Seven Tips To Make Your Workshop Submission Better

Here is one of the wisest things about writing process ever told me, said by Syne Mitchell during a Clarion West Friday mystery muse visit: “Try different things, find out what works for you, and then do that. Lots.” Brilliant.

It’s to the point because everyone’s process differs, and may change due to time and circumstance. I can write with some ambient noise, for example, so I can take a notebook over to Soul Food Books in order to grab coffee and one of their tables and know I’ll have a productive afternoon. Here at home, I need more quiet, and it takes me a little longer to get focused, but once I’m started I can write fast and furiously for a stint that’s good for a chunk of words. I like writing in airports, but it’s scattered writing, flashes of notes, observations about people, notes for stories I’ll write later.

Sometimes I write on the computer, other times by hand in a notebook. I’ve tried dictating and at first it didn’t work well for me but over the course of a decade has become crucial to my process. I sample different notebooks – I like big artist’s sketch pads to write in, actually, because I like all that white space with plenty of room for extra notes and diagrams. I don’t like writing on small surfaces, like business cards or Post-its; I don’t think I’d get much done if forced to rely on those.

And actually, I take that back. If all I had to write on was index cards, I’d make that work. Because sometimes you have to, or else give up on writing. A new parent, for example, won’t have the uninterrupted bouts of time that they once had. They have to start thinking about writing in short bursts, or at a time they’d normally be in bed. The trick is to write, to resist the temptation to slack off, to give yourself a break.

Try new things. Go write somewhere today where you haven’t written before and turn out a few hundred words there: sitting on your front steps, or on an aquarium bench while tourists pass, or sitting on the back of one of the lion statues outside the Art Institute in Chicago while a November wind gnaws at your fingers. Or write a list of ten places to try – and then try at least one. Or stay at home in your usual place, that’s fine too. As long as you’re getting some writing done.

The mantra of our household is: writers just effing write. Because it’s so much easier not to do it, to spend time reading blog posts or alphabetizing the spice rack or making plans and blueprints for the wonderful story we’ll produce, once we get sufficiently prepared. Prepare yourself for the writing, don’t prepare the writing for you by fiddling with outlines or research or format.

Enjoy this writing advice and want more like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Perefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

I talked yesterday about flash fiction, what it is and why writers might want to write some. I mentioned that it’s a great place to try out new techniques. So here’s five possible things to focus on in a flash piece, with five more coming on Monday. Pick one and sit down and write the story. How long should it be? That’s entirely your call.

1. Write a story in future tense. Tell the reader what’s going to happen, an anticipation of the story to come.
2. Write a haiku about a place. Now take it and expand it with an important meeting or goodbye taking place there.
3. Write a piece that is a conversation and that only uses one syllable words.
4. Write a piece that is the conversation’s setting, in which at least half the words are three syllables or more, and in which no sentence is shorter than ten words. Optional: Make it a description from the pov of one of the participants in the conversation, who has a secret they desperately want to keep from the other character.
5. Write a piece telling a familiar story from the POV of a character who doesn’t usually get to speak, like the mother bear in Goldilocks and the Three Bears, or the superhero nobody’s ever heard of.
6. Go into your kitchen and take out two spices. Mix a couple of pinches and sniff them. Now write about what the smell reminds you of.
7. What is a present you’ve never gotten but always wanted? Write a flash about it being given to someone else.
8. Who is the saddest superhero and what was their last adventure?
9. The game never ended but went on for decades. Write a story that tells the reader why.
10. Go for a walk or ride and look at things until you notice something you’ve never noticed before. Now write about it.

P.S. Want to read some flash fiction being written before anyone knew to call it that? Try James Thurber’s Fables for Our Time. Or for something more contemporary, Michael Swanwick’s Cigar-Box Faust and Other Miniatures.

Enjoy these story prompts and want more content like this? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.