book review

I’m tracking my reading on a monthly basis again as part of 2019’s effort to be more methodical about record keeping. So here’s what i read, along with some notes on it, as i start building up in order to be doing more regular lengthy reviews again.

• I have been binge-reading Robert J. Crane’s Out of the Box series and finished up Badder, Nemesis, Apex, Time, Remember, Hero, and Flashback. These are highly satisfying superhero novels and I’m really looking forward to the next installment, which is book #24.
• I also tried to add more nonfiction to my reading list in 2019. The first of these was Seth Godin’s This is Marketing: You Can’t Be Seen Until You Learn to See, which I found myself taking a lot of notes on. I’ve been reading a number of works on marketing and pricing for the Rambo Academy and it’s been handy but right now I feel like I have been slogging through the same grad-level text on pricing for a kerjillion years.
• Because I work with some clients as a writing coach, I found The Coaching Habit: Say Less, Ask More, and Change the Way You Lead Forever by Michael Bungay Stamer useful, particularly the listen more, talk less part.
• William Gibson’s The Peripheral was a terrific read and I’m working on an essay that is an appreciation of Gibson and his work. He’s our latest SFWA Grand master and I’m looking forward to meeting him at the Nebulas.
• I read Diane Morrison’s Once Upon a Time in The Wyrd West in order to blurb it. Here’s the blurb I sent: Saskatchewan gunslinger elves in a world vividly real and detailed. Morrison shows us a rarely explored Weird West landscape. Really a fun book for Weird Western lovers.
• A space romp that I really enjoyed, I read Elizabeth McCoy’s Queen of Roses at the suggestion of M.C.A. Hogarth to think about for an upcoming Storybundle. Pleased to say I’m including it, because it’s a really fun read with a great AI protagonist, Sarafina.
• The book Astounding: John W. Campbell, Isaac Asimov, Robet A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction by Alec Nevala-Lee was an interesting read, particularly since Nevala-Lee’s take on a few figures differed from ones I’d been presented with in the past, particularly Randall Garrett. An acquaintance (now passed) used to insist that Garrett’s habit of walking up to women at parties and saying “I’m Randall Garrett, let’s fuck” was an example of someone unbound by stifling social norms and that no one ever took offense at it, while Nevala-Lee describes Garrett as “a bearded Texan who was known within the science fiction community as a drunk and a sexual predator” (p. 321) following up with a description of Garrett’s actions when engaged to Campbell’s daughter Jane that makes him seem like a pretty awful guy. Anyhow, if you are into SF history, this has a goodly amount, plus a nicely thorough bibliography for further reading.
• I’m very fond of Kindle Unlimited, given how many books I consume on a weekly basis. There’s a lot of quality titles on it, and this is one of them. Currently by Sarah Mensinga features a fascinating world and a resourceful refugee heroine.



• Bird Box by Josh Malerman was in many ways similar to the movie, although the ending is slightly different. Dunno that one has to both read the book and see the movie, unless you really dig understanding the differences between the two forms, in which case it might greatly interest you.
• Lies Sleeping by Ben Aaronovitch finished up the terrific Rivers of London urban fantasy police procedural series and I am amore thant a little sad to say goodbye to its fabulous characters, particularly Peter Grant and Leslie.
• Niall Slater’s The Second Death of Daedalus Mole is not findable in e-form on the Amazon store, but I read it on my e-reader and no longer remember how I came across it. However, it’s another fun space romp, and recommended.
• Charlie Holmberg’s The Plastic Magician is part of the Paper Magician series and is a worthy addition, although it didn’t charm me the way the earlier books did.
• While on the road, I binged on some K.J. Charles, which are M/M Regency romances, and read through An Unseen Attraction, An Unnatural Vice, An Unsuitable Heir (I love Pen!), A Gentleman’s Position, A Fashionable Indulgence, and A Seditious Affair.
• The Last to See Me by M. Dresser was a subtle and lovely read, one of those books that’s thoroughly speculative yet emphasizing its literary qualities. Some beautiful description, and a slowly unfolding mystery about a modern day ghost resisting the exorcist who’s been summoned to clear her away from the house she haunts.
• Queen of the Dark Things by C. Robert Cargill is the sequel to a book I haven’t read but now have to go pick up. The setting is both Austin, Texas and Australia in a nicely done modern fantasy that would have been called horror twenty years ago.
• Another nonfiction read, The Myth of Capitalism: Monopolies and the Death of Competition by Jonathan Tepper and Denise Hearn is a sobering read with a lot of relevance to today’s politics and the rule of the kleptocracy. Well written and clearly laid out.
• The Wild Dead by Carrie Vaughn is also a sequel where I need to go find the first book. This lovely, understated read reminded me of Kim Stanbley Robinson crossed with Ursula K. Le Guin. Beautifully done.
• Baking Powder Wars: The Cutthroat Food Fight that Revolutionized Cooking, by Linda Critello is food history and fascinating, particularly if you ever wondered about the difference between cream of tartar and baking powder.
• Superhero Syndrome by Caryn Larringa is the promising start to another superhero series available on Kindle Unlimited, but it’s the only one available still, although it originally appeared in 2017.
• Molly Tanzer’s Creatures of Want and Ruin is a solid read, and a follow-up to her Creatures of Will and Temper, though it’s set in Prohibition America while its predecessor was Victorian England. Enjoyable and engaging, it was a great read to finish out the month with.

The works read but yet to be reviewed are piling up, so here’s a new roundup to clear away part of the deluge.

The Mere Wife by Maria Dahvana Headley is a retelling of Beowulf from the monster’s point of view, set in a possibly not-so-future world where the rich live in protected enclaves. Stark and beautifully told, the story raises the question of who the actual monsters are and whether they haven’t been residing in us all along. (Farrar, Straus and Giroux; release date 17 July 2018)

A Treacherous Curse by Deanna Raybourn is the second in what feels very much like a series, following A Perilous Undertaking. It reads a lot like Elizabeth Peters’ Amelia Peabody series but with a much more sexually outspoken protagonist named Veronica Speedwell and a dose of fantasy. I initially thought Speedwell’s love interest was Bram Stoker, which actually turned out not to be the case. A fun, light read. (Berkeley Original, 2018)

The Year of the Knife by G.D. Penman is entertaining urban fantasy in the police procedural tradition, and will remind the reader of a Ben Aaronovitch novel with a slightly smaller cast. Meerkat has been putting out some very solid stuff, and this is another example of that. (Meerkat Press, 2017)

Two graphic novels, very different from each other, round out the list. The first is Freedom Hospital: A Syrian Story by Hamid Sulaiman, winner of the English PEN Award. This book is graphic, a brutal and heart-wrenching introduction to conditions in Syria in 2012. The art is simple, sometimes with the quality of a slogan stenciled on a wall: I could image image after image from the book used in that way. Recommended but not light reading. (Interlink Publishing Inc., 2018 American Edition)

Henchgirl, by Kristen Gudsnuk, comes from Dark Horse Books and is a fun exploration of the economics of supervillainy, particularly for the minions and henchfolk just trying to make an honest living. Clear and charming drawing with a nice sense of whimsy. (Dark Horse Books, 2017)

You can read this at http://thegreenmanreview.com/books/recent-reading-wolves-wives-knives-curses-a-hospital-and-a-henchgirl/

It is difficult to describe how Catherynne M. Valente’s new book Space Opera manages to be so wonderfully resonant of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy yet so insistently, inimitably her own. And yet, that’s the challenge.

Valente’s skill manifests in a book that bounces right along, full of glorious, funny, wonderful, sparkly explosions of humor and wit that still, just as Adams always did, manages to say Insightful and Interesting Things about Human Nature. And it’s funny. Did I mention that this is a funny book? It’s the story of failing rock singer Decibel Jones and his dysfunctional band, the Absolute Zeroes, who have been chosen to represent their world in an interstellar challenge that determines whether or not the Earth will be destroyed.

But it’s more than an updated Adams. It’s a little deeper and a lot better about things like gender pronouns and interestingly diverse cast. It has much more fashion and quirky stylistic details than HHGG, with fabulous living starships that resemble coral reefs, so much music of so many kinds, and enough eyeball kicks on every page that one fears sometimes for the safety of one’s figurative vision.

The first two chapters are admittedly slow going. The book doesn’t really find its legs until a bit into chapter three, after we’ve finally been introduced to protagonist Jones “lying passed out on the floor of his flat in a vintage bronze-black McQueen bodysuit surrounded by kebab wrappers, four hundred copies of his last solo album, Auto-Erotic Transubstantiation, bought back from the studio for pennies on the pound, and half empty bottles of rosé.”

At this point the alien invasion that’s been textually hovering in the wings for a while hears its cue and manifests:

“¦in everyone’s rooms at once at two in the afternoon on a Thursday in late April. One minute the entire planet was planet-ing along, making the best of things, frying eggs or watching Countdown or playing repetitive endorphin-slurping games or whatnot on various devices, and the next there was a seven-foot-tall ultramarine half-flamingo, half-anglerfish thing standing awkwardly on the good rug. Crystal-crusted bones showed through its feathery chest, and a wet, gelatinous jade flower wobbled on its head like an old woman headed off to church. It stared at every person in the world, intimately and individually out of big, dark, fringed eyes sparkling with points of pale light, eyes as full of unnameable yearning and vulnerability as any Disney princess’s.

This passage demonstrates the clean virtuosity of Valente’s prose in Space Opera. I’ve loved her other works, particularly The Orphan’s Tales, but this is a very different style for her and it’s truly impressive to see her execute it with the same seemingly effortless grace. Omniscient point of view is handled beautifully, and shows how well suited it is to large scale works like this one.

Space Opera will delight Valente’s fans and undoubtedly bring a new crowd her way, because it’s just plain good and funny and wonderful. I can’t imagine what Valente will pick for her next project. At this point I’m convinced she could make a set of instructions for assembling an IKEA dresser beautiful and engrossing. And I’m looking forward to that read.

(Saga Press, 2018; available April 3)

You can read review at http://thegreenmanreview.com/books/catherynne-m-valentes-space-opera/

The first session of this class went well! Nisi Shawl was a terrific guest speaker.

In talking about reviews, we talked about good reviews and what they do. Here’s the notes from that.

• Provide a sense of the reviewer, their styles and biases.
• Explain what makes the reviewer say something is very good or very bad.
• Provide a sense of the book’s context and comparable books.
• Make you want to read the book but without creating unreasonable expectations.
• Alert the reader to problematic things without providing preconceptions.
• Be diplomatic but honest.
• Provide an educated impression of the book that tells the reader whether or not they should invest time/money in the book.
• Delve into what about the book created a particular impression.

Other topics we touched on: how you get started doing book reviews, what limits to have regarding spoilers, how to write a negative review well, promoting yourself and your reviews, networking, how to evaluate reviews, and the best way(s) to get better at reviewing. I thought it went really well and had plenty of interesting conversation and questions.

The next Art of the Book Review online class will happen Sunday, March 30, 9:30-11:30 AM PST. Nisi will be appearing as a speaker for the class in this session as well.