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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Catching Up, Plus Nebulas Report and Sundry Advice for New Nebula-Goers
Okay, holy cow, the Nebulas were a blast but also a giddy whirl. Here’s some highlights. (Sundry advice piece #1: It’s good to do these, not just because it makes you remember some of the things you should be following through on, but because it lets you acknowledge some folks and maybe build some ties.)
Starting the Nebula Weekend Off, or Friday Begins on Wednesday
Wednesday I flew in and lucked out: Kate Baker, SFWA’s awesome Operations Director, and I arrived around the same time, so we shared a taxi in. That was an experience in and of itself — the driver driving on the shoulder of the road, more than once, while Tagore songs blasted us and we shouted conversation over the roar of the wind through the window I couldn’t roll up. We arrived at the Palmer House unscathed.
Thursday I spent the day in the SFWA board meeting. We have board meetings face to face twice a year as well as the ongoing session on the discussion boards and assorted video calls. The board meetings are a nice chance to talk out stuff quickly, so we covered a wide range of things. I have a certain impatience with meetings engrained from years in academia and the corporate world, but Kate Baker had arranged to have enough coffee and food there to sustain us, and there are definitely worse people to be stuck in a room all day with. 😉
Alinea and the Meal of a Lifetime
If you are not interested in food, I suggest skipping ahead to the next section.
That evening I went off to Alinea, along with Scott Edelman (the party organizer), Ellen Datlow, Barry Goldblatt, Sam Miller Jr. and Sheila Williams. I have never had a meal as beautifully composed and choreographed. Here are some pics. The overall meal was fourteen courses and took four hours, which passed with amazing speed.
My first panel was SFWA Through the Years, along with past and current SFWA presidents Greg Bear, Michael Capobianco, Russell Davis, and Steven Gould. Mainly I just shut up and listened; the more of SFWA’s convoluted history I know, the better. 😉
At 2:30 PM I was on the Diversifying Your Income Stream, along with Eric Flint (who I had never met before but am a longtime fan of), Mary Anne Mohanraj, and Steven Gould. I mainly talked about Patreon and teaching; Eric and Steven also talked about e-publishing one’s backlist, selling film and game rights, and writing nonfiction. I was sorry to miss the What SFWA Can Do For You panel that was going on at the same time with Kate Baker, Lee Martindale, Sarah Pinsker, and Bud Sparhawk — any chance someone taped it?
Chris Kluwe, one of our special guests, arrived in time to hang with Wayne at the reception while I wandered around a bit. The reception was up on the mezzanine, which wrapped around a large open space, If you headed down the hallways, there were lots of tables with local F&SF and/or writing organizations, and I tried to stop by all of them. That was handy, since I’ll be back in the area in October, and I talked to Tina Jens of Gumbo Fiction Salon about coming to read next time I’m in the area. Here’s Catherine Lundoff’s recounting of our encounter.
After that we headed off to the mass autographing. I had Matthew Johnson on one side and Bruce Holmes on the other, and also got a chance to chat with some folks here and there. WordFire Press had sent along some copies of Beasts of Tabat (Newer writers, this is one way a press shows they believe not just in your book but your career with them, and it is deeply appreciated) so there were some books to sign, along with a number of copies of the SFWA Cookbook.
Speaking of which, it was a big hit! It made a nice way to collect autographs, particularly with Larry Niven, our new grandmaster, having provided his instructions for running a coffee bar at a convention. We’ve sold a number of copies (Connie Willis bought 5!), and may end up doing another print run past our original 1000 copies. All proceeds go to benefit SFWA’s Legal Fund. You can still order it online. (Contributors, I am mailing you in the next couple of days about your copies, which should go out at the end of the month.) Fran Wilde remains the rockingest co-editor a woman could wish for.
Saturday morning I got early to met with Beth Gwinn to take a photo, which we staged on an odd and leathery green sofa in one of the Palmer House antechambers. Afterwards I went to the SFWA business meeting. I had to laugh – several of us arrived a half hour early just to make sure everything was set up, which we hadn’t coordinated. Despite a slight delay with the food, we got started on time, and it felt like a good meeting, which people were interested in and enthusiastic about the organization’s direction.
Right after that Steven Gould and I headed up to meet with Todd Vandemark, our videographer, to be interviewed. Todd did a number of interviews throughout the course of the weekend; you’ll be able to find them on our Youtube channel, where we’ll be releasing one every few weeks.
Banquet Highlights
Man, this was a giddy blur. I thought it was a great job overall. Next year’s banquet space is a bit larger and even swanker, so that will be fun. That said, here are some moments that stand out.
The opening video by Kate Baker, showing faces of so many friends, was a great way to start, and got everyone fired up. It was a beautiful job, and though it glitched briefly, the unexpected pause froze on Stanley Schmidt’s face, which surely was one of the most appropriate possible places.
Seeing how glittery everyone was. Everyone cleans up pretty darn nicely, and Aliette de Bodard, Scott Edelman, Nancy Kress, Jack McDevitt, Valerie Schoen, Alyssa Wong were all rocking the house with their outfits. I’d been setting aside particularly glittery thrift store finds for the past year and all three dresses were a hit, but I saved the best for the banquet, and was pleased with the results, plus it was beautiful with the beaded jewelry that Sarah Hendrix made.
Seeing student and friend Usman Malik on the ballot for his excellent story, although everyone was a tremendous pleasure. Ursula Vernon’s acceptance made me a little weepy
Our toastmaster Nick Offerman introducing me as “And now, a small domestic animal who shoots down helicopters with a bow and arrow…. Cat Rambo!” as well as when he told Steven Silver, “You’ve come at the right time. They just took away your salad and brought your steak.”
Watching actual teens present the Norton Award (the panel where teens talked about their reading was also a big hit, according to an attendee I talked to).
Being able to present the Solstice Award to Joanna Russ, accepted by Mary Anne Mohanraj. Russ is one of the reasons I write speculative fiction, but she’s also shaped my worldview. This made me happy.
Sunday morning I got up early to have breakfast with Rachel Swirsky, but things got derailed, as is the nature of conventions. (Another lesson for new con-goers: it is essential to go with the flow.) After that I headed down to the volunteer breakfast, which for me was one of the most important parts of the weekend. Heather McDougal made some very cool certificates of appreciation (volunteers who weren’t there, we’ll be sending them out next month). Two volunteers we particularly wanted to remember were Eugie Foster and Peggy Rae Sapienza, both of whom passed in the last year and were terrific members of the community. Matthew Foster accepted Eugie’s award as well as one of the commemorative coins as a special thank you.
My first panel was SFWA’s Next Fifty Years “” A forum of SFWA members discuss the next fifty years for sf writing, including new technologies and publishing methods, and how they will affect the future of publishing and SFWA, with Steven Gould and Bud Sparhawk. We talked some about what we hoped to see down the line, about things like preserving institutional memory better and implementing project management software to track our efforts.
My last panel was on mentoring with Daryl Gregory and Steve Gould, who we’d drafted in Jack McDevitt’s place. There was a single audience member, Mary Mascari, so we moved to adjourn to the bar, where Chuck Gannon, Nancy Kress, Jack Skillingstead, and Bud Sparhawk joined us to add their advice. The rest of Sunday evening was decompressing a bit, and drinking enough wine to be ready to go upstairs and take a long-anticipated hot bath with my bookbag treasures. One very cool thing in the bags were the lovely trading cards created by publisher Walter Day.
Over the course of the weekend I got good time to talk with a lot of SFWA staff and volunteers, including Kate Baker, Michael Capobianco, Neil Clarke, Russell Davis, Cynthia Felice, Jim Fiscus, Matthew Foster, Jim Johnson, Derek Kunsken, Terra LeMay, Sarah Pinsker, Steven Silver, Bud Sparhawk, Rachel Swirsky, Jeremy Tolbert
Monday morning Steven H. Silver led Kate Baker, Michael Capobianco, Jaym Gates, and myself out for a tasty breakfast at Lou Mitchell’s, complete with beignets and prunes.
I headed out early on Monday morning and my last goodbye of the con was to Larry Niven, who was sitting waiting for someone to bring his luggage down. I conveyed my good wishes and it was a really nice way to end a fabulous weekend.
I don’t think I can possibly come close to mentioning everyone I talked to, but I remember some conversations with particular fondness, including words with John Joseph Adams, Astrid and Greg Bear, Catherine Brennan, Amanda Bridges, James Brown, Karl Dandenell, Sherri Davis, Beth Dawkins, Aliette de Bodard, Phyllis Eisenstein, Eric Flint, Esther Friesner, Megan Gillis, Gay and Joe Haldeman, Randy Kaempen, William Lawhorn, Ann Leckie, Catherine Lundoff, Carmen Machado, Jack McDevitt, Laura Mixon, Francesca Myman, Lettie Prell, Arley Sorg (thank you for the wine!), Caitlin, Lynne, and Michael Thomas, Liza Groen Trombi, Ursula and Kevin Vernon, LaShawn Wanak, Jacob and Rina Weisman, Connie Willis, and Christie Yant. To the people I have (inevitably) missed, my apologies and assurance that it is not due to a lack of regard, but simply my sieve-like memory.
Last piece of advice: Michael Stackpole told me this once, and it is so good to remember. For writers, these are working weekends. Don’t treat it like a vacation, but take a little time to rest the day after.
Now I’m finishing up a write-up for the SFWA Forum about all our volunteer efforts. With the Nebula Awards Weekend is over, there will be some new projects coming down the pike and VP-elect M.C.A. Hogarth and I have already been talking and getting our plans aligned. First off, though, I’m going to spend a little time with my godkids at the end of the month, then in July/August, I’m housesitting for a friend and finishing up Hearts of Tabat (with a brief break midway for Gencon!),
I’d noticed that reserving a table at the Northwest Book Fest was around 100 bucks. So I asked some other people if they would be interested in sharing a table and enough of us clubbed in that it ended up being very reasonable. We had Brenda Cooper, Louise Marley, Vicki Saunders, Jeanine Southard, Django Wexler, and myself as well as books from Hydra House, including the new Clarion West anthology, Telling Tales, and KC Ball’s short story collection.
As far as selling goes, the first day was not particularly successful and on that day 50% of the book sold were to each other. The second day was more of the same, although we didn’t sell as many to each other. Overall, doing a group thing was definitely a good idea: it made for a table packed with attractive, professionally done books along with some table display stuff like a robot, a war-elephant, and some fantasy stuffed animals (including plushie Chtulhu). It also meant we had people to chat with and the livelier appearance of our table helped pull people in, I think. (Plus we had candy.) We might have done better on the first floor than the second, and there were some lighting issues.
I presented a workshop on podcasting, which was well attended, and I ran them through some whys and whats of recording your own podcast as well as ranting a bit about rights and not paying to publish. A number of them signed up to get advance notice of the Building an Online Presence for Writers book.
Overall, it was fun, and there was some decent networking, plus I passed out some postcards on my classes. On the other hand, did we sell many books? Not at all. However, the cost of the $100 table, split between all of us, was pretty darn reasonable, and it meant we could attend workshops. We didn’t have a formal name, so I’d put “Seattle Speculative Fiction Writers” down. So many people asked about our group the first day that Django ended up putting out a sign-up sheet for news of group activities and gathering two pages of e-mail addresses. I look forward to the first wine and chat party.
If I ran an effort like this again, I’d focus more on selling: perhaps do book bundles, make a sign letting people know the books were priced at special rates for the book festival, maybe have some lower-priced items or stocking-stuffer type trinkets, and would have a signup sheet for other mailing lists, like each author’s. However, the location was so difficult to get to that there was no foot traffic and some people had difficulty finding the place — if they do it in the same location next year, I’ll pass and spend that time writing instead, but as Brenda noted, if they move it back downtown, it might be worthwhile.
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