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9 Speculative Stories for Pride Month

Happy Pride Month! I wanted to put together a list of some of my F&SF stories featuring queer characters that I particularly love.

And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me. -Black Elk

Every Breath a Question, Every Heartbeat an Answer” is a story that appeared this year in Beneath Ceaseless Skies, set in a hospital for war veterans, involving a lesbian centaur coming to terms with loss and the enigmatic ace paladin who seems to promise an answer to the question haunting her. Like many of my stories and the Tabat Quarter, it’s set in the world of Tabat, where intelligent magical creatures are beginning to question the roles society has allotted them.

“Hoofsore and Weary” precedes “Every Breath a Question” but features one of the previous story’s main characters, involved in the journey that will later bring her to the war hospital. It appeared in the anthology of military fantasy Shattered Shields, edited by Jennifer Brozek and Bryan Thomas Schmidt.

Rappacini’s Crow” is set in the steampunk world of my Altered America stories and has a trans protagonist who must figure out how to escape not just a malignant crow, but its owner as well. It appeared in Beneath Ceaseless Skies.

“How Joyful the Work” appeared in Predators in Petticoats, edited by Emily Leverett and Margaret S. Mcgraw. This theme anthology of 25 original stories focused on “fearsome feminine power”. I chose the figure of Penelope from Homer’s Odyssey, because I’ve always found her an intriguing figure. In this story, told from the POV of a household maid, instead of weaving tapestries, she creates clockwork contraptions.

“Preferences’ was recently reprinted in a special cyberpunk issue of The London Reader but originally appeared in Chasing Shadows, an anthology edited by David Brin and Stephen Potts, stories based on Brin’s book The Transparent World. It’s a short piece about data privacy, and reflects some of my experience working in that industry.

“The Threadbare Magician” is urban fantasy featuring a gay magician and his attempt to evade a particular doom. Seattle denizens will recognize references to a multitude of landmarks, including the Value Village store in Redmond, and you may be surprised what a simple trailer park on the East Side can hold. It originally appeared in Genius Loci, edited by Jaym Gates; you can find the audio version on Podcastle here.

Call and Answer, Plant and Harvest” is set in the city of Serendib, a location that has for some reason supplied a number of very short pieces set on its streets, including “The Subtler Art” and “The Owlkit, the Candymaker, the Beekeeper, and the Brewer”. This appeared in Beneath Ceaseless Skies; it was originally written for an anthology but the editor was anti-Chaos Mage. 😉 Luckily editor Scott Andrews was not.

“Elsewhere, Within, Elsewhen” was originally written for Beyond the Sun, an anthology edited by Bryan Thomas Schmidt. It features a protagonist trying to come to terms with his husband’s betrayal, on an alien world that presents him with an extraordinary way to escape it.

Ms. Liberty Gets a Haircut” originally appeared in Strange Horizons but has been reprinted in multiple anthologies. It’s my favorite of all my superhero stories.

Bigfoot, reprinted on my site here, originally appeared in a feminist fiction issue of literary magazine 13th Moon and features a newly appeared Bigfoot and the reporter covering that appearance.

Want more? My Tabat series features the charismatic Bella Kanto, a bisexual gladiator who finds herself thrust into schemes to overthrow the government — and very structure — of the city she fights for, Tabat.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Merry Christmas!

Or if you celebrate some other holiday at this time of year, happy that. Maybe your days be merry and bright, and may there be many more of them to come!

And if you just got a Kindle or e-reader, may I remind you that you can get my collection for it for a mere $2.99?

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Photo of an ornate garden flower made from recycled glass and china.
Creating Glass Garden Flowers: A Walkthrough

Photo of a half-finished glass flower
At least a glass saucer or plate will get added to this project as "petals," but the painting part of the process is pretty much done. I've used both sides of the plate in order to create additional depth. The center piece is a wooden stopper for a long-ago broken decanter. It's decorated with metallic paint pen. I'll finish it off with a layer of something to water-proof it. I was pleased with the look of it overall, though.
When I set out to make the glass garden flowers for Mom, I found plenty of pictures but very few tutorials. So here’s a walkthrough of the process, which should illustrate one important thing about these: they’re not a last minute project. The paint takes time to dry, as does the adhesive, which you will need to do in at least two stages.

What you need:

  • Glass or ceramic pieces to make the body of the flower from
  • Shot glass or small bottle to form back of flower
  • Marine Goop – marine adhesive
  • Glass/ceramic paint and brushes (optional)
  • 3 to 5′ (suggested) length of rebar or other stake-like material
  • Terrycloth
  • Duct tape

Step 1: Assemble What You Have
Assemble the glassware you’ll be using. I suggest checking cupboards first. You’ll want several sizes that can be layered on top of each other, and (usually, depending on your other pieces) something for the center, like a short candlestick, round glass ball, or other object suitable for a focal point.

Go through your crafting supplies and look for beads, bits of jewelry, beach glass, shells, and other pieces that can be used to decorate layers.

Look at what some people have done to get ideas.

Step 2: Find What You Don’t Have
If you can’t find everything you need at home, go shopping. In the thrift store, look for interesting pieces that are chipped or otherwise deeply discounted in both the ceramics and glassware sections. Check the metalware and mirrors as well. My local Value Village has a wall in which they bag oddments and sell as lots. If you have this, browse through it. Things you’re looking for: glass pebbles, large beads, holiday ornaments, mosaic pieces, and other things that can be glued onto plates. Pick up old shot glasses or small bottles to use for the backs.


I prefer to let what I find dictate the piece. You can also try to replicate or improve on an existing pattern or otherwise plan it out. In such a case you may need to visit multiple stores to find what you need.

In the dollar store, look for glassware and remember that you are able to paint it.

Step 3: Figure out the Layers
Bring home the pieces and arrange them, trying to figure out the order in which you will want to glue them. You may choose to work from the front to the back or vice versa. Attaching the shot glass will be a final step.

Step 4 (optional): Paint Glass
Decide if you’re going to paint the glass, which must be finished before any gluing can take place. If so, I used DecoArt Gloss Enamels, which can be used on wood, glass, and ceramics. Be aware painting add time to the process. You will paint the piece in stages, letting each color dry in turn, and then letting the overall piece dry for four days before you bake it to set the colors. Is it worth it? Here’s another of the pieces I painted today.

Photo of a partially painted glass plate.
This plate will serve as the back layer of a flower. I suggest not worrying too much about being meticulous with the paint. You want an organic feel for the flower (in my opinion). I'll let this piece dry and then bake it to set the colors before I start adding anything to it. Because pieces will overlap the center, there's no point in getting too elaborate with it.

Once you have painted the glass, let it dry and bake it.

Step 5: Glue the Layers
Once the step involving glass paint has been performed or skipped, you can begin gluing. I suggest putting down the back piece, gluing the next layer atop it, etc. You can assemble all the front layers and glue them. Set to dry on a level, ventilated surface that is reasonably warm. Let them dry at least 24 hours.

Step 6: Decorate the Layers
At this stage you may glue other things in as decoration. Among what I’ve used so far: Christmas ornaments, gold foil, a cat toy, glass flowers, marbles, large pearl beads, glass pebbles. Let dry at least 24 hours.

Step 7: Add the Back
Now you’re ready to add the back. I use a plastic cereal container to hold the pieces while gluing on the backing, since many of them have delicate front pieces that they cannot rest on. Again let the piece glue for at least 24 hours.

Step 8: Assemble the Stake or Holder
To assemble the holder, if using a shot glass, cut a small piece of terrycloth and duct tape it to the top of the rebar. You can adjust it to make it fit snugly into the glass. Otherwise, you do not need to pad the rebar.

Finito. Now you know enough to make more and probably new ideas have occurred to you already. I’d love to see your creations, please post links if you have them!

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