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You Should Read This: The Serial Garden by Joan Aiken

The cover of the Serial Garden, fantasy stories by Joan Aiken, reviewed by speculative fiction writer Cat Rambo.
While the stories deal with the members of the Armitage family, a wide cast of characters floats in and out of the stories: visiting wizards, fairy godmothers, a stray unicorn, mischievous cousins and envious witches.
Joan Aiken is most familiar to readers for her children’s novels such as The Wolves of Willoughby Chase and Black Hearts in Battersea. But she was a talented story writer as well, producing Dahl-esque modern day stories that often rely on supernatural elements.

What: The Serial Garden: The Complete Family Armitage Stories by Joan Aiken is a collection of children’s stories written by Aiken. The Armitage family moves through a landscape reminiscent of the England of the Pevensies or Would-Be_Goods and they have the same, non-cloying sweetness to them.

Who: Read this if you’re a MG or YA author looking for inspiration. Or if you’re a parent looking for some solid reading to share with your children..

Why: Read it because Aiken knows how to construct a short story. Look at how deftly she weaves in elements, tying them all up in endings that are unpredictable but ineffably right.

When: Read it in the evenings, as befits fairy tales.

Where and How: Read it if you’re in the mind for a little gentle silliness and the ghost of a governess conducting midnight lessons.

#sfwapro

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Nattering Social Justice Cook: This Is Not A Review

Picture of male footprints in sand.So I read a book recently and I loved some parts of it and other parts…not so much. And I’ve been thinking about it ever since because there was one part of it I just adored but I don’t feel like I could tell anyone to read the book without a big “hey and you should watch out for this” addendum. I’d bounced off a previous book by this author with what was supposed to be grimdark but had a big ol’ weirdly ungrimdark gendered cliché early on that made me think so hard about it that I couldn’t pay attention to the rest of the book, so I was already a little cautious, yet optimistic because I knew the author to be a good writer.

I’ve talked before about reading when the protagonist is markedly not you, and how used to it women — and other members of the vast majority the mainstream media calls Other — become. And this was a good example of a very young, very male, very heterosexual book. Which God knows I’m not opposed to. I remain a huge fan of the Warren Murphy and Richard Sapir Destroyer series and Doc Savage was a big influence on me, growing up.

So why did this book hit me so hard in an unhappy place? Because it was so smart and funny and beautifully written and involved connected stories about a favorite city and magic, which are three of my favorite things. And because it had a chapter that was one of the best short stories about addiction that I’ve read, and that left me thinking about it in a way that will probably shape at least one future story.

And yet. And yet. And yet. Women were either powerful and unfuckable for one reason or another or else fell into the category marked “women the protagonist sleeps with”, who usually didn’t even get a name. Moments of homophobic rape humor, marked by a repeated insistence on the sanctity of the hero’s anus, and a scene in which he embraces being thought gay in order to save himself from a terrible fate, ha ha, isn’t that amusing. And I’m like…jesus, there is so much to love about this book but it’s like the author reaches out and slaps me away once a chapter or so.

Why? Because representation matters. At one point or another a writer needs to look at representation in their book, try to perceive what it is saying to readers, and make a choice about that. Authors may choose to offend or shock, sometimes in the name of social change, like Harriet Beecher Stowe’s Uncle Tom’s Cabin, John Steinbeck’s The Grapes of Wrath, or Harper Lee’s To Kill a Mockingbird. Or they may do so by pushing up against the boundaries of art, like James Joyce’s Ulysses, William S. Burroughs’ Naked Lunch, or Kate Chopin’s The Awakening. The list of books challenged for one reason or another is long and full of wonderful writers. But — in my opinion — stirring the shit isn’t a good reason.

Books shouldn’t be banned. Books should be discussed, argued about, and used to learn and advance. Certainly there are books to exist to offend and use it as a marketing technique. This is not a new phenomenon, and it’s something that some authors use to good financial effect, like the authors who promise not just that the reader will find themselves in the book but that by some strange alchemy they are sticking pins in SJW voodoo dolls and then something about salty tears blah blah blah. It’s interesting that in such cases, reading is unnecessary – it’s the act of financial consumption that matters, and whether or not one tweets to signal one’s virtue.

Those are border cases, though. Most books just want people to read them and prefer to entertain over outrage. I’m about 95% sure the book that provoked this piece wasn’t intended to be edgy in its reinforcement of 1960s upper-middle-class American gender norms. It’s simply its take, a particular point of view that is not universally inherently tiresome except that it’s been a facet of the mainstream narrative for so long.

With the development of indie publishing, perhaps we’ll see a continued splintering of that narrative as well as a move to look backward in order to find the neglected, hidden, alternate texts that show an alternative viewpoint. As more and more readers look for the works that reflect their lives or at least don’t use their experiences for derogatory humor, those works emerge: G. Willow Wilson’s version of Ms. Marvel as an American Muslim teen, Charles Saunders or Steven Barnes‘ reimagining of traditional stories, Octavia Butler’s deeply uncomfortable and compelling Kindred, Yoss’s vision of a Spanglish-speaking universe. And more: stories that feature protagonists who are mentally ill, outside traditional body norms, or outside the narrow straight/cis arc of the gender spectrum. Here’s hoping, at least, for more and different lands in which we can all find ourselves.

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Building a Graphic Novel Library: What One Slice of The Hive Mind Suggested

Picture of a bookshelf of graphic novels.I tweeted this image recently along with the tag-line, “What’s missing? Tell me your favorite graphic novel.” I got literally hundreds of replies, and since I’m going through the list to compile one for me in order to fill out my library a bit, I figured I’d do it as a blog post and thus hit two birds with a single stone. I’m still updating and adding as more people respond to the original post. But if you’d like to know what my Twitter following recommended, here’s the list.

Color-code
Bold = multiple recommendations
Green = I have it and recommend it.
Purple = already on the shelf, but someone recced anyway
Blue = I have it in the original comic form and feel very hip accordingly

So here are the books, arranged alphabetically by author, and with my own notes where pertinent.
Jason Aaron – Thor: The Goddess of Thunder
Alex Alice – Castle in the Stars; Siegfried
Michael Allred – iZombie
Natasha Alterici – Heathen
Sarah Andersen – Fangs
Kevin J. Anderson, Brian Herbert, and Frank Herbert – Dune
Robert Asprin – Myth Adventures
Michael Avon Oeming and Bryan J. Glass – Mice Templar
Brian Azzarello and Eduardo Risso – 100 Bullets (4) (One person said, “Despite the ending.”)
Gabriel Ba and Fabio Moon – Daytripper (3)
Carl Barks – A Christmas for Shacktown. This looks super intriguing and got added to my list.
Donna Barr – Desert Peach; Stinz
Mike Barr – Camelot 3000 (2)
Alison Bechdel – Fun Home (4) This has been on my list of TBR for ages; need to get around to it.
Brian Michael Bendis – Powers
Joe Benitez – Lady Mechanika
Marguerite Bennett – Insexts
Enki Bilal – La Trilogie Nikopol
Vaughn Frederic Bode – Cheech Wizard
Archie Bongiovanni – Grease Bats
Dan Brereton – The Nocturnals
Cullen Bunn – The Sixth Gun
Rich Burlew – Order of the Stick
Charles Burns – Black Hole
Kurt Busiek – Astro City (3)
Thierry Cailleteau – Aquablue
Bob Callahan – Perdita Durango
Sophia Campbell – Shadoweyes
Mike Carey – Lucifer; The Unwritten (2)
Emily Carroll – Through the Woods (2)
Donny Cates – God Country
Chris Claremont. God Loves, Man Kills (3)
Brian Clevinger – Atomic Robo (2)

Peter David – Aquaman
Alexis Deacon – Geis
Kelly Sue DeConnick – Bitch Planet (3), Pretty Deadly (2)
Kim Deitch – The Boulevard of Broken Dreams
J.M. DeMatteis – Greenberg the Vampire
Aaron Diaz – Dresden Codak
Juan Diaz Canales – Blacksad
Andy Diggle – Adam Strange: Planet Heist
Colleen Doran – A Distant Soil
Phillippe Druillet – Lone Sloane
Ben Edlund – The Tick
Grace Ellis and Noelle Stevenson – Lumberjanes (2)
Warren Ellis – The Authority; Global Frequency (2); Nextwave: Agents of H.A.T.E.; Ocean; Planetary 2); Transmetropolitan (7) Warren Ellis has also been revealed to be problematic lately; you may or may not want to poke around to read about that before buying. I have a number of his books and I do not think one can deny he’s been a very strong influence on the field.
Garth Ennis – The Boys; John Constantine, Hellblazer: Dangerous Habits; Hellblazer; Preacher
Emil Farris – My Favorite Thing is Monsters (4) Described as “a great one about a kid investigating a murder in “˜60s Chicago drawn as if they’re sketches in a school notebook,” which I love so I’ve got it on order.
Phil Foglio – Buck Godot, Zap Gun for Hire; Girl Genius (3)
Ellen Forney – Marbles: Mania, Depression, Michelangelo, and Me (2)
Matt Fraction – Hawkeye; Sex Criminals
Pierre Gabus – District 14
Neil Gaiman – Sandman (5); Stardust
David Gemmell – Legend
Dave Gibbons and Frank Miller – Give Me Liberty
Kieron Gillen – Die; The Wicked and the Divine (7)
Rene Goscinny and Albert Uderzo – Asterix
Joe Haldeman – Dallas Barr
Joe Haldeman The Forever War
Dean and Shannon Hale – Rapunzel’s Revenge
Larry Hama – A Sailor’s Story
Matt Hawkins – Think Tank
Herge – Tintin
The Hernandez Brothers – Love & Rockets (3)
Jonathan Hickman – East of West
Joe Hill – Locke & Key (4). Great stuff! I don’t have these, mainly because I borrowed them from someone else to read, and I don’t like buying stuff I’ve already read.
Kohta Hirano – Hellsing
Dylan Horrocks – Hicksville
Jody Houser – Faith
Matt Howarth – Changes
Junji Ito – Uzumaki (6)
Alejandro Jodorowsky – La caste des Meta-Barons
Matt Johnson – Incognegro (2)
Nagata Kabi – My Lesbian Experience with Loneliness
Ryan Kelly and Brian Wood – Local
Stephen King and Scott Snyder – American Vampire
Tom King – The Sheriff of Babylon; Vision
Yukito Kishiro – Battle Angel Alita
Peter Kuper – Heart of Darkness
David Lapham – Stray Bullets
John Layman – Chew
Jeff Lemire – Descender; Sweet Tooth
John Lewis – March (3) Added this to my next order.
Marjorie Liu – Monstress (10)
One person called it “the only one I buy for myself.”
Jeremy Love – Bayou
David Mack – Kabuki (2)
Howard Mackie – Gambit and Rogue; Robyn Hood
Larry Marder – Tales from the Beanworld
Julie Maroh – Le bleu est une couleur chaude
Alan C. Martin – Tank Girl (2) I wrote a grad school paper on this one.
Shirow Masamune – The Ghost in the Shell
Taiyo Matsumoto – Tekkon Kinkreet
Scott McCloud – The New Adventures of Abraham Lincoln; Reinventing Comics; Understanding Comics (4). I keep this on my shelf of writing books. Definitely picking up the Abraham Lincoln book.
Seanan McGuire – Spider-Gwen
Carla Speed McNeil – Finder (2)
Linda Medley – Castle Waiting
Mike Mignola – Hellboy (3)
Mark Millar – Jupiter’s Legacy
Frank Miller – Daredevil: Born Again; The Dark Knight Returns (4); Elektra: Assassin (2); Ronin (2); Sin City (3)
Peter Milligan – Red Lanterns; X-Statix
Shigeru Mizuki – Showa: A History of Japan
Alan Moore – let’s just assume I have and rec everything Moore has written, and wrote a paper in grad school involving the Watchmen.
Terry Moore – Strangers in Paradise (3)
Pepe Moreno – Batman: Digital Justice
Grant Morrison – Doom Patrol; The Invisibles (2); We3 (3)
Brennan Lee Mulligan – Strong Female Protagonist (2)
Ted Naifeh – The Crumrin Chronicles (2)
Mai K. Nguyen – Pilu of the Woods
Hope Nicholson (editor) – Moonshot: The Indigenous Comics Collection This looks pretty cool, adding to my “next buy” list.
Marieke Nijkamp – The Oracle Code
Steve Niles – 30 Days of Night
Lee Nordling – Once Upon a Time Machine
James O’Barr – The Crow (2)
Nnedi Okarafor – LaGuardia
Bryan Lee O’Malley – Scott Pilgrim Vs. the World; Seconds
K. O’Neill – The Tea Dragon Society
Natsume Ono – not simple
Katsuhiro Otomo – Akira (2)
Kevin Panetta – Bloom
Benoit Peeters – Obscure Cities
Rosalind B. Penfold – Dragonslippers
David Petersen – Mouseguard
Richard and Wendy Pini – Elfquest (2)
Rick Remender – Fear Agent
Jamie Rich – Ladykiller
James Robinson – Starman (2)
Greg Rucka – Lazarus (2); Queen and Country (2); Wonder Woman
Mark Russell – Exit Stage Left: the Snagglepuss Chronicles. Ordered because it looked like it would hit a couple sweet spots for me.
Mary Safro – Drugs & Wires (having trouble tracking this one down online so far)
Stan Sakai – Usagi Yojimbo
Richard Sala – Peculia
Marjane Satrapi – Persepolis: The Story of a Childhood (6) I loved this, and the film was lovely too. I ended up passing my copy along to a cousin because it felt like a book that should be out there educating people.
Tom Scioli – Jack Kirby: The Epic Life of the King of Comics
Stjepan Sejic – Sunstone (2)
Jason Shiga – Demon
Ray Simon – Habitat
Gail Simone – Birds of Prey; Red Sonja
Jeff Smith – Bone (7); Shazam!: The Monster Society of Evil
Charles Soule – Curse Words
Art Spiegelman – Maus (5)
Richard Stark – The Parker Novels
Jim Starlin – The Death of Captain Marvel (2) (The first graphic novel that Marvel did)
Noelle Stevenson – Nimona (3) I have this in electronic form and wish I’d bough hardcopy.
Masayuki Taguchi and Koushun Takami – Battle Royale
Bryan Talbot – Adventures of Luther Arkwright (3); Grandville; Alice in Sunderland (2)
Mariko Tamaki – Harley Quinn: Breaking Glass; Skim
Shaun Tan – The Arrival
Yoshihiro Tatsumi
Doug TenNapei – Earthboy Jacobus (2)
Dirk I. Tiede – Paradigm Shift
James Tynion IV – Something is Killing the Children
John Upchurch – Lucy Claire
Serena Valentino – Nightmares and Fairytales
Brian K Vaughan – Ex Machina; Paper Girls (5); Saga (16); Y: The Last Man (2)
Ursula Vernon – Digger (5)
Charles Vess – Books of Magic (2)
Matt Wagner – Mage (2)
Mark Waid – Kingdom Come (3)
Tillie Walden – Are You Listening?
Jen Wang – The Prince and the Dressmaker
Gerald Way – The Umbrella Academy
Jeremy Whitley – Princeless
Kurtis J Wiebe – Rat Queens (5)
Bill Willingham – Elementals; Fables (6)
G. Willow Wilson – Cairo; Ms. Marvel (3)
Gregory A. Wilson – Icarus
Brian Wood – Channel Zero; DMZ (3); Northlanders
Gene Luen Yang – American Born Chinese
Jane Yolen – Foiled
Skottie Young – I Hate Fairyland
Jim Zubkavich – Wayward

Le Grand Pouvoir du Chninkel, which sadly has no official English release as far as I know.

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