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Editing Fiction Collections

The two collections will have the same cover. I like this picture, but it's not the right one.
This month one work item is putting the near-sf and far-sf collections together for e-publication. This morning, I got the near one assembled in a Word doc, made a formatting pass, and added about a third of the afternotes. Here are the tentative ToCs (Table of Contents). Each will be a little over 50k.

NEAR:
The Mermaids Singing, Each To Each (Clarkesworld)
Peaches of Immortality (originally appeared as The Immortality Game in Fantasy)
Long Enough and Just So Long (Lightspeed)
Therapy Buddha (20/20 Visions)
Do the Right Thing (unpublished)
10 New Metaphors for Cyberspace (Abyss & Apex)
Memories of Moments, Bright As Falling Stars (Talebones)
RealFur (Serpentarius)
A Man And His Parasite (unpublished)
Not Waving, Drowning (Redstone)
Flicka (Subversions)
Raven (Twisted Cat Tales)
Legends of the Gone (Talebones)

FAR: (much less sure about this order, suggestions welcome)
Zeppelin Follies (Crossed Genres)
Surrogates (Clockwork Phoenix 3)
Kallakak's Cousins (Asimov's)
Five Ways to Fall in Love On Planet Porcelain (unpublished)
Angry Rose's Lament (Abyss & Apex)
Fire on the Water's Heart (Membrane)
Amid the Words of War (Lightspeed)
I Come From the Dark Universe (unpublished)
Seeking Nothing (Daily SF)
Bots d'Amor (Abyss & Apex)
TimeSnip (Basement Stories)
Mother's World (Aberrant Dreams)

(If you're curious about any, all of the online ones are linked to on my fiction page – http://www.kittywumpus.net/blog/fiction/. I know there's at least one A&A link that's broken, glad to hear of any other broken links.)

I've left some stories out, because there's actually enough for a 2nd fantasy antho and a horror one, much to my surprise. I've been more prolific over the past few years than I'd realized.

In my utter arrogance, I am debating whether or not I need to hire an editor, which is normally something I'd urge anyone putting together something for self-publishing to do. My reasoning is a) most of these have undergone multiple editing passes for publication, b) I am pretty sure I can find at least one volunteer proofreader, and c) I will be doing at least one read aloud pass to polish and finetune because I'd really like this to end up looking nice and error-free.

Cover art, I have no clue about yet. If I did it myself, it'd be two stick figures dancing.

Enjoy this insight into editing and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Some Slushpile Thoughts

Picture of books stacked in a hallwayIn reading for Women Destroy Fantasy, I’ve cleared about two hundred stories away so far, and there’s still about a hundred I have yet to read. Some amazing stuff, some familiar names, and all in all, a slush pile that is full enough of solid stories that I could fill several issues. It’s been a great pleasure to be elbow deep in so much excellence. So here’s a few notes on the experience so far.

In my head, I have these slots:

  1. My fairytale/legend/historical slot: Right now there’s a very good historical piece that I’ve tentatively penciled in here. It hits a lot of my sweet spots as a reader, it’s an interesting magic system, and it’s a good story. We’ll see if anything comes along that knocks it out of that slot.
  2. My steampunk/Victorian slot: Plenty of these stories to choose from, and again there’s a particular one in the lead.
  3. My superhero slot: A good number of these, and they are all jostling for the slot. I don’t have a favorite yet.
  4. My urban/modern day fantasy slot: Another one with multiple contenders so far, and there’s a number of wild and weird ones.

My criteria? I want good stories that will stick in the reader’s head and keep them thinking long after they’re done reading. I want lovely prose — but not so lovely that it eclipses the story. I want heart — I’m still looking for a story in the pile that makes me cry.

Other observations:

  • It’s a good idea to think about the impetus behind the anthology. Things like an anti-feminist message are probably going to be an awfully hard sell for an issue with what I’d consider a feminist theme.
  • Lots of wings in this slushpile. Not saying that’s bad, but man are there a lot of stories with this focus.
  • A lot has been done with fairytales in the past. Looking for fresher ground might be more rewarding.

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Announcing The Reinvented Detective!

I’m pleased to announce that we have final cover, release date, and table of contents!

December 12, 2023, The Reinvented Detective, the second installment of the Reinvented Anthology series from Jennifer Brozek and Cat Rambo, appears from Arc Manor.

The evolution of crime, punishment, and justice in the future.

What happens when time and technology change the definition of crime and punishment?

Science fiction often focuses on future technology without considering the society housing it. Social norms may change as tech changes — or not. What will criminals, investigators, judges, and juries look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge the possibilities of new laws, new police methods, and the birth of sentient Artificial Intelligence, as well as all the ways they can clash or combine?

The Reinvented Detective presents stories that complicate law and order as well as the concept of criminals, detectives, punishment, and justice for all by showing how shifting technology, the rise of sentient AIs, and shifting social attitudes may affect what is not only acceptable, but expected, within both real world and digital communities—and everything in-between. These stories reinvent detective and true crime tropes, recasting them for the 21st century, and above all, experimenting, astonishing, and entertaining.

Table of Contents

Foreword – Jennifer Brozek

REPORTS
Poem: That Missing C: Police Report #1 – Jane Yolen
The Best Justice Money Can Buy – C.C. Finlay
The Gardener’s Mystery: Notes from a Journal – Lisa Morton
Someone Else’s Device – AnaMaria Curtis
Coded Out – Frog and Esther Jones
Murder at the Westminster Dino Show – Rosemary Claire Smith
The Unassembled Victims – Peter Clines

ARTIFACTS
Poem: Ghosts – Seanan McGuire
Agents Provocateur – Lazarus Black
Great Detective in a Box – Jennifer R. Povey
Color Me Dead – E. J. Delaney
The Unremembered Paradox – Maurice Broaddus and Bethany K. Warner
Go Ask A.L.I.C.E. – Lyda Morehouse
Request to Vanish – Lauren Ring
Overclocked Holmes – Sarah Day and Tim Pratt

JUDGMENTS
Poem: Final Judgement – Jane Yolen
Dead Witness – Marie Bilodeau
We Are All Ourselves Inside Our Skins – Sam Fleming
Inside, Outside, Above, Below – Premee Mohamed
To Every Seed Their Own Body – Guan Un
In the Shadow of the Great Days – Harry Turtledove
Gum5hoe – Carrie Harris

Afterword – Cat Rambo

Buy from Amazon
Buy from Barnes & Noble
Buy from Powells Books

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