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Retreat, Day T-7

picture of a sleeping cat
Willow, sleeping in her net.
It feels like I have been here a shorter time than I have, but it’s been great and I have gotten so much work done. I’m filling in gaps on Hearts of Tabat right now and happy with its progress. I wrote a bunch of stories and one poem. I walked on the beach and among the redwoods, and I got to spend time petting a bunny, and watching deer. I saw a grey fox and a barn owl swooping along late at night and covey after covey of quail, including a mama with six bitty little perfect quail running as fast as they could to keep up with her. Tonight I’ll lie out under the stars and watch the Perseid meteor shower from probably the best vantage point I’ll have in my life.

I spend literally less than a day at home, then get a haircut in the morning and head off to Sasquan in Spokane with my bestie, the fabulous Caren Gussoff. I’ve posted my convention schedule here, and if you’re wondering what sort of SFWA events I’ll be attending, here’s a video about that:


I’m working on a blog post about how to create videos like that — it’s much easier than you think. But you should make time for the SFWA auction, because there are some frickin’ amazing and very much one of a kind things for sale, including authors doing your voicemail message, supplying creative profanity, critiquing stories, and Tuckerizing (including one award winning novelist’s very first Tuckerization ever.) And lots of signed books, including ones from Worldcon toastmaster David Gerrold, George R.R. Martin, and Guest of Honor Vonda McIntyre.

I’ll also be spending a good bit of time at the Wordfire Press booth — please stop by and say hi (and buy a book if you like — I’ll have copies of both my new novel and story collection Near + Far!). If you’re coming to the con and are a vegan or vegetarian, here’s a handy list of food options.

In various news, Rappacini’s Crow will be reprinted in the BCS Best of Anthology and Abyss & Apex has accepted a novella that Bud Sparhawk and I wrote together, “Haunted.”

Tor.com had a nice piece about the SFWA cookbook — I’ll have copies of that with me for sale and there will be copies at the SFWA table in the Dealers Room and in the SFWA suite.

Here’s a piece from what I’ve been working on lately, near the beginning of Hearts of Tabat:

“Why do you always pick this teahouse when you are troubled?” Leonoa asked.

Adelina’s eyebrow raised and she smoothed a hand self-consciously over the garnet silk of her blouse. “I wasn’t aware that I did,” she said. And then, with mock severity, “That is the peril of associating with artists, Gilly. They are often dangerously observant.”

Gilly laughed nervously.

“But it makes sense. At one point,” Adelina said, “I became convinced that I was aberrant.”

Leonoa gave her a sidelong glance, but Adelina continued. “I thought I was different from all the other merchant children of my age, in that they all seemed very concerned with some sort of invisible game of unexplained points.”

Gilly frowned in noncomprehension.

“They all cared deeply about this game, and part of it was caring what other people thought ““ or more importantly, said ““ about each other. And I, honestly and completely, did not care what most people thought of me. My mother, the nurse who had raised me until the age of thirteen, my poetry tutor”¦ I did care about what they said, but no one else.”

“You were a prodigy,” Leonoa said wryly.

Adelina shrugged. “Perhaps not a prodigy. But I was one of those children who are capable of discerning the layers of adulthood mysteries that were truly not mysteries at all but simply things that adults were either too busy or bored or whatever to explain or which they thought were inappropriate for children for some reason or another.”

“Was there a moment of revelation?” Gilly asked. Her eyes were downcast, her voice a little lower. She’s flirting with me.

Adelina checked Leonoa’s expression and the wry flicker when the little woman realized she’d been caught amused and watching.

Not this one. Ah, Vyra Serena, send me someone eloquent, who loves words and will woo me with them, not innuendos and touched knees.

“I was given a child’s catechism of the Trade Gods,” she said, pulling her leg away from Gilly’s as she sat back.

Gilly looked nervous in the way one sometimes does when anticipating someone else is about to reveal some overly religious sentiment. Leonoa, who had heard this story before, maintained a polite, amused silence.

“The Trade Gods are an analysis of the way the world works,” Adelina said. “The ebb and flow of coin, of trade, of wants and necessities. Everything is there in the religion, because that is what it is. It is not that a God who is the personification of Coinage or Surplus or Fairspeaking, walking the street, the way the ignorant speak of such things.” She rolled her eyes. “Every religion is that ““ a way of understanding and teaching about the world.”

“But there is a natural order to things,” Gilly protested. “Surely someone came up with that.”

Adelina shook her head, one quick definite shake. “Not at all. As you said, a natural order, one that could not but happen to arise. It is the only thing that could given the circumstances.”

Gilly chewed her lip in perplexity, trying to summon a reply.

“It is not so,” Leonoa said. “There is no natural order, just happenstance. The reason that Humans are elevated over Beasts is that we are more numerous and they have not been able to successfully ally.”

Gilly’s eyes widened.

“Please,” said Adelina. “Before you get us all hauled in for Abolitionism, at least lower your voice when making such pronouncements.”

Leonoa pursed her lips but took a silent sip of tea.

ETA: And HEY I am part of this great Women in SF Bundle through the end of the month. Catherine Asaro, Janis Ian, Nancy Kress, Vonda N. McIntryre, Linda Nagata, Jodi Lynn Nye, Mike Resnick, Kristine Kathryn Rusch, and Judith Tarr — holy smokes can you really pass that up when you can get all that for as little as $15?

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Birthday

photo of Cat Rambo with flowers
The kitchen overlooks rooftops, then sound, then mountains. Hummingbirds live in the locust tree in back.
Well, happy birthday to me. I’ve managed five decades and a bit so far; here’s to many more.

Man, this has been a shitty year in many ways, and one full of life lessons that apparently the universe felt were overdue. Some of those I’m still grappling with. I am so freaking behind on this book it’s not even funny, but thank god for both the wonderful time spent writing in California this summer and the kick in the ass that NaNoWriMo has administered. I’m feeling hopeful about that again and making steady progress.

At the same time among the bumps there’s been plenty of bright spots. Among them my first novel, my first appearance in a Year’s Best collection (edited by Joe Hill, no less), and my first acceptance to longtime goal Magazine of Fantasy and Science Fiction (I have been submitting there for over a decade now). I’ve had nineteen original publications come out since my last birthday, and twelve are currently forthcoming, including a team-up with Mike Resnick. Rachel Swirsky and I are working on some projects together, which is terrific fun. I have a good half dozen stories already spoken for. My collaboration with Bud Sparhawk finally got accepted so he can stop nagging me about why it hasn’t sold yet.

And I’m somehow SFWA President, which is surreal, but also cool because we’ve been getting shit done this year, including admitting independent and small press-published writers, getting a model magazine contract up, reinstating the member electronic newsletter, expanding SFWA’s offerings for self promotion, and even got a cool infographic that answers to all the times someone whinges about how SFWA doesn’t do anything. Not to mention the recent Accessibility Checklist. Nothing speaks like success, and we’ve had some solid ones this year, in my opinion, and I love this ass-kicking team. It’s freaky though, when there’s moments like talking to Harlan Ellison on the phone or getting e-mail from Robert Silverberg.

We moved! Which was awesome but a pain in the butt when it was going on. I love the new place so much; West Seattle feels like home already in a way that Redmond never did. We’re not quuuuuuite moved in all the way; at least, we’re still waiting on a couple of pieces of furniture before everything will feel squared away. And my brother Lowell came out for his first visit to Seattle, but hopefully not the last. I made lots of new friends, and had good times with existing ones, including my beloved Caren Gussoff and Sandra Odell.

As always I picked up some new domestic skills in my endless exploration; this year included how to brew kombucha, how to make Greek yogurt, and the amazing nature of browned butter, which remains me that I co-edited a cookbook with Fran Wilde whose contributors included some pretty august names. Holy smokes was that project a pain in the ass but we survived.

And there’s plenty to look forward to in the next twelve months. Another two-sided collection, hurray! Hearts of Tabat forthcoming, and hopefully Exiles of Tabat along with it. The usual plethora of stories. Continuing to expand the online school (I’ve got some very cool content coming up in 2016.)

So here’s to a lovely birthday weekend that will include Indian buffet and thrift shopping and either ordering myself a pair of shoes I’ve been wanting or pulling a couple of wants from my Amazon wishlist. 😉

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Reflecting on the Past Year

Overall, 2010’s been a much better year than 2009, although it’s had its less pleasant moments, such as special assessment convulsions in my condo complex, my Grandmother’s death in November, and the usual array of rejections implicit in being a writer and sending stuff out. 🙂

On the bright side, my collection was a 2010 Endeavour Award finalist and I had fourteen stories published in 2010. Here’s the list, with a notable reprint and two podcasts to boot:

  1. 2020 VISIONS, edited by Rick Novy. Therapy Buddha.
  2. A dark story of data herds and contraband foods, edited by a fellow Codex writer.

  3. CLOCKWORK PHOENIX 3, 2010, edited by Mike Allen. Surrogates.
  4. An R-rated absurdist story telling of Belinda and Bingo’s love.

  5. TRIANGULATION: END OF THE RAINBOW, 2010, edited by Bill Moran. In Order to Conserve.
  6. A reprint from the collection, which also appeared as a podcast on Podcastle. A slim little political fable.

  7. M-BRANE, January, 2010. Fire on the Water’s Heart.
  8. Far flung tragedy of alien species interacting and sparking a doomed romance.

  9. MOOT MAGAZINE, April 2010. Biosapiens.
  10. Who is V-man, what does he want, and why does he glow under certain conditions?

  11. MOOT MAGAZINE, April, 2010. The Strange Case of Maya Andaluz.
  12. Graduate student and artist Maya is abducted by a strange alien light, leaving behind a fishbowl filled with desiccated fish and half-melted glass pebbles.

  13. EXPANDED HORIZONS, June, 2010. Coyote Barbie.
  14. Contains a favorite line of mine, “Barbies who run with the wolves”.

  15. EXPANDED HORIZONS, July, 2010. Swamp Gas.
  16. This was originally written for the Apex magazine contest asking writers to combine urban legends with UFOs – it’s my version of the vanishing hitchhiker.

  17. EVERY DAY FICTION, August, 2010. The Investigation.
  18. Flash fiction detailing events in a mythical location that I think of as vaguely French.

  19. PODCASTLE, August, 2010. Sugar.
  20. A Tabat story that originally appeared in the first Fantasy Magazine sampler and was later reprinted in my collection.

  21. LIGHTSPEED, September, 2010. Amid the Words of War. (Kindle version)
  22. One of my Clarion West stories, the first set at the brothel The Little Teacup of the Soul.

  23. DAILY SCIENCE FICTION, September, 2010. Seeking Nothing.
  24. 2010 was a year for dark SF, and here’s another example of that.

  25. CROSSED GENRES, September, 2010. Centzon Totochin.
  26. Horror set in a small Mexican town.

  27. EVERY DAY FICTION, September, 2010. Love Affair.
  28. Written during my grad student days at Indiana University.

  29. TOR.COM, October, 2010. Clockwork Fairies
  30. Perhaps my favorite of the 2010 publications, this is my attempt to talk about some of the problems implicit in the steampunk genre. I -love- the accompanying artwork by Gregory Manchess.

  31. REDSTONE SCIENCE FICTION, November, 2010. Not Waving, Drowning
  32. A final dark story of a marriage between telepath and non-telepath to finish out the year.

In 2011, I have stories coming out from ABYSS & APEX (Bots d’Amor), BENEATH CEASELESS SKIES (Love, Resurrected), BULL SPEC (The Coffeemaker’s Passion), GIGANOTOSAURUS (Karaluvian Fale, which Armageddon players should note is set in Allanak), DAILY SCIENCE FICTION (Pippa’s Smiles), LIGHTSPEED (Long Enough And Just So Long), SHADOWS AND LIGHT II (Aquila’s Ring, another story that Armageddon players will be interested in, since it takes place in Allanak and Tuluk). Podcastle will be doing an audio version of my collaboration with Jeff VanderMeer, The Surgeon’s Tale.

I got a Kindle and discovered the joys of e-readers, and even converted my collection, EYES LIKE SKY AND COAL AND MOONLIGHT, into a Kindle version, as well as one for other e-readers.

...

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