Round-up of Awards Posts by F&SF Writers, Editors, and Publishers for 2019

Here’s a grab-bag of interesting and utterly unrelated links with which to amuse yourself.

• I really love the idea of the artist drawing and then making the writer come up with the words. And here it’s resulted in a lovely, surprising strip from Ramen Empire.
• A Defense of Casual Fandom from Kelly McCullough in Apex Magazine. A lot of this is stuff I wouldn’t be apologizing for in the first place, but I can see where all the recent “fake geek girl” stuff would make one feel beleaguered. Apex’s most recent issue is just loaded with good stuff.
• Vanessa Veselka talks about the lack of female road narratives and why it matters in the American Reader.
• How racism is bad for our bodies – absolutely fascinating and alarming.
• Next time you see someone get knocked out in a movie, think of this.

As a hardcore F&SF addict, I love the fact that nowadays I can go into the grocery store, look at the rack that used to hold nothing but Regency and Harlequin romances, and see covers with vampires and were-wolves and djinn and selkies and goddess knows what else. It makes me happy. I’ve spent a lot of time reading urban fantasy and paranormal romance over the past couple of years, and I wanted to provide a reading map of sorts for fellow genre lovers. So I’ll be posting about my favorites (and some not-so-favorites) over the next couple of months.

You can argue about where it all started (or even what it is) but I’d rather take the tack of looking at the authors that shaped the genre. Let’s begin, accordingly, with Laurell K. Hamilton, who started so much with her heroine, Anita Blake. Necromancer and private investigator, Blake kicks ass and takes names, at least early on in the series, which begins with Guilty Pleasures. (did Hamilton know the direction she’d go in from the first? The title seems to hint in that direction.) In the early books, Anita is tough as nails and prone to smartassery. She’s got two love interests: Richard the werewolf and Jean-Claude the vampire and, unlike a lot of romances, you don’t know what will end up happening. It’s great stuff.

Certainly Hamilton wasn’t the first person to write about vampires. The writer who had moved them into popularity was Anne Rice with her vampire series, which began a couple of decades earlier with Interview with the Vampire. On one level a sexy, intriguing story, the series also spoke to an anxiety floating around in the American zeitgeist at that point: sex and blood had become problematic with the arrival of AIDs. Its popularity rose as did media mentions of the disease.

But Hamilton came along and created a very specific vampire mix. She added Anita Blake, a tough but reader-identifiable character who was a smart-ass, had love-life problems, and tried to solve mysteries. Honestly, how could the series not be a hit? Blake first appeared in 1993, while four years later the TV series Buffy the Vampire Slayer would teach vampire lore to a new generation of readers who would soon discover Anita and her rapidly increasing ilk.

Somewhere along the line, though, the Anita Blake series…turned. Was that Hamilton discovered that sex sells or that with success she was freer to write the sort of thing she wanted to? Soft core porn began to get sifted in with a heavy hand, and none of it was vanilla. I don’t mind that, though. It’s fascinating to get a well thought out take on what sex with supernatural beings would be like. There are, unfortunately, some moments where it overshadows everything else. I’m thinking of Micah in particular, and if she stuck to the pattern of that book, I’d be about done. Luckily, she doesn’t. I like the fact that Anita has multiple lovers, that she’s in control, and that she changes her attitudes over time. But the books have become a guilty pleasure – although still, let’s admit, pleasurable when she maintains the balance between sex and storyline, and I’m certainly still buying them and, on occasion, re-reading them too.

Hamilton’s other series, the Merry Gentry books, which begins with A Kiss of Shadows, follows the same pattern. It’s a fascinating world, but sometimes we don’t get to see it because we’ve spent so much time in the bedroom. The overarching story line is that of a Faerie princess who must get pregnant. In case you don’t understand the implications, here’s a hint: Fairies do not reproduce through mitosis, but rather through lots of hot sex.

Again, a fascinating world, with a rich mythology and a premise that paves the way for plenty of nifty little jokes and eyeball kicks. Sometimes we don’t see as much of it as we’d like because we’re watching Merry get merry between the sheets, but it’s well-written and steamy sex that sometimes transcends space and time and/or summons ancient elemental forces. I found the most recent one I read, Divine Misdemeanors, which featured a serial killer of demi-fay who was using the tiny bodies of the victims to stage elaborate tableaus, nicely creepy and memorable.

So tell me what you think. Is Hamilton a guilty pleasure for you too or are you on some other terms with her books?

And for those interested in the books, here’s the lists, in chronological order:

Anita Blake:

• Guilty Pleasures (Kindle)
• The Laughing Corpse (Kindle)
• Circus of the Damned(Kindle)
• The Lunatic Cafe (Kindle)
• Bloody Bones(Kindle)
• The Killing Dance (Kindle)
• Burnt Offerings (Kindle)
• Blue Moon (Kindle)
• Obsidian Butterfly (Kindle)
• Narcissus in Chains (Kindle)
• Cerulean Sins (Kindle)
• Incubus Dreams (Kindle)
• Micah (not available on Kindle)
• Danse Macabre (Kindle)
• The Harlequin (Kindle)
• Blood Noir (Kindle)
• Skin Trade (Kindle)
• Flirt (Kindle)
• Bullet (Kindle)

Merry Gentry

• A Kiss of Shadows (Kindle)
• A Caress of Twilight (Kindle)
• Seduced by Moonlight (Kindle)
• A Stroke of Midnight (Kindle)
• Mistral’s Kiss (Kindle)
• A Lick of Frost (Kindle)
• Swallowing Darkness (Kindle)
• Divine Misdemeanors (Kindle)