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Guest Post from Mercedes M. Yardley: Find Your Literary Voice

Mercedes YardleyI grew up in a time where we were taught to conform. If you want to write like the Greats, then study the Greats. Creative Writing professors often told us to choose a writer we admired and then write a poem or short story copying their style.

It accomplished what it set out to do, I suppose. We became more familiar with the writers we studied. We could pick out nuance and detail that were unfamiliar before. At the end of class, we emerged with a greater understanding of Faulkner, Frost, and Dostoevsky.

The only problem is that the woman sitting to the left of me wasn’t Faulkner. I wasn’t Frost. And the man in the front row never wanted to be Dostoevsky.

Authors have their own unique voices, and it’s a shame not to use them. Writers write because they care. They have something to say. They want to spread a message or they want to chat with their readers. They want to tell you things. Describe things. How is an author supposed to accurately express themselves when they have, in essence, learned to speak using somebody else’s voice?

Enough of that. You are YOU. The greatest thing you can bring to the literary table is yourself. Faulkner has already taken his seat. Do you know who should be sitting in the chair next to him? You. You have wonderful things to discuss.

Here are a few exercises and ideas that can help you find your own unique writing voice.

1. Write yourself a letter.

It doesn’t matter what kind of letter. What are you saying? What words do you use? Are you formal or folksy? Do you speak to yourself like a friend or is there a respectful distance there?

This exercise helps in a couple of ways. First off, it forces you to sit down and write, which is the first step. It’s also not meant to be daunting. Who cares about your literary success more than you? Nobody, that’s who. So write yourself a letter. Don’t judge yourself. This is a time to see what flows from your pen (or computer) when nobody is looking.

2. Record yourself talking about your upcoming project.

You can do it via audio or video, but the idea is similar to letter writing. What types of phrases do you use? Are you excited about the project? Now record yourself discussing a different project, preferably one that is in a dissimilar vein than your first project. Project #2 has a different ambiance, yes? Different subject matter? How do you sound while discussing it? Are your words the same?

3. Write a list of your favorite words.

Why are these your favorite? What makes them part of your vocabulary?

I had a member of my writer’s group say that he could always detect my work because I would use the words “broken” and “exquisite” quite often. And while this made me laugh, I realized that I do have choice words, and they convey exactly what I want to say. I’m not saying to use repetitive words in order to form voice, but to keep a lookout on your unique word set. These choices make you the writer you are. They’ll give you a hint on what your voice sounds like.

4.Realize that you might have more than one voice.

We discussed that one author doesn’t necessarily sound like another. And you might not necessarily sound like yourself all of the time. Perhaps that doesn’t make sense, but let’s go back to step 2, where you recorded yourself discussing two different projects. Two diverse projects might have two separate voices.

I realized that I have two distinct voices. One is a smart aleck type of voice with sarcasm and swagger, and it usually comes out while writing first person. I also have an elegant, much more ephemeral voice that uses higher and more lyrical language. This tends to come out when I’m writing in third person, and this voice is what I’m more noted for. But until I figured this out, I found it confusing. I wasn’t sure exactly why I sounded one way for one project and so different for another. I just wrote what I felt like writing, but other writers discussed the concept of “voice” so much that I became insecure and made the effort to figure mine out.

5. Write. Write a lot.

You won’t discover your literary voice in any other way. These suggestions can help, but we all know the only way to become a better, more informed writer is to read and write. But by being able to identify your literary voice, you’ll be able to more easily convey the sense of your work to others. This will help immensely when pitching your work, and will hopefully lead to even more opportunities for you.

Write on, my friends.

Bio: Mercedes M. Yardley is a dark fantastic who wears red lipstick and poisonous flowers in her hair. She is the author of Beautiful Sorrows, Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Nameless, and her latest release, Pretty Little Dead Girls: A Novel of Murder and Whimsy, from Ragnarok Publications. Mercedes lives and works in Sin City, and you can reach her at www.mercedesyardley.com.

#sfwapro

Want to write your own guest post? Here’s the guidelines.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Guest Post: Sheryl R. Hayers Stirs Up Crockpot Short Ribs of Hope

Image of crockpot short ribsI’m not the world’s best cook by any means. If given the option, to steal more time for writing I will order in or use prepackaged dinners. But there are things I make when I need that extra comfort that take-out or microwave meals won’t provide. It was no surprise that one of my favorite home-made meals made its way into my novel Chaos Wolf.

In that scene, Jordan is due to present herself to the alpha werewolf of the Black Oak Pack for one final test. Alpha Shane has made it clear that if she can’t prove that she is in control her shapeshifting, he will kill her. She has just confronted Montgomery, her vampire mentor, about information he has withheld from her. Her trust in him is shaken when she needs his support the most. She’s exhausted emotionally and physically and needs something she can look forward to beyond mere survival. So she cooks.

Jordan doesn’t toss something into the microwave that warms up in two minutes. She doesn’t reach for the take-out cartons from the dinner the night before. She chooses to make a meal that will take a half hour to prepare and ten hours to cook.

In an act of quiet defiance against all of those who think she’s going to fail, Jordan chooses to hope that she will be there to eat it when it’s done. In her mind, it’s not her last meal, but her next meal to look forward to when she returns home.

I have made crockpot short ribs many times. It’s a recipe my mother taught me, and now I make it for her. I can throw it in the slow cooker when I leave for work and it’s ready when I get home. Any crockpot with a low, medium, or high heat setting can be used. I make it when I know I’m going to have a rough day and want something comforting when I get home. While it won’t win any plating awards on cooking shows, it is a delicious and satisfying meal.

Crockpot Short Ribs

3.5 Lbs. Bone In Short Ribs
6 Russet Potatoes
1.5 lb. Carrots
2 large Yellow Onions
3 Tablespoons Garlic Salt
7 Quart Crockpot

  1. Peel and slice half the potatoes into coins and cover the bottom of the crockpot.
  2. Cut the carrots into chunks and layer over the potatoes. I cheat here by using bagged baby carrots.
  3. Cut your yellow onion into eights and layer over the carrots.
  4. Sprinkle 1 tablespoon of garlic salt on top.
  5. Repeat with another layer of potatoes, carrots, onions and garlic salt.
  6. Place the ribs on top of all the vegetables. Sprinkle with the rest of the garlic salt.
  7. Cover with lid and cook on low heat for ten hours. If you want to do it the “fast” way and don’t mind tougher meat, cook on high for four to five hours.
  8. By the end, the fat on the ribs should have melted and the potatoes and carrots will be tender. Remove the bones and serve in a bowl.

Does Jordan get to enjoy her meal? You’ll have to read the book to find out.

Sheryl R Hayes Author PhotoAbout the Author: Sheryl R. Hayes can be found untangling plot threads or the yarn her cats have been playing with. In addition to writing, she is a cosplayer focusing on knit and crochet costumes and works full time at a Bay Area water company. You can follow her at her blog, on Twitter, or on Facebook.

Here’s a sneak peek at Chaos Wolf:

Bitten by a werewolf. Taught by a vampire. At this rate, she’s going to start a war.
Literature major Jordan Abbey ordered a double mocha latte, but it wasn’t supposed to come with a side order bite by a love-sick werewolf. When a vampire comes to her rescue, gut instinct tells her he has questionable motives. But he’s the only one she can trust to help get in touch with her inner animal.

Within a week, her smart mouth lands her in trouble with the hostile alpha of the local pack and the stiff-necked vampire elder. She now has less than a moon cycle to master shape changing… or else. And the besotted werewolf who started this whole mess is stalking Jordan and killing her friends. He won’t take no for an answer.

In the Northern California town of Rancho Robles where the children of the Wolf and the Bat share an uneasy coexistence, one woman makes an epic mess of the status quo.

Chaos Wolf Excerpt

He gestured toward the couch. “Would you like tea, coffee, or soda?”

“Soda, please.” Although she wasn’t thirsty, accepting what he offered seemed the polite thing to do. She sat down on the leather couch and rested her elbows on her knees. “Don’t you only drink”¦ um”””

“Blood?” Montgomery finished the question for her. “No.” He stepped into the kitchenette. “I can and do drink and eat other things. It’s kind of like eating junk food. There’s no nutritional value. I enjoy the flavors and textures. I don’t like to do it too often, though.”

Jordan tilted her head to one side. “Why not?”

His lip curled into a half smile. “I can’t digest matter like when I was mortal,” he explained. “I have to purge it in a different way.”

She blinked, puzzling it out. Understanding dawned on her face. “Oh”¦ Oh!”

One red-and-silver can in hand, Montgomery stepped out of the kitchenette. “When I last saw you, you were hightailing it out of here, never to return.” He gave her the soda and took a seat in the chair sitting at a right angle to the couch. “What happened?”

Jordan stared down at the soda and rubbed her thumb over the frosty top. “After I left, I went home. I didn’t tell anyone about you.” She gestured in Montgomery’s direction. “I went out to try to forget what happened. When I came back, I found out my roommate’s boyfriend had been mauled to death.”

Montgomery stiffened. “Did you see the werewolf?”

“No,” Jordan said. “I didn’t even think he was real until”¦” She paused and shivered, sloshing the soda in the can. “All I could think about was finding you.”

Montgomery’s lips moved to form a curse. “Did you come directly here?” He stood up and crossed the small space separating the chair and the couch. “Focus. It’s important. Do you think you were followed?”

“No. The police took me and Molly to the station. We’re not allowed to go back to our apartment until sometime tomorrow after the super gets someone in to”¦” Jordan’s voice broke. She swallowed. “Clean up. I spent two hours getting on and off buses to make sure I wasn’t followed.”

Montgomery sat down on the couch. “Good thinking. If the werewolf was following you by scent, that should have thrown him off your trail. If he was tracking you by sight, you would have spotted him. Or he would have broken in here by now. You’ve been lucky.”

“Lucky?” Jordan’s shoulders tightened and her fist clenched, denting the can inward. “I’m being stalked by something out of a horror film and you think I’m lucky?”

“Yes,” Montgomery countered. “If you had been there instead of your friend, the werewolf would have finished what he started.”

“Finished what he started?” Jordan put the soda on the table unopened. “You make it sound like he let me live.”

“He did,” Montgomery stated, as if it were the most obvious thing in the world.

She stared at him with an open mouth. All the movies and books she had seen taught that a werewolf would rip out her throat as soon as look at her. The female victim never survived the attack. “But why?”

“You haven’t figured it out yet?” Montgomery appeared nonplussed by her reaction. “He wasn’t trying to make a meal out of you, Jordan. He was claiming you as his mate.”

Universal Book Link

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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Guest Post: The Knight With Two Swords and The Women of Arthurian Lore

My love of Arthurian lore definitely began with a trio of books my aunt lent me as a kid, Mary Stewart’s Merlin Trilogy, The Crystal Cave, The Hollow Hills, and The Last Enchantment. I knew only a little about King Arthur and Merlin and the rest, and the allusions to historical Roman Britain and the grounding of Merlin’s vaunted magic in science was revelatory to me at the time, though I admit I didn’t wind up pursuing the path of historicity myself, instead cleaving to the fairy story aspects. My Arthur isn’t the much-debated 6th century British chieftain, but the boy who drew a sword from a stone. My Merlin is all seeing, all knowing, and can appear in any forest by passing through the hedgerows planted by Queen Gloriana in the Garden of Joy.

Nevertheless, Stewart led me to John Boorman’s Excalibur, which led me to Sir Thomas Mallory and T.H. White. Years later a woman I worked with lent me The Mists of Avalon, and it was the clash between Christianity and paganism there that arrested me. After reading Bradley I rediscovered Mary Stewart in the unofficial sequel to the Merlin Trilogy, the Morded-centric standalone novel, The Wicked Day.

All of these ingredients went into the mix of my forthcoming novel The Knight With Two Swords, a retelling and expansion of The Tale of Sir Balin related in Le Morte D’Arthur.

The titular Balin is a temperamental, reactionary knight, the greatest of Arthur’s champions prior to the arrival in Camelot of Sir Lancelot. He and his twin brother Brulen are affected early on by the murder of their pagan mother at the hands of Christian fanatics, yet the two brothers come away from the experience with very different outlooks; Balin blames the pagan sisterhood of Avalon for corrupting his mother, whereas Brulen sets himself as an outlaw against all that is Christian.

This makes the court of Camelot, where both the Archbishop Dubricius and Merlin the Enchanter have a hold of King Arthur’s ears, a bewildering place for Balin. He seethes, torn between serving God’s chosen king and striking down what he perceives as the serpents in his shadow.
His personal conflict comes to a head when a mysterious woman girded with an enchanted sword visits the court, and no man but Balin can draw it. Yet, she warns him, though it will make him the greatest knight in the land, it will also doom him to kill the one he loves best”¦.

This woman is Nimue, a familiar face in Arthurian lore. Named as one of the three queens who, along with Morgan Le Fay and The Queen of Norgales (who I’ll talk a little about later) ultimately accompanies the body of Arthur on his funeral barge, she is invariably described throughout the lore as an enchantress, the temptress who traps Merlin in a tree, and The Lady of The Lake herself.

The names of The Lady of The Lake are almost legion. There is Lile (who Phyllis Ann Karr in her Arthurian Companion suggests only became an individual when someone mistranslated the French “˜l’ile d’Avilion’ as “˜Lile of Avalon’), Viviane, Nineve, and Sebill from the Vulgate Cycle, to name a few. As others have done before me, in Knight With Two Swords, they have all held the office of Lady of The Lake, and as the embodiment of Balin’s scorn for Avalon and its pagan mysteries, definitely have an impact on the tragic course of his life.

Other, less well known female characters from across Arthurian lore make appearances too, such as the mother of Merlin, Adhan, and his sister Gwendydd, who probably first appeared in Cyfoesi Myrddin a Gwenddydd ei Chwaer, a poem from the Red Book of Hergest attributed to a bard named Myrddin. In the old story, Gwendyyd’s son is killed in battle by her brother, and Myrddin goes mad when she disavows him. Geoffrey of Monmouth calls her Ganieda in his later Vita Merlini, where she cuckolds her husband Rhydderch Hael, and Myrddin tells on her. Geoffrey Latinized Myrddin into Merlin, possibly replacing the “˜d’ with an ‘i’ because “˜Merdin’ sounded too close to “˜Merde’ (“˜shit’ in French). In The Knight With Two Swords, Gwendydd is the bridge between Nimue and Merlin, who will tutor her in the magic arts she employs to direct Balin as a weapon of her own personal quest for vengeance.

In the course of Balin’s adventures, he encounters the Aspetta Ventura or, “˜Expected Fortune,’ a castle mentioned in the 14th century Italian take on Tristan, La Tavola Ritonda. The mysterious chatelaine of the castle is Lady Verdoana, known as The Leprous Lady, a woman covered head to toe who demands every maiden who visits her submit to a bizarre bleeding ritual. Cursed by a spurned sorcerer, she can only be cured by the blood of a royal virgin. Needless to say, this leads to shenanigans when Balin and his traveling companions find themselves houseguests.

For the ultimate antagonist of The Knight With Two Swords, I looked to the aforementioned Queen of Norgales. Like The King With A Hundred Knights, she goes unnamed in most stories, popping up now and again in Malory and the French Vulgate Cycle tormenting Lancelot and plotting with Morgan. She is described as one of the three most powerful sorceresses of Britian, behind Morgan Le Fay and The Lady of the Lake. In The Knight With Two Swords, she is a mysterious elderly dowager, always veiled, content to direct the actions of her armies and agents from afar. The widow of a wicked king named Agrippe who invaded the Grail Kingdom at the behest of the Devil, she plays a long game of wits with Merlin himself, whom she considers her grandson, as it was she who set the demon that begat him upon his mother Adhan in a failed attempt to bring forth the antichrist.

The Knight With Two Swords is available in print December 21st, and drops on Kindle on the 26th.

Edward M. Erdelac is the author of twelve novels including Andersonville and The Merkabah Rider series. His fiction has appeared in dozens of anthologies and periodicals including the Stoker award winning After Death and Star Wars Insider Magazine. Born in Indiana, educated in Chicago, he lives in the Los Angeles area with his wife, three kids, and three cats. News and excerpt from his works can be found at:
http://www.emerdelac.wordpress.com
https://www.facebook.com/Edward-M-Erdelac-112183918691
https://twitter.com/EdwardMErdelac

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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