critique groups

One thing I strongly urge my students to find is a good critique group, preferably one where the other writers work in the same or a related genre. A critique group can become an important part of a writer’s process, can kick you in the butt to be productive and solace you when you’re not. It gives you other people whose victories you can celebrate, and ones who will celebrate yours. It can challenge, inspire, and encourage — but it does need to be one where the members are supporting each other, and where they’re exchanging useful critiques.

Sometimes people confuse the words critique and critical, and yet they are very different creatures. A good critique, one that helps and inspires the writer, may have elements that are critical of specific things, but that’s by no means everything it holds.

I’m pleased to announce that the Rambo Academy for Wayward Writers is once again expanding its offerings.

This answers a question that writers have expressed to me over and over again in workshops, on panels, in e-mail and one-on-one conversations, including several of the mentoring sessions I did last weekend at DragonCon:

How do I find a writing group of other fantasy and science fiction writers so I can trade critiques?

I’ve got an answer now that I feel 100% happy with: the Rambo Academy for Wayward Writers #Critclub.

#CritClub is an online space where fantasy and science fiction writers of all levels can talk with each other and exchange story and novel critiques. Its Discord server provides chat rooms where members can trade critiques as well as discuss market news, tips, and trends, recent rejections, and supportive advice and feedback. Critiquing is totally optional and there is no pressure to participate! Join for the gossip and chatter if you feel so inclined.

Ways to sign up for #Critclub:

• Do you support me on Patreon at the $2 or more level? Then you’re already signed up and should be able to access the Discord server.
• Are you already a member on the Chez Rambo server? Like the Patreon supporters, your access is already there. Thanks for being part of the community!
• Subscribe using one of the buttons below for $5 per month or $50 per year. After you subscribe, you will receive acknowledgement and an invitation to the Discord server within 24 hours.
• Can’t afford it? I understand that these expenses add up. As with the classes, I’ve got plenty of free slots available, with the only criteria being that you think it would be useful to you as a writer but can’t afford it. I particularly encourage you to apply if you’re a writer of color, QUILTBAG, a person with disabilities, or are otherwise othered. We want you as part of the community. There is no obligation to participate in the critiquing portion.

How the Critclub Critique System Works

Members receive 3 credits when they sign up; everyone currently participating has 3 as well.

The cost of putting a story up for critique is:

• 1 credit for a story up to 7500
• If the piece is longer, 1 additional credit for every 5000 words above that

You earn credits at the same rate. Credits are non-transferable.

Initially this will run on the honor system; if need be, we’ll add something more formal. Tips and formatting for critiquing are here, but as a rule of thumb, critiques should be at least 250 words (ish) and address developmental issues rather than line edits (unless the author requests otherwise).

Additional Rambo Academy for Wayward Writers Community Benefits

Each week, channel #thepanel will feature discussion centered on a specific topic, sometimes with guest moderators to lead discussion. September’s topics are: Week 1: Conventional Talk (Whether Conventions are worthwhile and how to make the most of them), Week 2: The Coaxing, Care, and Feeding of Story Ideas, Week 3: The Fine Art of Rejectomancy, or How to Use Rejections to Get Better, and Week 4: What’s the Slush Pile Like?

Channels include Rejectomancy for discussing submissions, Motivation, Market News and Book Club for discussing recent reading, among others.

I’m going to be experimenting with including some guest content on my blog, primarily authors talking about their books. If you’re interested in participating in that, please drop me a line.

Here author C.M. Michaels talks about critique groups:

In my opinion, the ability to get real-time feedback from people knowledgeable about your genre that you trust explicitly””but who are still willing to offer constructive criticism””is the most helpful tool in a writer’s arsenal.

For a critique group to be successful, each of the conditions summarized above needs to be met.

1. Composed of people you trust ““ I’ve seen a lot of online critique group sites pop up recently. These sites make the formation of groups far easier, but they miss out on one of the most essential requirements for collaborative input to be effective. Trust. I’m not just speaking of the risk that someone you have never met will pilfer your amazing idea for a new book (or even actual chapters), which is all too real. The lack of trust also makes you more defensive and less open to receiving even well intentioned feedback that they share. Selecting a critique group comprised of close friends and relatives alleviates both issues.
2. Composed of people knowledgeable in your genre ““ So you’ve taken the first step and found a group of close friends and relatives who are willing to join your new critique group. That’s wonderful! Are all of them familiar with your genre? If not, I’d suggest that you keep looking. That may sound harsh (especially if they volunteered for your non-paying gig) but if they aren’t fans of the genre the pushback you receive could have as much to do with their dislike of your type of book as with what you are actually writing. Even if they are just uninformed about the genre rather than being biased against it, they still don’t have any benchmark to gauge your book against. Contrast that with someone who has read all the popular series you aspire to emulate. They can give you candid feedback that draws upon a mutual understanding of the essential elements for a book in your genre to be a hit.
3. Composed of people willing to offer constructive feedback ““ This makes the selection of your critique group members far more difficult, as you need to ensure that the relatives and close friends you select are going to be willing to share negative feedback and take you to task. Getting a bunch of “this is great” comments may boost your ego, but it does nothing to improve your novel. No one is inherently excluded””your parents, sister, brother, boyfriend, may make great group members””it just depends on the nature of your relationship. And you also need to be open to receiving constructive feedback from them. If your boyfriend tells you he kept falling asleep during your prologue, as he didn’t see where you were going with your in depth knowledge dump on the Greek pantheon, will you listen to him and make the chapter more focused, or will it start a fight between you? Be honest with yourself. Having people tell us our creations are less than perfect stings. Make sure you select people you will not hold a grudge against.
4. Able to provide real time feedback – We all know it’s much easier to make major storyline changes before the entire draft is written, and input on dialogue, narrative voice, syntax and character development received for one chapter can be leveraged as you work on future chapters. So in order to be effective your group needs to meet regularly, once every 1-2 weeks. As an added bonus, meeting frequently also gives you intermediate deadlines to target, since you need to have written something for them to review. Posting the chapters out on a Skydrive a couple days in advance of each meeting will give everyone a chance to read it beforehand and come prepared with their input.

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Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.