Joan Aiken is most familiar to readers for her children’s novels such as The Wolves of Willoughby Chase and Black Hearts in Battersea. But she was a talented story writer as well, producing Dahl-esque modern day stories that often rely on supernatural elements.
What: The Serial Garden: The Complete Family Armitage Stories by Joan Aiken is a collection of children’s stories written by Aiken. The Armitage family moves through a landscape reminiscent of the England of the Pevensies or Would-Be_Goods and they have the same, non-cloying sweetness to them.
Who: Read this if you’re a MG or YA author looking for inspiration. Or if you’re a parent looking for some solid reading to share with your children..
Why: Read it because Aiken knows how to construct a short story. Look at how deftly she weaves in elements, tying them all up in endings that are unpredictable but ineffably right.
When: Read it in the evenings, as befits fairy tales.
Where and How: Read it if you’re in the mind for a little gentle silliness and the ghost of a governess conducting midnight lessons.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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You Should Read This: On Writing by Stephen King
When I taught at Hopkins, the students used to defiantly bring up King as an example of what they liked to read. It always surprised them when I said I liked him too. It feels like I’ve been reading Stephen King all my life. At least, for a very long time. He’s produced a lot of wonderful books, including one of my favorites, The Stand. In this book you get to see beneath the covers on a lot of those books.
What:On Writing: A Memoir of the Craft by Stephen King is divided into two parts. The first is an autobiographical look at his writing over the years. It is unflinching and honest and well worth the read. The second is stuff about writing. It is also unflinching and honest and well worth the read.
Who: If you are a writer who buys writing books, it maybe impossible for you not to know about this book already. If you’re a writer who doesn’t read books about writing — this one’s worth picking up.
Why: Read this to become a better writer, or just to understand the craft better. King uses the metaphor of the writer’s toolbox, which is a very useful one.
I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.
What goes in your toolbox? Vocabulary and punctuation. Point of view. Literary Devices. Foreshadowing. You get the picture.
When: Read this when you’re feeling a bit starved for the muse and want to be reminded that writing is a matter of work, not divine inspiration.
Where and how: Read it with pen in hand, ready to underline and make notes that apply to your own writing. Read it with King’s books close by, so you can reach for them and see his principles played out in their pages.
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Who: Anyone searching for creativity should pick up this practice, whether or not you use this book. Find something that provides a daily seed — perhaps the I Ching, or Tarot cards, or inspirational poetry — and make meditation on it part of your daily practice.
Why: Because some daily touchstone like this gives additional structure and depth to your day. And, with this particular book, you will find fresh stories and influences.
When: Early in the day. Open it up to today and look to see what goddess is invoked. Reflect on what she stands for, her story, her associated colors, animals, fruits, flowers, and traditions.
Where and how: Read it mindfully, not skimming. If each day you focus on something like this, it will spur stories and ideas. You’ll notice things that you wouldn’t have noticed otherwise. If a figure pulls you, read further, deeper, wider about that goddess and see what stories she brings you.
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