Sing in me, Muse, and through me tell the story of that man skilled in all ways of contending, the wanderer, harried for years on end, after he plundered the stronghold on the proud height of Troy.I read The Odyssey in college. I’d been aware of it before then, in that way any bright teen reader is: one runs into its figures here and there or else the whole thing gets boiled down into a chapter in a book on Greek mythology. (I believe I’d also seen it referenced in Ray Harryhausen movies.)
I read it for a class, one of the brief ones squeezed in between semesters, a one-credit class called On the Road, which focused on (naturally enough) stories of the road, including Kerouac’s book.
What: The Odyssey is the story of Odysseus as he makes his way back through a series of dangerous encounters to his wife Penelope, who is facing off dangers of her own at home.
Who: Anyone who wants to be familiar with one of the fountains so many stories, in so many art forms, are drawn from should read this.
Why: Because it’s a classic. It’s good for you AND it’s a really good story.
When: Read it when you want to return to the bones of writing. Read it in conjunction with Robert Grave’s Homer’s Daughter, which posits a different author for it.
Where and how: Read it aloud, the way it’s meant to be heard. Read it in one of the many good translations that treat it like the poetry it is, such as Robert Fitzgerald’s. Or if you’re privileged enough to know ancient Greek, let it sing to you in that form.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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You Should Read This: Doctor Rat by William Kotzwinkle
The newer books have a different cover, but this has always been my favorite version.Doctor Rat is a cunningly well constructed, heartwrenching, horrible wonderful book told from the point of view of an insane rat, thereby reinforcing my theory that odd povs may add to, rather than detract from, good fiction. Be aware: this is a novel about animal experimentation and it pulls no punches.
Doctor Rat witnesses the experiments being carried out on his fellow animals, wandering through a laboratory and speaking to us in a way that makes it clear whose side he’s on while showing how brutal the details of this book can be:
I should now like to sing “Three Blind Rats.” It’s part of the experimental program of music that’s being channeled toward certain rats, to make them more docile and sweet. Several of them are indeed beginning to nuzzle up to each other, one of them even executing a light-fantastic tripping of his tail, in time to the beat.
In the cage beside him, we actually have three blind rats. In fact, we have twenty-three blind rats, part of a magnificent new experiment initiated by a very ambitious student, who I’m featuring in this month’s Newsletter. He’s a sensitive chap and it was his exquisite sensitivity that caused him to dream up the item that’s become the latest rage here at the lab: the fabulous removal of eggs from a female rat’s body and the grafting of them to different parts of the male rat’s body — to the tail, to the ear, to the stomach. And for the past twenty-three days he’s been grafting them to their eyeballs! So now it’s time we all sang that promising young scientist a song.
Doctor Rat is not all horrifying detail though. There’s a lot of sweetness to it, including a moment where a human orchestra plays music in order to warn whales of approaching whalers that makes me cry, every time, while read silently or aloud. The amount of emotion it manages to stir in me is visceral. I wish I knew how Kotzwinkle accomplished it.
Which brings me to another reason by I think this is a good book for writers to read: this is a book that manages to be harrowing and uplifting all at once. It’s the sort of book that a writer confronting a real evil produces, a look that is cynical and despairing and yet tinged with a dark humor that lets you know there may be a glint of light somewhere. This is the sort of book you should read through once in order to experience it for the first time; then go back and see how the writer accomplished that experience. Doctor Rat looks at difficult, political things in a way only the greats manage.
Kotzwinkle is still around and is a prolific of both adult and children’s books. The child in me is compelled to note that the latter includes the “Walter the Farting Dog” series.
You Should Read This: An Appreciation of Andre Norton
My high school years were steeped in reading from several F&SF authors. Among them, the most influential was quite probably Andre Norton. In arranging my book collection in those early days, Norton was always satisfying, because she wrote a gazillion books and I had most of them. In fact, I know three fantasy landscapes well because I wandered them so often as a young reader: Narnia, Middle Earth, and Norton’s Witch World.
The book I’m working on right now, (working title CIRCUS IN THE BLOODWARM RAIN) tries to get at the feel of some of those books: a protagonist moving across a mysterious landscape laden with both treasures and perils from the past, along the lines of Breed to Come, Forerunner Foray, or Star Man’s Son, 2250 A.D.
Norton, the first female SFWA Grand Master, wrote both fantasy and science fiction, both awesome, but I have a particular fondness for her science fiction, like Moon of Three Rings, Judgement on Janus, and Sargasso of Space. Her Free Traders have a gritty feel that predates many other works with a similar feel, like Star Wars or C.J. Cherryh’s Chanur series.
The problem with talking about Norton is that she’s both prolific and consistent, making it hard to find stand-out books to recommend. So here, rather than a single book out of her 314 titles, are several possible entrances into her work.
The Witch World series: Like a lot of Norton’s works, this hovers somewhere between science fiction and fantasy, but ends up sliding pretty firmly into fantasy. There are predecessors, long gone, who have left behind objects of great peril and power, and rival factions with differing degrees of what is either magic or technology that amplifies psychic powers. Technically, the series should start with Witch World, where Simon Tregarth of Earth finds himself transported to that world, but my own suggestion would be to back into the series the way I did, starting with Year of the Unicorn and its sequel, The Jargoon Pard, (the overall series is made up of a number of sub-ones) which will give you the flavor of the world before explanations begin.
The Solar Queen series: The Solar Queen is the name of a Free Trader spaceship. these are early Norton, many originally written as Andrew North. Look to the earliest ones — Sargasso of Space, Plague Ship, Voodoo Planet, and Postmarked the Stars — later cowritten ones lack some of the energy of the early books.
The Beast Master series: Norton often uses animals in her writing, sometimes as protagonists, but also as helpmates, as with the genetically altered animals that companion and assist telepathic ex-soldier Hosteen Storm. Like the Solar Queen series, the earlier ones written by Norton solo are stronger.
In an earlier post, I mentioned Robert A. Heinlein as someone to read not just because so many of his works are classics in the field but because he’s problematic at times. Norton, on the other hand, never is (at least to my memory). Many of her protagonists are strong females, while others are representative of minorities not found elsewhere in YA F&SF of the time, such as The Sioux Spaceman.
So…I salute you, Alice Mary Norton, and deeply regret never meeting you. You’re one of the people that shaped my writing, and you did that to a significant degree. Here’s to your stories, and all the readers who will find them in the centuries (or so I hope) to come.
