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Progress Report: What's Up For the Rambo Academy in 2019

I started my little online writing school, the Rambo Academy for Wayward Writers, with the launch of Google Hangouts, which enabled me to host classes for people across the globe. Since then, Hangouts has declined, but the school continues strong, having hosted hundreds of students from around the world. Over a dozen of the best writers and teachers in the fantasy and science fiction field — with several new folks joining us in early 2019 — have led workshops on over three dozen topics.

Perhaps the most rewarding thing about the school has been the network of friends it’s helped me build, with students joining on to score Nebula and Hugo awards and multiple publications, many moving into the F&SF world as editors and publishers as well. Another is that I get to sit in on classes by some amazing folks, which enriches my writing.

Looking back at my own bibliography, I have to laugh at how many flash or shorter pieces started as writing exercises for the classes that I did along with the students. And one of the things that amuses me most about the school is that it is partially responsible for Rachel Swirsky’s lovely, luminous, and somewhat notorious “If You Were a Dinosaur, My Love,” which she wrote when sitting in on the Literary Techniques for Genre Writers class.

Description of Rambo Academy for Wayward Writers, which focuses on online writing classes for genre writers.
Image by Keith Rosson. www.keithrosson.com
It’s spawned two books, both Moving from Idea to Finished Draft and Creating an Online Presence for Writers, currently being updated for 2019 and the ever-changing social media landscape. And while it started with live classes, it’s added on-demand offerings as well. I’ve made it part of my Patreon campaign.

When I started recruiting other writers to teach, I kept in mind the reason I had started teaching online in the first place — irritation with a local college, where I was teaching a six week workshop, and making $25 an hour there teaching a class whose participants were paying several hundred dollars to the college to take it. The philosophy of the Academy is that the bulk of the money should go to the teacher and that’s worked well, to the point where one teacher said recently that teaching for me had spoiled them for teaching unpaid convention workshops.

Another part of the school’s philosophy is paying things forward and making the class accessible to people who couldn’t otherwise afford by providing three free slots in each class (sometimes more). These are the Plunkett scholarships, named for the fantasy writer Lord Dunsany, aka Edward Plunkett. The only criteria for a Plunkett is that you want to take the class but can’t currently afford it, and people are welcome to apply multiple times. One class, Stories that Change The World, is 50% Plunkett slots. Teachers are not told which students are Plunkett recipients and are paid for those students as well.

Stories That Change Our World: Writing Fiction with Empathy, Insight, and Hope An online with Cat Rambo from the Rambo Academy for Wayward Writers academy.catrambo.comNowadays I actively go out and recruit some instructors, looking for workshops that aren’t being given, deep dives into a specific area rather than a broad overview. Some great examples are Build a Better Monster with SCIENCE with Seanan McGuire or Ann Leckie’s To Space Opera and Beyond as well as some of my own workshops, like Punk U, which covers all the -punk variants like steampunk, cyberpunk, hopepunk, solarpunk, monkpunk, and more, or Stories That Change the World: Writing Fiction with Empathy, Hope, and Insight.

So what’s coming up in 2019 for the Academy?

  • New live classes! People asked for a class on plotting novels, and I have set up one taught by Kay Kenyon, who I’ve co-taught with multiple times and is an engaging and talented teacher. I also just confirmed that Catherine Lundoff will be teaching live workshops In Flagrante Delicto: Writing Effective Sex Scenes and So You Want to Write an Anthology?
    Other topics I’m talking with people about are workshops on writing superhero fiction, politics and worldbuilding in SF, and writing when short of time.
  • More on-demand classes! I’m currently working on an on-demand version of the Flash Fiction workshop and after that will do the Punk U class. Also working on turning the Sutter class into an on-demand version. I’ve developed a more consistent format that I’m happy with, a mix of video, text, and writing exercises.
  • Transcripts for the video components and (possibly) subtitles. This is a big accessibility issue that has been bugging me for a while and I apologize for not having addressed it before.
  • More activity on the school blog, including guest posts and interviews with faculty.
  • We have to move away from Google Hangouts! Currently I’m exploring options and am probably going to go with Zoom.
  • More use of the Youtube channel.
  • Rambo Academy merch, because who doesn’t want a Rambo Academy for Wayward Writers hoodie?

2018 was a banner year for the school, in which it grew by leaps and bounds. I hope for the same in 2019, and invite you to join me on its journey!

#sfwapro

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Guest Post: Catherine Lundoff Talks About Gothic Horror And Me

This Sunday, Catherine Lundoff will be teaching a class that’s particularly apropos for this Halloween-laden month, on one of my favorite flavors of horror: gothic fiction. She talks about some of the influences that have brought her to gothic fiction, and what she loves about it.

Edward Gorey was one of the guiding lights of my teenage years. I saw his sets for “Dracula” on Broadway when I was about twelve and it was like coming home, aesthetically, at least. I loved his black and white drawings, his weird stories, his obsessions with cats and opera singers. I still do. I like to think of him as my posthumous Fairy Gothmother, who opened the door to a marvelous dark universe where I could wear black all the time and didn’t need to pretend to be happy if I wasn’t.

I read Dracula, of course, and “Carmilla” and Poe and Wilde and Northanger Abbey. Austen turned me on to Ann Radcliffe, but I found Byron on my own. I discovered fashion, the kind where you rim your eyes with liner and wear multiple black on black outfits that have, perhaps, a hint of lace or silk, if you are lucky. And when I got to college, it was 1981 and there I found Adam Ant and Prince and Siouxsie Sioux, along with glorious morbid folk rock bands like Steeleye Span. So many murder ballads! So much gender play and glorious costumes! All of it became a part of me long before I thought of myself as a writer or a teacher or as Goth.

I devoured Gothic romances by the likes of Victoria Holt and Mary Stewart, Gothic horror in its multimedia splendor, even more murder ballads, artwork, outfits with all the black lace my teenage heart could imagine. Starting to write ghost stories and tales of haunted mansions could not be far behind, though in my case it started with vampire stories and editing the first (to the best of my knowledge) anthology of lesbian ghost stories. From there, I moved on to writing ghost stories myself as well as monster tales, media tie-ins, psychological horror, each story shaped and honed by my earlier reading and watching.

These days, I’m a huge fan of Gothic horror and romance films and shows like Crimson Peak, Penny Dreadful and The Addams Family. I’ve written horror tales for publications like Respectable Horror, Fireside Fiction and one of the Vampire the Gathering 20th Anniversary tie-in anthologies, as well as my own collection, Unfinished Business: Tales of the Dark Fantastic. A childhood enthusiasm has morphed into a lifelong affinity for ghosts, haunted mansions and various interpretations of the monstrous.

I love watching authors and other creators turn their eye to new interpretations of female and queer monsters and different kinds of outsider survivors. The Gothic Heroine doesn’t have to be a cisgendered white Final Girl or married under dubious circumstances to a love interest who is, perhaps, not to be trusted. I want to read more of these stories, as well as classics like The Woman in Black and We Have Always Lived in the Castle. Let me help you bring your dark fiction into the light and help it come alive, no pun intended. Crimson Peaks and Menacing Mansions is an online class that I’m teaching on 10/13 from 9:30-11:30 PST at Cat Rambo’s Academy for Wayward Writers.. It will include a mix of lecture, discussion and writing exercises, as well as the opportunity to ask questions. I hope you’ll be intrigued enough to check it out!

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Wormhole Lite Changes - Because You Asked For Them! (And Other Recent Stuff)

Making Wormhole Lite More Accessible

People told me the way we had Wormhole Lite configured didn’t work so well, because of time differences. So I’ve swapped things around and made it so you can get the recordings and not worry about time zones, but instead watch them at your leisure, because I’ve also extended the amount of time they’ll be available from 30 days to three months.

You can take them individually or as a group – and best of all, we implemented sliding scale so more people can afford it. Please check out what’s available and spread the word if you know people who might be interested.

Details. Registration Link.

Who’s teaching what?

  • Sarah Pinsker – Beginnings and Endings
  • Cat Rambo – Conflicts in Short Stories
  • Tobias Buckell – Plot Your Way to Amazing Characters
  • Ann Leckie – Setting & World Building

Results of Our First Pitch Session
Based on a suggestion, The Rambo Academy hosted a special practice pitch session. People submitted their pitches ahead of time and I read each one out loud, then we took 5 minutes or so to discuss each one after it had been read. We had an amazing time with this, and people found that having their pitch read out loud and being able to discuss it without people knowing it was there was comfortable and productive. Speaking as a teacher, it was a great session, full of good energy.

I plan to do one of these every other month going forward, so keep it in mind when you’re getting ready to develop a pitch for your novel.

If you’re a Patreon supporter, remember that this month we’re discussing Karen Joy Fowler’s “Standing Room Only.” There’s a Wednesday session and a Saturday one; both will be recorded for people that can’t make it.

Also for Patreon supporters, we have a special talk this month with Michael R. Underwood discussing American writers and unions – why we can’t unionize, and what we can do about it. The date had to get moved, and it’s now October 24th at 12 PM Eastern time.

Want to join us? Details here.

This weekend’s classes are:

  1. Hitting the Road: How To Send Your Characters on a Road Trip with A.T. Greenblatt, Saturday, October 14th, 9:30-11:30 Pacific time.
  2. Power and Politics in Worldbuilding: Schemes, Factions, and Culture with Michael R. Underwood, Saturday, October 14, 1-3 PM Pacific time.
  3. Crimson Peaks and Menacing Mansions: Writing Gothic Horror with Catherine Lundoff, Sunday, October 15, 9:30-11:30 AM Pacific time.
  4. Twenty Types of Terror: Exploring Horror Subgenres with Cat Rambo, Sunday, October 15, 1-3 PM Pacific time.

Sign up for both of Sunday’s classes for a total cost of $99! All class recordings are available to Patreon supporters for $40 or $50 for non-supporters.

Find the full list of upcoming classes here.

Find the list of available videos here.

In November, Jennifer Brozek will be leading the Wednesday Writing Games session. Come play and write for an hour in a comfortable and enjoyable session designed to kickstart your creativity! See the Patreon schedule to find out how to join.

Want to find me on your favorite social network? Here’s all the places I have a presence, along with other pertinent links.

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