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You Should Read This: The Chronicles of Narnia by C. S. Lewis

Cover for The Lion The Witch and The Wardrobe by C.S. Lewis, 1st edition.
The moment in Prince Caspian where Lucy and Susan are riding on Aslan's shoulders remains one of my favorites in fantasy literature.
The Narnia books changed the way generations of young readers would look at wardrobes. Their importance in the field of children’s fantasy literature cannot be overstated. I came to them early and had a boxed set which was, by my teen years, grubby and well-worn.

What: The Chronicles of Narnia is the creation of C.S. Lewis. The seven books can be read in chronological order (starting with The Magician’s Nephew) or as Lewis wrote them (starting with The Lion, the Witch, and the Wardrobe. Children from our world find entrance into another, filled with talking animals and mythological creatures. The parallels with Christianity are strong, and intentional, but do not damage the book.

Who: Kids will love these, particularly avid readers, but scholars of both children’s fantasy and Christian literature will also want to read at least the first book, if not the series overall.

Why: Read these because they’re a chance to explore a classic fantasy landscape and books which influenced so many others to come, such as Lev Grossman’s The Magicians, Guy Gavrie l Kay’s Fionavar Tapestry series or Joy Chant’s Red Moon and Black Mountain.

When: Read these when you want a ripping good fantasy with no intrusion of complicated sexuality (other than the usual Freudian overtones). But read it also for a look at how female characters have been treated, and when you’re done, read this excellent reflection on Susan.

Where and how: Anytime, really. These are comfort books for me, particularly The Silver Chair, The Voyage of the Dawn Treader, and The Last Battle.

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You Should Read This: A Biography of the English Language by C.M. Millward

The cover of A Biography of the English Language by C.M. Millward, recommended by speculative fiction writer Cat Rambo
Our language is nuanced with a thousand historical references, even when we think it at its most innocent.
What:There’s a t-shirt that reads “English is a language that lurks in dark alleys, beats up other languages and rifles through their pockets for spare vocabulary.” In A Biography of the English Language, Millward presents some of this complicated history of the English language, first talking about what a language is, along with basics of phonology and writing before moving into Indo-European, Old English (the sage of the arrival of the English, the Christianization of England, and various Viking invasions), Middle English, Early Modern English, and then the array of recent forces shaping our language: the printing press, the industrial revolution, colonization, the codification of grammar, and more. It finishes up with present day English, at least as present day as a book written in 1989 can be. I should note that, looking at Amazon, the book is expensive as heck. I suspect any thorough history of the English language will do as well, but this book is VERY thorough. I bet it’s also available through libraries.

Who:Read this if you are a writer who likes to know what’s built into the words you’re using, what they say about their circumstances as well as what resonances they add for the knowledgeable. Read it if you love the minutiae of language, all the little “who would have thought” and “Although unlikely” facts that get seeded into long and drifty conversations, like the fact that Indo-European had three numbers: singular, plural, and dual.

Why: Read this so you can use words both more efficiently and more artfully. SO you know how the literary tradition you are working for and against, bound inextricably within, has been affected by linguistic change and created its own pressures to change in turn.

When: Read this when going among bores, for it will arm you with facts with which any recitation of X-Files plots or sports trivia can be met. Read this when you want something a little academic, with that cleansing flavor of self-improvement that the scrub of dry details can bring. Read it when you’re cramming for a test that involves volcabulary.

Where and how: Read this sporadically, tucking facts away, or with a notebook in hand. Read it for a class that takes you through centuries of linguistic change, showing you how history is tucked into every Vocabulary lesson.

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You Should Read This: On Writing by Stephen King

Cover for Stephen King's On Writing: A Memoir of the Craft.
"Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe." - Stephen King
When I taught at Hopkins, the students used to defiantly bring up King as an example of what they liked to read. It always surprised them when I said I liked him too. It feels like I’ve been reading Stephen King all my life. At least, for a very long time. He’s produced a lot of wonderful books, including one of my favorites, The Stand. In this book you get to see beneath the covers on a lot of those books.

What: On Writing: A Memoir of the Craft by Stephen King is divided into two parts. The first is an autobiographical look at his writing over the years. It is unflinching and honest and well worth the read. The second is stuff about writing. It is also unflinching and honest and well worth the read.

Who: If you are a writer who buys writing books, it maybe impossible for you not to know about this book already. If you’re a writer who doesn’t read books about writing — this one’s worth picking up.

Why: Read this to become a better writer, or just to understand the craft better. King uses the metaphor of the writer’s toolbox, which is a very useful one.

I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.

What goes in your toolbox? Vocabulary and punctuation. Point of view. Literary Devices. Foreshadowing. You get the picture.

When: Read this when you’re feeling a bit starved for the muse and want to be reminded that writing is a matter of work, not divine inspiration.

Where and how: Read it with pen in hand, ready to underline and make notes that apply to your own writing. Read it with King’s books close by, so you can reach for them and see his principles played out in their pages.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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