The message approved by the Rambo Academy for Wayward Writers marketing department.I’ve been rearranging the school somewhat, and part of that is a plan to continue doing multi-session classes, rather than a mixed bag of single session ones. Most of these will be on Saturday morning/afternoons, but I will try to mix things up a bit here and there so people in different time zones don’t have to get up at 3 AM.
Right now, I’m teaching my Extended Novel Workshop, aimed at people who have a novel in mind and want to work on preplanning and creating a schedule in which to execute it. We’re on week four of that right now, and today’s session will focus on worldbuilding. I’m really enjoying this workshop, and it’s such a great group of talented people. I can’t wait to read some of these books. So I definitely want to keep giving this each year.
I also want to do my Writing F&SF Stories workshop, and I’ll offer that in the Jan/Feb 2025 timeframe. That will feature six sessions on writing short stories, including writing and critiquing stories.
I’ve switched to a two months on, two months off model, which gives me more time to focus on writing and also helps me replenish my internal extroversion fuel. So I’ll offer one other extended workshop in the May/June period but I’m still figuring out what I want to do with that. Possibilities include:
an advanced Writing F&SF Stories workshop
a survey class on 20th century F&SF stories that would be reading & discussing multiple stories from a specific era each session
a multi-session workshop on increasing emotional depth and complexity in your work
a multi-session workshop focusing on literary techniques
I’d also like to do something on teaching writing sometime, but I don’t know if that would be one session or several.
Fantasy and science fiction writer Cat Rambo shows multiple ways to take a story idea and flesh it out into a complete draft, looking at different ways in which ideas may manifest, such as plot, character, literary device, theme, scene, title, prompt, historical moment, collaboration, tribute to another writer, and more. Each section discusses a specific way an idea can appear, what that provides the writer, pitfalls to watch out for, and possible next steps, along with writing exercises designed to let the reader test each technique and idea and one of Rambo’s stories that started in that way.
Whether you read start to finish or skip around to various sections, this book is designed to fine-tune and amplify your ability to take any idea and make it into a story, taught by one of the finest storyteller teachers working in speculative fiction today.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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What Exactly Do We Do in the Editing 101 Class?
I’m glad I’ve got enough students for the Editing 101 online class that starts tonight, but I’d love a couple more. Mention reading this when you mail me about the class and I’ll give you a special deal. 😉
So what do we do and who is the class aimed at?
The class is aimed both at writers who want to learn to edit their work better as well as editors who want to hone their skills and learn about it as a career path.
Here’s what the three two-hour sessions cover. They’re spaced two weeks apart.
Developmental edit. I describe my revision process and how people can adapt it to their own. We look at examples of developmental edits, work through a checklist of items to look for, and talk about developing your own theory and process of editing.
Line and copyediting. I look at things on the sentence and paragraph level and supply a number of examples as well as working through an in-class exercise. Again, I try to provide a checklist that you can take away and use in your writing and editing.
Editors. I talk about working as an editor, and what resources are available to people who are looking for such work, as well as where people looking for slush-reading positions can find them. I also discuss the writer-editor relationship in a way that should clarify it for both sides of the equation and provide tips on making that process work more smoothly. A class exercise is designed to help you figure out story order for collections, chapbooks, anthologies, and magazine issues.
Chez Rambo in the Time of the Pandemic, First Week of April Check-in
My mason bees are all hatching and it’s quite entertaining to sit out on the porch and watch the tiny perfect new bees encountering the world for the first time. When they reach the sunlight they stop and preen themselves like cats. Grocery deliveries have become a source of great excitement, and I am currently on Fall of year 2 in Stardew Valley. The move to Portland is on hold for at least a couple of weeks while we figure out where the world is going.
While existence has become more circumscribed for many, my life has, weirdly enough, become a bit more social as a result of recent events. I’ve been doing daily co-working sessions, at least one, sometimes two, each day, for a group that includes a bunch of friends and family, current and former students, mentees, and Patreon supporters as well as trying out some different things like videocalls where we all log on and clean our workspaces at the same time while chatting or Netflix Party.
I wrote a piece for Medium on how to run a successful and productive co-working session, and I cannot recommend them highly enough, although I know that mileage will wildly vary, according to people’s process. If you miss coffeeshop writing or working in an office, though, this may be a reasonable substitute. Remember there are scholarships for the Discord server.
Get Weird! How to Make Your Fiction Original, Compelling, and Deeply Weird with Evan J. Peterson Saturday, April 11, 2020, 9:30-11:30 am Pacific Time. Taking cues from classic stories as well as contemporary literature, film, and pop culture, workshop leader Evan J. Peterson teaches you the ways to make your writing original, compelling, and deeply Weird. From witchcraft to spirits to unnameable entities, you’ll learn what makes a story unsettle audiences and stick with them for years.
Writing Interactive Fiction with Kate Heartfield, Saturday, April 11, 2020, 1:00-3:00 PM Pacific time. If you’ve ever found yourself choosing between possible endings or plot twists, why not try a storytelling format that lets you explore them all? Games and interactive fiction invite the reader to join in the storytelling process, and invite the writer to consider multiple facets of agency, characterization, pacing and plot. Learn some fundamental principles and techniques for interactive formats, or just gain a new perspective on ways to develop your non-interactive prose.
The Writer’s Guide to Handselling Books (Social Isolation Edition) with Michael R. Underwood, Sunday, April 12, 2020, 9:30-11:30 AM Pacific time. Author and publishing professional Michael R. Underwood shares lessons from a decade of hand-selling books to readers, booksellers, and sales reps. Learn how to put your work into a market context, showcase what makes it special, and connect with readers when selling at conventions. There’s no one way to sell any book, so this class will help you learn to find several different ways to pitch each project for greater success. In this edition, we’ll talk about how to sell books while practicing social isolation via virtual events and social media.
Fearless Writing: Learning Not to Hold Back with Evan J. Peterson, Sunday, April 12, 2020, 1:00-3:00 pm Pacific Time. What are you afraid to write about? In this class, we create the supportive space to write the things we haven’t yet. We will discover what fears hold us back from writing about the topics and experiences we want to, in the forms and styles we want to. We will move past these fears and write fresh, honest, compelling work. We will practice sharing our writing with one another to dispel the fears of judgment and replace them with encouragement and strength. This class welcomes those writing in all genres and levels of experience and confidence.
Remember that there are Plunkett scholarships for classes; even if you’re strapped for cash, these classes are available. If you’ve enjoyed Rambo Academy classes in the past, please spread word of the school!
Coming up this weekend:
