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Free Fiction: Stories Newly Enrolled in Kindle Unlimited

If you’re into short stories and have Kindle Unlimited, I made all of these free:

Women of Zalanthas are all stories based in the game I used to write for, Armageddon MUD. The game’s still going strong, and you can find it here.

Aquila’s Ring: Aquila Nenyuk finds herself thrust into a world of scheming nobles and political power struggles. When she falls in love with Marius Tor, will he bring her happiness or heartbreak? Originally published in Shadows & Light II.

Karaluvian Fale: Impoverished noble Karaluvian Fale struggles to keep up appearances in the face of Allanaki society, which is all too ready to condemn her. When she has a chance to shape a city-wide festival, will she be able to turn the tables on the families that have mocked the Fales for so long?

Mirabai the Twice-lived: Mirabai is appointed the spiritual leader of her people, despite her extreme youth. She leads them through the decades only to be presented with an unexpected second chance in her later years.

I’ve also made the following available:

Tabat stories include:

  • Narrative of a Beast’s Life: Taken from his home village, the centaur Fino is enslaved and shipped to a new land, where he must learn to cope with the trainer determined to break him. This short story originally appeared in Realms of Fantasy.
  • Events at Fort Plentitude: An exiled soldier tries to wait out a winter in a fort beleaguered by fox-spirits and winter demons. Originally appeared in Weird Tales under editor Ann VanderMeer.
  • How Dogs Came to the New Continent is a short story pulled from the events of the novel Hearts of Tabat, told in the form of a meandering historical paper that teases out more behind the oppression of Beasts and their emerging political struggle.

Her Windowed Eyes, Her Chambered Heart is steampunk horror based on an episode of the old Wild Wild West TV series. Pinkerton agents Artemus West and Elspeth Sorehs have been chasing their prey across the country. When they finally catch up with him near the outskirts of the Cascades, though, they realize he’s gone to ground in a mysterious house that once belonged to his mother, a famous inventor. What secrets hidden in the house will they discover””and how will the house protect its returned son?

Grandmother is space opera with an older female protagonist. Space pirate Phoenix, now retired, finds herself facing an unlikely opponent. Will she and her lover Gareth be able to survive the deadly scheme set up to destroy them and the planet Phoenix rules?

Elsewhere, Within, Elsewhen: On a distant planet, David struggles to overcome his husband’s betrayal, only to encounter an unlikely sympathizer in the form of one of the planet’s native inhabitants. But are its intentions truly benign?

Like these and want me to make other stories available? Review these or drop me a line in the comments!

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Planning My Writing (and Overall) Year for 2025

Reads: new year new words new chances new dreams in white on a gray background with sparkling stars.One thing I did last year with my writing community was implement a planning session at the beginning of the year, with a six-month check-in midway through the year. We talked about what was coming up during the year, what we wanted to achieve, what might derail us, and strategies for making the most of the year.

For me, that worked very well, and it’s helped even more to add “Motivation Monday” sessions to my school, a weekly online session where we talk about what’s coming up that week and what problems we’re facing as well as share coping strategies and productivity hints. This year I’m doing it again, with quarterly check-ins, because it worked. I realized I got a LOT done last year once I sat down and listed it all. Looking back at the list of what I accomplished, I feel a lot less guilty about the times I just goofed off and played Stardew Valley or Baldur’s Gate 3.

Want to try this for yourself? Here’s the questions I’m asking people to think about this year, along with my answers to each one. (If you are interested in joining us for the planning or motivation sessions, here’s details about the Patreon campaign.)

2024 Review (Don’t worry if a question isn’t applicable! I’ve been thorough and used the list I use)

What did you get accomplished in 2024 and how do you track these things?

I had a new book, RUMOR HAS IT published in hardback (recommended by Bookish, Gizmodo, Publisher’s Weekly, Reactor) and my book DEVIL’S GUN appear in trade paperback, finished two books (SAHALAH and WINGS OF TABAT), taught a bunch of classes, traveled to Orlando, Savannah, Atlanta, New York City, Bellingham, Indianapolis, Surrey, B.C.and Chicago. Wrote three stories and published four.

I track stuff mainly through my big schedule spreadsheet and Scrivener, but I did also track my reading and movies I watched in a blog post. It’s not the end of the year yet, but I have read close to 200 books this year, and in looking at it, I’m pleased to see I read fairly diversely as well.

What did you write in fiction?
Two novels and three stories

What did you write in nonfiction?
An on-demand class (Eating Your Words), some Medium articles (Writing Speculative Stories, What’s Up with the Hugo Awards This Year, and Thoughts on F&SF Awards, Being Desired at Sixty, Solo in the Theater, Thoughts on Recent News of Neil Gaiman, and What Is Cozy Fantasy: Definition and Suggested Reading) and some blog posts, including I am Cat Rambo and This is What I Believe.
Interviews included author spotlight for Lightspeed by Alex Puncekar, a blog post for Jennifer Brozek, an interview with C.M. Caplan, an interview with Nora Peavey, talking with Paul Semel about RUMOR HAS IT as well as DEVIL’S GUN, and the Walter Day Trading Card site and a birthday write-up on File770.

What other art did you make?
I decorated a guest room and drew some cartoons, inspired by Lynda Barry’s book on cartooning.

What did you edit?
I edited four novels for Arc Manor, including ones by Yaroslav Barsukov, Randee Dawn and Ben Bova. I edited a bunch of stuff for private clients, including three novels and a number of short stories.

What appearances did you make, virtual and live?

  • Taught a class on immersive worldbuilding for Authors Publish.
  • Appeared on these podcasts: Author 2 Author podcast; Better to Podcast podcast; Book 101 Review Part 1, Part 2; Cascade Writers Podcast; DitchDiggers podcast; Fermented Fiction podcast; Going North podcast; If This Goes On (Don’t Panic), Teatime with Miss Liz; the Nerd Count podcast; SciFi4Me TV; SFF Addicts Podcast both in an interview and talking about Omniscient Narration and POV; the Skiffy and Fanty show; Tech Founders Podcast; Writers with Drinks podcast.
  • Did online reading for Story Hour
  • Appeared live at the International Conference for Fantasy in the Arts, where I did a reading.
  • Appeared live at BookCon, South Bend Public Library.
  • Signed at: Main Street Books in Lafayette, Indiana; Gathering Volumes in Maumee, Ohio, and Barnes & Noble in Mishawaka, Indiana.
  • Appeared live at GenCon, where I taught three classes, did two signings, and participated in five panels.
  • Taught live at the Cascade Writers Workshop in Bremerton, Washington and appeared on several panels there.
  • Interviewed Tananarive Due, Alex Jennings, and Peng Shepherd for episodes of If This Goes On (Don’t Panic).
  • Appeared live at Brain Lair Books book club, South Bend, Indiana.
  • Did a panel for Flights of Foundry.
  • Taught a live workshop on Flash Fiction at the South Bend Public Library.
  • Taught live at the Surrey International Writers Conference.
  • Taught live at the Wayward Wormhole Short Story and Novel workshops.
  • Taught an extended short story workshop and a novel workshop online.


What publications appeared?/What sales did you make?



What other things were notable?

  • Got a new website (this one), which was a substantial amount of work.
  • Featured guest blog posts from Jennifer Brozek, Anthony Francis, Dan Rice, and Clara Ward.
  • Served as a mentor for SFWA again, and made a really nice friendship as a result.
  • Made some other great new friends and spent quality time with good friends and family.
  • Ran a D&D campaign and played in three others.
  • Re-joined and became more active in the Unitarian Church.
  • Went to Vegas and saw the Cirque du Soleil Beatles Experience and OmegaMart.
  • Went to NYC and saw several Broadway shows.
  • Went to a terrific outdoor concert by the South Bend Symphony.
  • Rescued a cat and ended up having him join the household (BabyBear).
  • Took golf lessons.
  • Kept most of my houseplants thriving and planted four yellow rose bushes in the back.



Of the accomplishments of 2024, what are the top 3-5 that you had?
Finishing not one but TWO books!
Co-ran a writing workshop that was SPLENDID
Witnessed a total eclipse
Ran the craft book and short story discussion groups, as well as an assortment of other Rambo Academy events that enriched my writing.

What are 1-3 of the worst writing-related disappointments?
Mainly I didn’t get some short stories in to various anthology calls. I also have a story that has been sitting in limbo for FOREVER and I’d really like to see it come out. I also want to do another collection, but that requires me getting my butt in gear and sorting through all the recent stories.

What did you do in 2024 that had the most positive impact on your life?
I started being serious about taking Tuesday and Thursday off since most weekends I teach and/or write. I can write on those days if I want to, but I don’t have to do paperwork, teaching stuff, or Patreon things. Often I go to see a matinee, which resulted in seeing a lot of movies I wouldn’t have normally seen. This really recharges me and keeps days from blurring together.

2025 Planning:

What are 3-5 things you want to accomplish overall in 2025?

  • Write the next space opera and get started on the stand-alone horror novel.
  • Finish several stories and a novelette currently in mind.
  • Run a stellar writing class programming track at Worldcon.
  • Keep growing my Patreon and the Rambo Academy, including the Wayward Wormhole.
  • Continue to build my finances for retirement, although I don’t intend to stop writing and teaching anytime soon.
  • I’d like to do more nonfiction writing as well. (I know that’s six!)



What’s one thing you’d like to successfully incorporate into your work routine?
I would like to be better with my to-do list.

How do you want to refine or improve your tracking system?
I’d like to keep some electronic notebook where I put down what I get done each day.

What’s one pleasure that you don’t have enough time for? Can you use it to reward yourself for hitting goals?
I really love rock-hunting, and driving up to Michigan to find fossils on the shore is one of my favorite things. I’m going to schedule a monthly trip to do so that will be my reward for monthly goals.

What three things are likely to derail you in 2025? How can you plan to diminish their impact?
I am a programming lead for WorldCon, and that will eat up some time. I’m trying to stay on top of items right now and also not plan anything else for August.
Doing the dev edits for WINGS OF TABAT, although I hope that will be an easy task. Turning them around quickly rather than procrastinating would be good.
Doing the marketing for the release of WINGS OF TABAT. Since it’s the last book in the series, I’d like to pull out all the stops. That requires being organized and doing a lot of planning beforehand.

What’s going to bring you hope in 2025?
My community – friends, family, students, mentees, fellow writers. That’s what keeps me going.

What are you looking forward to in 2025?
Writing my current projects, which I’m stoked about. An upcoming trip to the Barbados. Chances to visit good friends and spend time with family. Having WINGS OF TABAT come out and marketing it. Being Guest of Honor at Confluence. WorldCon in Seattle. Seeing if those yellow rose bushes bloom this year and getting a chance to sit out in the yard and watch fireflies appear in the evening. Seeing what happens with the fantasy novel I just turned in to my agent (*fingers crossed*). Continuing to live a happy and productive life that gives back to the world.

What’s going to be your theme song/ slogan /image to keep you going in 2025?
I am still thinking about this one.

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Opinion: On Baen Books, Moderating Discussion Boards, & Political Expression

A few days ago writer Jason Sanford published an investigative report into what was happening on the discussion boards known as “Baen’s Bar,” run by the fantasy and science fiction publisher Baen Books, specifically in its Politics group, where people were posting in support of the Jan 6 coup attempt and suggesting ways it could be better organized and executed. Baen, as well as some authors, replied. Others replied to them. Now I’m weighing in too.

To put this in context, let me say: I have decades of experience with online moderation. I have been a moderator on three lively BBSes, a game discussion board, and was for a good time the head moderator of the Science Fiction and Fantasy Writers of America‘s private discussion forums, including during the period the organization’s board ejected Vox Day. I may have spent more words discussing moderation policy with Jerry Pournelle than any other human being (I understand some ARPANET administrators might also be in the running.) In trying to navigate all that, I’ve done a lot of reading about online culture, communication, and how text works. My friends tell me I have good people skills.

In the interest of full disclosure, I’m technically a Baen author. I have a story in a couple of Baen anthologies and another in an upcoming one. I also was the main decider in the choice to give Toni Weisskopf a Kate Wilhelm Solstice award in 2016 in acknowledgment of how much she has shaped the field. I have never been on their discussion boards, as far as I can remember.

As such, I have a Lot of Opinions, and a few observations.

1) Boards have to have moderators and rules, and superloose ones like “no hitting” are dangerous. One person’s affectionate verbal love tap of greeting may be someone else’s roundhouse swing. This is why moderation is exhausting, usually thankless, and involves a lot of arguing with people about why their posts needed to be amended or removed. I salute anyone who tries to run one, let alone successfully. One thing that makes the SFWA ones work nowadays is patient moderation plus a willingness of the overall administration to back the moderators up.

SFWA does this because such moderation is important for an organization. If you want a board to be useful to all of your users, you keep it a place where if someone posts a question, they get an answer, rather than a series of insults and a Tubgirl shot. Otherwise, why are you putting money into maintaining those boards? For a company like Baen, they are an extension of the business and should represent it in a way that serves all, rather than a small vocal portion, of your customer base.

2) Those moderators create and sustain the culture of a discussion board. I read Eric Flint’s essay up to the point where he said “a never-heard-of-him who uses the monicker of Theoryman”. And then I started thinking maybe he’d read a different piece, because while I respect Eric and his opinion, the difference between Theoryman being some rando and the fact that Theoryman is actually a board moderator is such a big one that it feels like Eric went into Sanford’s piece already angry and determined what he would find, to the point where he skimmed for stuff to corroborate that and skipped everything else. [Later edit: I corrected this passage to note that I did, in fact, read the entirety of Flint’s essay and also learned that the moderator was a longtime member but had only two months earlier become a moderator.]

There is a pattern where authors defending these posts all take the stance of “oh, they were so awful I personally stopped reading them but I am still sure they couldn’t have held anything harmful.” My first reaction to the observation, “I stopped visiting “Politics” about”¦ oh, I dunno. Twenty-three years ago?” is that perhaps what he says about it 23 years ago will be somewhat more informed than “here’s what’s happening 23 years later as people with a certain amount invested in this argument have described it to me.” (And it seems contradictory doing that when also maintaining Mercedes Lackey/Larry Dixon’s experience of getting driven off the boards 23 years ago was so long ago that it’s meaningless.)

3) Talking about politics has always been fraught. Nowadays even more so. In 2020, I tried adding a politics channel to my Discord server, and shattered one of my most valued friendships in the process. We no longer have that channel. And it cannot be ignored that this year’s attempt to take our country by force was organized on electronic message boards and coordinated in the same way.

There are plenty of places online where people can talk politics. So many of them, in such a variety of flavors. Saying “this can’t happen here” is very different than “This can’t happen everywhere.” Take that cigarette outside and smoke it, but you can’t do it here in the bar. I would be heartily surprised if multiple alternative places for the regular posters to talk about the best way to take down American cities haven’t already sprung up, and of course the meta-discussion of all of this “cancel culture” is freely taking place online.

4) Free speech is a great ideal, up to the point where it’s being used to promote killing people. Popper’s Paradox applies.

Speech can also hurt people. The effect on a person’s physical — not to mention mental — health from verbal abuse has been documented over and over again. And, as we have seen, speech can incite riots that kill people. Want more? Search on “online trolls drove to suicide” but prepare yourself. For some, it’s their victory condition. Or was that just a joke, hee hee, they say, denying their own words in the middle of saying them.

5) What “if you can’t stand the heat, get out of the kitchen,” aka “people who are too weak should avoid this discourse” says is “only certain people get to speak here.” And that’s shitty, no matter how many noble words you try to dress it up with. As an analogy, we make things wheelchair accessible so those folks can enjoy them, rather than declaring everything off-limits to them.

Or maybe that’s just a stance some folks are simply incapable of comprehending. The reaction to the idea of a character in a wheelchair in D&D 5E was overall positive, but it got heartily derided by some people who didn’t take a minute to think about how much that might matter to another player.

I am so tired of this argument, which so often gets used by people who have, indeed, fought the good fight but somewhere along the line also acquired the idea that only people who’ve gotten punched in the face for speaking get to talk. That’s what underlies someone talking about “swooning” or “pearl-clutching” and don’t even get me started on some of the gender stuff that gets draped onto that rhetoric like a six year old putting tinsel on a Christmas tree.

But I also want to point out that some people are getting pretty hot under the collar about an attack on the publisher, when it’s an article that talks specifically about the message boards and the behavior happening on them. Info about the publisher hosting those boards is provided for context. It does seem possible for a publisher to be both publishing left-wing and right-wing stuff at the same time, so maybe we can abandon that question and look at what Sanford’s actually talking about: not what’s happening on the publication list, but on the message boards.

If that discussion is so upsetting for them that they can’t undertake it without saying things like “you should be thrown from a plane for saying this,” then perhaps that portion of the audience might could wanna take their own advice regarding the temperature in this particular kitchen, because at this party there’s a bunch of people talking in there already without threatening to defenestrate anyone.

6) Online harassment is used by a number of folks to silence other people and it includes tactics like SWATting, contacting one’s employer, doxxing, and worse. Jason Sanford is experiencing some of this right now, to the point where he’s had to take his Twitter and Patreon private, but he’s not the first, nor will he be the last. It is shitty and invasive, and it’s something that can constantly ambush you.

Moreover, stochastic terrorism is a thing, and it’s one that some of the “my wishing you were dead wasn’t really a death threat because I didn’t say I’d do it personally” yahoos are hoping for. That hope that someone will be hurt as a result of their rhetoric flickers dimly in the depths of their creepy little souls, even when they claim otherwise, because here in America, it’s a possibility every time they stir up an audience to think of their opponents as NPCs rather than people. And it’s something that is particularly hard on the vulnerable. If you’re a white male experiencing harassment, know that if you were a woman of color, you’d be getting it a hundred times worse, whether you acknowledge that or not.

So… I don’t know what will happen with Baen’s discussion boards. I hope that they’ll do what sometimes happens as a result of these challenges: emerge as something better and more useful, something that creates more community ties than eroding them. Because it’s a time and place when we need more kind, brave words and less hateful, thoughtless rhetoric, and I feel any efforts to establish that is where true heroism lies. Thank you for issuing the challenge, Jason. I hope people rise to meet it.

March 18 addendum: An organized campaign to smear and harass Sanford, including threats against people at his workplace and doxxing people associated with him, is still ongoing a month later and shows no sign of ceasing.

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