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Thanksgiving 2014

Abstract image to accompany blog post about critiquing stories by speculative fiction writer Cat Rambo.
Tiger lilies, because they're my favorite flower.
Happy Thanksgiving to those of you to celebrate it; may the rest of you have a day also featuring pie.

I’m thankful for many things, and one of them is the past six months on the road with my splendid spouse, and all the adventures and laughs we had there. We put a lot of miles on the car. We kissed stingrays and fed hibiscus blossoms to three-toed sloths. We visited a lot of friends and family, and a number of roadside attractions. I’m very lucky to have had the luxury of that journey.

I’m thankful to have a home to return to, and to have all the things that so many lack: shelter, heat, food, clean water, access to health care, electricity, education. Grateful not to live in a war-torn country. And for all that I have beyond that, which is considerable.

I am, as always, thankful for my friends and family, both near and extended. For the chance to be part of a grand company of speculative fiction writers (including SFWA, which I am grateful for the chance to work with), some of whom have influenced me, others whom I hope I have influenced in some small way. I’m grateful for all the friends I don’t know yet, who I’ve chatted with online or tweeted at, but haven’t had the chance to meet yet face to face.

I am thankful for language and stories, and the gift I’ve been given in learning how to tell them. I’m grateful for new and wonderful stories, and re-reading others, finding them like long-lost friends. I’m grateful to be able to string words together in a pleasing fashion, and for the ability to appreciate it when others do it particularly nicely. I am grateful that I was able to write some good stories this year.

I’m grateful for this world and all its wonders, both of the heart and of the physical world. For the heroes and the volunteers and teachers and leaders and parents who keep the human race moving forward. I’m grateful for you, dear reader, and the fact that you take the time to read my words.

Goddess bless and godspeed. Have the happiest of holidays.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me. -Black Elk

Every Breath a Question, Every Heartbeat an Answer” is a story that appeared this year in Beneath Ceaseless Skies, set in a hospital for war veterans, involving a lesbian centaur coming to terms with loss and the enigmatic ace paladin who seems to promise an answer to the question haunting her. Like many of my stories and the Tabat Quarter, it’s set in the world of Tabat, where intelligent magical creatures are beginning to question the roles society has allotted them.

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Rappacini’s Crow” is set in the steampunk world of my Altered America stories and has a trans protagonist who must figure out how to escape not just a malignant crow, but its owner as well. It appeared in Beneath Ceaseless Skies.

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“Preferences’ was recently reprinted in a special cyberpunk issue of The London Reader but originally appeared in Chasing Shadows, an anthology edited by David Brin and Stephen Potts, stories based on Brin’s book The Transparent World. It’s a short piece about data privacy, and reflects some of my experience working in that industry.

“The Threadbare Magician” is urban fantasy featuring a gay magician and his attempt to evade a particular doom. Seattle denizens will recognize references to a multitude of landmarks, including the Value Village store in Redmond, and you may be surprised what a simple trailer park on the East Side can hold. It originally appeared in Genius Loci, edited by Jaym Gates; you can find the audio version on Podcastle here.

Call and Answer, Plant and Harvest” is set in the city of Serendib, a location that has for some reason supplied a number of very short pieces set on its streets, including “The Subtler Art” and “The Owlkit, the Candymaker, the Beekeeper, and the Brewer”. This appeared in Beneath Ceaseless Skies; it was originally written for an anthology but the editor was anti-Chaos Mage. 😉 Luckily editor Scott Andrews was not.

“Elsewhere, Within, Elsewhen” was originally written for Beyond the Sun, an anthology edited by Bryan Thomas Schmidt. It features a protagonist trying to come to terms with his husband’s betrayal, on an alien world that presents him with an extraordinary way to escape it.

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