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The Rambo Academy for Wayward Writers is pleased to announce the second annual Wayward Wormhole, this time in New Mexico. Join us for the short story workshop to study with Arley Sorg and Minister Faust, or the novel workshop with Donald Maass, C.C. Finlay, and Cat Rambo.
Both intensive workshops will be hosted at the Painted Pony ranch in Rodeo, New Mexico. The short story workshop runs November 4-12, 2024, and the novel workshop runs November 15 through 24, 2024.
The Rambo Academy for Wayward Writers has been in existence for thirteen years, serving hundreds of students who have gone on to win awards, honors, and accolades, including Nebula, Hugo, and World Fantasy Awards. “I attended Clarion West, and have taught at multiple workshops now,” says Academy founder Cat Rambo. “While others have delivered the gold standard, I decided to stretch to the platinum level and deliver amazing workshops in equally amazing settings. Last year’s was a castle in Spain, this year a fabulous location in southwestern America. And wait till you hear what we’ve got cooked up for 2025!”
More details about these exciting workshops and how to apply!
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Next spring, I need to get new windows for this ancient house. Accordingly, if you ever wanted to give yourself the gift of an edit from an experienced editor/writer/teacher who is also a Locus and World Fantasy Award nominee and Nebula award winner, I highly encourage it. All edits/reads include the chance to identify particular spots for feedback in advance and to ask questions afterward.
Here’s what I offer:
Story editorial read
$50 per 5,000 words. This is not an edit. It is a 1-2 page analysis that includes notes on suggested changes, weak spots, and other editorial feedback. Stories over 5,000 words will be pro-rated at $5 per additional 500 words.
Novel editorial read
$1000 per 100.000 words. This is not an edit. It is a chapter by chapter analysis that includes notes on suggested changes, weak spots, and other editorial feedback. I will include a copyedit of the first chapter (up to ten pages) to show patterns and suggestions at the sentence level. Works over 5,000 words will be pro-rated at $10 per additional 1000 words.
Story copyedit
$100 per 5,000 words. This is a rigorous edit of something you consider finished, with changes tracked and explanatory notes. If you are not happy with it, I will return your money. Stories over 5,000 words will be pro-rated at $10 per additional 500 words.
Novel copyedit
Because this can vary greatly, the fee is based on how much work I’m looking at. Send one chapter and the word length and I can provide an estimate.
Got a project that doesn’t fit any of these? Feel free to mail me at cat@kittywumpus.net (it would be handy if you use the subject line “Edit Request”) with the details.
Projects will be added to my work queue in the order they are received. If you need your work prioritized due to a deadline, there is an additional rush fee.
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This year I’ll be alternating two months of offering classes followed by two months of focusing on other work. In theory this should have been Jan-Feb, but it’s more like Feb edging into March. After that the next round will be May-June, and then September-October. I am also doing some price raising, reasoning that since I haven’t done it since the school started fifteen years ago, it’s a bit overdue. As always, there will be plenty of Plunkett scholarships.
I’m pleased to say we’re moving ahead on the next Wayward Wormhole, and 60% of our faculty is locked in so far. I hope to make an announcement about that soon.
Writing Short Stories Multi-Session Workshop
I will be offering a 6 week session of my writing short stories workshop on Saturdays, 12:30-3:00 PM Eastern time, starting February 3, 2024 and going through March 9.
In these six sessions, we will cover plot and story structure, character, world-building, style and technique, and how to move forward to begin (or continue) selling short stories. Each class will consist of lecture, discussion, and writing exercises for the first half and then turn to a critique of each other’s work. Students are expected to turn in at least one story for workshopping as well as critiquing each other’s stories.
To apply, please mail cat@kittywumpus.net a 1000 word writing sample (does not need to be a complete piece) as well as a brief (1-3 paragraph) statement about why you’d like to take the class. If accepted, the cost is $400 for Patreon supporters and other Rambo Academy community members; otherwise $500. There will be three Plunkett scholarships.
Single Session Workshops
Cost is $89 for Patreon supporters, otherwise $119. To register mail cat@kittywumpus.net with the name of the class and how you’d like to pay (Venmo, Paypal, check, something else.) There are three Plunkett scholarships in each class.
SCHEDULE
February 4, 12:30-2:30 PM Eastern Time
Replying to Other Stories with Cat Rambo
Stories shape writers, who spend part of their writing replying to, refuting, celebrating, and exploring those texts. Some stories have inspired plenty, such as Godwin’s “The Cold Equations,” Tiptree’s “The Women Men Don’t See,” or Le Guin’s “Those Who Walk Away from Omelas.” How do you draw on these stories without plagiarizing or leaning too heavily on a reader’s understanding of them? How do you figure out the stories that have inspired you, and how do you use them to make your own?
Join Cat for a workshop in which we’ll talk, listen, and exercise what we’ve learned in order to come away with useful tools as well as a list of possible story ideas and tips on which markets may find such stories appealing.
February 4, 4-6 PM Eastern Time
Generation Upon Generation: Writing Families with Cat Rambo
Almost every character has a family, one that has shaped their psyche deeply. How do you write characters in a way that demonstrates the complexities of family relationships and power struggles? How do you show the interactions between the generations and how they clash and complement each other?
Join Cat for a workshop in which we’ll talk, listen, and exercise what we’ve learned in order to come away from this class with a greater understanding of how to write family relationships, including practical tips, techniques, and exercises.
February 11, 12:30-2:30 PM Eastern time
Project Management for Creatives with Jennifer Brozek
How do you stay on top of the daily demands of being a writer? How do you plan — and carry out that plan — for a novel? How do you make sure one aspect of writing doesn’t swallow up all the rest? Basically, how can a writer stay in control of the daily chaos of existence even when you have multiple projects going at once?
Join Jennifer Brozek for a workshop about how to create a plan that helps you get where you want to go and how to do it without burning out.
February 11, 4-6 PM Eastern time
Creating and Updating Your Newsletter with Cat Rambo
With social media falling apart, more and more writers are returning to newsletters. How do you get started putting out a newsletter? What should – and shouldn’t – you include? What platforms are available, and are they worth paying for? Where do you find interesting visual images to use in your newsletter? How do you go about getting more subscribers?
You will come away from this class with a plan for starting (or restarting) your newsletter and consistently sending it out with interesting content that helps you sell books.
February 18, 4-6 PM Eastern
Rosemary Claire Smith – The Art of the Book Review
Some avid readers want to become reviewers, talking about the fiction they love — and sometimes hate. How do you go about creating a book review that is fair, interesting, and spoiler free? Should you post reviews on platforms like GoodReads and LibraryThing? Where else might you publish such pieces apart from your own blog? Is it possible to get paid for reviews? How do you obtain advance readers copies before books are published? Who does those anonymous reviews in Publishers Weekly?
Join Rosemary Claire Smith to talk about the time-honored art of the book review, and its promises and pitfalls.
February 25, 12:30-2:30 PM Eastern time
Beats, Chapters and Scenes: Ins and Outs of Story Units with Cat Rambo
What’s the difference between a chapter and scene, and at what point in the process do you need to worry about it? What are story beats and how can you use them to move the story along and keeping it emotionally engaging for the reader? Is there a maximum or minimum length for any of these things? Do you even need to think about them, or will you just hamper the writing flow by doing so?
Join Cat Rambo for a workshop in which they teach you how to use story units to their best effect.
March 3, 12:30-2:30 PM Eastern time
Dial Up Your Dialogue with Cat Rambo
Want to make your dialogue more interesting, intriguing, and indicative of character behavior? How do you know to leave in and leave out? How can you use dialogue to successfully deliver vital information? How do you make characters distinctive through their voices?
Join Cat Rambo for a workshop in which they teach you the ins and outs of dialogue.
March 3, 4-6 PM Eastern time
Rewriting and Editing Short Stories with Cat Rambo
Students have found that learning to trust their editing skills has made them more productive when producing early drafts. This class combines lecture, discussion, and in class exercise to help you develop a rewriting practice tailored to your own particular strengths and weaknesses as well as one that lets you know when a story is ready for submission. Topics include how to edit at both the sentence and story level, working well with writers/editors, considerations when writing for anthologies or for franchises, and how to finally let go of a piece and get it out there.
March 10, 12:30-2:30 PM Eastern time
Money Management for Creatives with Jennifer Brozek
Money makes the world go round, and in today’s society your dollar has to stretch farther than it has before. In Money Management for Creatives, Jennifer teaches core fundamentals of money management, debt reducing techniques, and an understanding of how money awareness can work for you. The class includes hands-on tasks, examples of the techniques used, and a discussion about the emotions of dealing with money.
Join Jennifer for a session in which she teaches you how to make the most of your money while handling the often erratic flow of writing income.
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I read more than I watch or listen, and so here are highlights from this year of the close to 200 books I read or reread in 2023. I get the majority of my reading from NetGalley, BookBub deals, ARCs, and the library. I include publication dates so I can remember what I will recommend for Nebula reading; bolded titles are eligible for award stuff this year; titles in italics indicate a forthcoming title.
Here are some of my favorites in speculative reading from this year:
In anthologies and collections, I recently began a project to go through all my anthologies and collections to see which I want to keep. So far that’s included:
In my short fiction reading club, in which we read classic stories of F&SF, we read: Ray Bradbury’s “The Fog Horn,” Karen Joy Fowler’s “Standing Room Only”, Robert Heinlein’s “All You Zombies,” and “The Green Hills of Earth,” Anne McCaffrey’s “The Ship Who Sang,” Vonda N. McIntyre’s “Of Mist, and Grass, and Sand,” C.L. Moore and Henry Kuttner’s “Vintage Season”, Clifford Simak’s “Desertion,” Connie Willis’ “A Letter from the Clearys”, and Roger Zelazny’s “Auto-da-Fe.” I’ve found these craft-focused sessions, which are part of my Patreon community, illuminating and useful in terms of learning more about F&SF history as well as craft tips and tricks.
In video/computer games, I started playing the early version of Baldur’s Gate 3 in early September, and I’ve been obsessed with it. Earlier in the year, I was playing Sun Haven and really enjoyed it, along with occasional bouts of Darkest Dungeon. If you’re a Stardew Valley fan, you will like Sun Haven, because there’s a lot of similarities and fun writing. I continue to play Pokemon Go on my phone.
RPG-wise I’m running a live game of D&D 5e and playing in two f2f homebrew D&D campaigns, one virtual D%D campaign plus Esper Genesis on Twitch. That sounds like more than it really is, which is a chance to game once or twice each week. Early in the year, I played in a game of Apocalypse Hearts run by Lowell Francis and want to recommend the Open Hearth gaming community for people interested in finding interesting story-focused games to play online. I also used the Party Backstory Generator tool by Justin Sirosis in my D&D game as the session 0 and found people really grooved with it and generated some interesting connections.
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I’m finally catching up, post-Wormhole Workshop in Girona, Spain, and pronounce it a success! We had a great time, and the students wrote their tails off, producing amazing, sometimes location-flavored, stories, such as “We Have Always Been Going to the Castle,” and “Murder at the Castell de la Cava.” Being in a 10th century castle was an evocative space for our first effort, and a number of moments, including my 60th birthday celebration, will live in my memory for the rest of my life. This newsletter is illustrated with sunrises and sunsets from the stay. |
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So many thanks to my partner in the effort, Janet K. Smith and her indefatigable husband Geoff. We learned a lot for the 2024 Wormhole, which will be a fully accessible location inside the United States. Look for a formal announcement mid-February but the scheduling will again be for November. |
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If you want access to the recordings from the workshop in Spain, featuring Tobias Buckell, Ann Leckie, Sarah Pinsker, and myself, they are available individually or as a group – and best of all, we implemented sliding scale so more people can afford it. Please check out what’s available and spread the word if you know people who might be interested. Find out more here. |
Want to give your favorite writer a gift from the Rambo Academy for Wayward Writers? Here’s some possibilities:
For any of the virtual gifts, mail me at cat@kittywumpus.net. You will receive a .pdf that can be mailed to the recipient or printed out to give them physically.
The year is passing away with fierce quickness and I’m trying to wrap up the draft of Wings of Tabat in order to get that in before the end of the end. I’m planning changes for next year’s Rambo Academy classes and events – if you’re a community member, please weigh in on the post asking for feedback on what you’d like to see!
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Rambo Academy Community Links |
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Pictures from Life the Casa Rambo Way |
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I’m pleased to announce that we have final cover, release date, and table of contents!
December 12, 2023, The Reinvented Detective, the second installment of the Reinvented Anthology series from Jennifer Brozek and Cat Rambo, appears from Arc Manor.
The evolution of crime, punishment, and justice in the future.
What happens when time and technology change the definition of crime and punishment?
Science fiction often focuses on future technology without considering the society housing it. Social norms may change as tech changes — or not. What will criminals, investigators, judges, and juries look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge the possibilities of new laws, new police methods, and the birth of sentient Artificial Intelligence, as well as all the ways they can clash or combine?
The Reinvented Detective presents stories that complicate law and order as well as the concept of criminals, detectives, punishment, and justice for all by showing how shifting technology, the rise of sentient AIs, and shifting social attitudes may affect what is not only acceptable, but expected, within both real world and digital communities—and everything in-between. These stories reinvent detective and true crime tropes, recasting them for the 21st century, and above all, experimenting, astonishing, and entertaining.
Table of Contents
Foreword – Jennifer Brozek
REPORTS
Poem: That Missing C: Police Report #1 – Jane Yolen
The Best Justice Money Can Buy – C.C. Finlay
The Gardener’s Mystery: Notes from a Journal – Lisa Morton
Someone Else’s Device – AnaMaria Curtis
Coded Out – Frog and Esther Jones
Murder at the Westminster Dino Show – Rosemary Claire Smith
The Unassembled Victims – Peter Clines
ARTIFACTS
Poem: Ghosts – Seanan McGuire
Agents Provocateur – Lazarus Black
Great Detective in a Box – Jennifer R. Povey
Color Me Dead – E. J. Delaney
The Unremembered Paradox – Maurice Broaddus and Bethany K. Warner
Go Ask A.L.I.C.E. – Lyda Morehouse
Request to Vanish – Lauren Ring
Overclocked Holmes – Sarah Day and Tim Pratt
JUDGMENTS
Poem: Final Judgement – Jane Yolen
Dead Witness – Marie Bilodeau
We Are All Ourselves Inside Our Skins – Sam Fleming
Inside, Outside, Above, Below – Premee Mohamed
To Every Seed Their Own Body – Guan Un
In the Shadow of the Great Days – Harry Turtledove
Gum5hoe – Carrie Harris
Afterword – Cat Rambo
Buy from Amazon
Buy from Barnes & Noble
Buy from Powells Books
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Making Wormhole Lite More Accessible
People told me the way we had Wormhole Lite configured didn’t work so well, because of time differences. So I’ve swapped things around and made it so you can get the recordings and not worry about time zones, but instead watch them at your leisure, because I’ve also extended the amount of time they’ll be available from 30 days to three months.
You can take them individually or as a group – and best of all, we implemented sliding scale so more people can afford it. Please check out what’s available and spread the word if you know people who might be interested.
Who’s teaching what?
Results of Our First Pitch Session
Based on a suggestion, The Rambo Academy hosted a special practice pitch session. People submitted their pitches ahead of time and I read each one out loud, then we took 5 minutes or so to discuss each one after it had been read. We had an amazing time with this, and people found that having their pitch read out loud and being able to discuss it without people knowing it was there was comfortable and productive. Speaking as a teacher, it was a great session, full of good energy.
I plan to do one of these every other month going forward, so keep it in mind when you’re getting ready to develop a pitch for your novel.
If you’re a Patreon supporter, remember that this month we’re discussing Karen Joy Fowler’s “Standing Room Only.” There’s a Wednesday session and a Saturday one; both will be recorded for people that can’t make it.
Also for Patreon supporters, we have a special talk this month with Michael R. Underwood discussing American writers and unions – why we can’t unionize, and what we can do about it. The date had to get moved, and it’s now October 24th at 12 PM Eastern time.
Want to join us? Details here.
This weekend’s classes are:
Sign up for both of Sunday’s classes for a total cost of $99! All class recordings are available to Patreon supporters for $40 or $50 for non-supporters.
Find the full list of upcoming classes here.
Find the list of available videos here.
In November, Jennifer Brozek will be leading the Wednesday Writing Games session. Come play and write for an hour in a comfortable and enjoyable session designed to kickstart your creativity! See the Patreon schedule to find out how to join.
Want to find me on your favorite social network? Here’s all the places I have a presence, along with other pertinent links.
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This edition of the newsletter contains:
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Where I’m At. Figuratively and Literally |
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Hello! It’s almost August and time has certainly flown by this year! I’m working on the dev edits for RUMOR HAS IT, the third space opera book and finishing up writing WINGS OF TABAT, the last book in the Tabat Quartet. That’ll make two books delivered this year, along with at least a handful of story sales, several of which I’m really looking forward to announcing! A non-writing project has been the reclamation of my backyard, including planting lots of insect-friendly flowers and herbs. I harvested my first (but surely not last) summer squash this morning, and spent a few minutes watching a variety of bees enjoying both the newly-blooming sunflowers as well as the (by design) unmowed clover patch that has been christened “Beelandia.” I will be at GenCon next week and Chicago FanCon the following weekend. After that, my next appearance will be in early September at DragonCon, followed by a reading in NYC mid-September. |
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 New Classes for August and September |
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How to Give Great Interviews with Randee Dawn, August 26th, 9:30-11:30 AM Pacific time Got a passion project you want people to notice or buy? Then you’ll want to know how to speak to professionals with big megaphones out there: reporters! Veteran entertainment journalist and author Randee Dawn has been on both sides of the microphone, and in this class you’ll learn how to pitch, to prepare for your interviews, and become the kind of expert reporters want to call back. Join Randee Dawn for a workshop in which she teaches you how to get and make the most of interview opportunities. |
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Dial Up Your Dialogue with Cat Rambo, August 26th, 1- Â 3 PM Pacific time Want to make your dialogue more interesting, intriguing, and indicative of character behavior? How do you know to leave in and leave out? How can you use dialogue to successfully deliver vital information? How do you make characters distinctive through their voices? Join Cat Rambo for a workshop in which they teach you the ins and outs of dialogue. |
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How Not To Shoot Yourself In The Foot with Mur Lafferty, August 27th, 9:30-11:30 AM Pacific time You’ve mastered submission guidelines and cover letters! But that’s just the outskirts of the wild land of the pro author. This class offers advice on how to avoid some common early career mistakes, from how to choose the right agent to dealing with procrastination, self doubt, and more. We will also run a successful author “LARP” to illustrate some points. It may get silly. Bring dice. F&SF author Mur Lafferty will help you navigate the various pitfalls you may stumble upon in your journey. Join Mur Lafferty for a session filled with practical, irreverent advice designed to give you practical, applicable skills on planning your career and then executing that plan. |
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The First Draft Novel Blues with Cat Rambo, August 27th, 1-3 PM Pacific time You’ve got a first draft of your novel now, in all its messy glory. How do you go about revising it and getting it to the point where you’re ready to give it to your beta readers? How do you track the changes and account for the fact that a change to a first chapter can bubble all the way through to the end. Find out how to create a road map to guide you through the process. Join Cat Rambo for a workshop in which they teach you what to do next. |
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Keep Your Reader on The Edge of Their Seat: Creating Tension in Your Writing with Cat Rambo, September 17, 9:30-11:30 AM Pacific time How do you keep your reader wondering what’s happening next, and eagerly racing through your pages to find out? How do you create suspense and tension in a scene, and how tense is TOO tense? What factors remove tension from a situation? Find out how to dial up the tension and keep your reader eager to find out what happens next. Join Cat Rambo for a workshop in which they teach you how to be more tense. 😉 |
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Prosthetic Dreaming: How to Use ChatGPT, Meditation, and Surrealism To Unlock Your Creativity with Henry Lien and Jerry Lee Davis, September 17, 1-4 PM Pacific time. AI represents an existential crisis for humans, forcing us to face the question of whether there are more of us than needed. This question is particularly confronting for artists, many of whom already question the value of their own creations and themselves. This workshop embraces AI as an art supply by recognizing that an artist’s contribution is not just to create something out of thin air, but to observe the startling connections between seemingly unconnected things that no one else has noticed. AI, specifically ChatGPT, can be a remarkable tool to bombard your brain, help you enter your creativity sideways, and give you the “x-ray specs” to see those unseen connections. The workshop uses meditation and Surrealistic parlour games to bridge between ChatGPT’s sometimes spooky, sometimes hollow responses and your own subconscious. The workshop uses AI ethically, consulting it not to create anything but simply as a lens to see connections in the artist’s mind and the world. This workshop is structured to help all artists, but is particularly useful to those working in narrative mediums (fiction, non-fiction, drama, film/tv). This workshop is taught by author Henry Lien, who has nearly 20 years’ experience as a Surrealist art dealer, and author/playwright Jerry Lee Davis, who has over 20 years’ experience teaching meditation. “You will need access to ChatGPT for the workshop. You will need to create a free account to do so. Here is the link. Note that there is also an iOS app for iPhone and iPad. Here is the link. Please make sure you are downloading the official ChatGPT app by OpenAI, and not downloading one of the many copy-cats. Here is a partial list of countries where ChatGPT is available and not available. https://www.mlyearning.org/what-countries-is-chat-gpt-available/ “ |
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Cost of classes is $99, or $79 for former Rambo Academy students and Patreon supporters. To register for a class or classes, mail the name(s) of the class, and how you would like to pay (Paypal, Venmo, or other means.) Looking for something else? Here’s the list of available class videos as well as the portal for the Rambo Academy’s on-demand classes. The school will be on hiatus for the month of November, while the Wayward Wormhole Intensive Writing Workshop is taking place. The resident Wayward Wormhole students have been selected. We’re excited to congratulate M Levine, Beston Barnett, Cryus Fisher, Sarah Grey, Gio Clairval, Em Dupre, Madhu Guruprasad, Marissa James, Rosemary Smith, Stephanie Johnson, and Auden Patrick. Want in on the virtual version? You can find the details here. |
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Join the Disco Space Opera Street Team! |
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Check out the cool buttons I just got for RUMOR HAS IT! Want to join the street team for the book and get a pair of these buttons for yourself? Mail me at cat@kittywumpus.net with the subject line Street Team and I’ll stick them in the mail to you. (I have a limited amount for overseas fans, so mail fast if that’s your situation.) Optional street team activities include: posting pics wearing the buttons or of the book in a bookstore, requesting the book via your local library system, posting reviews or recommendations, and the most active promoters will be getting a follow-up thank you! |
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Lotsa Links |
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Cat-Related Links
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Community Links
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Market News and Related Links
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Informative Links
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Leaving Twitter and want to find me on other social media? Check the list here. |
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That’s it for now! Take care and keep writing! Â -Cat |
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Janet writes again:
There’s only one thing more exciting than writing in a 10th-century castle, and that’s spending quality time””in person””with exceptional writing instructors. If you’re one of the lucky people who has taken classes with Cat Rambo, Ann Leckie, Sarah Pinsker, or Tobias Buckell, you know I’m not exaggerating when I say these kind, brilliant people have dug into the prose-psyche and discovered truths about communication that can change how I write with a single sentence.
At the castle, they’ll discuss beginnings and endings, setting, character, and conflict. If you’re like me, you’ve taken numerous classes about these fundamental topics, but in the hands of these master crafters, each is elevated to that special something publishers seek from today’s writers.
Have you ever wondered where Sarah Pinsker came up with an idea for one of her popular short stories? She’ll lead a short story discussion group one night after dinner. What niche topic is important to Tobias Buckell? He’ll give a talk during his spare day. What’s Ann Leckie reading, and how did those books catch her interest? How does promoting others lead to a successful writing career? Cat Rambo knows the answer.
What I want most from my time in the castle is to hear their stories. They’ve all worked incredibly hard to get where they are today. Nothing came easy, yet they didn’t give up writing. They’re all serious yet friendly, dedicated yet generous with their knowledge. I want to be like them when I grow up.
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The latest dispatch from Janet:
This is the Castell de Llaes courtyard. The building on the right is the entrance area I wrote about a few weeks back, and the main castle is straight ahead, with the cemetery past the entrance, but also on the right.
The courtyard is walled in by 10th-century blocks of stone and surrounded by trees, shrubs, and flowers that grow along the hilltop’s edge. At night it’s going to be pitch-fricken-black out there! I can’t wait to see the stars from this amazing dark-spot. My travel telescope should fit into my suitcase””if you see me wearing the same clothes over and over, you’ll know I made a difficult choice when packing.
And yes, it’s nice during the day, too. You can expect daily temperatures around 66F or 19C, with lows down to 44F or 7C at night. Now, I’m Canadian, so this means a light sweater in the evening, but whatever it means to you, day or night, I think spending time in this protected courtyard may be a highlight of the trip. There are private benches along the outer edge, a large, long-table for meals or drinks, and several shady tree spots for notes, story-catching, or plain old zoning out.
Cat and I are planning several BBQ nights, so bring your appetite.
THE APPLICATION WINDOW ENDS ON MAY 31 AT MIDNIGHT EST ““ THAT’S IN 15 DAYS!!
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Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, short story) The bots were going to run Linus out of room soon, if they didn’t scavenge away some piece vital to the ship’s functioning and leave him choking on vacuum first. He didn’t think anyone else had these problems with their ship bots. Galina would say it was his own fault for encouraging them.
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