Wayward Wormhole: Writing in a Cemetery

Up a set of rugged stone steps, the doors of the castle opened and we entered. I’d been awed by its structure, by its historical significance, and its position in the Catalonia countryside. Now I was nervous. So much could go wrong in the next half hour. We had criteria regarding comfort, workspaces, relaxation areas, kitchens, and modern plumbing. After all, sixteen people living for three weeks in a drafty castle with tiny rooms and narrow hallways could end up being memorable for all the wrong reasons.

Plus, we wanted a private lounge for Ann Leckie, Tobias Buckell, Sarah Pinsker, and Cat Rambo, along with intimate indoor and outdoor spaces for students to read, chat, and think. Could the reality inside this 10th century castle possibly meet our needs? Our lifelong dream of writing in a castle depended on it.

With a mind set on problem-solving, I passed through my first ever castle doors and found myself in a spacious semi-furnished room with a storage area off to one side. My list covered a lot of rooms, a check for onsite supplies, and other areas requiring scrutiny. The entrance room wasn’t on the list, but it had a good air about it and my nerves dropped to a manageable level. With that, I grew confident that this experience was about to get awesome.

Janet writes again:

There’s only one thing more exciting than writing in a 10th-century castle, and that’s spending quality time””in person””with exceptional writing instructors. If you’re one of the lucky people who has taken classes with Cat Rambo, Ann Leckie, Sarah Pinsker, or Tobias Buckell, you know I’m not exaggerating when I say these kind, brilliant people have dug into the prose-psyche and discovered truths about communication that can change how I write with a single sentence.

At the castle, they’ll discuss beginnings and endings, setting, character, and conflict. If you’re like me, you’ve taken numerous classes about these fundamental topics, but in the hands of these master crafters, each is elevated to that special something publishers seek from today’s writers.

Have you ever wondered where Sarah Pinsker came up with an idea for one of her popular short stories? She’ll lead a short story discussion group one night after dinner. What niche topic is important to Tobias Buckell? He’ll give a talk during his spare day. What’s Ann Leckie reading, and how did those books catch her interest? How does promoting others lead to a successful writing career? Cat Rambo knows the answer.

What I want most from my time in the castle is to hear their stories. They’ve all worked incredibly hard to get where they are today. Nothing came easy, yet they didn’t give up writing. They’re all serious yet friendly, dedicated yet generous with their knowledge. I want to be like them when I grow up.