I went through the usual slew of books in September, but I thought I’d mention some of the more notable ones. Links go to the Kindle edition when available, because I do most of my reading on that.
Erin Morgenstern’s THE NIGHT CIRCUS was a terrific read and one that will delight fans of THE PRESTIGE and CARTER BEATS THE DEVIL. Lots of gorgeous and beautiful description of a highly evocative setting and the love story that plays out against it.
While on a visit to Baltimore recently, I was introduced to Joe Hill’s graphic horror novel, LOCKE AND KEY. I read the first one, and am looking forward to the rest.
THE PALACE JOB by Patrick Weekes was a terrific romp of a fantasy read, and is an Ocean’s Eleven type adventure played out against a fantasy setting.
Jonathan Wood’s NO HERO and YESTERDAY’S HERO reminded me of a less frenetic Charlie Stross. Another fun and frothy urban fantasy was Jennifer Willis’ VALHALLA.
Love Joe Lansdale, but I’m reading him slowly in order to spread out the cost of getting all the Hap and Leonard novels. September held THE TWO-BEAR MAMBO as well as a collection of short fiction, BUMPER CROP.
I go back every few years to read E.F. Benson’s Mapp and Lucia novels. Why doesn’t someone do a fantasy version of these? That would be so awesome.
THE WEIRD: A COMPENDIUM and THE APEX BOOK OF WORLD SCIENCE FICTION are both books that I am dipping into periodically, spacing them out so I can think about the stories, rather than absorb them all in one long read.
THE BANDIT KING by Lilith Saintcrow is a fantasy romance, the sequel to THE HEDGEWITCH QUEEN. I’ve yet to find a Saintcrow book that I haven’t enjoyed.
In nonfiction, I’ve been reading these:
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I’m turning in something today that I’ve never tried before: a novella.
Back when I was first approached about the Fathomless Abyss, it involved an initial story and a later novella. Sure, I said, and whacked out a story for the first Fathomless Abyss book, TALES FROM THE FATHOMLESS ABYSS. It was “A Querulous Flute of Bone”, which I based on an O.Henry story, and which I think is one of my best stories to date. If you don’t believe me, spring for the 99 cent download and tell me if I’m wrong.
Then I started on the novella. The first thing I did was look up the length requirements. Wikipedia told me the official SFWA definition was 17500 to 40000 words. So just a long short story, right?
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, short story) Because mermaids lay eggs, hundreds at a time, at least that kind did. And the natural-born ones, they didn’t have human minds guiding them. They were like sharks—they ate, they killed, they ate. Most of the original human mermaids had gotten out when they found out that the seas were full of chemicals, or that instead of whale songs down there, they heard submarine sonar and boat signals. When the last few found out that they were spawning whether they liked it or not, they got out too. Supposedly one or two stayed, and now they live in the sea with their children, twice as mean as any of them.
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