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You Should Read This: Some Recent Reading

Image of bookshelves filled with books about writingPost-Nebulas, I’ve been going through and trying to clear away a lot from my shelves and TBR list, particularly given that I still had a substantial armload from the International Conference of the Fantastic in the Arts and its munificent book tables. Here’s some particular recent favorites.

  • The Refrigerator Monologues by Catherynne Valente. Funny, fierce, and feminist. Valente gives a voice to some women who’ve got shrewd insight into and experience with the gender norms of the comic book world, including Phoenix, Harlequin, and Gwen Stacy. If you are a woman who loves comic books you should stop reading this and go find it. Fucking fantastic.
  • Deadwood by Pete Dexter. This historical novel is the one the HBO series was based on, and it’s terrific, particularly if you enjoyed that series and want to revisit some of those characters. The plain style of the writing combined with a sharp eye for historical detail is lovely, and it’s a book worth savoring. There are few things on earth more disappointing than reading a regular Western when you’re hoping for a weird one, so let me emphasize again that this is straightforward, non-fantastic fiction.
  • All Systems Red by Martha Wells. Far future SF with one of the most engaging first person narratives I’ve ever have the pleasure of watching in action, Wells’ independent, wry and stubborn Murderbot. Snappy and funny and yet thoroughly engaging. Alas, all too short since it’s a Kindle Single, but luckily it’s billed as the first in a series.
  • The Greatcoats by Sebastian de Castell. Early on in the first book, I knew I’d be picking up the rest, and did so, quickly working my way through to the highly satisfying conclusion. Basically French musketeers and a cool magic system, with the snappy dialogue and fast-paced, high-stakes action you would expect. Very enjoyable. I should note I picked them up due a Kindle deal that’s no longer going; if your budget is limited you will find more bang for your buck elsewhere (IMO).
  • Super Extra Grande by Yoss. In some ways this read like a more modern version of Keith Laumer’s Retief series, with a lot of the things about them that I loved as a teen and less of the stuff I’m not so fond of as an adult. Fast-paced and funny, and Spanglish scattered throughout made it more fun for me, but the mileage for a non-Spanish speaker may vary, I’m not sure. I picked this up because I wanted to read some Cuban science fiction; Yoss is one of the people at the forefront of that.
  • Dreadnought: Nemesis by April Daniels. Superhero YA with a trans main character who is identifiable and fabulous. I’m looking forward to the next in the series. Along the same lines, I want to point to Not Your Sidekick by C.B. Lee, also snappy and fun. I’m so happy to see superhero fiction have become an established thing in fiction; I will happily read as much of it as our fine genre writers can produce.

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5 Holiday Gifts for Speculative Fiction Writers: 2014 Edition

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Last year I provided a list of five gifts for the speculative fiction writer on your list. Here’s another installment of that. Sure, you can go for the old standbys: notebooks, pens, a gift certificate so they can buy books, t-shirts with amusing sayings and, depending on the writer, coffee or chocolate. But if you want to go a little further…well, here you go.

  1. I know I pushed Jeff VanderMeer’s Wonderbook last year, but I’m going to push it again, because it’s just such a cool book and Jeremy Zerfoss’s illustrations are so wacky, wildly beautiful, and wonderful. There aren’t that many books on writing I’d be willing to go back to over and over again, but this is one.
  2. A SFWA membership if they’re eligible, a subscription to Locus Magazine if they’re not. For me, the Science Fiction and Fantasy Writers of America have been a source of professional networking, career advice, and some great friends. If you go to Worldcon, the SFWA suite has always been a welcome place to hang, nosh a little, and talk to some of the greats. In the interest of full disclosure, I am currently the organization’s Vice President, and I’m looking forward to great things next year, which is SFWA’s 50th. If they’re still aspiring, encourage them with a subscription to the F&SF trade journal, Locus Magazine
  3. An anthology (particularly if they write short fiction). One of my favorites from this year was edited by Gardner Dozois and George R.R. Martin, Dangerous Women. If you’re interested in something that I’ve got a story in, the anthologies I appeared in this year were By Faerie Light, Fiction River: Past Crime, Shattered Shields, Stamps, Tramps, and Vamps, and Unidentified Funny Objects 3.
  4. Something to fiddle with. A puzzle, a worry stone, a Lego minifig. Writers are often superstitious creatures and we like our little totems, whether they’re pop culture icons or natural objects.
  5. A ticket somewhere. Get your writer out of the house and somewhere that will provide new ideas. Doing it on the cheap? Plan a day trip with a picnic basket? More extravagant? Well, there’s plenty of choices there, from riding the Orient Express to cruising the world. Tailor your destination to the recipient.

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You Should Read This: Ammonite by Nicola Griffith

Cover of Ammonite by Nicola Griffith
Ammonite is beautifully real, and a good example of the heights speculative fiction can reach.
Ammonite, by Nicola Griffith, is subtle and beautiful and a terrific piece of speculative fiction. An anthropologist, Marghe Taishan, arrives on the planet GP, there to test a vaccine against the deadly virus that has killed all but a few of the original colonists. She finds that the survivors, all women, have developed the ability to give birth without men.

The book won both a Lambda and Tiptree Award, and it’s easy to see why. A dynamite protagonist interacting with intriguing and beautifully three-dimensional characters. The world is fabulously drawn, evocative, and both the anthropological and physical science are accurate and carefully thought out.

Ammonite was Griffith’s debut novel. I’d also recommend her most recent, the absolutely amazing Hild, a retelling of the life of historical figure, Saint Hild of Whitby. Come to think of it, nothing I’ve read by her has been shabby, including Slow River, a near-future thriller that is also beautifully told and engaging.

I had the luck to sit in on a class Griffith taught for Clarion West a couple of years ago. She is a consummate, careful wordsmith. The word “luminous” keeps appearing in reviews of her work, and that’s because it’s so beautifully crafted that it seems to glow from within.

The first three paragraphs of a piece set up so much. Here’s the first three of Ammonite, to give you a taste:

Marghe’s suit was still open at neck and wrist, and the helmet rested in the crook of her left arm. An ID flash was sealed to her should” “Marguerite Angelica Taishan, SEC.” The suit was wrinkled and smelled of just-unrolled plastic, and she felt heavy and awkward, even in the two-thirds gravity of orbital station Estrade.

She stood by the airlock at the inside end of A Section. THe door was already open. Waiting. She rested the fingertips of her right hand on the smooth ceramic of the raised hatch frame; it was cool, shocking after two days of the close human heat of A Section.

The sill of the airlock reached her knees; easy enough to step over. No great barrier. The lock chamber itself was two strides across. THe dar door was still closed, sealed to another sill, like this one. Four steps from here to B Section. Four steps. She had recontracted with SEC, endured six months of retraining on Earth, traveled eighteen months aboard the Terragin, and spent the last two days on the Estrade bumping elbows with the three-member crew, all to take those four steps.

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