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Writing Outside One's Comfort Zone

Abstract Image
Outside the comfort zone is where the best art lies.
We’ve all got a comfort zone, the place where we can function easily, where we know what to expect. It’s a nice place. It’s…well, it’s COMFORTABLE. Hence the name. It would be easy to stay there all the time.

But for writers, I think it’s very important to go outside it on a regular basis. For one thing, your characters are going to be outside their comfort zones, being challenged, tested, thwarted, more often than not, because one thing about comfort zones is that they can be pretty darn boring to read about. Who wants a character for which everything goes right? (This is, I will argue, why the Richie Rich comic books were pretty darn bland.) How can you write a character outside their comfort zone if you don’t know what it’s like?

And outside our comfort zone is where we learn new things, new skills, new things about ourselves. Here in Costa Rica, my Spanish skill is leaping upward in a way it wouldn’t at home, despite all my best resolutions about daily Duolingo workouts or buying books in Spanish from Amazon. And that in turn has prodded me to try some new things with it, like using one of my stories as a practice piece in translation.

This is why, when I talk to students about going into a workshop like Clarion West or Viable Paradise, I urge them to try to fail. Because you learn so much more from a story where you tried something new and failed than one where you did the same thing you always did. I wrote Zeppelin Follies while at Clarion West as my very first try at a screwball comedy, and I will confess that the first draft was a horrible mishmash of stuff. And boy did I learn a lot from that.

Fortunately, for the vast majority of writers, we like new things. New words, new vistas, new thoughts. And we find them outside that comfort zone, in a place that is frightening and exhilarating all at once. Whizzing along a zipline, diving into waters over our head, talking to strangers. If you doubt that you are brave enough to do such things, remember that you do something braver everyday by putting your writing out there for other people to look at.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

5 Responses

  1. I’ve been reading a lot of shorts lately. I find myself gravitating toward the ones that look like stories I want to write, in terms of formatting. Like I avoid atypical narrative forms or certain tense/pov, thinking I’m going to be writing in my comfort zone.

    And yet a lot of my writing after these binges is always a step away from what I know. When the inspiration strikes, the format is different and the story is usually piece in such a way that I couldn’t have known I was looking for it. I wonder if that has to do with an urge to break from the comfort zone.

    1. That’s really interesting. I wonder if having a firm foundation lets you step away like that more easily?

      1. I like to think it’s more a ravenous hunger for challenge! But also, since my writing career is in its infancy, it’s a discovery of what my comfort zone is. Combination of new things becoming comfortable and finding out what I’m capable of.

        That’s actually why I picked up Near+Far; I recognized a lot in your voice and rhythm that I wanted to emulate, so I wanted a wider sample size. And was not disappointed 😀

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On Writing: Can You Do It Wrong?

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Your motives do not matter. Your method does not matter. What matters is that you are writing.
Are you putting words on the page? Then you are doing it right.

You may not be creating publishable words. You may not be creating amazing words. You may not be creating words you like. But by creating words, you are doing something actual, tangible, verifiable. And that puts you ahead of all the people who aren’t writing.

Someone once said to me at a party, “I would write, but I need to conquer some inner demons first.” And honestly — in my opinion, that’s bullshit unless he was talking about the inner demon of procrastination and not just being a pretentious jackass. Because, come on – who says that kind of thing and takes themself seriously?

Writers just fucking write.

Do you need to send stuff out? Do you need to polish what you’ve produced? Do you need to promote your writing? Yes, and yes, and yes, but all of those things are dependent on having written.

Let me reiterate this, because it’s important. Writing always comes first.

When I teach, we do a lot of writing exercises. And I hear people say, just before they read what they’ve produced, “I’m not sure I did this right.” And then they go on and read me something wonderful. Maybe it’s not exactly what I was envisioning when I came up with the exercise. Maybe they’ve turned the exercise on its head and done something completely different. But that’s okay. The only way they could do the exercise wrong, in my opinion, is to not do it.

I have seen stories workshopped that were…sometimes difficult to say much about. Some are seared on my memory; others kept me up at night trying to figure out what to say. Some were politically a bit problematic. But you know what? At least they got written.

If you are writing, you are being a writer. If you keep at it — and think about writing and getting better — you will get better. There are things you can do that will help you get better faster, but all of them depend on…well, you should know what I’m going to say here by now….writing.

If it’s fear of getting it wrong that’s stopping you, then knock it off. Here’s the reassurance you need. You cannot do it wrong.

Now go write some words.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Writing Progress Is Always Good

Had a short short story, aka flash, appear this morning and shape itself while en route to coffee. Just finished writing it out, although the last line needs a lot of sharpening. Huzzah for starting the day with a new story, though! I think one reason for recent productivity is the reading and thinking about short stories involved in teaching the short story class.

And here’s a teaser from the short story I’m finishing up today. It’s a secondary world S&S piece, with a working title of “Love’s Footsteps”.

At the time he did it, Moulder found the idea of removing his heart, applying a calcifying solution, and storing it in a safe place, all in the name of immortality, quite reasonable. He performed the ritual in the diminutive but ominous tower he had built in one corner of his parents’ estate, watched over by dour-jawed examples of taxidermy, crocodiles and glassy-eyes owls, assisted by his faithful servant, Small. She held out the iron receptacle to hold his heart, her face impassive and unjudgmental, and afterwards laved his hands with cold water and wiped them dry.

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