if this goes on

It’s March, and you can now get IF THIS GOES ON, the anthology of near future political science fiction that I edited. There are some amazing stories in it, and I’m so proud of how the book turned out. Please check it out, and if you enjoy it, spread the word with a review or mention!

The project was initially the idea of publisher Colin Coyle; it was a pleasure working with him along with an awesome team of slush readers. The book was a mix of solicited stories along with ones that came in through the slush pile, so there’s a nice mix of more established and newer voices.

I have enough coming out in 2018 that some of the different campaigns are colliding a bit. Some are self-pubbed projects, others are with presses but I’m helping with the marketing where I can.

If you’re someone who would like a review copy or copies of any of the following, please drop me a line with your contact info, where your reviews appear, title(s), what format you prefer, and where to send it. I don’t mind sending e-copies out to people who want to review it on Amazon, GoodReads, etc, but be aware that requests for physical copies may both take longer and that I have a limited number available, so I try to send those where I get the most bang for the buck that’s coming out of my pocket. If you’ve got a podcast and would like me to appear, I’m happy to send copies of my work beforehand.

Here’s the list of what’s coming in 2018 in alphabetical order:

Creating an Online Presence for Writers, 3rd edition. (Plunkett Press). Nonfiction, covers how to create and maintain an online presence in order to build a writerly brand and sell books. Appearing in July.

Godfall and Other Stories by Sandra Odell is a collection from Hydra House that I’m editing. These stories are both fantasy and science fiction, and are usually on the darker side, with occasional flashes of humor. They’re wrenchingly strong at times, and I’m very excited to be one of the people making this book real. Appearing in mid-April.

Hearts of Tabat (WordFire Press). Novel, secondary world fantasy. While this is the second book of the Tabat Quartet, you do not need to have read Beasts of Tabat to understand it. Appearing in mid-May.

If This Goes On (Parvus Press) is an anthology of political science fiction focusing on what the world will look like a generation from now. Open for submissions through the end of March, the anthology will appear in conjunction with the 2018 elections.

Moving From Idea to Finished Draft. (Plunkett Press) Nonfiction writing book based on this class, which contains stories illustrating each section. Appearing in April.

Tales of Tabat (Plunkett Press) is a collection of all the short stories and novelettes set in Tabat, including several pieces original to the collection. I’ve got that tentatively slated for September.

The World Made Flash. Plunkett Press. A collection of all my flash pieces along with several essays about writing very short fiction should appear in July.

I am also re-releasing my first solo fantasy collection, Eyes Like Sky and Coal and Moonlightin print form, and a new version of steampunk collection Altered America with the horrible typos removed in both electronic and print form.

If you’re promoting your own book this year and are interested in doing a guest post here, let me know! Here’s my guidelines for guest posts.

A week or so ago we had the orientation session for the slush readers. I gathered them by posting announcements in my newsletter and other social media, but I also tried to reach out to a range of people in order to ask for recommendations in order to ensure I had a diverse pool. We ended up with over a dozen slushreaders, and one of the things I want all of them to take away from the experience is better understanding of stories and how to sort through things.

We video-recorded the session, and the publisher went over the mechanics of the slush system in that as well. Parvus Press has mentioned recently that I asked to have the slush read blind, which to me seems like a better approach. Studies have shown that perception of the attached name can change the way someone reacts to a scholarly paper, and I’m reasonably sure similar things happen when reading fiction.

One of the things I’ve stressed is that typos and grammatical errors aren’t a dealbreaker – we can fix those. A compelling story with some issues like that is something I want to see. But the world’s most immaculately formatted story won’t do much for me unless there’s a good story attached, by which I mean a story that entertains while at the same informs or engages or makes you think or hopefully some combination of all of that. Look for the stories that startle and amaze you, I told them. Or really piss you off, I added, because sometimes that’s the sign of a good story.

If the story is from a viewpoint radically different than their own, I’d like them to make sure some other eyes check it out. (Nonetheless I’m going to be a pain in the rear and read everything, partly because I want to be able to talk to the slushreaders about stuff as it comes up.)

I emphasized a policy that I have borrowed from John Joseph Adams, who has edited a kerjillion anthologies, and asked people not to talk about the slushreading experience in anything but vague and enthusiastic terms. I know writers will be watching those utterances and often taking stuff to heart that was not intended for them. In my early years, I had the odd experience of having an IGMS slushreader blog about my story submission in mocking terms. This probably would have been more discouraging if the actual editor hadn’t just bought the story, but I will always remember reading through their account of the slushreading party and the lines about all of them laughing about hitting a story written from an elephant’s POV. The vividness of that moment is not something I really want the slushreaders inflicting on other writers.

We closed up by talking a little about how to stay un-depressed in the light of what may well turn out to be a whole bunch of grim stories. It’s okay to step away from the keyboard sometimes, and we have enough slushreaders that plenty of eyes will be looking at the stories.