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You Should Read This: Turn Not Pale, Beloved Snail by Jacqueline Jackson

Cover of Turn Not Pale Beloved Snail by Jacqueline Jackson, recommended by Cat Rambo
From the introduction by Jacqueline Jackson: "This is a book about a lot of things, all clustered around the idea of writing. I've written it because it's the sort of book I wish someone had written for me. From third grade to seventh I filled dozens of notebooks and a fat briefcase with an assortment of stories and poems, but I never saw a book about writing for kids except textbooks."
This may well be the first writing book I ever read. My grandmother met Jackson at a book festival and had her sign a copy for me. The inscription reads: Then turn not pale, beloved snail, but come and join the dance! Keep up your writing — you’re already choreographing the steps!” I have treasured this book for decades and it still, somewhat improbably, even retains its dust jacket.

What: Turn Not Pale, Beloved Snail is a writing book aimed at children. Jackson is an experienced YA adult writer, but this is less about writing for children than it is about being a kid who likes to write.

Who: While this is a great book for the nascent writer in your family, any writer will benefit from Jackson’s insight into what hooks a reader as well as her examinations of her own work.

Why: This book is full of joy in writing, a spirit so strong it can’t help but inform your own.

When: Read this with your kids if they’re thinking about writing. Or read it if you’re thinking about writing something aimed at kids and want to remind yourself what the reading experience is like for them.

Where and how: Read with a pen in hand, if only to jot down the many fiction recommendations Jackson makes (or if you forget, they’re all collected in an appendix.) It’s a reading list that shaped my own middle-grade reading, leading me to L.M. Boston and Tove Jansson, among others. Try the exercises as you go.

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You Should Read This: Jeff VanderMeer's Southern Reach Trilogy

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VanderMeer is one of the finest writers alive*, in my opinion, able to craft worlds that are eerie and beautiful and intriguing and, above all, unlike anything you’ve read before. Both ANNIHILATION and AUTHORITY are full of moments that smacked me in the face with their perception and beauty in a way that still leaves me thinking about them.

The books have that sense of the weird that haunts other works, like House of Leaves or The Crying of Lot 49. As though one were viewing the everyday world with a new lens, one that slants them, puts them askew, renders them mysterious. And they do it beautifully.

The publisher’s taken the unusual (increasingly less so, though) step of releasing all three books in one year — particularly awesome for those of us who hate waiting for the next installment to come out.

*Full disclosure: Not only do I know Jeff, but we’ve co-written a novelette, The Surgeon’s Tale, together. But part of my pleasure in that friendship/co-authorship is a deep awareness of how very very good his writing is.

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You Should Read This: Ammonite by Nicola Griffith

Cover of Ammonite by Nicola Griffith
Ammonite is beautifully real, and a good example of the heights speculative fiction can reach.
Ammonite, by Nicola Griffith, is subtle and beautiful and a terrific piece of speculative fiction. An anthropologist, Marghe Taishan, arrives on the planet GP, there to test a vaccine against the deadly virus that has killed all but a few of the original colonists. She finds that the survivors, all women, have developed the ability to give birth without men.

The book won both a Lambda and Tiptree Award, and it’s easy to see why. A dynamite protagonist interacting with intriguing and beautifully three-dimensional characters. The world is fabulously drawn, evocative, and both the anthropological and physical science are accurate and carefully thought out.

Ammonite was Griffith’s debut novel. I’d also recommend her most recent, the absolutely amazing Hild, a retelling of the life of historical figure, Saint Hild of Whitby. Come to think of it, nothing I’ve read by her has been shabby, including Slow River, a near-future thriller that is also beautifully told and engaging.

I had the luck to sit in on a class Griffith taught for Clarion West a couple of years ago. She is a consummate, careful wordsmith. The word “luminous” keeps appearing in reviews of her work, and that’s because it’s so beautifully crafted that it seems to glow from within.

The first three paragraphs of a piece set up so much. Here’s the first three of Ammonite, to give you a taste:

Marghe’s suit was still open at neck and wrist, and the helmet rested in the crook of her left arm. An ID flash was sealed to her should” “Marguerite Angelica Taishan, SEC.” The suit was wrinkled and smelled of just-unrolled plastic, and she felt heavy and awkward, even in the two-thirds gravity of orbital station Estrade.

She stood by the airlock at the inside end of A Section. THe door was already open. Waiting. She rested the fingertips of her right hand on the smooth ceramic of the raised hatch frame; it was cool, shocking after two days of the close human heat of A Section.

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