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Exploring Near + Far's Interior Art: Row 1 (Giveaway Day One)

Art by Mark W. Tripp for Cat Rambo's Near + Far interior
Row 1

This week sees the book getting officially launched on Wednesday. This week I’ll be doing a series of five posts about the interior art. Comment on a post to be entered to win one of three pieces of Near + Far jewelry; comment on all five posts and you’ll be entered five times.

So left to right above are five of the interior illustrations from the book. One of the things Mom said to me last night was how much she was enjoying the afternotes, so I’m trying not to repeat those too much, but to add a touch more to them.

Leftmost is a star like pattern, which accompanies far future story “Timesnip,” in which 18th century Victoria Woodhull copes with life in the future as a traveling saleswoman dealing in time travel. It’s actually a version of one of the other illustrations, arranged in a star cluster, which mark didn’t point out to me till later. That seems very fitting, given the circularity of the story.

The second pattern is one that accompanies the story “Amid the Words of War.” Its cramped interior echoed the desperation on Six’s part that I wanted to convey over the course of the story. The story is about war and conflict and the distrust they force on each other. The pieces in the book are black and white and here Mark’s chosen to create a white “eye” for a number of the illustrations which (to me) just adds to the coolness and makes each one become a creature presenting itself sideways to the camera.

The third design accompanies the story “Kallakak’s Cousins”. Again, there’s that eye looking out, and sometimes it’s a creature and sometimes a face, sometimes a helmet built of butterflies and submarines.

The fourth accompanies a flash piece, “Futures.” It resembles a submarine, or perhaps a rocket ship, although once more there’s an eye, set dead center in this case.

The fifth is used with the slipstream afterlife story, “Bus Ride to Mars.” It’s one of Mark’s older pieces, a sideways slash of a piece that appears differently in here than in the book itself.

Near + Far jewelry
Near + Far jewelry, based on interior art by Mark W. Tripp.

12 Responses

  1. I was looking at these today and the details are so rich and gorgeous, yet simple at the same time, much like your writing.

  2. Wow, this is great Cat. I can’t wait to both see and read the book! I like the way the designs evoke the essence of Hindu and/or native indigenous art. Very well done!

  3. Love these, and wish I had all five. I like the blue to green background gradient, which sets off the ink drawings so well. I think my favorites are the rocket ship fourth one, and then the eight point star first one. Congrats on Wed book send off!

  4. I love sci-fi and so do my daughters, so we can’t wait to read your Near + Far! The jewelry is sooo cool! I am very excited for you, Cat!

  5. I really like the visual cacophony of #3…guess I’m not all about the fives today after all, although #5 is a close second for me. It looks like an idealized, mechanized beetle.

    Each piece is this series is highly evocative. Wonderful work by Mr. Tripp, and I’m sure the stories they’ve been paired with are equally delightful.

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Folly Blaine reads "Zeppelin Follies" from Near + Far

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This steampunk zeppelin comes from "Robur the Conquerer" by Jules Verne.
The excellent Folly Blaine reads one of the stories from Near + Far, “Zeppelin Follies.” I’m hoping that link works; WP is being recalcitrant about hosting large files.

Here’s the afternote for the story:

This story was written for Clarion West, during the week that L. Timmel DuChamp was our instructor, and is my attempt at a screwball comedy, combined with the idea of the Bodys, which was inspired by a long walk in which my foot began to hurt, making me think about what it would be like to be able to switch body parts easily.

The story appeared in the final issue of Crossed Genres, a magazine which I was pleased to support during its existence and which went away far too quickly (although at the time I’m writing this, a Kickstarter projector looks as though it may succeed in reviving the magazine.) “Long Enough and Just So Long,” which appears in the Near volume of this collection, was originally written for a contest of theirs, but got purchased before I could send it to them.

“Zeppelin Follies” remains a story I’m fond of, particularly since I can remember the three am, story-due-tomorrow moment that led to the line, “Look, is that a zeppelin?”

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Superhero Fiction

So here’s the list of fiction(ish) drawing on comic book super-hero trophes, generated here.

Novels:

  • Michael Bishop, COUNT GEIGER’S BLUES.
  • Michael Chabon, THE AMAZING ADVENTURES OF KAVALIER AND CLAY.
  • Tom DeHaven, IT’S SUPERMAN!
  • Jennifer Estep, KARMA GIRL.
  • Minister Faust, FROM THE NOTEBOOKS OF DR. BRAIN.
  • Austin Grossman, SOON I WILL BE INVINCIBLE.
  • Jonathan Lethem, FORTRESS OF SOLITUDE.
  • George R.R. Martin, the WILD CARDS series.
  • James Maxey, NOBODY GETS THE GIRL.
  • Perry Moore, HERO.
  • Tim Pratt, THE STRANGE ADVENTURES OF RANGERGIRL.
  • John Ridley, THOSE WHO WALK IN DARKNESS and WHAT FIRE CANNOT BURN.
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Short Stories:

  • Charles DeLint, “Bird Bones and Wood Ash”
  • A. M. Dellamonica, “Faces of Gemini”
  • Carol Emshwiller, “Grandma”
  • Jim Hines, “Sidekicked”
  • Jim Hines, “Stormcloud Rising”
  • Vylar Kaftan, “Blank Sezra”
  • James Maxey, “The Final Flight of the Blue Bee”
  • Tim Pratt, “Captain Fantasy and the Secret Masters”
  • Cat Rambo, “Acquainted with the Night”
  • Cat Rambo, “Ticktock Girl”
  • Benjamin Rosenbaum, “The Death Trap of Doctor Nefario”

Poetry:

  • Jeannine Hall Gailey, FEMALE COMIC BOOK SUPERHEROES

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