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WIP: Teaser from Poppy and Letitia

flowersI finished up a story I’ve been wrestling with for the past week this afternoon. It’s for a game world, and it’s a fun one. I’m not sure why I had so much trouble with this one, but I rewrote the beginning four or five times, which is unprecedented for me.

Anyhow, here’s a chunk:

The book supplied a hand-colored map of the coastline. Letitita had not seen that many maps in her lifetime but she thought that this one might have some shortcomings. For one thing, the area they were heading into was a spot colored a vague green which turned out to be towering pines and cedars, shaly hills, and tiny streams inevitably at the bottom of steep-walled gullies full of blackberry brambles. It was lettered, the amount of lettering sparse in comparison to the amount of blank space provided, “Unexplored Forest,”
They were three days into changing that into “Partially Explored Forest” when they heard the screaming.

It called from off the road, among the trees, unseen but close from the volume, the sound of a horse crying out, and then a second echoing noise, like the harsh squeal of an enormous machine wheel. Poppy’s bow was out and in her hand, the other one pulling an arrow from its quiver, as she sprinted towards it; Letitia followed, pulling daggers from her belt as she went, but moving more cautiously than her mistress and therefore slower.

She arrived in time to see Poppy’s first arrow strike the monstrosity towering over the fallen unicorn, a mass of black fur and teeth and more than one head, protruding at awkward angles from around the main one with its ferocious canine grin. Every eye in the multitude it boasted burned bright as fire, red as madness.

The arrow extinguished one of that pair burning brightest and largest. The beast threw its head back, and the sound of that tortured clash came again, so loud that it throbbed in Letitia’s ears.

Daggers sang from her hands, thrown almost without thinking, thunk thunking into that glistening black snout. Annoying wounds at best, but another of Poppy’s arrows flew straight and true ““ had she really merely said she’d been “all right with the bow” when a girl? ““ putting out the other mad red glare, and as it died so did all the tinier ones, heads slumping awkward as it toppled, halfway over its fallen prey.

They circled it warily as they came up. The unicorn let out a tortured breath. Poppy made a hurt sound in her throat and started to step closer, but Letitia tugged her back.

“You can’t help it, boss,” she said. Her eyes welled with tears, obscuring the gaping belly wound, the entrails fanned out from a savage bite. “It’s hurt too bad.”

“I can put it out of its misery at least,” Poppy said. She tugged one of Letitia’s daggers free from the monster’s corpse, and moved towards the unicorn, speaking softly, calmingly, an ostler’s murmur, soothing and nonsensical, theretheremylove, theretheremypretty.

The gleaming ivory horn raised an inch from the ground as though in challenge, but was too weak to move further. She stroked her hand along the broad neck. Letitia held her breath.

“Move no further,” a voice said from behind them.

In other news, Rappacini’s Crow and All the Pretty Little Mermaids both made Ellen’s Datlow recommended list for Best Horror. Hurray!

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Filling In More of The Moon's Accomplice

Not sure if this is the very beginning, but it’s definitely in the first chapter.

The rub of metal around her wrists was what bothered Shyra the most. Not the standing with the others, chained on the back deck, exposed to wind and cold. Or the catcalls of the sailors, appraising each Dryad in terms of beauty and body. Or the pull of her home grove, dwindling with each mile of river the boat achieved. She wouldn’t die of that, at least until she rooted and became vulnerable. THe lack of food didn’t’ bother her either, as long as there was plenty of sunshine and water.

They all managed to send their hair down along the boat’s side, down to the water line to drink there. But when the captain was cranky, he would shout that they might tangle the paddlewheel and would order one of the boys to clear it.

The boy would come with machete and apologies to hack away their hair. It didn’t hurt, any more than cutting his own hair would have hurt, but they pretended that it did, in order to use their reproachful cries to make him wince.

They had little enough to amuse them. The Dryads knew they were as good as dead. Dryads and Naiads captured and taken to Tabat never returned. If they wanted to escape, they all agreed in their whispered conversation, relying on the great engine’s noise to mask what they were saying, it would be best to get away before the boat reached the city.

She suspected that the Captain, if not all the crew, knew exactly what the Dryads chained there were plotting. They were not the first Dryads the Swan had carried. The railing was matted with fine, greenish root-hairs, layers upon layers of them in the spots where the boys were too lazy to scrub.

And all along the side of the boat, on the inside of the railing, were pictograms scratched by former prisoners. Some were easy to decipher: Six Flowers, Sun and Rain, Riverfern. Others were harder, lacking an established alphabet. A clamshell might be that, or some other concept, or food, or the sea, and coupled with what could have been a candle or eel or sprout, who was to know the precise name of the former prisoner, fate as unknown as Shyra’s, who had scratched that, in letters no more than a fingernail high, in the space beside the hasp to which Shyra had been secured for the duration of the journey?

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Tracking Story Submissions

Mechanical Fortune Teller at Pike Place Market
One of the problems with submissions is the guesswork involved - there is no way to predict what market will love a particular story.
Part of today is going to be spent sorting through my spreadsheet of what stories are out where and getting stuff out. That’s one of the really tedious things about being a writer – all the paperwork.

So how do I track submissions and figure out where to send them?

I have an Excel spreadsheet. One page has short stories that are circulating, a second does the same with flash pieces, a third tracks sold stories, a fourth audio reprints, and a fifth foreign reprints. When a rejection comes in, I mark the story on the sheet as freed up and put it in bold red. Once it’s been submitted, I switch the color to blue. That lets me look over the sheet and get an idea of what needs to go out. Right now it’s looking pretty red, so I’ve compiled a list of five flash pieces and ten short stories that need to go out, making a note of the word count.

After that I usually go to a market list, usually Duotrope.com or Ralan.com and look. I have some markets that stories always go through, but once they’ve been through those, it becomes a matter of finding the right place. I’ll look to see what anthologies are open first and see if I’ve got anything that fits into a particular theme.

Another system that can be used to track submissions is the excellent Story

Before I submit anywhere, I read their guidelines and do my best to read an issue or two (if they’re free online fiction, I don’t think there’s any excuse for not doing a little research there.)

Things that up a market’s attractiveness:

  • Good pay – I make my money through writing and editing, so this is a big factor to me.
  • Fast response time – When sending via snail mail, for instance, that adds at least a couple of weeks to the response time. A good resource for checking how fast they’re responding is the Black Hole.
  • Circulation – Do people read the magazine? Is it getting discussed/reviewed? Are many year’s bests coming from its pages?
  • Good editor – A good editor is a joy to work with.

Audio reprints and foreign markets are usually separate passes, since I’m working with different lists there – the best of the stuff that’s been published. I absolutely would be lost in looking at the latter if I didn’t have Douglas Smith’s Foreign Market list. I’ve been bad about audio reprints and need to get more of those circulating, so that will probably come after this pass.

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