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The Ninjas of Griefcom: More on Galaktika Magazine, SFWA, and International Writers

fullsizerender-37If you’re not familiar with SFWA’s official statement on Galaktika, here it is. If you’re unfamiliar with the situation overall, here is A.G. Carpenter’s write-up and here is Bence Pinter’s Hungarian article.

The SFWA statement is the result of a lot of work behind the scenes on the part of SFWA’s Grievance Committee, and I’d like to use this opportunity to both thank that committee and explain why it’s one of the answers to “why should I join SFWA?” (There are, in my opinion, a number of others.)

When I first became aware of what Galaktika had done, at first I had difficulty comprehending the scale of it. Surely it had to be a few stories rather than just one or two…but no, it was, literally, dozens. Then three figures worth of stories. Holy criminently.

The excuses that were sent to me as well as others over the course of the investigation chronicled here were manifest and sometimes a bit whiney. I was told that one author’s had been told their book had cost the company money and that therefore they owed it to the company to allow their work to be reprinted as advertisement for the other work.

In all of this, my hands were tied. What, realistically, could SFWA do, given legal and travel costs?

The answer was, actually, a decent amount in terms of keeping those affected informed and negotiating on their behalf, mainly because of the ninjas of Griefcom. Griefcom is the informal name for SFWA’s Grievance Committee, a small group of volunteers led by John E. Johnston III. I love John, whose politics are diametrically opposed to mine and with whom I share amiable political bickering and frequent recipes, and who feels as fiercely as I do that writers deserve both pay and control over their own work.

Griefcom’s members handle different areas: Ian Watson was the point person for the Galaktika issues and drafted the report on which I based SFWA’s formal statement about the magazine after much discussion with Johnston, Watson, and the SFWA board. Other members include Michael Armstrong (Novels), John Barnes (Work Made For Hire/Bookseller Relations), Michael Capobianco (Special Projects), Elizabeth Anne Leonard (Mediator), Lee Martindale (Senior Mediator), Ron Montana (TV and Film), and Eric James Stone (Short Fiction). Right now we are looking for someone experienced with game issues; drop volunteer@sfwa.org a line if you’re a member interested in volunteering.

Griefcom’s main weapon is the fact that it operates behind the scenes, and goes public only when necessary, which is why they came and asked me to make a statement about the situation. From my vantage point, I get a better picture than most people of what Griefcom does, and it’s a lot. Want to protect yourself so you won’t need their intervention? Read your contracts and never sign anything you don’t understand. Griefcom has been negotiating with Galaktika on behalf of several writers for months; they finally decided it was time to say something publicly.

Will Galaktika shape up? It remains to be seen. I hope so, and SFWA will revisit the matter in three months to follow-up and let folks know what Galaktika has done in the interim.

Is this actually a matter that SFWA should concern itself with? Absolutely. Recently it’s been underscored for me that people perceive SFWA as an American entity, but the truth is that we have a substantial international contingent. Worldcon in Finland poses a chance to spread that message, and so here’s a few things that I’m doing.

  • SFWA members scanning the most recent copy of the Singularity, SFWA’s bi-monthly e-newsletter for members, to find volunteer opportunities, will have noticed that I have a call out for translators. My plan is to get the SFWA membership requirements and questionnaire translated into as many languages as possible; I have commitments for Chinese, Filipino, Finnish, French, Klingon, Portuguese, Russian, and Spanish versions and am pursuing others. If you’re interested in helping with that effort, please let me know.
  • At the suggestion of Crystal Huff, I’m thinking about programming that might spread the message, such as a panel on the internationalization of SFWA. Such a panel would work for many conventions, I would think, but debuting it in Finland seems like a great idea (although we might sneak peek it at the Nebulas next May in Pittsburgh.)
  • I’m mulling over what form something connecting translators and F&SF writers might look like. Translating fiction requires not just ability with the language, but a writerly sensibility, an understanding of how to make the sentences fluid and compelling and three dimensional. So maybe something where potential translators could submit a listing of translation credits along with sample of their own work, translated into the languages they’re adept in, backed up with the ability for SFWA members to post testimonials. This seems like something the field needs; if anyone’s aware of existing efforts along these lines, please let me know?
  • Maybe it’s time for a new version of The SFWA European Hall of Fame, this time The SFWA International Hall of Fame. That seems like something for me to discuss with our Kickstarter contact. She and I have been discussing a 2018 project, reviving the Architects of Wonders anthology, but this might make a good interim effort. (Speaking of Kickstarter, SFWA partners with over three dozen institutions and companies, including Amazon, Kickstarter, and Kobo to make sure member concerns and suggestions are passed along as well as new opportunities created. If you’d like to be on the Partnership committee handling these monthly check-ins, drop our volunteer wrangler Derek a line at volunteer@sfwa.org.)

I’m actively soliciting feedback and suggestions for other ways to help spread the world that SFWA isn’t just for Americans. Let me know what you think.

(And, gah, I know I need to poke the gamewriting stuff along. I thought the Board was getting it done in my absence. I apologize, gamewriters. We ARE working on it. So many plates, all spinning so busily.)

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More on The First Chapters Project

If you don’t know what the SFWA First Chapters project is, it’s an effort to collect first chapters from F&SF novels published throughout the year in a single compendium. This should help with reading for awards in that you have a chance to sample books before figuring out what you want to read in its entirety. For writers, it should be a chance to get that first chapter in front of reader eyes in order to convince them they want to keep going. In 2018 the focus is getting indie writers up and running with the program, but if you’re a small publisher interested in participating, let me know.

As part of that project, I asked the group working on it to make sure that people uploading first chapters can keyword their work so, for example, if you just wanted to see chapters eligible for a specific award, like the Sideways, Prometheus, or Andre Norton Awards.

Here’s the list I just gave them. Any other awards you’d add? I didn’t include ones that are restricted by geographical area like the Aurora or Endeavour Awards.

List of all keywords:
Alternative history novel
Anthropomorphic novel
Fantasy novel
First novel
Game-related novel
Horror novel
Libertarian
Media tie-in novel
MG novel
Military SF novel
PKD eligible
SF novel
Urban fantasy novel
YA novel

Bram Stoker Award
http://www.horror.org/awards/stokers.htm#about

Keywords: First novel, horror novel, YA novel

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British Fantasy Awards
http://www.britishfantasysociety.org/british-fantasy-awards/

Keywords: fantasy novel, horror novel

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British Science Fiction Awards
https://www.bsfa.co.uk/

Keywords: SF novel

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Compton Crook Award
http://www.bsfs.org/CCA/bsfsccnu2014.htm

Keywords: First novel

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David Gemmell Awards for Fantasy
http://www.gemmellawards.com/award-voting-2017/

Keywords: fantasy novel, first novel

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Dragon Awards
http://awards.dragoncon.org/

Keywords: SF novel, fantasy novel, YA novel, MG novel, military SF novel, alternative history novel, media tie-in novel, horror novel
————————————————————

Ennie Awards
http://www.ennie-awards.com/blog/

Keywords: game-related novel

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Hugo Awards
http://www.thehugoawards.org/
Keywords: SF novel, fantasy novel

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Keystroke Medium Awards
http://www.keystrokemedium.com/ksm-awards.html

Keywords: SF novel, military SF novel, post-apocalyptic novel, fantasy novel, epic fantasy novel, urban fantasy novel, horror novel
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Locus Awards
https://locusmag.com/

Keywords: SF novel, fantasy novel, first novel, YA novel

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Nebula Awards/Norton
http://nebulas.sfwa.org

Keywords: Fantasy novel, SF novel, YA novel, MG novel

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Philip K. Dick Award
http://www.philipkdickaward.org/

Keywords: PKD eligible (appeared in paperback rather than HB first)

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Prometheus Award
http://www.lfs.org/

Keywords: libertarian novel

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Sideways Awards
http://www.uchronia.net/sidewise/
Keywords: alternative history novel
————————————————————

Ursa Major Awards
http://www.ursamajorawards.org/

Keywords: anthropomorphic novel

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World Fantasy Awards
http://www.worldfantasy.org/awards/

Keywords: fantasy novel

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What Does the SFWA President Actually Do?

My last day is June 30, 2019, wheeeeeee, after which I will have been Vice President of the Science Fiction & Fantasy Writers of America (SFWA) for one year, and President for two two-year terms, adding up to the sum of five consecutive years on the SFWA Board. Thank goodness for term limits.

The Elections Committee asked me to do a write-up of what the role involves, which was an interesting exercise in reflection about what all I’ve done over the past time on the Board, and I thought that might be of general interest to the F&SF community at large as well, particularly because SFWA has evolved so rapidly in the past decade, including the admission of indie, small press, and game writers, the implementation of dozens of new initiatives, and the explosive growth of the Nebula Conference Weekend. So here’s an expansion of what I sent our Elections Commissioner Fran Wilde.

The President is one of the major faces of the organization, and should be willing to attend events such as the Nebulas and conventions as well as representing SFWA at the other events they’re present at. (When signing up for conventions, I usually pitch a SFWA meeting and/or “What Can SFWA Do For You?” panel, for example.) As such, they do need to bear in mind that anything they say on social media or in interviews may be taken as having “of SFWA” appended to it, whether or not they want it to. The President carries this more than board members, and needs to remember that the membership may interpret something they say jokingly on Twitter as indicating the overall board’s opinion. Having a disclaimer that your opinions are personal and do not represent the organization on places like social media profiles is vital.

Photo by Richard Man. Left to right: Michael Capobianco, Steven Gould, Cat Rambo, Russell Davis, Greg Bear, Joe Haldeman.
A good President will be familiar with the bylaws and OPPM and work to bulletproof the organization against anyone wishing to do it harm. They must work side-by-side with the board, the Executive Director, the Deputy Executive Director, the financial team, and a slew of volunteers and contractors to make sure that SFWA remains true to its mission while growing and adapting to the evolving and ever-changing publishing landscape.

In order to do that, the President needs to keep an eye on what’s going on–which can be difficult at times, given the volunteer nature of the position and the stressors of life. They need to be available to people who need them or arrange someone to cover them when on vacation. But it’s also usually easy to keep up with things and often just a matter of checking in on the discussion boards and e-mail once or twice a day. I do want to note (from experience) that many e-mails are time sensitive and not paying attention can result in holding things up in a frustrating way for other people.

John Scalzi, Cat Rambo. Hawaiian shirts are not mandatory for the President, it only seems that way.
The President also needs to make sure the other Board members also stay on top of things and they work in tandem with the VP to ensure things remain on task. One tradition that’s been implemented are regular weekly video calls with the Executive Director, Deputy Executive Director and SFWA Board. These last 15 minutes to an hour and are pretty low-key. I’m going to miss seeing those friendly faces and getting to compare notes.

There is also a monthly call with the Volunteer Wrangler, frequent calls and texts with Griefcom, and sometimes the need to sit in on calls about legal matters when, for example, a scam publisher decides to try to intimidate Writer Beware into removing an advisory about them, which happens every few months. (My policy has been to be very assertive legally in replying to these; SFWA has the funds to defend itself and I want to make it clear to these folks that Writer Beware won’t play their reindeer games.) It should be noted — although it may be obvious by now — that there is a requirement to have Internet access should you decide to run.

The President needs to review the financials in a timely fashion when they are presented to them by the financial team along with the rest of the SFWA Board. Sometimes they will need be able to sign off on decisions with some authority as well as make informed decisions on their own. They have a small discretionary fund; I have used mine on outreach and learning and funding some minor low-cost projects, usually some form of volunteer recognition. I did use a chunk one year to attend a conference on non-profit fundraising, which was fascinating.

Goldeen Ogawa, Cat Rambo. Photo by Brenda Cooper.
The President needs to provide the membership with regular and thorough information about what’s going on, in the form of reports for the Singularity and Binary, the President’s letter in the Bulletin, and posts on the discussion forums. (I’ve tried to do this for the public as well, with things like my blog series on SFWA and independent writers, a piece I’m working on right now about game writers for a magazine, and even this blog piece.)

The President must know the organization, its resources, and the frameworks around those resources. There is a constant flurry of people asking for assistance or guidance with communications coming in through a multitude of channels, including telephone, e-mail, and social media, and 90% of the time it’s a matter of steering them to the right place, whether it’s the office, the Emergency Medical Fund, the ombudsman, Griefcom, or something else.

Picture of someone in a knitted Cthulhu mask.The President needs to not give into the temptation to Do All the Things, because there will be a constant stream of people bearing all manner of projects, many of them things that really do need to be done. Therefore the President needs to be someone good at working with or steering people to the Volunteer Coordinator to find roles for volunteers that will be rewarding for both sides as well as working with the Volunteer Coordinator to make sure volunteers are getting recognized.

As noted earlier, the President should be willing to attend events such as the Nebulas and conventions as well as representing SFWA at other conventions and conferences. They must attend the various receptions and functions–including the Volunteer Breakfast and Spouse/Partner party at the Nebulas. At conventions and particularly the Nebulas, the President should pretty much figure 90-100% of their waking time will be devoted to SFWA-related stuff and spent networking and engaging the membership, along with leading Board and business meetings, spending time in the SFWA suite or table if there is one, and participating in SFWA-focused programming.

The President needs to be a good leader, mindful of the varied needs of the membership, and willing to put energy into learning in order to fulfill the organization’s needs as well as occasionally set the organization above their own interests and/or ego. Patience is important; kindness is vital. It is one of the most rewarding — and occasionally the most frustrating — roles I have filled in my life and I am deeply grateful for the opportunity to have done it.

Will I come back? Not anytime in the next few years, but I will continue to do volunteer work with the organization. =) However, I’ve been putting my own writing on the backburner a bit while doing this, so I’m looking forward to putting that back into my work. Look for lots of new words in 2019, including a new Tabat book, at least one collection, more on the space opera series, and the launch of a self-pub effort I’m excited about!

sfwapro #sfwapro

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