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The Pink Hair Manifesto

Head shot of Cat Rambo with pink hair
Taken during World Fantasy in San Diego, 2011, by On Focus Photography.
Since 2006, I’ve dyed at least part of my hair pink, usually a few locks near my face. The dye comes in a kit from L’oreal and doesn’t require bleaching beforehand ““ brush it on, wait thirty minutes, and wash it off. Voila, cartoon-bright streaks among the (once-prematurely) graying strands.

The first time I dyed it, I was about to head off to my first Wiscon ““ a large feminist science fiction convention held yearly in Madison, Wisconsin. As I’ve found the case at sf conventions since then, I wasn’t the only person there with an odd hair color; I glimpsed rainbows of pink, blue, and green. And I realized it was becoming. Complete strangers would lean over and whisper, “I like your hair,” including two flight attendants on the way home.

After the con the color faded, softer and softer, until finally, when I went to get a haircut, the hairdresser was cutting away dusty rose tips. I looked in the mirror and saw a middle-aged woman with a short, practical cut.

I bought a new kit on the way home and re-pinked my hair that afternoon.

Since then it’s become a ritual following each haircut. I go in and see it trimmed away until only the faintest hint of color remains. Sometimes I take advantage of this time to do my shopping in sedater department stores like Macy’s or Nordstroms, excursions that I think of as “passing for surburban.” Then I go home and re-dye my hair. I’m always a little self-conscious those first few days of screaming fuchsia, when I have to sleep with a towel over the pillow to keep the pink from leaving traces on the pillowcase. I try to time these days to coincide with a science fiction convention or some similar event.

I use that as an excuse when people ask me why I dye it. “I’m a sci-fi writer and it helps fans identify me at cons,” I say. That’s the partial truth. It’s part of my brand. But it’s also more than that.

Sometimes people interpret it for me. When my mother was recovering from surgery for colon cancer one year, I visited the hospital every day and used the valet parking they provided. “I know why your hair’s pink,” the elderly valet confided to me one day as he took the keys from me. “Are you a survivor or is it a relative?” I realized that he thought I was part of the flood of pink that month against cancer. I couldn’t bear to disillusion him, so I said something to him about my mother, and he went on to tell me about the women in his life who had struggled with cancer.

That’s another reason why I dye it pink. People talk to me. There’s something about the color that draws them to ask about it or say that they like it. The only person I’ve ever found who disapproved outright was a relative’s girlfriend. She didn’t last. My hair color has.

But more than that, the pink forces me to talk to people as well. I’ve habitually toed the line between introvert and extrovert, depending on which Meyer Briggs results you look at, and I like the fact that the pink pushes me outside myself, makes me be socially brave in a way I’ve sometimes retreated from.

The pink’s a favorite with people. I tried purple one year, a vibrant, almost fluorescent purple that required bleaching the hair beforehand, a painful process I will never repeat. Some nuance of the purple made it seem more confrontational, less welcoming than the pink. Fewer people came up to say something about it, although I was startled at one point when a man behind me began stroking it. “I couldn’t resist the color,” he said.

I have been advised to avoid blue. “It ages one,” a friend said, although I’ve admired the turquoise shading of Camille Alexa, a fellow speculative fiction writer, at several cons.

I worry that L’oreal will stop making this particular brand. I’ve got five boxes of it stockpiled under my sink. I figure I’ll commit to the color until the year or two that the boxes represent are past. After all, who knows what advances in hair color may have been made by then?

It took a while for my mother to get used to it. Finally one day, when we were coming out of a store, she chuckled. “Did you see that man?” she said. “He smiled at your hair. I guess anything that makes people smile is okay.”

And I agree. If I’m making people smile, I’m doing something right.

I’m lucky to live in Seattle, where hair is often not its natural shade. I’ve found when I visit the East Coast, particularly in the southern areas, people are not quite as welcoming of the color. They’re more likely to surreptitiously (or so they think) point it out to each other. I haven’t traveled abroad with it yet.

And I’m lucky to work at home as a writer, with no boss to object to the pink. More than once someone has wistfully said, “They would never let me do that at work.” That seems a shame to me, much like seeing the trainers at my gym wearing work-mandated band-aids over tattoos lest they shock the sensibilities of the patrons.

The hair color also lets people spot me in a society where being a middle-aged woman is often a cloak of invisibility. Sometimes that’s unwelcome. I’d rather fade into the crowd, which is much harder to do when pink-topped. That’s why I love sf conventions so much, why they feel like coming home to my spiritual tribe. At Penguicon I rubbed elbows with a woman whose wheelchair was tricked out like a Victorian mechanical contraption, complete with sporadic puffs of steam, a strapping young gentleman costumed as Thor, and a woman whose baby was dressed up as a miniature robot, complete with blinking lights. Indeed, at Norwescon, a local convention that’s particularly costume heavy, I look positively sedate.

It’s strange that I engage in this particular cosmetic practice. I’ve always resisted make-up. I put it on and, despite the best teachings of my mother the former Mary Kay representative, I see a clown-faced stranger in the mirror. The pink hair allows me to feel like I’ve managed some effort to dress up. Combine it with the right shirt, and people assume I’ve carefully color-coordinated outfit and hair.

But I cringe, just a faint recoil, when I look at those shirts in my closet: the crisp peppermint striped or hibiscus and butterfly printed shirts gleaned from the local Talbots outlet. Because here’s a secret: I’m not particularly fond of pink. I was never a Barbie girl. I like deep purples, turquoise, and emeralds.

In fact, I resent the way pink’s been mandated for little girls. I worry that I’m doing this to make myself less threatening to men, that I’m saying, “Look! I’m a feminist, but a fluffy pink harmless one.”

But I tell myself to stop over-thinking it. It’s a color, not a lifestyle. I embrace my pink and claim it. Which adds another dimension to it for me: it’s ironic statement as well as fashion one. It says I don’t give a damn about what other people consider age-appropriate. “This is me,” my hair says. And I look damn good in pink, or so I think.

Or maybe that’s just ego talking, an overly healthy one bolstered by all those strangers telling me they like my hair.

13 Responses

  1. I streaked my hair with fuchsia once””New Year’s Eve 2004, I think. Color Rays, or some such product””maybe the same as what you’ve been using? It was a pretty slap-dash job, but I liked it. I was newly transplanted to Portland from the East Coast, and had always admired people with streaks of vibrant color in their hair.

    It was a small way of embracing my new home in the Pacific Northwest, and of letting go (temporarily) of that Southern mindset of wanting to blend in, don’t rock the boat, don’t make a scene. Don’t stand out. Of course, truth be told, I’d need a lot more than a few colorful streaks in my hair to stand out in Portland.

    I love that you’ve found an easy and satisfying way to be who you are on the outside as well as on the inside. Some people turn to body art like tattoos and piercings. Others alter clothing to create their own fashion styles, wear signature colors, weave feathers into their hair, strap on a pair of fairy wings for a trip to the store, etc. More of us, though, reach for those safer costumes of tailored suits, or chinos and loafers, perhaps giving into that little voice and its pleading whisper, “Don’t stand out.”

    Like many, I think I’m still searching for my “signature”””apart from my comfortable, practical clothing, tiny ankle tattoo, and occasional ethnic jewelry and accents.

    I’ve not repeated that hair-streak experiment, though I wonder about it from time to time. I have found a nice burgundy “chocolate cherry” all over color, and would like something even deeper, plummier. And/or maybe a return to the fuchsia streaks.

    As long as I’m still breathing, I get to define my style!

  2. Wow, this is fascinating. I’ll admit that your pink hair has definitely become a calling card of sorts, and I’ve never even met you. But when I see an image pop up on the web and I see the pink hair, I instantly think of you — whether it’s a picture of you or not.

  3. Love this article. It really resonates. First, I (a fan) did find you at Norwescon because of your hair. It is such a strong brand that even in a crowd of strangers you do indeed stand out. Second, I’ve also found my trademark, which is a hat covered with con buttons that I wore at Westercon. When I asked my hubby on day two if I should wear the hat again he said, “Wear it, of course. Otherwise, how will all the people you met last night recognize you?” So now I am of the hatted set. So I can certainly relate to the hair/hat as brand. Third, I’m also of the outgoing yet introverted set. I can pretend to be sociable, but can only sustain it for a while. Getting folks to start conversations is much easier than having to start them myself. My hat seems to do the trick. Fourth, we middle-aged women must refuse to fade into the wallpaper and if pink hair, or hats, does the trick, than so be it. And finally, you’re right. You do look damn good in pink!

  4. The whole pink for girls thing is relatively recent, around mid 20th century. We recently got this very colorful new bed spread for our young female Japanese homestay student. She’s gone now, my 17 yr old daughter doesn’t want it. But my 7 yr old son does. My 17 yr old daughter: It’s got too much pink in it! Me: So what? He doesn’t care. He’s also sporting a butterfly tattoo today, because its Nature, and he might attract some bugs outside so he can catch them.

    Your hair is awesome.

  5. I currently have vivid purple streaks in my hair. As my time in Corporate America draws to a close, I find subverting the rules makes me feel less suffocated in my daily routine. Also, it gives me an excuse to spend the day (at the salon) away from bosses, schedules and kids. It’s joyous. Of course, pink is far cooler. 🙂

  6. Way to rock it, Cat. This really resonated with me. I, too, just can’t wear make-up. And I, too, tend to disappear in the crowd. I am so often frustrated when people I know and like don’t remember me at all! I haven’t yet found my way to stand out. Someday.

  7. Great post, Cat! Yes, yes, yes to all this, though I’m terribly distressed to find that blue ages one, as I did blue for a while. Must be why I gave it up 🙂

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Yearly Recap Plus What's Ahead in 2018

Among the things I’ve done in 2017:

  • In writing, I did the works listed here as well as turning Hearts of Tabat (so MANY thanks to my awesome editor, Kevin J. Anderson) into the publisher (also Kevin) and starting book #3, Exiles of Tabat, which I’ve got about 40k on so far. I didn’t publish any book-length work, but I’d had two in late 2016 (to the point where I was thinking one had come out this year) and will have at least two in 2018, so I guess it all evens out.
  • Lots of new classes for the Rambo Academy, including guests like Alex Acks, Jennifer Brozek, Cassandra Khaw, Rachel Swirsky, Paul Weimer, and Fran Wilde.
  • In skill acquisition, I added how to cook sous vide, coffee roasting, basic lockpicking and (even more basic) scuba to my overall character sheet. I also learned how to load and shoot a pistol, along with basic gun safety.
  • In fear conquering, I swam with sharks (twice) and took a self defense class.
  • In travel, I visited Orlando, New York City, Indianapolis, and Pocatello (ID) in the US and Dominical and surrounding areas in Costa Rica.

Picture of SFWA President Cat Rambo holding a small robot sculpture
Nebula weekend, 2017.

Notable highlights of SFWA-related stuff:

  • The Singularity, SFWA’s electronic newsletter, an entity I kicked into existence and which Kate Baker and Terra LeMay have coaxed into blossoming, has a regular, predictable monthly schedule now, and is always full of useful and timely stuff. This newsletter has garnered consistent compliments for its friendly but professional and informative feel, and it’s provided a new way to let SFWA members know about SFWA stuff they might want to take advantage of, as well as to share their own appearances and projects with each other.
  • SFWA’s excellent Executive Director Kate Baker said a few years back, “I want to make the Nebula weekend -the- premiere conference for professional F&SF writers” and I said, “Tell me what you need to do it.” This year’s Nebulas were fantastic; next year’s will be even more, including having Data Guy there to present on the industry, an effort that’s taken a couple of years to get in place.
  • The SFWA Storybundle had its first year and was wildly successful, as was the Nebula-focused HumbleBundle. The Storybundle program will grow 150% in size in 2017, which sounds really impressive but just means 3 bundles instead of 2. Plus – SFWA’s Self-Publishing Committee has taken that effort over, so no work for me! (Last year I read a bajillion books for it.)
  • A long, slow revamp of Emergency Medical Fund stuff driven by Jennifer Brozek, Oz Drummond, and Bud Sparhawk is coming to its final stages. I just saw the EMF stewards in action: they received an appeal, evaluated it within 24 hours, and within a week, if I am correct, funds had been disbursed. The Grants Committee just wrapped up its 2017 work; next year it’ll have even more money to play with, thanks to the aforementioned Nebula HumbleBundle.
  • Over 50% of the membership participated recently in the survey that went out this year, so we have some data about who the members are and what they want. I would like to think that the high participation rate was driven in part by enthusiasm for what the organization has been doing lately, but it might have something to do with the idea to offer a chance to win one of the ten $25 Amazon gift cards we gave out for participating.
  • Many of the steps talked about in this discussion of the Fireside Fiction’s report on black writers in speculative fiction and what SFWA could do have been or are being put into place. One thing I’d like to find in 2018 is a volunteer who might coordinate diversity efforts, searching for opportunities where they might dovetail in order to strengthen and inform each other as well as helping make sure we’re examining and evaluating results to see how we’re doing, etc.

I appreciate the many of you who have joined or renewed their memberships specifically because of things I’ve done; it gladdens my heart when you tell me that, but I want to stress that it’s a team effort. That’s because this year I have increasingly experienced a wonderful thing, which is that I will say, “Hey we should do X,” and someone will reply, “Already on it, here’s what’s been done and the overall action plan/timeline.” Dan Potter, Derek Kunskën, Erin M. Hartshorn, Jeffe Kennedy, Jonathan Brazee, Kate Baker, Sarah Pinsker, Steven H Silver, and Terra LeMay, among others, have all given me the precious gift of moments like this in 2017. You folks rule.

When I first came on board a few years ago, I sometimes felt like I was wandering through a morass of undone things and incipient crises. Some plates that had been in the air had fallen and shattered, sometimes disastrously. As I got them back up, it was a panicked dash from one plate to the next at times, and I know I dropped my share. But now more and more of them have their own dedicated spinner, usually with a fallback person in the background, and that lets me stop long enough to take a breath.

I’m kinda amazed I got as much done as I did in terms of writing and teaching. Certainly some words that I otherwise would have written this year got sacrificed on the SFWA altar, but I think that will be less so in 2018. *fingers crossed* (If you enjoy my stories, please consider supporting the Patreon effort; $1 a month gets you at least one story each month; double that to get weekly writing tips and resources.)

Screen Shot 2017-11-26 at 4.23.34 PMSo what’s ahead for 2018?

  • I’m editing two projects. The first is Godfall and Other Stories, a solo collection by Sandra Odell. These stories are brutal and great, and I think this is an outstanding collection, particularly after coaxing a couple more stories that will be original to the collection out of Sandra. That will come out from Hydra House in April. If you’re interested in finding out what Sandra writes in a super timely way, she has The Twelve Ways of Christmas, a collection of speculative holiday stories, available for $4.99.
  • The second project, which is still taking submissions, is an anthology of political SF focused on the aftereffects of 45’s era, which will come out around the same time as the elections. It’s called If this Goes On and will appear from Parvus Press.
  • I’ll be writing at least one Tericatus and The Dark story for an upcoming anthology I got a solicitation for.
  • I am insanely juggling three novels and need to just buckle down and knock them off one at a time. They are, in the order I plan on doing so in 2018, The Five, a YA space opera (currently at 30k, destined to be somewhere in 70k range), the sequel to Hearts, Exiles of Tabat (Hearts was 120k, suspect Exiles will be as well, currently around 30k done), and an urban fantasy, Brazen (got 20k written, will be in 70-80k range.)
  • I have enough SF stories for another collection. Maybe two. Debating whether I want to approach a small press or self-pub those. I have around 50-60 flash stories, depending on how you define flash length, that I am putting together in a book for Patreon supporters and can after that can use to accompany the Flash Fiction class.
  • The Idea to Draft book is so! close to being done and I just need to get butt in gear and finish it up.
  • In Rambo Academy for Wayward Writers news, both old and new live classes will be offered in 2018, including ones from Ann Leckie, Rachel Swirsky, and some of the other guest teachers. Ditto with the on-demand classes – right now I’m working on turning Writing Steampunk and Weird Western into written form. Many thanks to Jim Johnson for pointing out areas I’d overlooked; the overall class will be much stronger as a result.
  • Conventions I definitely plan to be at in 2018: International Conference for the Fantastic in the Arts (ICFA), Norwescon, the Nebula weekend, Worldcon, and Snake River Comic Con.
  • I do have one very large and absolutely terrifying project up in the air, getting ready to launch in 2018. It is not a creative effort but a political one. Stay tuned for info on that or drop me a line if you’ve been looking for a place to put some volunteer time/effort in 2018.

...

Heading Into the 2nd Half of the Year

This edition of the newsletter contains:

  • Where I’m at with current projects and upcoming appearances
  • Some new classes for August and September
  • Join the street team for Devil’s Gun!
  • Wayward Wormhole Progress Report
  • Lots and lots of links
  • Moving away from Twitter? Here’s where to find me on other social media platforms.

Where I’m At. Figuratively and Literally

Hello! It’s almost August and time has certainly flown by this year! I’m working on the dev edits for RUMOR HAS IT, the third space opera book and finishing up writing WINGS OF TABAT, the last book in the Tabat Quartet. That’ll make two books delivered this year, along with at least a handful of story sales, several of which I’m really looking forward to announcing!

A non-writing project has been the reclamation of my backyard, including planting lots of insect-friendly flowers and herbs. I harvested my first (but surely not last) summer squash this morning, and spent a few minutes watching a variety of bees enjoying both the newly-blooming sunflowers as well as the (by design) unmowed clover patch that has been christened “Beelandia.”

I will be at GenCon next week and Chicago FanCon the following weekend. After that, my next appearance will be in early September at DragonCon, followed by a reading in NYC mid-September.

 New Classes for August and September

How to Give Great Interviews with Randee Dawn, August 26th, 9:30-11:30 AM Pacific time

Got a passion project you want people to notice or buy? Then you’ll want to know how to speak to professionals with big megaphones out there: reporters! Veteran entertainment journalist and author Randee Dawn has been on both sides of the microphone, and in this class you’ll learn how to pitch, to prepare for your interviews, and become the kind of expert reporters want to call back.

Join Randee Dawn for a workshop in which she teaches you how to get and make the most of interview opportunities.

Dial Up Your Dialogue with Cat Rambo, August 26th, 1-   3 PM Pacific time

Want to make your dialogue more interesting, intriguing, and indicative of character behavior? How do you know to leave in and leave out? How can you use dialogue to successfully deliver vital information? How do you make characters distinctive through their voices?

Join Cat Rambo for a workshop in which they teach you the ins and outs of dialogue.

How Not To Shoot Yourself In The Foot with Mur Lafferty, August 27th, 9:30-11:30 AM Pacific time

You’ve mastered submission guidelines and cover letters! But that’s just the outskirts of the wild land of the pro author. This class offers advice on how to avoid some common early career mistakes, from how to choose the right agent to dealing with procrastination, self doubt, and more. We will also run a successful author “LARP” to illustrate some points. It may get silly. Bring dice. F&SF author Mur Lafferty will help you navigate the various pitfalls you may stumble upon in your journey.

Join Mur Lafferty for a session filled with practical, irreverent advice designed to give you practical, applicable skills on planning your career and then executing that plan.

The First Draft Novel Blues with Cat Rambo, August 27th, 1-3 PM Pacific time

You’ve got a first draft of your novel now, in all its messy glory. How do you go about revising it and getting it to the point where you’re ready to give it to your beta readers? How do you track the changes and account for the fact that a change to a first chapter can bubble all the way through to the end. Find out how to create a road map to guide you through the process.

Join Cat Rambo for a workshop in which they teach you what to do next.

Keep Your Reader on The Edge of Their Seat: Creating Tension in Your Writing with Cat Rambo, September 17, 9:30-11:30 AM Pacific time

How do you keep your reader wondering what’s happening next, and eagerly racing through your pages to find out? How do you create suspense and tension in a scene, and how tense is TOO tense? What factors remove tension from a situation? Find out how to dial up the tension and keep your reader eager to find out what happens next.

Join Cat Rambo for a workshop in which they teach you how to be more tense. 😉

Prosthetic Dreaming: How to Use ChatGPT, Meditation, and Surrealism To Unlock Your Creativity with Henry Lien and Jerry Lee Davis, September 17, 1-4 PM Pacific time.

AI represents an existential crisis for humans, forcing us to face the question of whether there are more of us than needed. This question is particularly confronting for artists, many of whom already question the value of their own creations and themselves.

This workshop embraces AI as an art supply by recognizing that an artist’s contribution is not just to create something out of thin air, but to observe the startling connections between seemingly unconnected things that no one else has noticed. AI, specifically ChatGPT, can be a remarkable tool to bombard your brain, help you enter your creativity sideways, and give you the “x-ray specs” to see those unseen connections.

The workshop uses meditation and Surrealistic parlour games to bridge between ChatGPT’s sometimes spooky, sometimes hollow responses and your own subconscious. The workshop uses AI ethically, consulting it not to create anything but simply as a lens to see connections in the artist’s mind and the world. This workshop is structured to help all artists, but is particularly useful to those working in narrative mediums (fiction, non-fiction, drama, film/tv).

This workshop is taught by author Henry Lien, who has nearly 20 years’ experience as a Surrealist art dealer, and author/playwright Jerry Lee Davis, who has over 20 years’ experience teaching meditation.

“You will need access to ChatGPT for the workshop. You will need to create a free account to do so. Here is the link. Note that there is also an iOS app for iPhone and iPad. Here is the link. Please make sure you are downloading the official ChatGPT app by OpenAI, and not downloading one of the many copy-cats.

Here is a partial list of countries where ChatGPT is available and not available. https://www.mlyearning.org/what-countries-is-chat-gpt-available/ “

Cost of classes is $99, or $79 for former Rambo Academy students and Patreon supporters. To register for a class or classes, mail the name(s) of the class, and how you would like to pay (Paypal, Venmo, or other means.)

Looking for something else? Here’s the list of available class videos as well as the portal for the Rambo Academy’s on-demand classes.

The school will be on hiatus for the month of November, while the Wayward Wormhole Intensive Writing Workshop is taking place. The resident Wayward Wormhole students have been selected. We’re excited to congratulate M Levine, Beston Barnett, Cryus Fisher, Sarah Grey, Gio Clairval, Em Dupre, Madhu Guruprasad, Marissa James, Rosemary Smith, Stephanie Johnson, and Auden Patrick. Want in on the virtual version? You can find the details here.

Join the Disco Space Opera Street Team!

Check out the cool buttons I just got for RUMOR HAS IT! Want to join the street team for the book and get a pair of these buttons for yourself? Mail me at cat@kittywumpus.net with the subject line Street Team and I’ll stick them in the mail to you. (I have a limited amount for overseas fans, so mail fast if that’s your situation.) Optional street team activities include: posting pics wearing the buttons or of the book in a bookstore, requesting the book via your local library system, posting reviews or recommendations, and the most active promoters will be getting a follow-up thank you!

Lotsa Links

Cat-Related Links

Community Links

Market News and Related Links

Leaving Twitter and want to find me on other social media? Check the list here.

That’s it for now! Take care and keep writing!  -Cat

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