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You Should Read This: An Appreciation of Andre Norton

Cover for Voodoo Planet by Andrew North/Andre NortonMy high school years were steeped in reading from several F&SF authors. Among them, the most influential was quite probably Andre Norton. In arranging my book collection in those early days, Norton was always satisfying, because she wrote a gazillion books and I had most of them. In fact, I know three fantasy landscapes well because I wandered them so often as a young reader: Narnia, Middle Earth, and Norton’s Witch World.

The book I’m working on right now, (working title CIRCUS IN THE BLOODWARM RAIN) tries to get at the feel of some of those books: a protagonist moving across a mysterious landscape laden with both treasures and perils from the past, along the lines of Breed to Come, Forerunner Foray, or Star Man’s Son, 2250 A.D.

Norton, the first female SFWA Grand Master, wrote both fantasy and science fiction, both awesome, but I have a particular fondness for her science fiction, like Moon of Three Rings, Judgement on Janus, and Sargasso of Space. Her Free Traders have a gritty feel that predates many other works with a similar feel, like Star Wars or C.J. Cherryh’s Chanur series.

The problem with talking about Norton is that she’s both prolific and consistent, making it hard to find stand-out books to recommend. So here, rather than a single book out of her 314 titles, are several possible entrances into her work.

    The Witch World series: Like a lot of Norton’s works, this hovers somewhere between science fiction and fantasy, but ends up sliding pretty firmly into fantasy. There are predecessors, long gone, who have left behind objects of great peril and power, and rival factions with differing degrees of what is either magic or technology that amplifies psychic powers. Technically, the series should start with Witch World, where Simon Tregarth of Earth finds himself transported to that world, but my own suggestion would be to back into the series the way I did, starting with Year of the Unicorn and its sequel, The Jargoon Pard, (the overall series is made up of a number of sub-ones) which will give you the flavor of the world before explanations begin.

    The Solar Queen series: The Solar Queen is the name of a Free Trader spaceship. these are early Norton, many originally written as Andrew North. Look to the earliest ones — Sargasso of Space, Plague Ship, Voodoo Planet, and Postmarked the Stars — later cowritten ones lack some of the energy of the early books.

    The Beast Master series: Norton often uses animals in her writing, sometimes as protagonists, but also as helpmates, as with the genetically altered animals that companion and assist telepathic ex-soldier Hosteen Storm. Like the Solar Queen series, the earlier ones written by Norton solo are stronger.

In an earlier post, I mentioned Robert A. Heinlein as someone to read not just because so many of his works are classics in the field but because he’s problematic at times. Norton, on the other hand, never is (at least to my memory). Many of her protagonists are strong females, while others are representative of minorities not found elsewhere in YA F&SF of the time, such as The Sioux Spaceman.

So…I salute you, Alice Mary Norton, and deeply regret never meeting you. You’re one of the people that shaped my writing, and you did that to a significant degree. Here’s to your stories, and all the readers who will find them in the centuries (or so I hope) to come.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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You Should Read This: The True Game Trilogy by Sherri S. Tepper

Cover for Sheri S. Tepper's science fiction trilogy, The True GameI first encountered this series in the late 70s, while a teen, and it hooked me to the point where I’ll always note a Sheri S. Tepper book coming out, even though some have gotten a little didactic. But this series? Not only is it is awesome, but it interlocks with two other trilogies set in the same world and with many of the same characters.

While The True Game Trilogy starts in what seems to be a fantasy world, where different people manifest different Talents that play off each other in a massive societal game. Protagonist Peter is part of a school that teaches its students how to play the game, and part of the joy of the book is the detail with which the game is worked out:

“Talisman,” I blurted. “Talisman to King’s Blood Four.”

“Good.” Gervaise actually smiled. “Now, tell me why?”

“Because our side can’t see what pieces may be hiding behind the King. Because Talisman is an absorptive piece, that is, it will soak up the King’s play. Totem is reflective. Totem would splash it around, we’d maybe lost some pieces…”

“Exactly. Now, students, visualize if you please. We have King, most durable of the adamants, whose ‘blood,’ that is, essence, is red light.Demons, most powerful of the ephemera, whose essence is shadow. Tragamors making barriers at the sides of the Demesne. The player is a student, without power, so he plays Talisman, an absorptive piece of the lesser ephemera. Talisman is lost in play, ‘sacrificed’ as we say. THe player gains nothing by this,but neither does he lose much, for with this play the Demesne is changed, and the game moves elsewhere in the purlieu.”

Peter thinks himself Talent-less but when it does emerge, it leads to danger connected to the secrets around Peter’s birth.

The magic system is lovely, there’s two strong female characters in the form of Jillian and Mavin Manyshaped,ach of whom gets her own later trilogy (with its own version of earlier events), the characters are engaging and/or often disturbing, and the plot is nicely put together, slowly shifting over to reveal itself to actually be science fiction.

There are others of Tepper’s works that I’d recommend — I adore the Marianne series, for one, and I reread Grass on a regular basis, as well as The Gate to Women’s Country. But this series was my gateway to Tepper and as such it has a pull for me above all the rest. If you want to know more about Tepper hereself, here’s an interview she did with Neal Szpatura for Strange Horizons in 2008 and an interview with John Scalzi.

#sfwapro

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Recent Reading From September

Linoleum print I did in 2008 (?). Meant to use it on Christmas cards, then never got around to it.
Linoleum print I did in 2008 (?). Meant to use it on Christmas cards, then never got around to it.
I went through the usual slew of books in September, but I thought I’d mention some of the more notable ones. Links go to the Kindle edition when available, because I do most of my reading on that.

Erin Morgenstern’s THE NIGHT CIRCUS was a terrific read and one that will delight fans of THE PRESTIGE and CARTER BEATS THE DEVIL. Lots of gorgeous and beautiful description of a highly evocative setting and the love story that plays out against it.

While on a visit to Baltimore recently, I was introduced to Joe Hill’s graphic horror novel, LOCKE AND KEY. I read the first one, and am looking forward to the rest.

THE PALACE JOB by Patrick Weekes was a terrific romp of a fantasy read, and is an Ocean’s Eleven type adventure played out against a fantasy setting.

Jonathan Wood’s NO HERO and YESTERDAY’S HERO reminded me of a less frenetic Charlie Stross. Another fun and frothy urban fantasy was Jennifer Willis’ VALHALLA.

Love Joe Lansdale, but I’m reading him slowly in order to spread out the cost of getting all the Hap and Leonard novels. September held THE TWO-BEAR MAMBO as well as a collection of short fiction, BUMPER CROP.

I go back every few years to read E.F. Benson’s Mapp and Lucia novels. Why doesn’t someone do a fantasy version of these? That would be so awesome.

THE WEIRD: A COMPENDIUM and THE APEX BOOK OF WORLD SCIENCE FICTION are both books that I am dipping into periodically, spacing them out so I can think about the stories, rather than absorb them all in one long read.

THE BANDIT KING by Lilith Saintcrow is a fantasy romance, the sequel to THE HEDGEWITCH QUEEN. I’ve yet to find a Saintcrow book that I haven’t enjoyed.

In nonfiction, I’ve been reading these:

  • RATIO by Michael Rudman, which talks about the ratios needed for certain things like biscuits vs. pie dough and explores a lot of the science. It’s fascinating, and I’m thinking about taking a year just to work through each of the 33 ratios (he goes through doughs, stock, sausage, sauces and custards) he explores.
  • Gretchen Rubin’s THE HAPPINESS PROJECT and STUMBLING ON HAPPINESS by Daniel Gilbert.
  • FROM AN ANONYMOUS SOURCE purports to be written by a senior White House official. It’s entertaining if you’re interested in politics.

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