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Patreon Post: Talking in the Night

IMG_0557This is a quick little flash piece because I’m still mired in moving, and also one that stays on the literary side of things, not wandering into the speculative. Nonetheless, I like it, and what it has to say about connection and communication in relationships.

Talking in the Night

It started like this: Mona turned over in the bed, trying to find the cool edge of sleep. She let out a little groan of frustration and her husband patted her shoulder, caught half-awake, half-asleep himself. She whimpered as though she’d awoken from nightmare and he pulled her close, buried her in his overflowing warmth.

After that sometimes she tested him with that little noise. Sometimes he was too asleep but sometimes he held her, reassuring as the shore holding a wave, feeling it leave and return, leave and return, regular as his breathing.

“You make noises in your sleep,” he said at breakfast. “Are you having nightmares?”

“Every once in a while,” she said. She studied him. How would he react if he thought she were suffering nightmares, that life was stressing her, eroding her, creeping into sleep to make it as uneasy as a coffee-less morning? “Often.”

He left before she did and when she went out through the frosty parking lot, she found he’d scraped the ice off her car for her.

Sometimes she woke and spoke words into the night, hoping he’d decipher them. “No” and “yes” and “please please please.” He slid his arms around her, stroked her back, but never replied. Sometimes later he slipped from bed and went to watch TV, sitting on the couch in his robe, lost and unknowable while the sports channel buzzed facts and figures while she lay in the other room wondering what he was thinking.

One night, she said, “Yes” and he repeated it, giving it a question’s inflection. She held her breath, didn’t answer and they both lay there, listening to each other pretend to dream.

He spoke first, the next night, and said, “Please.” It was her turn to repeat it, pitch it upward, trying to elicit the next word. This time it was his turn not to answer.

It could have laid quiet after that forever. She could have abandoned the night speech, he could have chosen in turn not to pick it up. Their horizons could have been sleepless and silent.

But the next night he spoke and told her about the time his father had taken him fishing and the hook had ripped into his thumb and his father had said men don’t cry. The story went out into the blackness and coiled near the ceiling, peering down at them as though they were dolls in a bed, plastic and supine.

She answered.

She answered with a story half-remembered of cigar ash and a grandfather and they went on telling memories they’d never spoken before to anyone, the things that they would have dreamed if they were sleeping.

And so they didn’t sleep. And so they talked till dawn and the day that was theirs as it had never been before.

If you’re not a Patreon supporter but would like to be, here’s the page where you can find out more about that.

If you’re interested in my online writing classes, you can find out more about the live ones here or the new on-demand content here.

In recent news, Rappacini’s Crow as well as All the Pretty Little Mermaids both made Ellen Datlow’s longlist for the year’s best horror and my collaboration with Mike Resnick, The Mermaid Club, will be appearing in Conspiracy. Other upcoming work includes appearances in Beneath Ceaseless Skies, Abyss & Apex, and The Magazine of Fantasy and Science Fiction.

If you’re in Baltimore at the Baltimore Book Festival this weekend, please stop by the SFWA booth and say hi!

7 Responses

  1. Great story. I had to repeat that last sentence to myself many times, and I still feel like something is missing. The whole story though, ace! I might even have done that when I was very young…

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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WIP: No Clue What the Title Is Yet

Photograph of a diagram showing the different kinds of starting points for a story.
A story in very rough form.
Working on a far future space story that is getting very complicated with its gender stuff. This is one of the things that annoys me sometimes about future space stuff — that it superimposes early 21st century (sometimes earlier) gender patterns in a way that I know is hard to avoid but which infuriates me when it’s unquestioned. I just reread The Pride of Chanur (OMG how is that out of print in hardcopy??) yesterday and love the way Cherryh handles the question.

Hence this story of two cultures clashing, and both the gender norms and the norms around the sex act are getting tangled up in interesting ways.

Anyhow, this is currently the story’s beginning (and is a good candidate to remain the beginning):

“It can’t be avoided, Tom,” Gayathri said to her spouse. “I know it’s Age-Come for Suzette and Bit, but they must deal with an outsider visiting. To keep Grace, they must be taken in by one of the Lines, and everyone else is dealing with emergencies right now. i can’t create a diplomatic incident over the feelings of two family members. They must learn to adapt.”

“It’s not the quarters that’s a problem,” they grumbled. “Since Bethany and Besa moved over to their new Line, we’ve had extra. But Gaya, this means adjusting all my meal planning.”

“A few more servings here and there”¦”

“Individualized cakes with names on them for the party, for one,” they said. “And the centerpiece was a fondant scene of the family. Now how will I incorporate them?”

“I’ll send you a couple of images from her press kit. Dress her in scarlet, that’s the Corps color for women.”

They frowned at her. “They dress in different colors? What do they do about in-betweeners or asexuals?”

“The Corps doesn’t allow them.”

They rolled their eyes. “One of those.” They eyed her. Her own insistence on keeping the same gender without ever attempting other forms or sexualities was a sore point in the relationship. While not unknown, it was eccentric enough that Tom found it embarrassing.

“A wealthy one of those, with money to invest on the behalf of her coalition. You will be nice.”

In the end the tiny fondant image of the Gräfin was easy enough. A little twiddling let Tom print a sugar face, which they affixed with a dab of icing. They’d been working on faces for the family members for a month: seven generations would be represented, which they privately thought a poor showing, but Gaya’s family was so much newer than the one they’d married out of. And cooking for that family on such an occasion had been making food for several hundred. Tom might have had more help in their family of origin, but there would have been considerably more work.

Still, the loss of Bethany, the most interested in kitchen work, had grated on them. Bethany had known how to help, how to clean up after Tom as they moved through the kitchen as well as how to supply whatever it was that was needed, prepping the mutual mise en place to perfection. And the pair known each other’s depth of perception, could tease each other with tastes, ask advice on building a sauce that reached past acid and sweet to take on other notes and textures.

They tapped air bubbles out and tamped the face down with a toothpick, then set it in the diorama to one side, clearly an onlooker. They relented and moved it a few inches further in. The poor woman couldn’t help it that she came at an odd time.

The diorama sprawled, a meter in diameter, on the kitchen’s center counter. They circled it, looking it over in the lime-tinted sunlight cast through the rear windows that overlooked slopes of garden leading down to the lake, an expanse that would have swallowed the massive house entire without a thought, its surface glutted with water-lilies.

In a week the swollen cream-colored heads would burst into blossoms, soft explosions that would happen as dusk settled, while the nightbirds sang, and the children would have an Age-Come that let them step into new roles and responsibilities if they chose. Sometimes children decided they did not want it yet and retreated. Tom didn’t think Bi would. They had borne the baby, carried it within their body till birthing time, and that gave the two of them a special knowledge of each other. Suzette had come into the family as a baby when one of their parents had married in, and the affection Tom held for them was the same as that towards most of the two dozen children: pride and affection, but perhaps not to the same fierce degree they experienced when teaching Bit “” not cooking skills, to their chagrin, since the child expressed no interest, but other basics, like how to tie a knot or do daily chores.

Tom had been expecting them for a while, but they came late to breakfast and inspected the diorama dutifully, without focus or remark, before sitting down.

Turning from the heat counter, Tom slid a plate of pancakes in front of the child, who inspected it with the same lack of interest the diorama had evoked.

Jitters. “Having second thoughts? Should I move your figure to the sidelines? You wouldn’t be the first.”

A headshake in reply. You try not to press them, let them grow at their own pace, but they do it to themselves. “It’s only one change, one of plenty in your life. Take it at your own pace, however you like.”

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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Arguing on the Internet: The Dwarves are for the Dwarves

If you’re familiar with C.S. Lewis’ Chronicles of Narnia, you may know what I’m quoting in the title. In the final book of the series, The Last Battle, there is a group of dwarves who believe in their cause so strongly that they cannot perceive reality. There are multiple interpretations of the dwarves, particularly given how prone to Christian allegory Lewis’s work is, but I think they hold a lesson for those of us witnessing and/or participating in arguments on the Internet.

Here’s the thing. Everyone believes their own worldview. It may not totally jibe with the one they project to the world, a la Stephen Colbert. But deep inside, everyone is the champion in their own narrative, or at least that’s the impression that everyone I’ve ever met or read about gives me.

And because they’re the main character in their story, people like to believe that they are good or at least mostly good. But that definition of good can vary wildly from individual to individual. It often is a combination of definitions associated with a particular religion along with whatever personal modifications one requires. Their attitude and behavior toward other beings are shaped by those definitions.

So, the dwarves are being good according to their own dwarvish standards, which, depending on our own internal definitions may or may not seem incorrect to us. That’s worth taking a moment to think about.


It’s a point that often gets overlooked, particularly in arguments on the Internet. As is an accompanying point, that in arguments it is much more common for every participant to believe themselves fully in the right than it is for any of them to believe themselves in the wrong.

Am I saying bad faith arguments are never made, that no one enjoys playing devil’s advocate or creating an elaborate chain of logic one could slip around an opponent’s neck? No, those exist but should be saved for another time. What I’d like to focus on is how one person who’s convinced they’re right can listen to another person who is also convinced that they’re right and end up at a meaningful conversation.

We get angry when people disagree with us. We become defensive when we feel we are under attack. That is a normal response that goes back to our early days of being human. But one of the cool things about human beings is that we can recognize that impulse in ourselves, and take it into account, and then move on to a more considered response which by no coincidence is usually a more courteous response.

To me, part of my definition of being good is questioning assumptions as well as what I’m told by my surroundings, particularly popular culture, and my own biases and filters. It seems to me more meaningful to be good in a way that I know to be correct because I have spent time thinking about it than to accept a definition pre-created for me. I can conceive of a world view, however, where that is not true.

And part of that definition is being willing to listen, to try to find common ground and agreement. To take a little time for give and take, rather than worrying about who’s the most rightest of all. Passionate anger can be a great motivator. But what it’s best at is creating more passionate anger.

Am I saying I am never offended ever? Holy smokies, no. But I am saying that I try to be willing to listen. That I try to extend the person I am listening to the courtesy of assuming they speak in good faith. If they don’t, eventually that will come out, at least in my opinion. Yes, I may feel that they should be listening to me first and that viewpoint may be justified. But what is more important, being right or achieving communication that may enable change of that worldview, or even mine?

I’m aware mileage as far as agreement goes will vary wildly among readers of this blog. And I will save how one reacts to bad faith arguments for some other post. But to me, operating by these guidelines is more effective than not, and gives me the satisfaction of knowing that at least I tried.

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