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Teaser from The Threadbare Magician

Picture of a tree to illustrate "The Threadbare Magician"Nearly done with this, it’s hovering somewhere between novelette and novella length. Thank you to Mary Robinette Kowal for suggesting the title.

Friendly Village loops and winds, tiny roads scattered among the trailers. Every patch of landscaping is different ““ cacti surrounded one mobile home, followed by a forest of rhododendrons, then dahlias that might have originated in my own garden.

Up along the creek ran a little road, unlined with homes. It led to a trailer of a peculiar pearly hue that might have been mistaken for grime at first. It was a Nordic style, almost, simulated white pine beams, rough wrought ironwork on the walls. Its landscaping was bare: a line of rocks, two tiny fir trees, one slightly larger than the other.

Outside, a massive rock crouched beside the mailbox.

In Greek mythology, such stones were sacred to Aphrodite. But I didn’t think a Greek God lurked within.

I’d taken the time to change into a shirt with a pattern of sunglasses. Not the most subtle enchantment, but that was deceptive. It hung a little oddly due to the lining I inserted, fashioned entirely from a different shirt, one patterned with shells, and it helped that the artist had depicted them as fragile things made of spines and arcs, but thick white clam shells. There was enough protection that shirt that it felt as heavy as a full suit of plate mail, even altered my gate a little, made it more of a shuffle.

A man stood on the front porch, watching me approach. His attitude was expectant, perhaps even a little impatient, as though my visit was overdue. His gray beard hung down to his belly, woolly as a blanket. His eyes were blue and a few golden strands showed among the silver on his scalp to attest to his Nordic heritage.

I stopped a few feet away, looking at him.

“You’ve come of your own accord,” he said. “It would’ve been easier if you just let them bring you.”

I acted unsurprised, and maybe I was. Occam’s razor again. One) move to a new place. Two) be attacked by a powerful magical adversary. More than time connected that chain.

“I’m Forseti,” he said.

I searched through crumbs of mythology. My knowledge might have only the depth of a Wikipedia article, but it was wide. You learn the names of all the gods, once you realize most still exist and are acting out their own plans, few of which are constructed to advance humanity. Or even take it into account, really.

“Justice, right?” I said.

He dropped a slow nod.

“What justice is there in killing me?” I asked.

He said, “Perhaps you should come inside for tea.”

One Response

  1. Love this snippet! Being invited to tea b the deity planning to kill you is s nice hook. I am looking forward to reading the rest when it comes out. The imagery of the crouching rock stuck with me, but I was confused by the description of the shell shirt – is it of delicate, spiny shells or clams?

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Working Away Plus Teaser from "Paladin of Anger, Paladin of Peace"

Act 4
Act 4
I am grimly determined to finish Hearts of Tabat before the end of this year: I have my list of scenes and will get them finished by November 15, then crunch through a quick and hasty polish and get that to beta readers. At the same time I’m working on a couple of bespoke stories, several collaborations, and a few stories for Patreon.

Here’s a piece from this morning’s work on a Tabat story that is somewhat connected to the events in Hoofsore and Weary, which appeared in Shattered Shields.

This is how I first saw the Red Paladin.

She must have just entered the city, because her scarlet armor was dulled with dust, and her horse’s head drooped.

Mother had elbowed and fought her way to getting us a booth near the market’s entrance that day, and she was battling to sell every brick of spice we had before going home, despite the fact she could have summoned a servant to do it. She was doing it as some small battle in the endless war between my parents and when I paused to watch the paladin pass, my mother’s hand clipped me across the ear, hard enough to rock my head and feel the snap of blood rising to meet the place she’d struck.

“Stop gawping and bring me more sacks,” she snapped, and sent me racing on her errand, running under the beat of the hot sun and knowing I’d be hard-pressed to get back in time to satisfy her, but even so my soul rocketed out as I dashed through a crowd of tea-pigeons and sent them startled upwards, feeling the press of her attention lessened for a little while.

The image of the paladin, her head upright underneath the masking helmet, the slight curves of her armor the only thing marking her female, stayed with me.

She looked so calm for a knight sworn to Anger.

***

The second time I saw the paladin, I was pretending I was someone else while I walked through the gardens. I pretended I was a noble’s daughter, raised only to think of her own pleasure, not worrying about obligation or responsibility. I could do that because my little brothers were playing tag on the long grass and I could watch them from a distance but pretend that I wasn’t in any way connected with them. I sat on a bench made out of iron spirals and coils and flowers, one of the old-fashioned kind, in the shade and tried to make pieces of myself loosen out.

I tried to do this every few days because otherwise ““ and sometimes even with ““ I would wake up aching as though I’d been beaten, my jaw clenched tight, chased by nightmares through endless passageway toward waiting red rooms, doors mawed with teeth and fleshy silence eating any protest I might make.

But pushing to relax is something you cannot do and finally I just sat and appreciated the sunlight, hoping I’d feel all those pieces of me unclench. It had gotten so much worse lately, with both parents worrying about marriage-brokering (my mother’s thought) or apprenticeship (my father’s) or both, but never my thought of neither.

In other news, this weekend’s classes are the Reading Aloud Workshop, Literary Techniques for Genre Writers II, and the First Pages Workshop. If my live classes are inconvenient due to schedule or price, check out the on-demand versions.

My most recent publication is “Marvelous Contrivances of the Heart”, which appears in Recycled Pulp, edited by John Helfers. It’s a story where I tried to hearken back to an old, twilight-zoneish theme while refurbishing some bits to update it some. I’ll be curious to hear what people think.

If you’ve read Beasts of Tabat and liked it, please consider leaving a review on Amazon, GoodReads, or LibraryThing.

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What I Wrote in Workshop Today

It was a muted day, fishscale colored, and the sea and the horizon merged seamlessly. No wind — the waves were innocent of foam, existing as a series of sullen gray swells.

Ever since stepping on the beach, she’d been catching kingfish: one cast, one fish, usually from just inside the sandbar. As the sun rose higher, its dazzle on the water intensified, until her eyes watered and her head ached from the relentless sparkle.

She reeled in a pair of six-inchers, one on each of the rig’s hooks, and freed them to put back in the water — too small to be worth cleaning on a day of such largesse.

She misjudged the next cast. It went out well past the sand bar, into the deeper, colder, darker water, The strike was swift, a yank that set the reel singing as it spun. How big was it? Twenty-pound nylon line — would it withstand the pull’s strength if she played the fish in right?

The fish leaped, as though in challenge. It was crimson, an enormous, yard-king fish as red as blood, with impossible, ornate fins of the kind seen in heraldry or on ornamental carp. As it splashed back into the water, it seemed to set the horizon aboil with color, blues and violets and emeralds at play beneath the meshed surface of the sea. She set her teeth and braced herself in the fluffy sand.

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