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Why I Love My Writing Group

Picture of a handwritten pageSo, as some may know, I’ve been working on a particular book for a loooong time. Looooong time. It’s the first in a fantasy trilogy and this manuscript has undergone so many convulsions and rewrites that I was getting to the point where I was worried I’d kill it if I went much further. Based on some solid feedback from an interested agent, I started wrestling with it again and performed some major surgery: excised a number of points of view (which will end up in Book 2), removed some extraneous (but charming!) bits misguidedly intended as textual amuse-bouches between chapters, and switched one point of view from 3rd person past to 1st person present.

I was encouraged, but worried that the patient might not have survived the surgery. So I dumped it on my writing group, whose members rose whole-heartedly to the challenge, and we critted it last Saturday.

And I discovered – yay! it’s not broken. Some bits need to be made more connected, and in the discussion, someone suggested something absolutely brilliant, which helps me tie things together in a way that I’d been trying unsuccessfully to do. I came out of the session encouraged and with a clearer eye on how to fix what’s not working in it. I know I can make my deadline for handing it off, and it’ll be a better, clearer, more interesting book for the effort, which is awesome because I’m really pretty proud of how it’s turning out.

That, in an ideal world, is what a writing group does. They don’t pull punches when something needs fixing, but they do it in a way that helps you figure out how to fix it. Their feedback is valuable; their support even more precious. So to the wonderful folks who valiantly waded through the book despite the lateness of my turning it in – thank you. Persephone d’Shaun, Caren Gussoff, Keffy Kehrli, Tod McCoy, Vicki Saunders, and Emily Skaftun, you all rock. Consider yourselves thoroughly appreciated.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Shaping Stories With Characters: How Characters Affect Your Plot

Photo of someone wearing a bear maskWe’re currently covering characters in the Writing F&SF class, so I thought I’d pull out a little from my notes.

Some simplistic stories have characters that seem like placeholders, as though any individual could fit into that slot. Fairy tales, for instance, tend to have generic characters: the princess, the prince, the witch that have little dimensionality to them. One delightful strategy for working with them, in fact, is to pick a character and flesh them out to the point where they shape the story.

That is the most important thingL: characters must shape the story. They need to influence the action and make the narrative one that could only happen to them.

Let’s take a simple plot: a character must escape zombies. Our first character, a survivalist, keeps two shotguns in her apartment and is steel willed to the point where she is capable of cutting off a limb to avoid infection by zombie bite. The second is a meek-mannered scientist who faints at the sight of blood but is capable of building marvelous devices. The story and what happens in it is very different depending on which character gets put into the situation.

What happens in the story should be the result of what your character does, and her/his actions are dependent on both their personality and what they want. Vonnegut tells us every character in a story needs to have something they want, even if it’s just a glass of water. Because what they want dictates what they will do while their personality decides how they will go about doing it. You’ll also want to keep in mind that humans, like water, follow the path of least resistance. They will usually pick the easiest way before moving onto to something harder if it fails them.

Stuck and wondering what your character will do next? Think about what they want and how they might try to get it. (Then how you will thwart them, because the more you put that character through, the more your reader will come to know and identify with them.)

Look at your favorite characters and see how the writer communicates their nuances. Some of my favorites:

Who are your favorite characters and why?

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Story Prompt #2
Painted beast at my mother's house.
Painted beast at my mother's house.

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