Bedrooms. That quiet, cozy sanctuary where all things heavy can be folded away, tucked into a corner and laid down for a while. My quiet time is important to me. I work alone 90 percent of the time and find it hard to talk to others without taking breaks.
When I saw the size and comfort of the bedrooms at Castell de Llaes, I was not only charmed, but tremendously relieved. They’re as big as any standard hotel room, yet built with stone blocks carved back in 998 AD. Here’s four of the eight rooms. The owners have moved the two beds close together, but there’s lot of room to move them apart.
There is at least one outlet in every room, so you can charge your phones and computers, as well as use any medical devices, such as a CPAP machine. Linens are changed weekly.
Plus, every room has stunning views of the Spanish countryside.
Since we’re reaching the end of the Patreon Early Bird submission, I want to address one other concern I’ve heard from applicants. Bathrooms.
There are four full bathrooms at the Castle. Two in the tower, and two in the main area. They are modern, with a shower, toilet, and bidet. Bathrooms are thoroughly cleaned weekly, or as needed. We hope to see you there!
"If you’re looking to live and work beside your favorite authors, connect with other talented writers, and push your craft to the limit in a fantastic location, this is an opportunity you can’t afford to miss.
The Wayward Wormhole rewired my brain in the best way. I left the workshop feeling like I had a deeper, more nuanced, and (most importantly) actionable understanding of how to take my writing to the next level. It was a turbo-injection of inspiration, motivation, support, and camaraderie. It’s unlike any other writing workshop out there. I’m so grateful I had the chance to attend."
~Cyrus Fisher
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The Wayward Wormhole December 2024
From Janet:
The New Mexico Wormhole has snapped shut and scattered the travellers back to Australia, Italy, Canada, and multiple states around the USA. I am STUFFED full of amazing writing tips, STUNNED by the beauty and wildlife surrounding the Painted Pony Resort, and warm and fuzzy with love for all my fantastic new friends.
Arley Sorg was tough; a straight shooter who didn’t mince words in a way that gave each of us a boost. We were all better than we thought and still had a lot to learn. Plus, a horned owl joined us from a nearby tree during his classes.
Minister Faust was calm; a gentle guide through the publishing desert. His “explain it to me like I’m a four-year-old” led to clear loglines that supported our newly created emotional impact statements. Plus, the man can cook like a pro!
C.C. Finlay was wise; he took no guff and made sure we understood his points. Thoughtful, insightful, and kind, Charlie was a favorite. How he carved special talk-time for each of us during a busy, busy schedule is both a mystery and a gift we all treasured.
Don Maass was fun; he turned his six-inch binder of notes and writing tips into amusing, personal reflections. Brilliant, generous, and friendly, Don always made room for our comments during class and earned our respect as he returned our quips with rapid shots from the hip.
Cat Rambo was quiet; they were the center of our New Mexican tornado. When you were with Cat, your heart rate lowered, and you felt cared for as a colleague and a friend. Cat was our tarantula whisperer, which either repelled or attracted people almost every day. Why the spiders only appeared on the walls around their building remains a mystery.
Over ten days, we learned more about VOICE, SCENE SHAPING, EMOTIONS AND INTERIORITY, MICROTENSION, ADDING ENERGY TO THE NOVEL MIDDLE, RELEVANT ENDINGS START AT THE BEGINNING, 8 LACKS THAT TORPEDO GOOD MANUSCRIPTS, and BUILDING AND KEEPING A WRITING CAREER FRESH. From day one to day ten, we all started going to bed earlier and earlier.
We saw scorpions glowing under black-lights, bunnies, deer, horned owl, javelinas, tarantulas, coyotes, roadrunners, ravens, quail, and a spadefoot toad.
We sat around an outdoor fireplace as Cat, Don, and Charlie read their work.
We sat in the hot tub(s) and stared at the star-filled sky, waiting for an inevitable shooting star.
We stood in the courtyard and absorbed the silence.
This year brought me several family health issues and I added caregiver to my growing list of responsibilities. As a Canadian with many friends in the US, the election brought stress, fear, and disbelief. I’m still an almost-published (that’s how I frame it—I’m waiting for that one desk on that right day—it’s as inevitable as a shooting star as long as I keep going. Right?)
This year, the Wayward Wormhole at the Painted Pony Resort offered me a reset. Its quiet touched my core and smoothed out the tangled worries I’d been keeping inside. Being with my people reminded me that I’m not alone and renewed my energy. Gaining skills, literally at the speed of sound, renewed my enthusiasm for the stories I’ve written and the ones yet to come.
People ask why Cat and I why we stick with the in-person workshop format when others are going virtual. There are several reasons, all confirmed during our time in New Mexico. Writers need new experiences. They need a safe and peaceful environment to write, learn, and reflect on how people move through life. Writers need other writers. They need tools. Writers need to spend non-writing time with accomplished writers to confirm their belief in their insane choice of career; they need to know their struggles are normal, even if their personal journey isn’t.
For me? Sitting outside under the Milky Way with a dozen-plus friends as Charlie Finlay reads from his latest (and unpublished) novel in front of a wood fire is an in-person memory I’ll never forget.
PS. Plans for The Wayward Wormhole 2025 – Barbados are in the works. We’ve contacted four outstanding instructors who’ve expressed interest, and we will announce a new format and focus by the end of February. We hope you’ll join us!
There’s only one thing more exciting than writing in a 10th-century castle, and that’s spending quality time””in person””with exceptional writing instructors. If you’re one of the lucky people who has taken classes with Cat Rambo, Ann Leckie, Sarah Pinsker, or Tobias Buckell, you know I’m not exaggerating when I say these kind, brilliant people have dug into the prose-psyche and discovered truths about communication that can change how I write with a single sentence.
At the castle, they’ll discuss beginnings and endings, setting, character, and conflict. If you’re like me, you’ve taken numerous classes about these fundamental topics, but in the hands of these master crafters, each is elevated to that special something publishers seek from today’s writers.
Have you ever wondered where Sarah Pinsker came up with an idea for one of her popular short stories? She’ll lead a short story discussion group one night after dinner. What niche topic is important to Tobias Buckell? He’ll give a talk during his spare day. What’s Ann Leckie reading, and how did those books catch her interest? How does promoting others lead to a successful writing career? Cat Rambo knows the answer.
What I want most from my time in the castle is to hear their stories. They’ve all worked incredibly hard to get where they are today. Nothing came easy, yet they didn’t give up writing. They’re all serious yet friendly, dedicated yet generous with their knowledge. I want to be like them when I grow up.
There are four full bathrooms at the Castle. Two in the tower, and two in the main area. They are modern, with a shower, toilet, and bidet. Bathrooms are thoroughly cleaned weekly, or as needed. We hope to see you there!
C.C. Finlay was wise; he took no guff and made sure we understood his points. Thoughtful, insightful, and kind, Charlie was a favorite. How he carved special talk-time for each of us during a busy, busy schedule is both a mystery and a gift we all treasured.
