lester dent

I’m skipping around a bit in the course of these rereads, but this is number twenty-two of the Bantam Reprints. On the green-toned cover, Doc is menaced by several figures in black hoods with glowing green eyes. A trick of the light makes it appear that the middle figure actually has three glowing green eyes, but the text does not support this, alas. This figure also has a shape half-obscured on its chest that will turn out to be a green bell but in this looks more like one of those things you put over food to keep them warm. Doc is posed very awkwardly, head turned towards the men and stepping toward them while wrenching his chest towards us in order to display rippling muscles half-obscured by the customary ripped shirt.

The narrative begins with a radio squawking and a man in a lunch-room: “pale fright rode his face”. He’s gulping his fourth mug of coffee, accompanied by two women, one “a striking beauty” in her twenties who turns out to be his sister and the other “a pleasant-faced grandmother type.” We learn their respective names are Jim, Alice, and Aunt Nora and they’re in search of Doc Savage.

There’s a pause for atmosphere to build tension before our action begins:

Rain purred on the lunch-room roof. It crawled like pale jelly down the windows. It fogged the street of the little New Jersey town. The gutters flowed water the color of lead.

And then we hear a sound from the radio: “a tolling, like the slow note of a big, listless bell. Mixed with the reverberations was an unearthly dirge of moaning and wailing.” The trio react with panic, but Aunt Nora reassures them, “It’s not likely the Green Bell was tolling for us — that time!” We learn that whenever the bell tolls, it means death and insanity.

In packing for a trip, I discovered I’d somehow bypassed some of the earlier Doc Savages, so we backtrack now to book 13: Land of Always-Night. On the cover, Doc, wearing torn shirt and steampunk goggles, looks back and away from a grove of giant mushrooms, not noticing the several odd figures vaguely resembling the Monarch from The Venture Brothers menacing him with raised hands.

This one has to be my favorite beginning yet:

It is somewhat ridiculous to say that a human hand can resemble a butterfly. Yet this particular hand did attain that similarity. Probably it was the way it moved, hovered, moved again, with something about it that was remindful of a slow-motion picture being shown on a screen.

The color had something to do with the impression. The hand was white, unnatural; it might have been fashioned of mother of pearl. There was something serpentine, hideous, about the way it strayed and hovered, yet was never still. It made one think of a venomous white moth.

It made Beery Hosmer think of death. Only the expression on Beery Hosmer’s face told that, for he was not saying anything. But he was trying to. His lips shaped word syllables and the muscle strings in his scrawny throat jerked, but no sounds came out.

The horrible white hand floated up toward Beery Hosmer’s face. The side street was gloomy, deserted except for Beery Hosmer and the man with the uncanny hand. The hand stood out in the Merck almost as if it were a thing of white paper with a light inside.

Our cover is mainly green, depicting Doc poling a log in what have to be anti-gravity boots because there is no way he would maintain his balance otherwise, towards an abandoned ship. As always, his shirt is artfully torn and his footwear worthy of a J. Peterman catalog.

In this read, book eighteen of the series, we finally get to see another of Doc’s men, electrical engineer Long Tom. I do want to begin with a caveat that this book starts in Alexandria and initially features an Islamic villain, Pasha Bey; while I will call out some specific instances, this is the first of these where the racism is oozing all over the page and betrays so many things about the American popular conception of the Middle East. I just want to get that out of the way up front, because it is a big ol’ problem in the beginning of this text.

We begin, therefore, with the incredibly problematic Pasha Bey:

An American man of letters once said that, if a man build a better mousetrap, the world would beat a path to his door.

Pasha Bey was like that. His output was not mouse traps, but it was the best of its kind. Being modern, Pasha Bey had become president of a vast organization which specialized in his product. The fame of Pasha Bey was great. From all of Egypt, men beat a path to his door, which was likely to be anywhere in Alexandria. They came to buy this product, of course.

Pasha Bey’s product was murder!

We return to a gentler, more innocent world again with Doc Savage number 16: The Spook Legion. In the intervening time since Quest of Qui, they’ve undergone adventures The Fantastic Island, Land of Always-Night, and Murder Melody. For people interested in undertaking their own reads, here’s an excellent post about which Doc Savage books to start with.

On the red-toned cover, Doc confronts a machine with what seems to be a cabalistic gesture of some sort. Maybe just jazz hands; the cover artist was fond of a particular kind of pose. A closer look shows Doc is in the process of turning invisible; the bricks behind him are starting to show through.

Author Lester Dent tries to pull off some tricky stuff in this book and it sometimes trips him up, unfortunately. How much that actually affects the book is something I’ll leave to you to judge. It’s also a fairly convoluted book, presenting the information as though sliding things into place to give us the final picture. You have to respect Dent’s ability to plot and willingness to just go all the way with the weirdness at times.

Much like Quest of Qui we begin with a certain number of negative assertions, this time about an individual:

Leo Bell was a counter clerk in a Boston telegraph office. Leo was level-headed. He certainly did not believe in spooks. At least, he did not believe in spooks at precisely 10 o’clock at night, as he moved behind the counter straightening the books of message blanks.

At 10:05 Leo’s disbelief and spooks received a rude jarring.

Though he’s alone in the office, he investigates a wastebasket that overturns by itself, and then finds a mysterious message: a telegraph blank filled out as follow:

DOC SAVAGE
NEW YORK CITY
MATTER OF VITAL DANGER TO THOUSANDS MERITS YOUR ATTENTION STOP PLEASE BOARD BOSTON TO NEW YORK PASSENGER PLANE OF EXCELSIOR AIRWAYS AT NOON TO-MORROW STOP GET ABOARD IN BOSTON STOP SUGGEST YOU USE DISGUISE AND BE PREPARED HIDEOUS AND AMAZING EXPERIENCE.
A N ONYMOUS
(1440 Powder Road)

Hideous and amazing! Let us begin. Leo does, of course, send off the telegraph and soon after Doc Savage calls on the phone. He points out certain subtleties we might have missed earlier:

The mysterious circumstances surrounding the appearance of the message then came out. Dr. Savage heard it through without comment then advised, “There is probably no A. N. Onymous listed in your directory.”

Leo Bell looked in the directory.

“No,” he said. “There is not.”

“The name was the result of a trick writing of the word ‘anonymous,'” Doc pointed out. “The dictionary defines an anonymous work as one of unknown authorship, which seems to fit in this case.”

Lemony Snickett has nothing on Lester Dent. Leo and the night manager discuss the mysterious telegram and then vanish from the book, never to be seen again.