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Early February Newsletter

Onward and Forward

Greetings and salutations! We’re a twelfth of the way through the year now, and it’s definitely interesting times we’re living in. Remember to be kind to each other; the world needs it more than ever right now. Here in South Bend, it’s been cold and snowy, so the cats and I spend a lot of time either near the heater or under the electric blanket. I have finished up the most recent rewrite of the fantasy novel and am sending it off to meet its fate today. Wish me luck!

Here’s what you’ll find in this newsletter:

  • Details of my March/April Advanced Short Story Workshop
  • Details on my upcoming Flash Fiction Workshop
  • A reminder – The Ins and Outs of Outlines is next weekend!
  • How to hire me for editing projects
  • Patreon events happening this month
  • Community News

Text, which looks as though it is pinned on a bulletin board, reads Advanced Story Workshop with Cat Rambo.

Advanced Short Story Workshop

This multi-session, advanced workshop is intended for students who have already taken a short story workshop or have comparable experience. Class material is determined by student questions and needs. Each session will feature a deep drive on a particular craft aspect, including optional writing and reading assignments, as well as workshopping each other’s stories. Students are expected to write a story and workshop it over the course of the workshop. You must submit a writing sample when applying of 250-500 words.

Applications close February 26 or when the class fills, whichever is sooner.

Meets Saturdays, 12:30-3 PM Eastern time, March 1, 8, 15, 22 and April 6 and 19. (No class May 29 or April 12).

Cost is $499 for Patreon supporters; otherwise $599. Full and partial Plunkett scholarships are available.

Flash Fiction Workshop

In this workshop we will explore and write different forms of flash fiction, including critiquing each other’s work. You will produce multiple pieces of flash over the course of this workshop and can submit up to three for critique. You will also learn strategies for marketing and submitting flash as well as best practices for revision. You do not need to submit a writing sample.

Meets Sundays, 12:30-3 PM Eastern time, March 2, 9, 16 and 23.

Cost is $299 for Patreon supporters; otherwise $399. Full and partial Plunkett scholarships are available.

Applications close February 26 or when the class fills, whichever is sooner.

To register for either class, send an email to cat@kittywumpus.net with the following details:

  • Whether you would prefer to pay via Paypal, Venmo, or some other means.
  • If you are applying for a scholarship, please indicate whether you need a full or half one.
  • For the story workshop, please include a writing sample 250-500 words pasted into the body of the e-mail.

Ins and Outs of Outlines on February 9

An outline is one of a writer’s handiest tools – when it’s used correctly. Will it surprise you to find out that it’s not just useful when starting, but even after you’re finished? In this class, you’ll learn how to use an outline without getting tied down or constricted by it, as well as how it can be used as a valuable tool for revision. Through a mixture of lecture, discussion, and in-class exercises, you’ll learn all the ins and outs of using outlines.

Class happens on Sunday, February 9, 1-3 PM Eastern.

Cost is $59; $49 if you are a Patreon supporter. Scholarships are available. To register, mail me at cat@kittywumpus.net, indicate whether or not you are a Patreon supporter for the discounted price, and how you would like to pay. If you are applying for a scholarship, please indicate whether you need a full or partial (50%) one.

Taking Editing Projects

I edited two novels and a couple of stories for clients in January, but my docket’s pretty clear right now. If you’re curious about my skills, here’s a page of testimonials, including Harry Turtledove saying he’d work with me any time at all.

Find out more about getting your novel or story edited here.

Patreon Events This Month

Events offered to my Patreon community this month include: weekly motivational meetings, a short story discussion group, weekly writing to prompts and co-working, two Writing with Tarot sessions, an author discussion with Premee Mohammed, and Nisi Shawl talking with the Craft Book Discussion group. Check out my Patreon if you’d like to join a writing community focused on writing fantasy, science fiction, and horror that’s full of kindness, creativity, and inspiration.

Community Links

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Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Announcing The 1st Wayward Wormhole Intensive Writing Workshop

The Rambo Academy for Wayward Writers, fantasy and science fiction’s premiere online learning center, announces a new venture for 2023 – the Wayward Wormhole, an intensive writing workshop with some of the industry’s top teachers.

The inaugural Wayward Wormhole will run November 1 to 21, 2023 at Castle de Llaés, in the municipality of Gurb, Spain. Look northward from the castle to see the Pyrenees and southward to see the rolling hills of Catalonia. Ten students and four instructors will spend three weeks here writing and critiquing, while a virtual component allows other students to experience Wormhole-Light.

The Rambo Academy for Wayward Writers has been in existence for twelve years, serving hundreds of students who have gone on to win awards, honors, and accolades, including Nebula, Hugo, and World Fantasy Awards. “I attended Clarion West, and have taught at multiple workshops now,” says Academy founder Cat Rambo. “While others have delivered the gold standard, I want to stretch to the platinum level and deliver an amazing workshop in an equally amazing setting.”

The Wayward Wormhole instructors for 2023 are Tobias Buckell, Ann Leckie, Sarah Pinsker, and Cat Rambo, all seasoned instructors of the Rambo Academy for Wayward Writers. Details on how to apply for the workshop, costs, and other information can be found at https://www.catrambo.com/waywardwormhole

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How to Dunk Your Reader in the Details (Figuratively)

I’m finishing up converting the workshop I did at Surrey International Writers Conference a month or so ago, Dunking Your Readers in the Details, as an on-demand class. That class was in turn based on an hourlong online writing class I did for Greg Wilson’s Twitch channel a few months ago.

The class has been fun to put together. Over the course of being taught multiple times, it’s evolved to a point where it presents a dozen tools for writing more immersive worlds, and includes several exercises to allow you to test out the different techniques and see what works for you.

Curious about it? Here’s the section on prioritizing the senses.

A common tool of “Golden Age science fiction” “” the late 1930s through the 50s, when science fiction was first coming into its own as a genre “” was to invoke all five senses within the first page of a story.

It turns out there’s some science behind that method, in that writing that uses the senses creates more brain activity, setting off mirror neurons. Mirror neurons are neurons that fire under two circumstances: when you are experiencing an event and secondly when you are watching someone else experience it. Writing that invokes the senses makes mirror neurons fire, which makes your reader feel as though they’re experiencing what you are describing.

But beyond that, three of the five senses are more useful to you and should be focused on. Sight and sound will come naturally, and we’re inured to them from watching television and the movies. What you need to push to invoke are smell, taste, and most importantly: touch.

Why is the last the most important? Because touch is more than a question of smooth or rough, velvet versus pebbled. It includes:

â—¦ Temperature like a chilly breeze, the warmth of a sunbeam

â—¦ Bodily sensations such as pain, nausea, exhaustion, fever, itches

â—¦ Motion moments like falling, flying, and floating

When you use these senses in your writing, you are making the reader feel as though they are in the body of the point of view character and experiencing the story world through them. This is a key technique when writing an immersive world.

Update: the class is now available here!

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