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Notes from the Internet Presence for Writers Panel

This is from the panel on Internet Presence for Writers from Norwescon a few weeks ago. Participants were K.G Anderson, K. Tempest Bradford (moderator), Chimedum Ohaegbu, and myself.

Panel description: We’ve all heard the warnings, “Be careful what you put online; it’s forever!” Is this really a concern? We’re encouraged to have a heavy online presence, but sometimes it can feel like walking on eggshells. Hear pros share how they balance their fanbase and personal sharing, where it’s gone right and gone wrong.

One of the keys is to be findable on the Internet. You should have a website, and that website should have a means of contacting you. You would be surprised how many writer websites do not have the writer’s name on the front page.

Along the same lines, that website should look professional rather than amateurish. If you must have squid, Karen observed, make them professional looking squid.

Curate your presence and don’t be random about it. You want to think about your online presence. Look at your social media and the last 20-25 things you’ve posted. How many are positive? How many are negative? How many are informative? That’s the presence you’re projecting online. People are drawn to people who care about people.

Have a newsletter. Raven Oak’s was held up as an example.

Facebook groups are more useful than Facebook pages. (note from Cat: I’m been hearing this for a while and it did lead me to start up a group, which so far has been livelier and more active than anywhere else for me on Facebook.)

Post proportionately and consistently.

Don’t let social media overwhelm your energy. You must have something to promote or all of this is pointless.

Use Twitter tools like Buffer or Hootsuite to keep things manageable by scheduling posts. Twitter lists are also useful. Cat keeps a private list marked “interactives,” which is people who frequently interact or repost her stuff, which is the first place she pulls from when scheduling posts. Another is a public list, Women in Fantasy and Science Fiction. To see what lists you are on, go to your Lists page and click on “Member of”.

Explore Twitter hashtags like #writingcommunity, #writerwednesday, #followfriday. On Instagram, look for #bookstagram and other book-related hashtags.

Blogging is coming back, but you need to have content that people want. Mary Robinette Kowal has a series called Debut Author Tips, for instance.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Notes from the Supernatural Seattle Panel, Norwescon 34

Children on Rachel the Pig at Seattle's Pike Place Market
Children on Rachel the Pig, official mascot of Seattle's Pike Place Market
Participants: K.C. Ball, Julie McGalliard, John Pitts, Cat Rambo, Kat Richardson

What makes Seattle particularly well suited to writing speculative fiction set in it?
Kat – Marvelously creepy weather, and distinct neighborhoods that preserve their history. What are ghosts but history that won’t go away?
Julie – The weather for sure, as well as the visual landscape it provides. The distinct neighborhoods with life. Any fiction set in a distinct city is better.
John – The diversity of culture and people as well as the landscape
K.C. – The geography and the weather, which can go from fog to crystal clear one day to the next.

What landmarks of Seattle lend themselves to spec-fic writing?
Kat – Pioneer Square. The first year I was here, an unusual fog struck and all I could see were the disembodied feet of pedestrians moving in it, which inspired all sorts of possibilities writing-wise. Seattle has lots of layers, which are great writing points, the places where the skeleton is partially exposed.
Julie – Seattle has lots of distinctive features. The Greenlake district is really distinctive, but there are lots of different settings that are suited to different moods.
John – The greenness of winter as well as the wilderness and the places to get lost that it provides
K.C. – The whimsical details of the city, such as the five foot concrete dragon in the park near me in West Seattle. I wrote my story, I Must to the Barber’s Chair, because of a sign I’d seen: “Psychic” in one window and “Barber” in the adjoining one. After the story was published, the barber who owned that shop wrote to me. He said the psychic had gone out of business (which you think they would have seen coming) and he’d been moved to buy the “Psychic” sign and add it to his own window.

What works other than your own are set in Seattle?
Cherie Priest’s Boneshaker and Dreadnought
Megan Lindholm’s Wizard of the Pigeons
Some of Louise Marley‘s works
Terry Brooks – Knight of the Word
And some set farther afield, most notably the Twilight series

How do you research Seattle-based stories?
Kat recommends Historylink.org, which has its own Twitter stream, as a resource.
Also the Museum of History and Industry.
Most participants like to go to places to research and get the ambience that affects a story.
K.C. believes in fussing with setting details, while John suggests fussing on a different level by researching names and cultural background. He strives for enough concrete details to make something authentic then makes up the rest, creating a veneer of research that doesn’t bog him down.
Kat: I’d like to be right all the time but the city keeps changing, like the Picnic Pavilion in Occidental Park, which got torn down after the book holding it was published.
Cat suggests one of the Seattle ghost tours, and recently did this one. Learned details like a place at Pike Place Market where three ley lines meet, and Dr. Linda Hazard, an early Seattle serial killer.

Details of Seattle that make it particularly well suited to the weird:
High number of serial killers
Lots of wildlife – cougars and bears
Fertility of the soil
Banana slugs and geoducks

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SteamCon, 2011

SteamCon, 2011

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