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I urge my students and coaching clients to get in the habit of an eligibility post at the end of the year, listing what they wrote in the previous year, what they’re particularly proud of and hope people will consider for wards, what awards those pieces are eligible for, and including links to where readers can find the work. I’ve even blogged on the subject.
And now it’s that season again! Here’s a collection of awards-eligibility posts from fantasy and science fiction authors and publishing peeps:
Writers:
Editors:
Magazines/Podcasts:
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Look at the pretty press release Wordfire put together!
FOR IMMEDIATE RELEASE
Dryads. Minotaurs. Centaurs. Can magical creatures force social revolution in Tabat?
Monument, Colorado. WordFire Press is proud to announce the release of HEARTS OF TABAT, Book 2 of the Tabat Quartet by Nebula and World Fantasy Award Nominee, Cat Rambo.
“a fascinating world of magic, intrigue, and revolution.” “”Publisher’s Weekly on Beasts of Tabat
In Tabat, Beasts — magical creatures like dryads, minotaurs, and centaurs — question a social order forcing them into its lowest level. Adelina Nettlepurse, scholar and secret owner of Spinner Press, watches history being made around her as the city prepares for change, only to find herself faced with the greatest challenge of her life.
In the second book of the Tabat Quartet, award-winning author Cat Rambo expands the breathtaking story from Beasts of Tabat with new points of view as Adelina, Sebastiano, and others add their voices. Tabat is a world, a society, and a cast of characters unlike any you have read before.
Adelina Nettlepurse, noted historian and secret owner of Spinner Press, watches the politics and intrigue with interest, only to find herself drawn into its heart by a dangerous text and a wholly unsuitable love affair with a man well below her station. When Adelina’s best friend, glamorous and charming gladiator Bella Kanto, is convicted of sorcery and exiled, the city of Tabat undergoes increasing turmoil as even the weather changes to reflect the confusion and loss of one of its most beloved heroes.
For interviews, more information, or to request a review copy, please contact us at info@wordfire.com.
Hearts of Tabat
Trade paperback $19.99. ISBN 978-1-61475-637-8
Ebook $5.99. ISBN 978-1-61475-638-9
Coming May, 2018
WordFire Press is a mid-size new-model publisher founded by New York Times bestselling authors Kevin J. Anderson and Rebecca Moesta. You can find us at wordfirepress.com. Tweet us @WordFirePress. Follow us on Facebook at facebook.com/WordfireIncWordfirePress.
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I have enough coming out in 2018 that some of the different campaigns are colliding a bit. Some are self-pubbed projects, others are with presses but I’m helping with the marketing where I can.
If you’re someone who would like a review copy or copies of any of the following, please drop me a line with your contact info, where your reviews appear, title(s), what format you prefer, and where to send it. I don’t mind sending e-copies out to people who want to review it on Amazon, GoodReads, etc, but be aware that requests for physical copies may both take longer and that I have a limited number available, so I try to send those where I get the most bang for the buck that’s coming out of my pocket. If you’ve got a podcast and would like me to appear, I’m happy to send copies of my work beforehand.
Here’s the list of what’s coming in 2018 in alphabetical order:
Creating an Online Presence for Writers, 3rd edition. (Plunkett Press). Nonfiction, covers how to create and maintain an online presence in order to build a writerly brand and sell books. Appearing in July.
Godfall and Other Stories by Sandra Odell is a collection from Hydra House that I’m editing. These stories are both fantasy and science fiction, and are usually on the darker side, with occasional flashes of humor. They’re wrenchingly strong at times, and I’m very excited to be one of the people making this book real. Appearing in mid-April.
Hearts of Tabat (WordFire Press). Novel, secondary world fantasy. While this is the second book of the Tabat Quartet, you do not need to have read Beasts of Tabat to understand it. Appearing in mid-May.
If This Goes On (Parvus Press) is an anthology of political science fiction focusing on what the world will look like a generation from now. Open for submissions through the end of March, the anthology will appear in conjunction with the 2018 elections.
Moving From Idea to Finished Draft. (Plunkett Press) Nonfiction writing book based on this class, which contains stories illustrating each section. Appearing in April.
Tales of Tabat (Plunkett Press) is a collection of all the short stories and novelettes set in Tabat, including several pieces original to the collection. I’ve got that tentatively slated for September.
The World Made Flash. Plunkett Press. A collection of all my flash pieces along with several essays about writing very short fiction should appear in July.
I am also re-releasing my first solo fantasy collection, Eyes Like Sky and Coal and Moonlightin print form, and a new version of steampunk collection Altered America with the horrible typos removed in both electronic and print form.
If you’re promoting your own book this year and are interested in doing a guest post here, let me know! Here’s my guidelines for guest posts.
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If you’re looking for my roundup of F&SF posts by other writers, it’s here.
Most of my stories appeared privately for Patreon. Those Patreon stories included:
PATREON, October, 2017. A Restless World, co-written with Rachel Swirsky. (flash)
PATREON, October, 2017. Penned. (flash)
PATREON, August, 2017. A House Alone. (children’s story)
PATREON, July, 2017. Another Selkie Story. (fantasy story)
PATREON, July, 2017. Say Yes. (flash)
PATREON, June, 2017. Leaves. (far future SF story)
PATREON, May, 2017. The Houses of West Seattle. (fantasy story)
PATREON, April, 2017. Fix the Page. (flash)
Other stories included “Preferences” (SF) in Chasing Shadows, edited by David Brin and “Girls Gone Wild” (crime) in Blood Business, edited by Josh Viola and Mario Acevedo.
I am happy to send copies of anything people would like to see.
I am eligible as a fan writer; here are the essays and pieces I am particularly proud of:
Another Word: The Subtle Art of Promotion in Clarkesworld magazine
Another Word: Reading for Pleasure in Clarkesworld magazine
Talking About Fireside Fiction’s #BlackSpecFic Report (Part One) (Part Two)
SFWA and Indie Writers (Part One) (Part Two) (Part Three) (Part Four)
Celebrating Rainbow Hair
Time to Fix the Missing Stair
Reading Doc Savage: Land of Always-Night
Reading Doc Savage: The Sargasso Ogre
Reading Doc Savage: The Spook Legion
Reading Doc Savage: Quest of Qui
I have another novel coming out next year, Hearts of Tabat! If you’re interested in a review copy, please drop me an email or comment here. While it’s the sequel to Beasts of Tabat, it should read perfectly well even if you haven’t read the first book.
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Announcing my new collection, Neither Here Nor There. If you’re familiar with earlier collection, Near + Far, this is the same double-sided format, with secondary world fantasy stories on one side and fantasy set in our own world on the other, including an original story, “The Wizards of West Seattle,” that will appeal to fellow Seattleites.
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Publisher’s Weekly gave the book a starred review, and other advance reviews have been very kind. Will you help me get the word out in time for people’s holiday shopping?
What can you do? Well, sure, buying the book is great. Here’s the links to the physical and electronic versions.
I’ll make B&N, Kobo, Powell’s, etc links available when I have them as well.
But here’s some other, better ways that you can help spread the word:
1. Request it through your library. Most will even let you do this online. The information you need is publisher: Hydra House and ISBN: 978-0989082877
2. Request it at your local bookstore. It’s available through Ingram, a major book distributor, so they should be able to get it.
3. Write an Amazon, GoodReads or other booksite review. Amazon reviews are great! So are other book selling/reviewing sites such as Goodreads, LibraryThing, and Shelfari!
Here’s the book listing on GoodReads. While there, enter the giveaway.
4. Blog about the book. Any mention of the book, particularly one that explains why you liked it, is awesome. Or come blog for me! I’m looking for guest posts about writing, F&SF, or related subjects. Mail me if you’re interested; the offer has no expiration date, since this is something I’m planning on doing on a regular basis.
5. Share news of it on social networks. Sharing links on Facebook and other social networks is great. Just favoriting, plusing or liking posts helps give them a little Google juice. Even going to the Facebook page and clicking “Like” helps. I’ve attached a couple of images that can be used as social media icons and/or backgrounds.
6. Share news of it on mailing lists and other groups. Pass the news along to your fellows on writing, literary, or SF-related discussion boards, BBSes, mailing lists, and other forums
7. Let me know if I’ve overlooked something! Many of you are writers and creative types who also often have something to promote. Please feel free to send me your notices, and if you like the idea of this post, feel free to use what you can from it.
Thanks for reading through all this, and thank you very much for your support in the past. I’m pleased with how lovely this collection looks, and very happy that it’s out in time for holiday shopping!
All the best,
Cat
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Oh, it’s that time! The season of looking back at the year and seeing what you did or didn’t get done. And the season for starting to nominate for awards. I’ve been reading and recommending for a while now, but it’s always fun to read all the wrap-up posts and find anything that I missed. I do have a monster post full of some of this year’s reading, but I’m still working on that. (When I have it, there will be a link here.)
Writers wondering whether or not they should put up an awards eligibility post, the answer is yes, yes you should. Do us all the favor of collecting your stuff and making it easy to find. If you’ve got a lot, point out some favorites.
The stories of my own I am pushing this year are “Left Behind” (short story), “Red in Tooth & Cog” (novelette), “Haunted” (novella co-written with Bud Sparhawk), and the fantasy collection Neither Here Nor There. SFWA members should be able to find copies of those on the member boards; I am happy to mail copies to people reading for awards whether or not you are a member. Drop me a line and let me know the preferred format. I am looking for reviewers interested in Neither Here Nor There and happy to send copies as needed.
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January
I wrote nonfiction column #PurpleSF for Clarkesworld Magazine and my short story “The Ghosteater” appeared in Thirteen: Tales of Transformation, edited by Mark Teppo. The story involves a traveler, Dr. Fantomas, and his companion, who are asked to investigate a haunted restaurant, and it takes place in Tabat.
February
I lounged about the house eating bonbons in February. Well, not really. But I didn’t get anything published.
March
My flash fiction “Bit Player” appeared in Daily Science Fiction, after I wrote it during one of my Flash Fiction Workshops. I went to Emerald City Comicon and had my first book release party there, plus sold it at the Wordfire booth, meeting all sorts of delightful people in the process.
April
The cruelest month was also the busiest month, with the official launch of my first fantasy novel, Beasts of Tabat, the first volume of a fantasy quartet set in the world in which I have placed multiple stories.
I also had stories appear in Airships and Automatons (“Memphis Barbecue”), Beneath Ceaseless Skies (a novelette set in Tabat and related to Beasts of Tabat, “Primaflora’s Journey“), Daily Science Fiction (another story produced in one of my classes, “You Have Always Lived in the Castle“).
I put up Tabat-related flash pieces throughout the month, fifteen total, and another, “A Souvenir of Tabat”, appeared on Quarterreads.
May
“The Subtler Art,” a story set in relatively new locale Serendib, appeared in Blackguards: Tales of Assassins, Mercenaries, and Rogues, featuring retired assassin The Dark and her spouse the wizard-alchemist Tericatus in a game of marital oneupmanship. Also appearing that month was The Haunted Snail, a flash piece (yup, written during one of my classes) in DAILY SCIENCE FICTION, and two Patreon stories, a horror piece titled “Reality Storage” and a story set in the same world as the Blackguards piece, “The Owlkit, the Candymaker, the Beekeeper, and the Brewer”.
And Ad Astra: the SFWA 50th Anniversary Cookbook, which I co-edited with Fran Wilde, appeared, and was a thing of joy and wonder, mostly due to Fran’s effort, as well as those of Sean Wallace. I will remind you all that the cookbook is eligible for a nomination for Best Related Work when Hugo nominations come around, mainly because I love that little book and think it deserves a nod.
June
Patreon story 2611, a horror story set in the apartment complex we have been trying to move out of for several years, appeared. I wrote this last year while we were living in a horrible temporary apartment and trying to get everything packed up and ready to go; most of the events are based in reality.
July
I went on retreat down to southern California and got some work done on Beasts’ sequel, Hearts of Tabat. “California Ghosts” appeared on my blog for Patreon as I switched the campaign over to publicly viewable.
August
Steampunk story “Snakes on a Train” appeared on my blog as part of the Patreon campaign. During the same month I attended Sasquan in Spokane, which was a lot of fun, and read “The Owlkit, the Candymaker, the Beekeeper, and the Brewer” there.
September
Talking in the Night, a literary flash piece appeared on my blog for the Patreon campaign. At the same time, “Marvelous Contrivances of the Heart” appeared in Recycled Pulp, edited by John Helfers. That story owes much to the old Twilight Zone episodes and I hope it manages to evocatively tell the story of an unlikely artist and the consequences of the pieces he creates.
And we moved into Seattle proper, or rather West Seattle, which is AWESOME, and involves an apartment with multiple great writing spaces, including a kitchen table that looks out towards the sound and the mountains.
October
My first on-demand class, Literary Techniques for Speculative Fiction Writers, went up. I took 1500 words of notes for the live workshop, which is based on one I developed for Clarion West and which is one of my most popular classes, and ended up expanding them to 15,000, so I think counting this as a non-fiction publication is quite valid. I still need to go back and reformat and clean this one up somewhat since I’ve learned so much about formatting and setup since then; that’s on the list for January.
At the end of the month, flash piece “As the Crow Flies, So Does the Road” appeared in Grendel Song, newly revived by Paul Jessup.
November
I put up steampunk story, “Laurel Finch, Laurel Finch, Where Do You Wander?” on my website as part of the Patreon campaign. Also “Reflections from Mirror World 57,” a story made up of superhero flash pieces for Outliers.
Two more on-demand classes went up, the Character Building Workshop and Reading to an Audience. As I worked on the former, my ideas about how to shape these classes continued to refine themselves; I’m looking forward to using a lot of what I learned in doing these in classes for 2016.
One piece of past experience that’s been useful in assembling them is a stint of work I did writing study guides for college textbooks, for a range of classes that included economics, retail marketing, and terrorism. I used the software’s capacity to create mini-quizzes with the Character Building Workshop, in a way that led to my only complaint, someone who thought the quizzes were silly.
They are silly — mainly because they’re intended as an amusing interlude that nonetheless gives you a chance to review the core concepts of the material just presented. I’d be curious to hear other takes on them from people who’ve looked at the classes. Should I cut those?
December
December publications included my take on Mrs. Claus in “He Knows When You’re Awake” for Jenn Brozek’s Naughty or Nice holiday anthology, and forthcoming “Dark Shadows on the Earth”.
I also finished up with another nonfiction essay for Clarkesworld Magazine, this time On Reading the Classics and an essay on what I hope for SFWA in 2016 for this blog.
I hope to have one last writing class, Moving from Idea to Draft, done by the end of the year and am working on that, but these classes tend to get more complicated as I write them and this is no exception.
2016
Stories coming out in 2016 include “Red in Tooth and Cog” in The Magazine of Fantasy and Science Fiction (booyah, that is a longtime goal and I am still so tickled to have hit it; “The Mermaid Club,” a conspiracy tale about underground feminists, co-written with Mike Resnick; science fantasy, “Haunted,” co-written with Bud Sparhawk; “Call and Answer, Plant and Harvest,” set in the same city as the owlkit and Blackguards stories, which will appear in in Beneath Ceaseless Skies; “Tongues of Moon Toad” in The Bestiary; Preferences in Chasing Shadows (edited by David Brin) and The Threadbare Magician in Genius Loci, among others.
Status of Current Projects
I need to finish up Hearts of Tabat, and that book was the main casualty of a year whose events included cancer on one side of the family, dementia on another, and a death among my favorite in-laws. I have about 115k words on it and need to make them all make sense and flow nicely into each other. I know the main action of the two books after that. I have some other stuff I’d like to write.
Collaborations coming up include a couple with Rachel Swirsky, one with David Boop, a stroy with Emily Skaftun and Randy henderson that we need to finish up, and one with Tod McCoy.
Upcoming on-demand classes include Creating an Online Presence for Writers, Flash Fiction, Revising and Rewriting, Linguistics for Speculative Fiction Writers with Juliette Wade, Creating Your E-book with Tod McCoy and quite a bit more. And there’s another round of live workshops coming up in January-March.
Books coming out include:
Some Overall Stats:
Stories published in 2015: 33, including flash pieces
Novels published: 1
Nonfiction books published: 1
Number of on-demand classes published: 4
Large writers organizations on which I served on the board: 1
Number of books read: bunches and bunches
Number of blog posts written: I will fill in this number when I have more time.
Happy holidays to all my readers. I hope your end of the year ruminations leave you feeling happy with what you’ve brought to the world over the last twelve months, and that you’re moving forward into productivity and joy in 2016.
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At the same time the current HumbleBundle holds one of the things that I’m happiest about from this year, Ad Astra: The SFWA 50th Anniversary Cookbook, along with a lot of other great stuff.
I talked about reading the classics in an Another Word piece for Clarkesworld Magazine. What prompted me to write it? Because there’s been a lot of discussion of the classics as though pointing out problems with a piece is the same as crossing it off the list of stuff to be read. I talked about the decision to change the World Fantasy Award bust back in January for Clarkesworld and emphasized that yeah, you can read H.P. Lovecraft and yet not want to accept an award bearing his face, and moreover, your objections could be pretty complicated and nuanced.
Today I’m finishing up the draft of the third in my series on teaching for the SFWA Bulletin. Part one was about prepping to teach and Part two about teaching, while this last part talks about what to do afterward and how to keep doing it if you find you enjoy teaching. Freelancers, the SFWA Bulletin pays ten cents a word and is actively looking for material, as is the SFWA Blog, which pays six cents a word.
Just turned in my edits for “Red in Tooth and Cog,” which appears early next year in a market that’s been a longtime goal of mine, The Magazine of Fantasy & Science Fiction.
Writing wise, I continue assembling Hearts of Tabat into coherent shape. I’m also finishing up a bespoke story, tentatively titled “She Eats My Heart Entire,” for an anthology and I’ve got a couple of others I want to finish up this month, including a Christmas piece that I should get drafted today and at least a couple for the Patreon campaign.
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I’m getting ready to head off to the Nebulas in about an hour. Ten years ago at this time, I was getting ready to go off to Clarion West for six weeks. I’d quit my job at Microsoft and my husband had agreed to shoulder the mortgage solo for a while so I could follow my dream.
Now it’s a decade later. A lot of stuff has happened. I’ve had some stories published. I got to read in New York at the KGB bar with Chip Delany. I got nominated for awards a few times. I edited some cool stuff. I ran for Vice President of SFWA and won, and now I’m coming up on being President. And I published a novel.
And now that novel is here in a big wonderful bundle of fantasy, curated by Kevin J. Anderson. Here’s a picture of all that epic goodness:
StoryBundle lets you adjust your own price to get a whole bunch of epic and excellent titles. A minimum bid of $5 gets you the basic set of six books: The Magic Touch, by Jody Lynn Nye; Gamearth, by Kevin J. Anderson, The Crown and the Dragon, by John Payne, One Horn to Rule Them All, edited by Lisa Mangum, Invisible Moon, by James A. Owen, and Beasts of Tabat. Make that $15 and it includes A Stranger to Command, by Sherwood Smith, Hard Times in Dragon City, by Matt Forbeck, The Alchemist, by Paolo Baciagalupi, The Executioness, by Tobias Buckell, The Ghosts of the Conquered, by Matthew Caine, and Glamour of the God-Touched, by Ron Collins. There’s also a bonus story by Kevin J. Anderson and Neil Peart from Rush, “The Bookseller’s tale.”
Want it? I’ve got five bundles to give away and I’m trying to a Rafflecopter giveaway. Spread the word and you can win!
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As some of you know, I have a novel that is the first volume of a fantasy quartet that I’ve been shopping around for a while. It’s a great pleasure to be able to announce that BEASTS OF TABAT will appear this year from Kevin J. Anderson and Rebecca Moesta’s stellar Wordfire Press. Now that I have some confidence that the books will appear, I’m finding that words on the second book, HEARTS OF TABAT, are flowing much much MUCH more easily, and that’s been my primary focus this week.
But! I have additional great news, which is that Hydra House will be publishing a second two-sided collection from me, this time full of fantasy stories. NEITHER HERE NOR THERE will also be appearing in 2015, which makes this a great year so far and we’re only halfway through month one.
Because I am insane and always taking on too many things, here’s a new one I’m involved with, a Seattle area event calendar/blog for speculative fiction, Supernatural Seattle. If you’re interested in helping out with that project, drop me a line.
I’ve also updated my About page with the appearances that I know of so far in 2015. I think I will be in Oklahoma in early May, but am still nailing that appearance down. In any case, it looks like it will be a fun year, and one thing that I’m particularly looking forward to are the Nebula Awards, which take place in early June in Chicago.
Reminder: this weekend I’ve got an online class coming up, Editing 101, that focuses on revision and rewriting. Sign up and learn how to make your sentences sing. If you can’t make it but want to make sure you get news of upcoming classes, sign up for my mailing list.
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Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, short story) Shi was currently female. She had chosen to present as an eleven-year-old girl, a slim, short shape that she had found disarmed most older people. Although there was a small percentage who found it off-putting. “Creepy,” one had called it, trying to explain the aversion. “An adult mind in a kid’s body? You just know too much.”
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