I remember being in middle school and how easy it was to for me to keep my writing organized. I had this blue and white composition notebook which I wrote in every night. Middle school me filled that whole notebook with a story that eventually would evolve into a book I started writing in the beginning of high school.
The more ideas I had made organizing my writing more difficult than it already was. Of course I had journals, but I’d end up only writing a couple pages and forget about the journal and let it collect dust in my drawer. I’d write during passing time in school on sheets of paper which would either end up staying up in my school notebooks or in my pencil case. I could be turning to a new page in my calculus notebook and  then suddenly stumble upon a future chapter of my story. Or, I could be digging around in my backpack for a pencil and instead of my led pencil, I find three folded up pieces of paper of chapter ideas.
I can’t quite say if this disorganization is because I’m forgetful or if this is just one of the perks of being a young writing. If I really wanted to put my disorganization to blame, I could pin the blame on juggling school and writing. The most organized with my writing I have ever been was when I put my ideas in piles of which story they belonged to. My disorganization hasn’t always been an annoyance. The first book that I wrote and self-published was written completely in random notes I’ve written in between classes. But, when you’re working on a chapter for a novel and can’t remember where you placed your notes, that becomes a problem.
The thing is, every writer has their own process. Mine involves writing chapter ideas on loose leaf paper and then losing the paper in my backpack only finding them randomly. Some may use notebooks or journals, binders, folders or even keep ideas written on their phones. I can’t say that there is an ideal way to organize for writers. Everyone is entitled to their own opinion. I can’t stand in the snack aisle at the store and preach about how Nacho Cheese Doritos are the superior Doritos. It’s the same thing with writing. I can’t march into someone’s office and demand that they write a certain way because it’s the superior way to write.
In school, we were taught what the teachers would call the right way to write. We had to do the writing process in their way and not our own. You feel connected to your writing when you create your own writing process. I certainly do. In the end, it doesn’t so much matter how you organize your writing or what process you have.
I could send email blasts and direct messages in all caps to all my favorite authors saying: “HOW DO YOU DO IT?!” If I did do that however, my writing process wouldn’t necessarily be my process. It would be whoever’s process I used. Not everyone else writes the same either. So, yes, I’m disorganized. But, I somehow, out of some random act of God, create something I am proud of. Maybe disorganization does help after all. But, who am I to say. I don’t stand in aisle at the store preaching about what Doritos to buy.
This was a guest blog post. Interested in blogging here?
Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?
Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.
Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.
Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.
I prefer essays fall into one of the following areas but I’m open to interesting pitches:
Interesting and not much explored areas of writing
Writers or other individuals you have been inspired by
Your favorite kitchen and a recipe to cook in it
A recipe or description of a meal from your upcoming book
Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
F&SF volunteer efforts you work with
Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.
When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)
Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Guest Post: Happy Endings by Awesomewriter65
So, as a middle schooler, I thought that Awesomewriter65 would be the perfect username for my Wattpad. I had then started writing Happy Endings.
This story was practically my baby. I worked out ever single detail I could and planned it to the tee. Even though I have everything for it planned, I still have not finished my entire novel. I have been rewriting, revising and planning this entire universe since I was in the sixth grade.
Since publishing chapters of Happy Endings on Wattpad, so far I have gathered over 1k in views. In honor of the many years I have been posting chapters of Happy Endings, I thought I’d share with you my favorite scene from Happy Endings.
Before I share the excerpt, I should probably tell you what my story is about. This summary was pulled from my Wattpad account:
“Life hits Rebecca Waters and Philip Waters in the face when their mom gets thrown in prison. With their mom in prison and their dad gone their older brother Eddie takes them in. Growing up with a drug dealing mom was hard enough, but after the arrest it was even harder being raised by their brother who was still growing up himself despite his age.
Over the years once the kids watched as their older brother grew up from a rebellious teenager to a loving husband with a stable job and a baby. One mishap; their mother is released from prison on good behavior and is ready to fight for custody.
If that can’t get any worse, Rebecca struggles with the idea of falling in love and the drama of high school. Thankfully Phil and Rebecca have their best friends to stick besides beside them. But when things start to look up, it all falls down. The twins’ mom hires scheming lawyer Shane Russo to plead their case and let their mom win. As he gets close to Rebecca and her weird family, Shane soon learns that he suddenly cares for this family which makes the battle even harder. Not only that, but Shane deals with his own inner demons.
Will they be able to stick together?”
Now, the following is an interaction between the lawyer, Shane, and the twins’ sister-in-law, Angie. If you have any interest in reading more, follow my Wattpad page and check out my posts there.
“Shane stayed in a dirty motel a few blocks away from a few restaurants. This was his first custody case. Shane mostly worked with cases in which someone sued someone else. The only thing he hoped for is not bonding with the twins. That would be horrible. He was hired by the twins’ mom to represent them, but somehow let their mom win. For the sake of the case, and for the sake of him getting his money, he had to let their mom win and had to not get attached to the two teens.
As he threw his clothes in the dirty dresser that smelled like mold, he hoped the dresser wouldn’t ruin his clothes. The room was dark and dusty. There was one bed and a dresser and a square T.V. There was a bathroom, a small one at that. The room was quiet. It was almost too quiet. He could hear his own heart beat. It was a nervous heartbeat. It was a guilty heartbeat. The kind of heartbeat you get after someone gets furious with you and you’re afraid they’ll never forgive you.
All he had left in his brown matted up suitcase was a couple of black shirts and some socks. He shook, startled when he heard a knock at his room door. Shane stood silently hoping the knocking would go away and he could watch T.V. His body was like a deer when it sees headlights. Only fear pumped his blood. The knocking soon turned into banging and he gave in and slowly walked to open the door. When he opened the door, he saw a short British woman with dark red hair crossing her arms. Her arms were crossed and anger spread across her face.
Shane put on a fake face to hide his fear. ‘Hey, dollface,’ He said to her. ‘How ya doin’?’
Angela jabbed her pointer finger at Shane’s chest yelling, ‘You’re a fraud!’ She backed him up into the room and slammed the door behind her.
Shane crossed his arms, ‘What in the world are you on about?’ He snapped.
‘What am I on about? Don’t act like you don’t know,’ she replied in a irritated voice.
Shane threw his hands in the air. ‘Well if I’m an actor, you might as well give me an Oscar!’ He replied sarcastically in an almost shouting voice.
He tried to ignore Angela so he walked his way to the mini fridge in his motel. Angie still stood, silently judging him. Angela knows how to get information outta of people. She does it for a living. She can flash the opposing side in a courtroom a look and she can get the information out of people.
Angela is an honest person. She doesn’t believe in lying and she can sniff it out a liar from miles away.
‘Shane Russo, don’t you dare mess with me. I uncovered all your dirty little secrets.’
Shane stopped in his tracks as he opened the bottle of beer.
‘What do you know about me?’ His voice shook as he turned around to face her. He tried the best he could to as stay calm as he could, but in that moment it was hard to stay calm.
‘You’re just another sleazy lawyer!’ she accused.
‘I wouldn’t know what you’re talking about,’ He replied sipping his beer.
‘I have a very good friend who can dig up so much dirt about you. You may have Rebecca and Phil and maybe even Eddie a little, but I could see right through your ignorant smug look. I don’t trust you.’
Shane rolled his eyes at her. ‘Oh yeah?’ He tested.
‘You act like women don’t know how to do their research,’ Angie muttered under her breath.
Shane kept rolling his eyes at her. This whole conversation was like arguing with his siblings. The other one will just keep badgering him until he finally tells the truth. He didn’t want to give in, but if there is one thing he hates more than waking up before noon, it’s someone like Angie.
Granted, he knew what he was walking into when he signed up for this job. Laura gave him information of the family. Shane already knew what he needed to know. It was just a matter of time before he could put everything into action and do what he does best.
‘How’d you even find anything on me?’ Shane sighed giving in as he rubbed his temples. ‘Fine! You want the truth? I lie, okay? I bribe people and I do illegal things. And I like it.’
Angela was stunned and wide eyed. ‘I can’t believe you! How could you do that?’
Shane stifled a sarcastic laugh. ‘Look, dollface. There are two kinds of people out there. There are the Saints who want to do everything right. Then there are liars and I’m one of them.’
She pinched the bridge of her nose. ‘God, you’re horrible. I can’t believe I breathe the same air as you.’
Shane downed the rest of his beer he had been drinking and threw it in the trash can. He watched her as she circled the room, trying to wrap her head around the situation. Angela quickly tried thinking of solutions to fix the problem.
It seemed like everyone had goggles on in the house. They all thought this guy was their savior. To Angie, he was translucent and she could see right through him. She was even surprised that Phil and Eddie fell for Shane’s act.
‘You act like you do nothing wrong. You’re a sleaze and a scammer. I can’t believe that people like you exist””’
He pointed his finger at her, cutting her off and shouting, ‘You don’t know what it’s like for me. When I first started out I broke and I needed the cash. It’s easy to throw a little bribe here and there.’
Her hands ran through her red hair. ‘Everyone starts off at the bottom, Shane! It would’ve been fine if you just played fair! You didn’t have to base your cases off lies and bribes!’
‘You’re a lawyer too! You should know that we’re professional liars!’
‘We serve for justice. We can’t just feed lies. We need cold hard facts. Why’d you even take this case?’
She seemed more calm than before, but now she was more sad than angry, ‘Why’d you even take this case? Because their mom offered you a lot of money? I can see you need it.’ She looked around at the grimy hotel room.
‘Okay, yes she gave me money to fight in this custody case and yes I may be living in a crappy motel room. Sure, I’m broke at this moment in time, but I’m not who I was back then.’
Angela scoffed at this and rolled her eyes. She had every right to. She doubted that he was any different now. The reason he was broke is because he blows all his money. Mostly on gambling and drinking. The reason he took this job was because to him, it seemed like the perfect job for him. It was different and seemed easy enough where he could pass with flying colors. Plus, these days it seems like people love seeing children reunited with their biological mother.
‘But I’m also doing this because I really want to do this, and do something good for these kids,’ Shane lied and Angela just rolled her eyes. She could see right through this guy. She no idea why anyone would trust this him.
Must be his good looks, Angela thought to herself.
‘Listen here Shane Russo, these kids mean the world to Eddie. I’m pretty sure he loves them more than he loves himself. If I could, I’d be the lawyer in this case but I’m not,’ She walked up to him and stabbed his chest with her finger again.
‘He waited so long to get them back in his life and if you mess anything up for this family I will make sure that every detail I have on you is released to the public.’
Shane stopped in his tracks and stared at the short woman walking to the door, ‘So let me get this straight. You’re not okay with lying, but you’re okay with blackmailing me?’
Angela turned around before she walked out the door. She turned back about to speak again but only stared for a good few seconds at the middle-aged man. Then she shook her head and left. Shane watched her get in her car. He watched until she drove away.”
Lou is a writer of rom coms, eater of pizza, lover of 90s boybands and cat enthusiast. You can follow her on Twitter at @aweosmewriter.
Guest Post from Luna Linsdsey: Putting the Mind Sciences in Science Fiction
Hard science fiction tells stories based on the hardest of hard sciences, particularly on the engineering and technological application of these sciences. If a story doesn’t have space ships, terraforming, anti-grav, robots, or semi-accurate descriptions of planetary orbits and atmospheres, it cannot join the elite ranks of hard SF.
Any story which dips overly much into issues of society, culture, or what it means to be human, is often tagged as soft science fiction. Even cyberpunk, a high-tech genre, is usually considered soft, because of its thematic commentary on the fallen state of mankind.
The implication is that hard SF is somehow “better”, just as the hard sciences are “better”. Physics is a hard science. Psychology is not. Psychology is assumed to be flimsy, weak, inaccurate, and easy. “Soft.” Therefore, SF that deals with it is equally easy.
This division seems a little unfair, because to me the “soft” sciences are arguably far more complex than hard sciences. Physics and chemistry picked up the low-hanging fruit of empirical discovery, those aspects of our universe that could easily be discovered by looking through a microscope, telescope, or mass spectrometer. But understanding the interplay of synaptic pathways? That takes advanced tools like fMRIs and scanning electron microscopes, which have only recently been invented.
All Freud and Jung had in 1900 was instinct and anecdote. So their research consisted of conjecture. Conjecture which has been built upon and advanced greatly since their time.
Access to technology is now blurring the line between soft and hard sciences. Soft SF concepts that used to require a certain amount of hand-waving can now be written about with a foundation in actual research.
It should follow that the line between soft and hard SF should also blur. And in many ways, this process has already occurred.
I remember reading my father’s shelf of classic authors, like Asimov, Heinlein, and Clarke (but also soft science-fictionist Bradbury). My young mind didn’t care that all the characters were cardboard cutouts, barely-human actors there only to convey the ideas. Because for me, the ideas were most important.
But mere ideas, as cool as they are, flicker over the surface of our minds, the frontal lobe of the neocortex. They fail to reach into the occluded recesses of emotion and subconscious. They fail to spark our deeper neurological wiring.
Some golden era stories did dabble in psychology, but they did so at a clinical distance. For example, the classic novel Foundation depicted a science called “psychohistory” ““ only at arm’s length. Psychohistory dispassionately crunched numbers to predict how people in masses move inevitably towards some end. But these stories weren’t really about the people themselves.
As I grew up, and as SF grew up, readers began to demand real characters. They wanted to see how the technology affected human beings. There was a realization that without people, science was meaningless, and the outer space we sought to explore would simply be an empty, darkened void.
Mainstream fiction has always focused on an exploration of humanity. The golden age of SF set itself apart as a genre by instead exploring ideas about the future. Since then, it has come back around to become a reflection of ourselves via an exploration of the future. The future has become ancillary to the purpose of SF.
A story that doesn’t mean something beyond the idea is not likely to be published. It’s not enough anymore to fire off dopamine in a reader’s neocortex. A story that doesn’t also evoke some emotion or spark some unknown “thing” in the hidden depths of our hearts is unlikely to be noticed.
Psychology and neuroscience has grown up, too. But we’ve never needed it to. Psychology is often discounted as “squishy,” but that’s because the mind itself is squishy. Many of Carl Jung’s insights 100 years ago still apply today. Modern science is simply discovering how the underlying cells and chemicals work to create the behaviors and mental dynamics he and his contemporaries observed.
And we’re discovering more parts of the mind than even Jung’s two-part consciousness vs. unconsciousness model suggested. An engineer or astrophysicist might prefer the simple, predictable mechanics of a one-brain, one-mind model, (hard science!), but to accept that would be in denial of the facts.
Many may be tempted to laugh at the hand-wavy woo of Jung’s “collective unconscious.” But is it really so silly now that we’re learning about how culture spreads and how about “memes” may be thought of as living creatures that reside in our minds and self-replicate to everyone who comes into contact with them?
Getting a bit meta here (because a mind exploring the mind is intrinsically meta), science fiction has always unconsciously acknowledged psychological principles. By way of example, dreams are a common fictional vehicle to represent thematic elements of a character’s past. This is classic Jungian psychology, and as authors and artists, we know the power of symbolic metaphor firsthand.
Yet how often do we address these ideas head-on, with self-awareness, making the reader aware of the processes of her own brain as she’s reading? Wouldn’t such stories act fully in the spirit of science fiction, which has always asked the reader to ponder her place in the universe, to ponder her own relationship to the ideas of the story?
It’s time to consciously embrace the mind sciences in science fiction. It’s our responsibility, because as a society, we will soon begin to feel the impact in our own lives. Science fiction needs to step up and fill its predictive role, both warning us and giving us hope. Warning us of the dangers of advancement, while simultaneously inspiring future engineers in how to apply the discoveries we’re making right now.
Because what could be more disruptive (both constructively and destructively) than a comprehensive understanding of the human mind? I’m not just talking about obvious technologies, like neural implants, but also developments in how we practice the art of existing in fully understood self-awareness. How might we structure society to account for a better understanding of what nature has already given us?
Moreover, in past-SF, we’ve treated the obvious tech (like neural implants) like toaster oven technology (nifty conveniences) ignoring the probable fact that these technologies will change us at our innermost core. Just as social media has transformed how we relate to one another, “upgrading” ourselves will transform what it means to be human.
And though these scenarios are difficult to imagine (because how else can we relate to our fiction except through our current understanding of humanity?), it’s our responsibility to close our eyes and imagine it. We need to grapple with these disruptions via fiction before the changes come.
Here are just a few questions we ought to explore:
As we discover more neurotypes and cease to pathologize them, how will society change?
What if we could all see a live map (fMRI-style) of our minds on our smartphones?
Forget flying cars ““ how would the world be different if we could end the cycle of abuse, both in homes and in our public institutions? And how can we end those cycles of abuse? (Yes, this is science fiction!)
How can we explore newly discovered aspects of the human brain by telling stories of alien beings that take those aspects to extremes?
As we gain a better understanding of psycho-social manipulation, can we develop technologies (in the form of memes perhaps) that counter it?
Discoveries now tell us that the digestive tract literally is a mind of its own, and that the nerves throughout our bodies may play a much larger role in memory and thinking processes than previously thought. My words in this post may have triggered neurons in your left elbow. This point alone is worth a hundred science fiction stories.
And if that’s not hard SF, I’m not sure what really is.
Bio: Luna Lindsey lives in Bellevue, WA. Her first story (about a hippopotamus) crawled out of her head at age 4. After running out of things to say about hippopotami, she switched to sci-fi, fantasy, and horror. She also became an accidental expert on mind control, autism, computers, and faeries. Her stories have appeared in The Journal of Unlikely Entomology, Penumbra eMag, and Crossed Genres. She tweets like a bird @lunalindsey, intermittently blogs at www.lunalindsey.com, and publishes entire novels and nonfiction tomes at http://amazon.com/author/lunalindsey. Her novel, Emerald City Dreamer, is about faeries in Seattle and the women who hunt them.
#sfwapro