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I am Cat Rambo, and This is What I Believe


I am Cat Rambo, and this is what I believe.

I believe every human being has dignity and worth. That one should treat others with respect, including their pronouns and the pronunciation of their name. That people should be free to live, worship, and connect with the universe as they please. That decency, ethics, and accountability are core values. That understanding and acknowledging one’s own privilege is part of that accountability.

I believe stories matter. That they shape how people think about and understand their lives and the world at large. That they gift us with hope and empathy.

I believe that all paths to publishing – traditional, indie, small press, crowdfunded – are valid for writers and that nowadays more and more people are able to create their own art and tell their own stories in a new way that has created a wealth of great new writing, including many stories that wouldn’t have been told through traditional publishing.

I believe that historically the publishing industry has – like the world around it – disadvantaged people for reasons of sex, race, religion, disability, sexuality, social class, and a host of other isms, and that this has affected who has and hasn’t been able to be published. Because of that, we all need to continue to push towards an industry – and world – where that is not the case.

I believe my students are a major part of my legacy. They provide me with joy and pride as they work and write and do things in a world that is not particularly kind to people who create art. I try to live my life in a way that will not disappoint them.

I believe in the power of thank yous, because they say “I saw what you did and it’s appreciated”. And I believe in volunteering, because giving back to the community when you have the time and resources is a duty as well as often a joy. The science fiction and fantasy world runs on volunteer power, and acknowledging those volunteers is vital.

I believe that I am the product of many influences, including my Unitarian Universalist faith, which draws in turn from Buddhism, Christianity, Hinduism, Humanism, Islam, Judaism, and Paganism. And all of those influences lead me to believe one should strive to leave the world a better place rather than a worse one.

I believe that claiming to be apolitical is itself a political act, and one bolstered by privilege.

I believe that what is happening in Gaza is wrong, and that there needs to be an immediate, and permanent, ceasefire. Over 40,000 have died in Gaza so far, most of them women and children. That is uncategorically wrong and it is symptomatic of a world where other wars are being waged on those who cannot fight back, primarily the poor.

I believe that a system that drives the vast majority of the wealth up to a specific few, rather than benefiting all, is broken and needs to be replaced. And I believe that those wealthy few are doing their best to foster divisions between the groups they’re exploiting, in order to keep anyone from noticing.

I believe in science and the power of rational thought. And that destroying books, whether by burning, shredding, or other means, is a symbolic destruction of the ability to think and learn.

I believe that people trying to hurt other people in petty ways are often – perhaps even usually – deeply in pain themselves, and that generally it’s better to hope they find the help they need than to try to hurt them back. Hate begets hate, which is sad when that hate is a twisted call for help.

I believe that karma is a force that works in this universe and that continuing to send out good energy and positive vibes will stand me in far greater stead than not. Kurt Vonnegut Jr. said “Be careful what you pretend to be, because you may become it.” I have never pretended to be anyone or anything other than what I am. And that’s what I will continue to be.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Chez Rambo in the Time of the Pandemic, mid-July Check-in

Wow, it’s been a long time since I last checked in. By now, pandemic existence seems somewhat normal. We have masks, plastic gloves, and sanitizer by the doorway; we’ve been out for fast food maybe once a month and felt quite daring about it. The move to Portland is on hiatus for now as we wait to see how the world shakes out.

I have a StoryBundle up today, focused on glitter and hope! Please check it out and spread the word.

Writing-wise:

  • I’m wrapping up the final edit of Exiles of Tabat and am on track to hand that in to the publisher on July 31.
  • After that I’ll spend August working with Devil’s Gun and getting ready to hand that in at the end of the month.
  • I’m up to installment 12 of serial novella Baby Driver, have found a publisher for it, and am also working on a comics script, while thinking about eventually funding that via Kickstarter as a comic book series.
  • Forthcoming stories include “I Decline” in Daily Science Fiction and “Crazy Beautiful” in The Magazine of Fantasy and Science Fiction, as well as a story I co-wrote with my spouse in issue three of Dark Matter Magazine, “Stand and Deliver.” Anthology publications include “Snowflakes” in The Last Cities of Earth.
  • I’m one of the three writers behind And the Last Trump Shall Sound, which appears in August, and I’m beyond the moon at the chance to work with James Morrow and Harry Turtledove. Thank you to David Boop for acting as our development editor.
  • Also in the pipeline: an awesome space western collaboration; the final Tabat book, Gods of Tabat; book three of the space opera series, tentatively titled Flower Power; a 3/4s-written novella I’ve been tinkering with; at least three other novellas I would like to be tinkering; and a literary horror novel.

Other Non-Writing Stuff:

  • I have an anthology project in the works and am establishing some of its structure. Stay posted for announcements and slush reader calls.
  • I’m also thinking about a game module set in Tabat after having listened to Monica Valentinelli talking about adapting novels into games in her class last weekend.
  • Continuing to build my Patreon, which is currently at 241 patrons (!), who are getting fiction, snippets, Zoom events, co-writing, chat server access, and free/discounted Rambo Academy classes.
  • Finishing up the on-demand version of Writing Your Way Into Your Novel. There’s some other cool on-demand classes in the works from Evan J. Peterson and Jamie Lackey, along with others!
  • I started some little bonsai trees and have named two of them, Groot and Augustus.
  • Continuing to sous-vide all the things. Recently have been making homemade sandwich bread as well as my own butter. One recent success: garlic chili oil

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For K.C.

There are so many of us who write, and so many voices that get drowned out. I want to tell you about one of them. I want to tell you about my friend K.C. Ball.

She wrote short stories as well as novels, and I edited her collection, Snapshots from a Black Hole. She was talented and terrific at including emotion, while at the same time she was capable of spinning out a shaggy dog story to groaningly effective length.

K.C. was always conscious of time nipping at her heels, particularly after a heart attack where her wife Rachael (literally) saved her life with CPR. At the same time, she was a private and introverted person, not well-suited to the sort of buy-my-book shilling that’s sometimes necessary to be heard over the crowd. She kept hoping for more support from the networks she saw supporting other people, particularly some of the young white males whose work was appearing at the same time that she first started getting published. I met with her a couple of times to go over stories, but as time passed, she seemed more and more discouraged, feeling as though she was flinging work out into the void and not hearing much back.

She was trans, and older than me by a couple decades, and sometimes seemed bemused by the times we live in. I kept urging her to submit her stuff to places like the Lambda Awards, but she was reluctant. “Those aren’t for me,” she said, and I left it at that, albeit reluctantly. She could be a little cranky, a little morose and pessimistic, and sometimes I’d tease her into a better mood, and sometimes I’d let her be. She’d worked as a prison guard, and sometimes her outlook on the world was as cynically informed by that as you’d expect, but her stories were full of heroes and people living up the idea of being better. She loved superheroes.

I ran into her two years back at the grocery store, on Christmas Day, and she seemed pleased that I ran over to greet her. Now I’m regretting not being better about keeping in touch after she fell away from the writing group we shared, despite the fact that we were living so much closer to each other now that I’ve moved to West Seattle.

And now she’s gone, fallen to another heart attack, and she never really got the chance to “break out” the way many writers do, which is through hard work, and soldiering on through rejection, and most of all playing the long game. If you want to read some of her kick-ass work, here’s the collection I edited, Snapshots from a Black Hole and Other Oddities.

I’m so sorry not to able to hear your voice any more, K.C. I hope your journey continues on, and that it’s as marvelous as you were.

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