that long and lonesome valley, carrying ballpoint pens and notebooks in order to describe the shadows that lie across their lives. Lingering ashes are evidence of those who went before, who scared the lizards lurking on warm sandstone, whose mounts’ hoofbeats have already echoed along the rocks.

There they go. Their horses are nervous, and out of shape. The Muses packed the riders’ saddlebags, and the poets won’t know the contents until they need them, until they reach for a memory or trophe, find it nestling comfortably in their palm, and look at it to say oh yes, that’s it, that’s what I meant to say.

It’s late morning when they leave the safety of the bunkhouse and nod decisively to Old Cookie, stirring his cauldron of coffee black as a heart of obsidian, cackling as they saddle up.

“You’ll be sorry!” he shouts after them. “Stay here! I’ll put up curtains in the bunkhouse and subscribe to National Geographic! No need to go ! There’s only sand and the taste of lime out there! The sun will drive you crazy as badgers!”

It’s true — the sun is hot. But in the saddlebags are memories of rain storms, winters, driving down roads slick with ice and the reflection of Christmas tree lights, down roads laden with pine shadows and the blood of unwary animals. Similes redolent of cinnamon and sweet amber, puns as prickly as hedgehogs, intricate words with Indo-European roots to be set, chiming, into sestinas.

Will they make camp this evening or press on into the darkness? The valley is always dark, always full of falling rocks and moaning winds. The horses shy at every sand dune, until at last the poets dismount and walk forward, carrying their saddles across their shoulders. It is their hope that, if they go far enough, they’ll find the place where fallen stars lie glimmering along the rocks, where the coyote’s call drips honey, where sand builds itself into castles, where light re-enters the valley and casts all their shadowed fears into bas-relief. There they’ll make their camp, pitch the tents made of long canvas stretches and ropes of human hair. There they’ll boil their coffee, sweeten it with handfuls of cactus needles, and sip with cautious lips.

The horses, freed, will run far away along mountain tops and reclaim their voices. Their hoof prints will glow red and gold along the chill rocks. The wind will braid their manes with clouds.

(Originally appeared in Sybil’s Garage)

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Snippet from Hearts of Tabat

Abstract drawing that vaguely resembles rain, or a portal, or something like that.
What did it mean? Because surely it must, happening three days in a row. It couldn't just be that she'd had the same dream randomly dropped into her head three times. She'd mulled it over, standing in her office staring out over the street steaming in the warm spring rain that pattered on the patterned paper umbrellas, printed with political slogans, that everyone carried.
I’m working on the sequel to recently-finished Beasts of Tabat, whose working title is Hearts of Tabat. Here’s a snippet I wrote this morning.

Adelina did something she’d mocked other people for doing. She consulted a Dream Reader.
Everyone sensible knew that Dream Readers were frauds, making up stories to suit the needs they could read in their clients. Everyone’s dreams were as individual as their minds, everyone had their own internal cartography leading to entirely different parts of their brains.

But the dream had come three mornings in a row. Three mornings when she woke up with a start, fear clamping its fingers, slender as reeds, strong as iron, around her throat, her hands clenched so hard that her nails bit into the heels of her hands.

She was walking along a bridge, which narrowed further and further, so much only a single person could walk across it, then crumbled away in the middle, leaving a two foot gap. She knew a wide enough step would take her across it, but when she looked down, she saw the water, seething with toothy eels, their lanterned eyes staring up at her, waiting for her to fall.

She saw Bella far, far away, down the long road on the other side, back turned as she walked away, too far to hear Adelina calling after her. Snowflakes were falling around her, as though a cloud echoed her progress overhead, and moonlight glinted on the snow, tinting it purple and red.


Finally she gathered her wits and went back a few steps. She crouched, then pushed herself forward and ran to jump and land on the other side. Far below, the eels ground their teeth, a sound that crawled up her spine and along her shoulders.

A headshake, like a dog cleaning itself of rain, chased the sensation away.

Bella had vanished over the horizon. Parks lay to either side, and she knew they were Tabatian parks, but ones she’d never discovered before. The notion delighted her: she’d investigate their histories, incorporate that into her long-time project, a complete history of the city.
But which one to enter first? She hesitated.

The left-hand one held a fabulous menagerie surrounded by a high, green-painted fence. She could hear the creatures roaring and whinnying, baying and moaning and a calliope’s wheedle. Fireworks arced and popped above it.

On the right was a more sedate water-park. But it held nooks and crannies as enticing as any brightly-colored booth: serene statues had placards waiting to be deciphered, and a massive fountain in the center roiled with carp colored white and purple and red.

It came to her that the righthand side would cost her no coins, but that the menagerie would require the price of admission, so she fumbled at her belt, thinking she’d let the lack or not determine which way she went. But the coins in her pouch were unfamiliar and she was uncertain whether or not the ticket seller would accept them.

She hesitated, torn between choices.

Something was coming padding down the road towards her. A Sphinx and a Manticore, unchained, unrestrained. They walked without hurry, placid and implacable and deadly. Their mouths moved as though they were talking to each other, but they were too far to hear.

Where had Bella gone?

She looked from side to side, but something in the way they walked told her they would follow, no matter where she went.

They came so close she could smell the stink of the Manticore, hear the sound of their steps on the road. They were silent now as they came towards her”¦

Then she’d wake.

What did it mean? Because surely it must, happening three days in a row. It couldn’t just be that she’d had the same dream randomly dropped into her head three times. She’d mulled it over, standing in her office staring out over the street steaming in the warm spring rain that pattered on the patterned paper umbrellas, printed with political slogans, that everyone carried.

***
Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

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The Spontaneous Knotting of an Agitated Awards Process

Image of a baby two-toed sloth, taken at the Sloth Sanctuary in Costa Rica.
This is a baby two-toed sloth. I figured it would be more appealing than an award logo.
Hugo nominations have opened and with that, an array of canvassing and promotion techniques have begun to be deployed, which will no doubt continue until the actual awards are awarded and everyone can briefly calm down before a new season begins.

The thing I’m not fond of, which has arisen in recent years, is the idea that one should vote according to one’s politics, and plunk down a vote for the “right” books without bothering to read them. Some people like to justify this by pointing to something that is undeniably true — the award is often less often the expression of the opinion of SF fans overall than that of a small subset of those fans and sometimes — perhaps even often — popularity, access to high-traffic websites, or other factors not related to quality of writing affects those results. In these cases, that’s usually used as a justification for throwing the votes in what’s perceived in the opposite direction.

And my reply is this: FFS, people, read stuff and vote for the stories you like, the stories which YOU find well-crafted and appealing. Go download the excellent Campbell sampler that Marc Blake has been putting together each year and take the time to read through it. Look at the ‘year’s best’ lists. Ask people what they liked that you might. Look at the five kerjillion “here’s what I have eligible this year” posts, particularly if you have a favorite author and want to make sure you don’t miss anything by them.

But read it and apply your standards to it and then vote for what you thought was the best story/novella/whatever. Anyone telling you to vote any other way, anyone offering their work and saying “you should vote for this because we belong to the same category” rather than “I hope you’ll vote for it if you like it” has an agenda that is not at all about quality of writing.

Yes, there are “taste-makers” — critics whose likes and dislikes are listened to, and often used for guidance. But those folks fall all over the spectrum and the answer, if you think there’s not someone representing your particular niche of opinion is to become one yourself, by putting your opinion out there articulately, clearly, and interestingly, which is the very same process by which those taste-makers got to that position.

You may well not agree with a particular award’s results. Opinions are like…well, you probably know how that saying goes. There’s plenty of room in a world this size for a vast array of opinions. But when a piece you didn’t like wins an award, saying that it did so because of politics comes off as soreheaded sour grapes more than anything else. Let’s face it, a shitty, badly-written piece has an awfully steep (but again, admittedly not impossible) hill to climb before accumulating the avalanche of votes something needs to win one of the major awards. But assuming that because you don’t like something no one else is justified in liking it is narcissistic egotism.

Want to see the stuff that you like on the ballots? Nominate it, vote for it, spread word about it on social media, through reviews, and via blog posts or other writings. Work at that, not trying to handicap the other candidates just so yours can limp home. And read stuff and decide for yourself, don’t just take the slate of predigested candidates someone has prepared so you don’t have to read any of that nasty conservative/liberal/whatever prose and actually think for yourself. Read all over the spectrum, not just one color. You’re shortchanging yourself of some good stuff otherwise.

...

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