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Social Media: FollowerWonk Writeup and Links for 3/25/2013

I spend at least a little time each day looking at social media news and new stuff and track the most useful links here. If you enjoyed last week’s Pinterest Analytics post, are interested in using that social network more effectively, and have an hour where you need something to listen to, I recommend this webinar. Among other things, I found out why people do those long tall pictures/infographics (which was obvious once I thought about it, so everyone else in the world may have already figured that out).

So here’s some thoughts after spending some time poking at an app provided by Seomoz.org, Followerwonk, a Twitter Analytics tool.

So – why be interested in analytics of any kind, whether it’s Google, Pinterest, Facebook, or Twitter? Because numbers let you know what works and what doesn’t in driving traffic to your site. Figure out what works and do more of that. Figure out what doesn’t work and do less.

Followerwonk gives you a number to track, Social Authority, that measures your influence on Twitter. Its formula is based on three factors:

  1. The retweet rate for a user’s last few hundred tweets
  2. How recent those tweets were
  3. A somewhat nebulous thing that Followerwonk explains as “A retweet-based model trained on user profile data), which I believe is their way of saying, “Part of our algorithm is hidden so users can’t game it, but there’s something there, really.”

Personally, I’m wondering whether someone favoriting your tweet has any influence. Based on what they’re saying here, it doesn’t, and it seems like it should.

But you don’t want to know your social authority score so much as someone else’s. Followerwonk is intended to help you identify followers with a high social authority score so you can target them with your message.

With that in mind, here are the main capabilities:

  • Search Twitter bios: Identify people with specific keywords in their bios or other traits such as number of followers, age of account (Followerwonk notes about this figure: “The age of an account is an interesting way to measure value. Users who have been on Twitter for a while are early adopters, and generally more valuable than newbies. As well, there is a higher percentage of spam accounts in newer user segments (as Twitter has not yet cleared them out).”), and Social Authority. This is actually pretty powerful. You can narrow things down by geographical location and set min/max number of tweets, followers, and following.
  • Compare users: Compare several Twitter users in terms of the users they follow or those who follow them. It’s certainly always nice to see a Venn diagram and know those days in math class learning what they are wasn’t wasted, but I don’t know that I found this report particularly useful, except that it did indicate I should be RTing and @connecting more.
  • Analyze followers: Here Followerwonk lets you analyze your or any other user’s followers or who is being followed. You can see them on a map, which is nifty, and I’ve included an example of one. I learned, unsurprising, that my largest group of followers occurs in the same geographical region I’m in, but also, surprisingly, that the next largest group is in the Southern United States. Other ways to sort them includes by gender, social authority rank, follower/following accounts, tweet numbers, language, the time they’re most active, as well as a couple of interesting word clouds generated through bio information.
  • Track followers: Changes to your social graph are presented in this tab, but only if you’re paying for this functionality. Otherwise all you can do is see this data for the Twitter user @followerwonk.
  • Sort followers: Again, paid functionality, which lets you sort a follower list by social authority, tweets, number following/followed by, and account age.
Geographical map showing the Twitter followers for Cat Rambo
Here's a map generated through the Analyze followers tab. Note that there's several caveats, including "This is an inexact procedure and so some points may be mapped incorrectly." and that it's only looking at 5,000 followers. Still, there's some interesting, if perhaps not particularly actionable, data here.

As with many tools, here you’re been given a taste in order to persuade you to cough up for the paid version. If I had the budget for it, Followerwonk is definitely worth paying for, and it’s just part of the tools from a SEOMoz Pro membership – but they run $99 a month, which is going to be outside the reach for most people working on their own publicity. For a deeper look at Followerwonk, try Gianluca Fiorelli’s How I Use Followerwonk and Why I Love It.

Other Social Media Links of Interest:

I’m looking at this tool and will be writing it up in the future: Buffer, which lets you schedule Facebook, Twitter, LinkedIn, and App.net with the free version, and up to twelve networks with the paid version.

An excellent piece on Goodreads for promotion that should interest writers.

A massive trove of SEO links that I am still going through.

Beth Barany provides some tips for shy writers on how to promote your book on Twitter.

Are you a writer interested in finding out how to effectively promote yourself via the Internet? Sign up for my Building an Online Presence for Writers class. It’s taught online via Google Hangouts and the next session is Sunday, 9:30-11:30 AM PST, July 14.

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Advice on Writing Mentors

Image of French novelist Colette
Colette's husband used to lock her in an attic to force her to write. Don't assume a mentor is going to go that far. You're the only one who determines how productive (or not) you are.
One of the things that sometimes comes up when talking to new writers is the question, “How do I acquire a mentor?” There’s a glazed and desperate look in the eyes of each querier, and sometimes a bit of professional jealousy, because occasionally we see people in positions where we’re not convinced they really should be, and an easy explanation is that a mentor’s personal pull helped get them there.

Well, maybe. But I don’t know that the kind of mentor people are envisioning really happens that often. They’re thinking of a wise, kindly figure who will guide their career through writing advice, secure them spots in anthologies and magazines, and make sure they appear on award ballots.

That’s pretty goddamn rare, and sometimes what one is attributing to the influence of a mentor is actually the writer’s hard work and talent for networking. And networking helps a lot — but it can’t substitute for enough skill to write at the professional level, at least in my opinion.

I do have people who have helped me along, and they’ve been great. I don’t think of any of them in this light, though. They’re people I can go to for the occasional sanity check or word of encouragement, sure. But are they out there sedulously working away on my behalf? No. They have their own careers to build, their own projects to promote, their own words to write.


You can’t just wait for a mentor to arrive. Or even just mail someone and say, “I want you to be my mentor.” You need to a) be writing and b) be getting yourself out there through publications, participation in social networks and message boards, and working with other people. One of the most valuable things I did for myself was agreeing to help edit Fantasy Magazine. Beside teaching me a ton, it brought me in contact with a number of people. I even got to hold a manuscript from Tanith Lee in my hands and email her how excited I was to be publishing something from her.

And take classes, for Pete’s sake. That’s one of the best ways to not just improve your craft, but do a little networking on the side. I tell my students to let me know when they publish something so I can spread it on social networks, although that’s a somewhat self-serving act – it helps me publicize my classes when I’m able to point to people getting published and take some smidgen of unwonted credit for it. 😉

Let’s say you do find a writer who’s further along in their career path than you are, and who seems to be amenable to providing you some guidance. What then? Well, be a good mentee and help them help you. Here are my suggestions for doing so.

  • Be proactive. Don’t limply wait for a mentor to lift you up. A mentor is not an excuse to stop working on your own behalf. Do shit. Look for opportunities to get your name out there, just as you would without a mentor.
  • Be responsive. Answer e-mails. Let them know what you’re up to. Don’t be one of those flakey writers who vanish for months and then reappear with daisies in their hair, acting as though they had never been gone. Don’t let suggestions slide by without acknowledgement.
  • Be appreciative. Say thank you or acknowledge their efforts in other ways. They don’t have a quota of people they need to help each month. Every minute spent helping you is being taken from their own store of work time, and for all of us, that’s a valuable commodity.
  • Listen. If your mentor suggests something, either do it or tell them why you’re not (and have a good rationale for that). (See also: Be responsive.)
  • Be pleasant to work with. Save the cynical or curmudgeonly attitude for elsewhere, and don’t be a sad sack bemoaning your own lack of talent just so you can evoke reassurances. Positivity, cheerfulness, and good humor make for someone who’s pleasant to help – negativity, gloom, and humorlessness make it a discouraging, uphill battle.
  • Be a good sport. A mentor has their own life. And they may have other people they’re helping. In fact, if they’re helping you, they probably do. Don’t act like a jealous sibling if they’re paying attention to someone else.
  • Be a good citizen. It’s never too early to start paying it forward, to helping other new writers publicize their work. Volunteer to read slush or help staff tables at a convention. One of the best ways to promote yourself is by promoting other people, even though that may seem paradoxical.

Enjoy this advice on writing mentors and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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