Class Notes Session 3 "“ World-building

The is the fourth Serendib story I’ve done. The others are: “The Subtler Art,” also featuring The Dark and Tericatus, which appeared in Blackguards: Tales of Assassins, Mercenaries and Thieves; “Call and Answer, Plant and Harvest,” which should appear in the science fantasy issue of Beneath Ceaseless Skies tomorrow; and “The Owlkit, the Beekeeper, the Brewer, and the Candymaker,” which appears in forthcoming collection, Neither Here Nor There.

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The Mage’s Gift

This is a story of Serendib, the origami city where dimensions intersect and where you step between worlds as easily as turning down a new street to hear the stars singing overhead or the clanging steps of automata on patrol or centaur hoofs clattering over concrete. Everyone that comes to Serendib has a story, and sometimes those stories continue well after they’ve come to stay.

Once she’d hopped the glass-edged wall using gloves made of fish-leather from the deepest deeps, it had been easy enough to defeat the bloodsucking ivy and the centipede hounds contained in the first set of barriers. After that, she paused to change gloves to a new set, this time made of technology stolen from ancient Atlantis, made of ebon clay and silver circuitry.

The Dark rarely stooped to thievery nowadays but it was how she had started her professional life, long ago in a city whose name she had deliberately forgotten.

There she had been a child born to both privilege and indifference. At fifteen, she had left the school where her parents had deposited her and sauntered off to make her own living. This took the form of burglarizing her parents’ friends, at least those whose estates and townhouses she’d had occasion to reconnoiter in earlier years.

This was not as novel a revolt as it might have been, for that city accepts its criminals to the point of licensing them. The true revolt manifested in flouting paperwork until she came of age at sixteen.

Nimble, fearless, and adept in unexpected strategy, she did quite well by this. Well enough that she was able to spread the largesse to many of those less comfortable than her victims, and in doing so, became known as “The Dark Angel.”

When, thirteen months later, the infamous guild of assassins that had noted her exploits came to recruit her, they demanded she rename herself (for licensing purposes, since murder was as strictly regulated as theft), which she did by truncating the former name to the alias she had gone by several decades now.

She had kept that knowledge to herself as, over the course of those decades, she’d met any number of unusual characters, including her spouse for two of those decades, Tericatus the alchemist-mage; her sometime-enemy, sometime-friend Chig the Rat God; and quite a few fellow thieves and assassins who often failed to live up to the high standards she held when it came to both of her professions.

Of that group, only Chig knew of her thiefly beginnings. The Dark had kept meaning to tell Tericatus, but he did not come from a city where burglary or murder were government-sanctioned and so held a number of different opinions on such matters. In her secret heart, The Dark found her spouse a trifle sanctimonious at times and preferred not to give him license to pontificate.

She had retired from assassinations ““ aside from the occasional wager-related killing ““ some time ago. And now she returned to thievery not so much for entertainment but also because she was impelled by the yearly conundrum of a suitable anniversary present for a man who could, literally, conjure almost anything his heart could imagine.

The next wall was made of fricklebrick, which sounds amusing but involves a number of razor-sharp edges shifting frequently and somewhat randomly in their orientation.

She held her hands near the wall, palms in parallel to let the gloves sense the vibrations of the bricks and adjust themselves to countershift accordingly in a gentle grinding born of magic and machinery.

Casting a glance upward to make sure none of Serendib’s possible moons hung too high in the sky, she thought about Tericatus’ imagination and ““ not the for the first time ““ contemplated her luck in a mate who had long ago grown blasé with outer appearances and preferred inner qualities of fierceness and determined loyalty.

She wriggled upwards, features smeared with coalblack to match the midnight shadows around her, a silver box bumping on her hip. This year, she planned to snare something lovely that could not be bought. Her philosophy of presents was that such things were far better assembled when by effort than by coin.

This garden, located on one of the great terraces built along the mountain slope bordering the city to the north, belonged to a recent arrival to Serendib, a merchant/scientist whose name The Dark kept having tremendous difficulty remembering. This spoke of certain magics laid upon the name to avoid notice, and that was intriguing. More intriguing yet were the rumors of the contents of the innermost garden, center of three sets of walls, which held a worthy anniversary gift.

Not quite atop the wall, she used a mirror-tipped steel strand to survey the territory. She frowned. She had expected to deal with golems, their lips lined with acid spitters, armored in Tesla coils, but they lay scattered about. Someone had preceded her.

Her lips firmed in an uncharacteristic surge of temper. She had throttled back anger since, as a young thief, she had first accidentally-on purpose knifed someone as they grappled.

Not a death she regretted more than any other. The young man (he and his twin sister had been her schoolmates) had followed her to blackmail her. His death had been very painless, very swift. She prided herself that every subsequent kill had also fallen in that category.

But still ““ she had learned not to give way to impulse.

And it was not as though she had been able to lay claim to this place. Serendib has no organized institutions of thieves. Indeed, it is one of the few forbidden things, and so there was no established way of marking a place as being the target of someone very dangerous to cross.
Sparks from the farthest golem’s body still smoldered, sending up bitter smoke, from the felted leaves, which meant that her predecessor had beaten her by moments. She moved across the space with assurance, still clinging to the shadows, careful of the snarls of razor-edged grass, ornamental and deadly, lining the pathway.

The stones of the inner wall were cemented with soul stuff, and she had never been good with that magic, so she relied on a wholly technological approach, letting a wand of phlogistonic radions spill its lavender light out along the pink-veined surface, soothing it, till she could climb without complaint.

She saw no sign of the intruder as she came into the garden’s inner heart. That was a very good thing, because it was such a pretty place that it stunned her momentarily, a phenomenon that rarely happened to the phlegmatic and sometimes a little cynical woman.

Here in the lambent center, lit by living lanterns, a thousand flowers swelled and bloomed, silky petals dappled and daubed with iridescence, each sending out great invisible clouts of perfume, each different, dizzying with its intensity: cinnamon and carnation, musk and mossrose, vanilla and vetiver.

Mechanical dragonflies and bumblebees, hummingbirds and hovering moths, flitted from one great head-sized blossom to another, posing for seconds in the scented depths as the biomagnetic fields recharged its visitor, letting them continue to dart about on patrol.

Crouched at the wall’s foot, The Dark lost no time setting the contraption she had carried at her belt on the ground and touching an ivory dial on its side. It unfolded spindly legs and began to totter about, looking like a walking cage made of silver wire and light, staggering towards a flowering bush circled by whistling bees.

She ignored it and looked for tracks, searching over the soft earth. As she moved, flying creatures sensed her and veered, but as each neared with tiny laser-lit eyes flashing and razor sharp mandibles and stings at the ready, it swung away, disoriented and warded off by the complicated magnetic field of The Dark’s earrings, fashioned of rare and subtle earth magics by her husband for their last anniversary, who had intended his gift protection rather than pilfering.

The Dark knew how to read subtle signs: a bent leaf, a displaced butterfly, a flower turned to an unnatural alignment. Whoever it was, they were of a certain height, and a certain weight, and wore a robe that flickered out just so”¦A frown grew on her face, and each time the moonlight licked her mouth, her lips were turned further down.

By the time she found the intruder, standing to watch carp seethe beneath the surface of a tiny pond, she knew enough to say, her tone irritated, “But I was getting a present for you.” And then, “You always have said thievery is a base form of art.”

“Well, that is true enough,” her husband said in a mild tone intended to smooth the rasp from hers. “But you must admit that you are very hard to find presents for.”

“Hrmph,” she said. “Well, enough, let us collect what we haVE come for and return home to exchange gifts a trifle early.”

He inclined his head.

But when they reunited some moments later in the garden’s center, The Dark held her walking cage, twisted and rent asunder by some force, and Tericatus had scraps of similarly shredded mist, smelling of ozone, clinging to a handful of glowing threads. The Dark eyed that device curiously, for it was not a spell that had occurred to her, but she said only, “Someone else is here, and they do not mean us good.”

“Two thieves for the price of one,” a voice fluted, “but I am only interested in the one. Man, you may go now, if you leave swiftly and without interference.”

The figure that stepped from the shadows was hard to see, for the mechanical insects whirled and fluttered around the slim form, not as though to attack, but to protect. It was a face that the Dark had forgotten, but she realized now she had remembered it all her life, for it was that of the young man who had been her first kill.

Then another step forward and she realized ““ not him, but his sister, who the Dark had known but little, and last remembered seeing at the very uncomfortable funeral.

“Alas,” Tericatus said, and his tone was still mild, but this time steel flowed beneath it. “I do not choose to leave my wife behind.”

“Your wife!” the lady exclaimed. The Dark remembered her curls as dark as her own, but now silver threads outmatched the ebon ones, vanquishing, and age and disapproval thinned the once-plump lips. “Not just a thief, but a killer, and a noted one, fattened on her murders over the years. I see that crime treats you well enough.”

“In all things,” the Dark said, “I have always acted within the boundaries of the law.” She glanced at Tericatus.

“That does not matter,” the sister, whose name The Dark still could not quite recall ““ Elissa? Alyssa? Elison? Whoever she was, she thrust her clenched fist out, tight knuckles upward, and let her fingers fly open as she slapped downward a few inches, releasing an alarming number of gnarly black tentacles that plunged for seconds then writhed upward with a swordblade’s swiftness, flashing up at the pair.

By mutual accord, they separated, stepping simultaneously in opposite directions. The Dark vanished into the shadows beneath a tree’s outgrasping branches while Tericatus thumbed three vials open with practiced swiftness, vapors from the first two combining to solidify around him while the third released a thimbleful of glittering motes that swarmed to halo his head.

But the tentacles moved unerringly only for The Dark, altering course and somehow picking up speed in the process, perhaps assisted by the mother of pearl moths, their wings edged with perilously sharp flakes of crystal, orbiting her head in paths that curved in to slash at her cheek, then shoulder.

Tericatus stepped forward, striking the tentacles with a lacy golden blade that shimmered with sunlight, but they ignored him.

“They only judge those who are truly guilty!” The noblewoman laughed, the sound high-pitched, relief achieved after decades.

Tericatus said, “My wife is not guilty. She tells the world she stepped down from her path for love of me, but I know it was because things weighed on her too heavily. She has worked to atone, and anyhow who are you to judge her and pronounce her fate?”

He moved between the Dark and the tentacles as he spoke, and they fell away from him as the sparkling motes danced over them, becoming more and more sparks in the process.

“I have been told of her misdeeds, over the years,” the woman said, and glittering beetles danced in time with her words, fever-quick. “She learned nothing from killing my brother, has gone on to kill again and again. I have spoken to her comrades, her companions of the blade.”

“Perhaps you had a particular informant,” The Dark said, coldness counterbalancing the fire. “Perhaps they were narrow of face and dark of hair.”

“That could describe many,” the noblewoman said.

“Much like myself, they dressed in blacks and greys, with the occasional touch of silver.”

The noblewoman shrugged. “That is a style, like any other.”

“And possibly from time to time, when you glimpsed them from the corner of your eye, they appeared to have”¦ whiskers.”

The woman wavered. “That,” she said, “is both idiosyncratic and true.”

“Chig,” The Dark said without intonation, but her husband muttered it under his breath in a very different tone.

“You are a pawn,” Tericatus said and glanced at his wife, “in a game that has been playing for a very long time, and which I thought was over.”

“If so,” The Dark returned, “and I am neither confirming nor denying such things, I would have anticipated such a contingency but would, as welcome your sage advice on the subject of my imprisonment.”

“Given my knowledge of magic, I would suspect that the things holding you might be dispelled by truths.”

“Or magic of one variety or another,” The Dark suggested, feeling the tentacles tighten around her.

But as he sighed and readied two new vials, she said, “My dear, the truth of it is that I began my working life as a thief, and I have never told you that because I thought you would think the less of me.”

Tentacles withered and fell. The woman gaped, and somewhere from the deepest shadows came a murmured curse, the slither of a great tail and a plomph of displaced air that might signify a rat god vanishing.

“I personally would count that truth a gift, but perhaps you might remove one of the flowers and several of its attendant insects for our garden, as I had intended, as a token for our trouble. Take your present, my dear, and go ahead,” The Dark said. “I’ll be along in a little while.” She eyed the woman.

When she caught up with Tericatus at the outermost wall, he said, “An assassin who had repented might stay their hand from killing someone who they thought might pose a future danger sometime.”

“That is true,” The Dark said, cleaning some substance from a silver stiletto. “And it is also true that even such a one might think it best to avoid future trouble if it might affect others that one cared for.”

“That is indeed another truth,” Tericatus said and reflected, not for the first time, on the value of growing blasé with outer appearance and preferring inner qualities of fierceness and determined loyalty in a mate.

-THE END-

Let me know what you thought! Shall I keep writing Serendib pieces, go back to Tabat, or venture elsewhere?

One of the very last goals for this month that hasn’t been crossed off the whiteboard yet is “rework Patreon campaign.” It’s a project I’ve been circling for a while, because I’m aware that if I don’t plan carefully, I am quite capable of both overextending myself and making promises I can’t deliver on. I thought I’d show the thought process as I worked through and rearranged, the rationale behind the changes, and some of what I’ve learned from working with Patreon so far.

I started the campaign two years ago because I wanted a place to push some of the stories I was writing. In that regard, it’s been reasonably successful, and looking back, I’ve published two dozen stories that way, ranging in length from flash to novelette. Some have been publicly available, like Aardvark Says Moo, Seven Clockwork Angels, and Web of Blood and Iron, while others were limited to Patreon patrons only.

One of the interesting wrinkles that has developed is the question of stories posted only for patrons. Some magazines regard them as already published; some don’t. To my mind, the smallness of the audience makes that a no, but I clearly have a horse in that race.

I speak there not just as a writer but as SFWA President. Being able to sell that story twice nudges the finances up to the point where making a living off stories might actually be viable, depending on the cost-of-living of wherever the writer resides. And it was possible to make a living off short stories, back in the 20th century, but magazine pay rates have not kept pace with inflation, to the point where (imo) it is no longer a viable option unless you’re willing to live very stringently indeed.

Looking back over the past century, that seems indicative of a trend where increasingly money has been shifted away from the creators and moved to the businesses based on the content they create. For example, at the pay rate of .01 per word that Weird Tales had in 1926; in 2017 that’s 13 cents worth of buying power. The SFWA pro rate started at 3 cents a word; if the rate from the 60s had kept up with inflation, the current pro rate would be 25 cents a word, but it’s currently six cents — and that high only because recently the board has pushed to raise it. (My math is based on this inflation calculator, which seems to back up other calculations I’ve looked at.)

At any rate, since I seem to be rambling in the wrong direction, let me swerve back to Patreon. Putting up stories has been mildly successful, but I haven’t been as good about delivering stuff to patrons as I should have been. Part of the revamp involves a mass letter to current patrons that helps catch up on that, offering the upper level ones e-books to make up for the ones I’d intended to do and send out every six months.

To start the rework, I decide I’ll begin with revamping the reward levels, based on looking at what another successful Patreon creator, M.C.A. Hogarth is doing. Maggie is a friend, and more than that, she’s a smart cookie, who’s even written a book on running successful Kickstarter campaigns. Her rewards are based on a monthly pledge, with $1 level getting some posts, $5 all posts, $10 that plus access to a monthly chat and ongoing chat channel, and one $100 user sponsoring a special piece of content for all patrons, and getting to choose what it is.

I know from experience that looking at what’s working for someone and shamelessly modeling your effort on theirs is not a bad approach, so my next step is thinking about what I can and can’t deliver on a monthly basis and looking to see what parts of Maggie’s framework I can hang those on. Here I need to be both realistic and kind to myself.

So a good place to start is — what am I already doing that I might be drawing on? Can I rearrange some efforts in a more efficient way?

What I do on a daily basis:

• Write. Well, that’s the plan, and actually any commitment that helps me make my 2k words goal is helpful. So excerpts from what I’ve written is a no-brainer. I can still schedule these in advance for days when I’m traveling somewhere or otherwise don’t have reliable net access.
• Teach or work on teaching. I run the Rambo Academy for Wayward Writers, both developing my own content and working with co-teachers like Ann Leckie, Rachel Swirsky, and Juliette Wade on their courses. Right now I’ve got some others in the works. So I’ve usually got a number of writing tips, prompts, and exercises, including illustrated quotes that I use for the classes.
• Do SFWA stuff. It’d be wrong to monetize this, though, in my opinion, so I’ll keep talk about that to social media and my blog.
• Use social media, including Facebook, Instagram, and Twitter. The nice thing about that is that I can comb back through a social media stream and come up with links to combine in a list for people.
• Daily life stuff, including a lot of cooking, which is one of my passions. Pictures of what I’m cooking and recipes seems like a no-brainer.
• Read a lot, about 3/4 of the time F&SF. I’m one of those folks who tend to be more about praising the stuff I like than decrying the stuff I don’t, so perhaps reading suggestions will be welcome.

What I do on a weekly or monthly basis:

• Send out my newsletter.
• Write blog posts.
• Create art: some drawings, but often linoleum prints or a collage.

Maggie has a split between the $1 and $5 users, involving extra content. Let’s say I do a post for everyone, comprised of a snippet from recent writing, 2-3 times each week. That gives me a pretty substantial value (IMO) for them, plus I’ll put the two stories in there, rather than making the pledge per story. They’ll also get the coupons for Rambo Academy classes that I send out to my newsletter subscribers, which range from 25-90% off. Hmm. That seems like a good deal for the $1 patrons, so I’ll leave it at that.

Do I want to add $2 supports as well as $5? I actually think I do. How about a writing tip or prompt for each weekday as well? In adding this, I’m thinking about how much prep is involved, but here I think I can pull from my teaching, so the main work is creating the post itself.

What I can add for the $5 supporters? How about a weekly wrap-up each Sunday of what I’ve read that week, along with a recipe? I’m not sure, but let’s give it a try, I decide. One of the nice things about Patreon is that you can tinker with stuff on the fly, so I will make a note on my calendar to look and see how well this is working three months down the line. If I end up doing any of the cooking videos that I’ve been contemplating but haven’t had the time to work on yet, this might be a good place for them. I keep thinking about that one and change my mind, deciding I’ll add a different kind of video, one people have requested, and which won’t be hard to do, me reading a flash piece. I’ll stick to one a month until I know how that’s working and still plan on looking at it in three months.

Okay, $10 peeps. I love the idea of a monthly chat, and my G+ business account lets me invite up to 24 other people. I’ll include that — if it’s immensely popular I may have to scale up to the tech that Maggie’s using, but that question can get kicked down the road for now. I’ve also been using Slack lately, and already have a Rambo Academy channel that I set up but haven’t been using, so I can give folks access to that as well.

Maggie’s next jump is to that $100 level, but I know I’ll be putting out some ebooks this year, so I decide I’ll make a $25 level that lets those patrons get a copy of whatever comes out. This is dangerous, because it’s a deliverable that requires organization — I’ll need to build and maintain a list, and be good about putting e-mailing the books out into the book release campaign. I think about this and decide that since the catchup work I’m doing involves getting existing books out, I’ll be building that list anyhow. This time, I’ll keep it in Evernote, an organizational tool that I’ve been using for SFWA and which I’ve found works well for me, and plan on posting the files on Patreon rather than in e-mail. Maggie sends people physical things; I think about that and decide that it’s not something I should commit to. I know from experience that getting stuff in the mail is not one of my strengths. I decide I’ll add a couple of photos of my art each month at this level; that I know I can deliver.

All right. That leaves me with the $100 level. I decide I’ll commit to the same thing Maggie does. It seems dubious to me that anyone will actually sponsor at that level, but it’s nice to have the option available. For a little while I toy with ideas of levels above that, but it seems like a unrealistic effort that just drains time.

Maggie’s used a cute conceit for the supporters by comparing the levels to areas of a house: the lawn, the lanai, the den. Since I frequently use Chez Rambo mentions on my blog and in social media, I contemplate it. It’s a powerful metaphor, the idea that you’re being invited in, and I know that I want to create the feel of a community. At this point I’m tempted to cut down on the number of levels in order to simplify things, but I resist the urge. After much thought I come up with the following:

• $1 Cat’s Posse
• $2 Posse Plus
• $5 Rambo Ranger
• $10 Virtual Coffeehouse
• $25 Send Me Everything
• $100 Munificent Patron

I make a note on my follow-up list to check on doing something like getting “Cat Rambo’s Posse” badge ribbons to distribute to patrons at upcoming conventions. That’ll both make them feel appreciated and let them spread the word. I’ve seen other authors distribute badge ribbons at conventions, but I’ve never tried it myself. A quick online search lets me see that I can get them for somewhere in the range of .25-.50 each, depending on how many I order. That’s spendy enough that I decide I do want to save them for patrons rather than giving them out at large.

I’ll want to rewrite the beginning appeal and re-shoot the accompanying video. I put that item aside for when I start the actual work of re-doing the page; right now I’m still in the planning stage and figuring out both my work items and the order in which I should do them.

I look at the reward tiers as part of the revamp. I’ve said if I hit $250 a month I’ll add an extra flash piece. That seems reasonable; I’ll leave it as stands. The $500 level is an additional story recording – if I make it of that flash piece, that works all right, so I leave that alone as well. $1000 is an urban fantasy series. I decide to scrap that for now but then think hard.

What would hitting the $1k a month level on Patreon enable me to do? It’d free up sometime I use for freelancing. What if I took some of that time and did something I’ve wanted to do for a while, a monthly podcast that’s a roundtable focusing on a different topic each time? Okay, that works. I’ll swap that in. The final reward tier is $2500, at which point I’d start a magazine, because people keep asking me about that. I’m not going to hit that reward level anytime soon, but if some fluke occurs, it’ll be a ways down the line, and I’m willing to make good on that promise at that level because it’d let me pay the writers and do a pretty nice little online magazine. Again, I leave that goal alone.

A major part of the change is going to monthly rather than per post; looking at the Patreon docs, I see that I should do this at the beginning of February, since I’ve done two January paid posts. I make another note on my calendar. I also want to get this out the door, so I decide not to wait till I have the video — but also add a note to make sure it goes on this week’s todo list.

Next month I’ll provide some feedback over how successful (or not!) this approach has been.