Free Flash Fiction - Up The Chimney

Both my Writing F&SF Stories and Advanced workshops offer students a chance to critique and be critiqued. To my mind, the latter is actually more useful, because being forced to articulate one’s position on an aspect of writing can be enlightening and instructive. With that in mind, here’s some best practices for such workshops.

Overall:

1. Start with what works. Let the writer know what you see as the story’s strengths and how they might capitalize on them.
2. What keeps you from connecting with the story? What don’t you understand? Sometimes the most useful thing you can give someone is a brief synopsis of what you think is going on in the story, because it may not match their intent.
3. Critique big ticket items, not little nitpicks.
4. It’s more important to point out what’s broken than to make suggestions how to fix it, because that fix will differ radically from writer to writer.
5. How do the beginning and ending work together to create a satisfying story? Is the story that’s provided the one the one promised in the beginning? Is the ending set up in a satisfying way? Is it the result of character actions?
6. What’s missing? What don’t you understand?
7. What seems extraneous, unneeded or distracting?
8. What’s the pacing like? Where does the story drag and where does it skip too quickly through details?
9. Where are the info-dumps and how can that information be spread out?
10. How well does the title work? If not well, what possible better titles can be drawn from the story?

Characters:

1. Are the characters likeable?
2. Are the characters acting or reacting?
3. Does the character have a point of identification with the reader, such as a problem, situation or want that both of them hold?
4. Where can we go deeper into the character’s head? Does the reader know what the character wants? Where don’t we understand what the character is doing?
5. Are there too many characters? Can any be combined?
6. Is the dialogue interesting and informative of character?
7. Is the point of view consistent?

World:

1. Is the world clear? Does the reader know where they are?
2. Does it feel generic? (Is it?) How can it be made more specific and evocative?
3. Does it make sense?
4. How important is the science of it? Are the facts right?
5. Where should we know more?
6. Where can the world come forward more?
7. Where can more sensory detail be worked in?
8. Is the culture interesting and also make sense?

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

I’ve read some great stuff in the last month or so, and wanted to point to some books that I thought people would particularly enjoy. Most of these were read on the Kindle, and I will usually link to that version if it’s available.

I loved Amanda Downum’s The Drowning City and The Bone Palace. Her work reminded me a lot of Martha Wells’ richly textured fantasy, and I thought Savedra was the best of any trans character I’ve encountered so far in fantasy. In grabbing links for this blog post, I realized there’s a third, Kingdoms of Dust, so that’s getting snagged right now.

Gemma Files’ fantasy western, A Book Of Tongues, was awesome and features a great character in the form of Chess, a saucy red-headed ex-whore and hexslinger who’s following his lover Rook and the rest of his outlaw band. I’m looking forward to the sequel, A Rope of Thorns, to the point where I am saving it for sometime when I can sit down and happily devour the book in a single setting.

I finally finished up the Hunger Games trilogy with Mockingjay. It’s a good, solid trilogy, but the first remains my favorite.

Joselle Vanderhoof was kind enough to give me a copy of Sleeping Beauty Indeed & Other Lesbian Fairytales while I was at ArmadilloCon. I got very tired of retold fairy tales while working with Fantasy Magazine, but there’s plenty in here doing something interesting rather than just regurgitating the tale.

I went back and reread Barry Hughart’s The Story of the Stone since I discovered it on Kindle, and knew I wanted something good for a plane trip. I first ran across the series in ancient days and still think it’s a lovely piece of fantasy and I wish there were more than just a few books about Master Li and Number Ten Ox.

The same trip was good for reading Masked, edited by Lou Anders, an anthology of superhero stories which is a nice addition to that field and has some stories

Rereads included E.F. Benson’s Mapp and Lucia series, which I re-read every few years as comfort food, and just love. They take place in early 20th century small English towns and feature village life at its most intensely gossipy and social. I must admit, I read a lot of books with the thought “boy, a fantasy version of this would be great” lurking in the back of my head, and this is one I’d love to see translated, although I think it’d take some major talent to pull it off.