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Guest Post: Historical Fiction Requires Research: Including Pop Culture! by Elizabeth Guizzetti

Thank you for having me today!

I love writing about vampires because of the historical research. One question I always ask when doing this research is: what would someone of that era know?

My latest novel, Accident Among Vampires (Or What Would Dracula Do?) is set in 1951-52. The protagonist is Norma Mae Rollins, a 14-year-old girl who is learning to survive as a vampire. Before she was transformed, she spent many Saturday afternoons and evenings in her small hometown theater.

Going to the movies was a different experience than it is today. The movie started with not just trailers, but also newsreels, cartoons.

The movie palaces of this era often showed first run movies, but small theaters often showed older movies. Some B films were made to be the less publicized of a double feature, but before television, cable, and streaming services, movie studios sold second run movies to drive-ins and smaller theaters in bundles who played them as double features or as the B showing with a newer film. This is why Norma would have likely seen movies such as Dracula, 1931 though she wasn’t born until 1938.

I also used these films to ensure my speech patterns felt correct as I used a few archaic words in dialogue: may’ve, shall, and shan’t. Norma doesn’t call adults by their given names without permission. Other than close relations, Norma calls adults: ma’am, Madame/Lady, sir, Sir, or honored ancients/one. She calls her creator Mr. Caruso, until he said “Call me Bill or even Dad”¦”

I will offer a warning: modern audiences delving into classic American theater will find plenty of cringe-worthy moments. For most of these films, the Hayes Code was in effect. A woman’s innocence was generally their ticket to life; conniving women were killed. In Dracula’s Daughter, the love interest (human) talks about shooting women as a joke. Son of Dracula has racist depictions of minorities: Black and Roma characters. You will, and should be, offended by certain spoken lines or things you see in these old movies.

This list is not by any means extensive, I watched close to a hundred movies for this book alone, but this list is the vampire-specific films I watched to prepare me to know what Norma knows about vampires in 1951. She thinks about what hurt (and didn’t) the vampires from films and books constantly. She asks adult vampires about scenes in many of these films. And she pretends to be Bill’s “sweet” daughter because as I said, sweet innocent women survive.

This list is in order of release. There are actors you will see again and again: Bela Lugosi, Lionel Atwell, Lon Chaney, as many of them were typecast into these roles.

Dracula, 1931, Universal Pictures (PRECODE)

This is the one with Bela Lugosi in the title role that everyone knows, loves, parodies, and quotes.

My Thoughts:

The first act follows the book, then it tells its own story with many of the book’s characters. If you haven’t seen it, it is a classic piece of cinema.

Helen Chandler plays lovely and sweet Mina but her near transformation scene when she wants take a bite out of Jonathan make the movie worth watching.

Dwight Frye as Renfield is the closest to the book character: always escaping his cell and very strong.

The Vampire Bat, 1933, Majestic (PRECODE)

Villagers start dying of blood loss and town leaders suspect a resurgence of vampirism.

Dr. von Niemann (Lionel Atwell) cares for the victims. He learns a patient, a kindhearted woman, Martha, was attacked by a bat. Another villager, Herman Glieb, claims he likes bats.  Soon the village thinks Herman is a vampire.

My Thoughts:

This movie felt original and fun. It is definitely worth watching. It is a mystery and a horror film. Plus there is a scientist.

The portrayal of women is straight out of Gothic Tropes 101. Fay Wray plays the good and clever ingenue, but there is also the foolish middle-aged hypochondriac, the kind-hearted villager, etc.

Finally, the expressions, general strait-laced manner, and mustache of the police inspector directly inspired the vampire Derrik Miller in my novel.

Mark of the Vampire, 1935, MGM

After a nobleman dies, his daughter is seemingly threatened by vampires and no one know if there is a connection.

My Thoughts: I enjoyed this movie, but as it is a murder mystery, I do not want to say too much.

Bela Lugosi plays a side-role of meta-vampire, Count Mora. Carol Borland plays another vampire, Luna, who draws your eye whenever she is on screen.

Many people hate the ending, because it was held together by a trope which was old-fashioned in 1935.

Dracula’s Daughter, 1936, Universal Pictures

A reluctant vampire, Countess Countess Marya Zaleska, believes that by destroying Dracula’s body, after his death, she will be freed of her vampirism. This fails, she turns to a psychiatrist and becomes obsessed with him.

My Thoughts:

If you watch any film on this list, please watch this one! This beautifully shot film plays with lights and shadows as if it were a film noir. The characters all feel important, nothing in the sets or onscreen feels wasted.

Gloria Holden plays the Countess Marya Zaleska in a soft but deadly way. A direct sequel to Dracula, 1931, it said to be loosely based off Dracula’s Guest or the title character of Carmilla, but the plot has nothing to do with either story. The Countess’ preferred victims are women (she kills men too), and she is thought to be coded bisexual or lesbian which is the only tie it has to Carmilla.

Son of Dracula, 1943, Universal

Lon Chaney plays Count Alucard/Dracula who marries an American woman named Kay who loves all things morbid. She wants to gain eternal life. She is turned into a vampire when her ex-lover shoots her accidentally, he was aiming for Dracula.  Kay changes in unexpected ways.

My Thoughts:

This is a very good film and well-worth watching, but there are several racist depictions of minorities. One of the best parts about the film is everyone is acting pretty smart. Also it has the first on-camera transformation of a bat to vampire. (Earlier films were done with cutting, this is done with animation.)

In regards to my novel, this is the film which gives Norma daymares after she is transformed as a vampire for two reasons: Kay is the smartest one in the room and will do anything to get what she wants. Sometimes, Norma fears being a “bright girl” for this reason.  Though her death is offscreen, well the idea of it gives Norma daymares.

Dead Men Walk, 1943, PRC

A kindly small-town doctor Lloyd Clayton murdered his evil twin brother, because Elwyn practices the occult. However, Elwyn returns as a vampire and murders the villagers by draining them of their blood and leaves evidence The doctor, his niece, and her fiancé discover that Elwyn still lives.

My Thoughts: PRC is known for low budget B films. While this is an original story, it hits many of the same beats as Dracula especially in regards to the ingenue (Mary Carlisle) and her love interest. The lead dual role played by George Zucco is very campy (especially when he plays Elwyn) so if you enjoy that, you’ll enjoy this one.

House of Frankenstein, 1944, Universal

The first of Universal’s monster mash movies!

Dr. Gustav Niemann played by Boris Karloff escapes from prison along with his hunchback assistant, Daniel. To exact revenge on the man who had put him in prison, Niemann revives Dracula. Dracula, played by John Caradine, seduces Hussmann’s granddaughter-in-law and kills Hussmann.

Niemann causes the poor vampire to perish in the sunlight. Niemann and Daniel move on to the flooded ruins of Castle Frankenstein, where they find the preserved bodies of Frankenstein’s monster (Glenn Strange) and Wolfman/Larry Talbot (Lon Chaney).

My Thoughts:

I enjoyed all the monster mash-type films as did Norma. They are her favorites on this list.

House of Dracula, 1945, Universal

This is the sequel to House of Frankenstein Dr. Franz Edelmann is visited by Dracula and the Wolfman who are trying to cure their vampirism and lycanthropy. John Carradine, Glenn Strange, and Lon Chaney reprise their roles from The House of Frankenstein.

My Thoughts:

The sequel is even more wonderful monster mashup film. It has all the wonderful tropes of the era. There is one thing that always strikes me as unintentionally funny–a very polite mob.

I love this movie and it is also Norma’s favorite on the list. She questions the older vampires about things she witnessed in this movie.

The Return of the Vampire, 1943, Columbia Pictures

Bela Lugosi is a vampire named Armand Tesla who is thwarted over the course of two wars by a doctor, Lady Jane Ainsley, played by Frieda Inescort. Lugosi basically plays the same characterization as Dracula, but due to copyright issues, he is Aramand Tesla.

My Thoughts: 

This is another movie I really enjoyed. Inescort plays an educated doctor who is also a successful, loving mother. Obviously, she is a privileged woman, but it’s always nice to see an educated adult woman, who raised a son on her own, being the smartest one on the screen. Her aging makeup was well-done and restrained.

Other than a few moments of overacting at the first death of Tesla, the werewolf character, Andreas, is another standout. His acting is subtle even through his wolf makeup, and there are so many moments the audience feels for him.

The Vampire’s Ghost, 1945, Republic Pictures

John Abbot plays Webb Fallon, a nightclub owner and occult expert who offers advice on some murders. He falls in love with the ingenue. Loosely based on the 1819 short story “The Vampyre” by John Polidori.

My Thoughts:

The film hits several ingenue threatened by vampire stuff, but I felt this movie was somewhat forgettable and had very little tension. Even when the scene was supposed to be tense.

Abbot and Castello Meet Frankenstein, 1948 Universal Pictures

This is the last vampire Bela Lugosi played, but the first of several films in which the comedy duo, Abbot and Costello, meets classic Universal’s monsters and characters from their films. They and their friends encounter an evil doctor, Dracula, Frankenstein’s monster, and the Wolf Man.

My Thoughts:

The chemistry between Abbot and Costello makes for good comedy, even if the comedy itself isn’t evergreen. The actors who play monsters play their roles straight from their respective films. There is also an uncredited cameo of Vincent Price as the voice of the Invisible Man.


Accident Among Vampires or What Would Dracula Do?

By Elizabeth Guizzetti

Issaquah, Washington, USA, 1951

My name is Norma Mae Rollins. I’m fourteen and an illegal vampire. I miss my mom, but new ghoulish appetites force me to remain with my creator.

Bill didn’t mean to transform me. At least, that’s what he claims. His frightening temper, relentless lies, and morbid scientific experiments makes it hard to know what to believe. However, someone snitched about Bill’s experiments to a nearby coven. Now both of our corpses will burn.

Bill won’t run. He is curious what happens to a vampire after final death. I don’t want to die again. It hurt so much the first time. Bill thinks his vampire boyfriend might shelter me. I must brave an eternal existence with elder vampires and other monsters who don’t think I ought to exist. Oh and figure out who I am allowed to eat.

A vampire’s reality is nothing like the movies.

Available on Kindle and Paperback


BIO: Much to her chagrin, Elizabeth Guizzetti discovered she was not a cyborg and growing up to be an otter would be impractical, so began writing stories at age twelve. Three decades later, Guizzetti is an illustrator and author best known for her demon-poodle based comedy, Out for Souls & Cookies. She is also the creator of Faminelands and Lure and collaborated with authors on several projects including A is for Apex and The Prince of Artemis V. To explore a different aspect of her creativity, she writes science fiction and fantasy. Her debut novel, Other Systems, was a 2015 Finalist for the Canopus Award for excellence in Interstellar Fiction. Her short work has appeared in anthologies such as Wee Folk and The Wise and Beyond the Hedge. She loves vampires and after writing Immortal House, she has written”‹ several other vampire stories in the same universe. Guizzetti lives in Seattle with her husband and two dogs. When not writing or illustrating, she loves hiking and birdwatching.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
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Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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Guest Post: B. Morris Allen on Writing in Harmony

Writing is inherently frustrating, because it’s a process of condensing imagination into prose”“taking countless colours and dimensions of dreaming and stripping them down to a few crude black and white stick drawings that readers can expand back in their own imagination. It’s like using an asterisk to describe a snowflake”“all you can hope to get across is the basic idea, and the hope that the audience will see something beautiful, even if it’s not exactly what you saw.

I’ve long been interested in the how this works”“not the practicalities of construction and grammar (though those are important)”“but the mental mechanics of winnowing down world into story and back again. As many writers do, I’ve tried a few tricks to get at this”“for example, telling the same story at different lengths while still keeping it interesting, or telling a story entirely in the aftermath of key scenes. When I became an editor, though, it occurred to me that I had an opportunity to study the process more broadly empirically.

The result, thanks to the hard work and goodwill of several dozen authors, is what I’ve now grouped under the imprint Verdage”“books that are, first and foremost, anthologies of great SFF, but that also look at the writing process. The first in the series was Reading 5X5, in which five groups of five authors each approached the same theme, to see how different authors work with the same material. The second, Score: an sff symphony, asked twenty authors to write stories from a common emotional score, so that while the concepts and settings are all over the place, each story evokes specific emotions on a path to goes from joy to despair and back to hope.

Cover of Reading 5X5x2The latest installment from Verdage, out 1 August 2020, is Reading 5X5 x2: Duets. For this anthology, I asked five talented authors: Douglas Anstruther, L’Erin Ogle, J. Tynan Burke, David Gallay, and Evan Marcroft, to co-write a story with each of the others, as well as a solo story. The substantive results are everything I expected”“stories of loss and passion, of abandoned alien spaceships, of cross-galaxy revenge, of demonic software and clockwork universes.

Just as interesting, though, is the other purpose of the anthology”“looking at how authors’ voices change when they collaborate. Most of the authors hadn’t collaborated before, and each pair found its own mechanism for doing so”“all different, all effective”“chronicled in authors’ notes at the end of the book. Read any of the authors’ solo stories and compare that voice with how they sound writing with any of the others, and with how that second author sounds solo”“it’s a fascinating study in what makes an author’s voice what it is.

Writing is a careful process of culling and filtering decisions, using a (literally 🙂 ) limited alphabet to convey infinities of universe, emotion, and action. Doing that jointly with another person who pronounces all the letters a little differently can be a difficult process. But the resulting harmony of voices can not only have a unique beauty of its own, but can show us something new about how each of the voices sound on their own. I hope this anthology does that.


Reading 5X5 x2: Duets is out on 1 August 2020 from Verdage, an imprint of Metaphorosis Publishing.

Find out more at metaphorosis.com and on Twitter @Metaphorosis.


Headshot of Author from Amazon author page.BIO: B. Morris Allen grew up in a house full of books that traveled the world. Nowadays, they’re e-books, and lighter to carry, but they’re still multiplying. He’s been a biochemist, an activist, and a lawyer, and now works as a foreign aid consultant. When he’s not roaming foreign countries fighting corruption, he’s on the Oregon coast, chatting with seals. In the occasional free moment, he works on his own speculative stories of love and disaster.

Find out more at BMorrisAllen.com and on Twitter @BMorrisAllen.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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Guest Post: Score One for Music by B. Morris Allen, "¨Editor, Metaphorosis Books and Metaphorosis Magazine

What if prose were written like music? What if, instead, of a common world, stories in an anthology were steps on a share emotional path? Those are the questions the upcoming anthology Score is attempting to answer.

Emotions are a key part of our experience of art. The books that stick with you are often the ones that made you feel something. Even when we don’t recall the details of a plot (or painting, or movie), we’ll often recall how it made us feel. Even if you don’t recall the details of Watership Down, for example -“” the names of the rabbits, the original warren, etc. “” you probably remember how you felt about the rabbits and what happened to them. You remember how you felt when you closed the book. Even if you mislay every detail of a book, you’ll remember whether it made you laugh or cry or feel wistful.

Score is an attempt to tackle the emotional side of writing head on. A group of almost 20 authors set out not to write about robots or aliens or magic “” though we have all of those “” but to write from emotion.

What does that mean, and how does it work? It means, simply, that each of the authors worked from a coherent emotional score, knowing the emotions in the piece before and after theirs, what emotions they were to emphasize, and … nothing else. They had complete freedom of genre, topic, tone, approach, etc. “” so long as they worked with the emotions they were assigned. The result is a fascinating collection of stories with a distinct emotional progression.

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In the end, we worked from a palette of six emotional ranges – six emotions with four variants each, two positive, two negative. For example, Hope ranges from Hope at the positive end to Despair at the negative end. These aren’t quite the emotional pairs used by social scientists, and we could have ended up with a wide range of others, but these six emotional ranges allowed ample scope for ups and downs. The emotions are loosely grouped into two sets – the Hope set (Hope, Curiosity, Awe) and the Joy set (Joy, Love, Lust).

Each writer was assigned a specific major and minor emotion, and the score has distinct movements. Using musical terms very approximately, there’s an Overture, a Hope triad, a Joy triad, a Bridge, a Joy triad inversion, a Hope triad inversion, and a Coda. There are high points and low points, but … spoiler alert… it all ends with Hope and Joy.

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Score: an SFF symphony is out on March 2nd from Metaphorosis Books.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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