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Are you holiday shopping for a writer? The Rambo Academy for Wayward Writers offers classes and community for writers ranging from those just starting out to published, award-winning writers. The virtual campus includes a moderated Discord server, a critique exchange group, and monthly Zoom events including special guests, discussion groups, and writing games.
If you know someone who would like membership in the Rambo Academy for Wayward Writers community, a story edit, a coaching session, a class, or maybe even a mix of all of the above, it’s easy to buy them a gift certificate, which can be printed out and stuck in a card or put under the tree.
You can buy a specific dollar amount or you can specify coaching sessions, edits, or classes.
Sample costs are:
To order, mail me with the details of what you’d like to buy, who it’s for, and how you’d like to pay (PayPal, Venmo, check, or some other mechanism).
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Class: Different Kinds of Love: Writing Relationships that Aren’t Romantic
Next class date: Saturday, February 13, 2021, 9:30-11:30 AM Pacific Time.
Instructor: Cat Rambo
There are plenty of loves that aren’t romantic in nature, ties of friendship or family. What sorts of speculative stories come from those alliances, and how does a writer convey the relationship in a way that makes the reader feel its strength? In this class, we’ll talk about how to write about non-romantic relationships as well as performing writing exercises designed to fine-tune your ability to convey these nuances.
Class: Where Babies Come From: Speculative Reproduction
Next class date: Saturday, February 13, 2021, 1:00-3:00 PM Pacific Time.
Instructor: Evan J. Peterson
How do magic and technology change the possibilities of reproduction? Whether on Earth or in alien lands, through futuristic science, historical alchemy, or outright sorcery, this class examines ways to reinvent the process of reproduction in your fiction.
Class: Consent is Sexy: Writing Consensual Scenes
Instructor: Sarah Buhrman
Next class date: Sunday, February 14, 2021, 9:30-11:30 AM Pacific Time.
Consent is sexy. But how do you include consent without throwing ice water on the seduction? Keep those steamy scenes hot while making sure all parties, even the fictional ones, are respected and respect boundaries. Specific examples may include references to actions and kinks, however, content will be kept at PG-13 levels.
Class: In Flagrante Delicto: Writing Effective Sex Scenes
Instructor: Catherine Lundoff
The next class date is Sunday, February 14, 2021, 1:00-3:00 PM Pacific Time.
Live classes are taught online, are limited to 15 participants, and require reliable Internet connection, although in the past participants have logged on from coffee shops, cafes, and even an airplane. A webcam is strongly suggested but not required.
See http://www.kittywumpus.net/blog/upcoming-online-classes/ for the full list of upcoming online classes.
Tired of fading to black every time your characters get intimate? Not quite sure what to do once they’re in the clinch? Want characters whose romantic moments have some spark, sizzle, and steam to them? Learn some of the building blocks for writing about sex and writing it well.
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The Rambo Academy for Wayward Writers now has a certification program! I wanted students to have a way to represent the work they’ve put into the live classes when applying for jobs, workshops, and other opportunities, and so I’ve put together four categories.
How it works: If you have taken five classes in a category, you have earned a certificate. Mail me with the category or categories and the names of the classes, and I will send you the certificate as a .pdf. You have permission to display it on your website.
I’m working on something similar for the on-demand classes — look for that coming soon.
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I started my little online writing school, the Rambo Academy for Wayward Writers, with the launch of Google Hangouts, which enabled me to host classes for people across the globe. Since then, Hangouts has declined, but the school continues strong, having hosted hundreds of students from around the world. Over a dozen of the best writers and teachers in the fantasy and science fiction field — with several new folks joining us in early 2019 — have led workshops on over three dozen topics.
Perhaps the most rewarding thing about the school has been the network of friends it’s helped me build, with students joining on to score Nebula and Hugo awards and multiple publications, many moving into the F&SF world as editors and publishers as well. Another is that I get to sit in on classes by some amazing folks, which enriches my writing.
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Among the things I’ve done in 2017:
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Something I’m trying to do this year is pay things forward as much as possible. Recent technological upgrades means I can now fit more than 8-9 people in a class (can now handle up to twice that many, which is more suited to some classes than others), so I figured one way to do that is to make more class slots available to people who couldn’t otherwise afford the class.
So, each class now has three Plunkett scholarship slots, the third of which is specifically reserved for QUILTBAG and POC applicants. Everyone is encouraged to apply, but I want to make sure it’s getting to a diverse range. The only qualification for a Plunkett is this: you would not be able to afford the class otherwise. Just mail me with the name/date of the class and 1-3 sentences about why you want to take it.
I have had several classes lately with no Plunkett apps, so I want to stress this: please take advantage of them if you’re a writer working on your craft. You will be helping me by ensuring that I have interested people to teach to.
That said, here’s upcoming classes if you want to look them over:
Classes Offered April-June 2017
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This has proven a somewhat monumental task, because the needs of the on-demand version are very different than those of the live class. In the live workshops, which are limited to eight students, everyone comes in with a two-three sentence description of their idea, and we work from there, adapting the material to what they’ve brought into class.
For the on-demand version, I started by trying to identify all the different ways there are into a story, a number that fluctuates in the realm of two dozen, depending on how finely I want to draw distinctions.
What I’ve done with each possible path is identify what it is, what it gives you as a starting point, things you will want to consider, possible pitfalls, next steps for fleshing it out, and a set of exercises (with basic and overachievers’ versions) to help explore the starting point. I finish, in what I am still worried may be an excessively egotistic move, by providing a story of mine that started in that way and some notes on its development from the starting point.
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Is A Blog Mandatory?
No. But it’s advisable. You do want readers to be able to find you online and, more importantly, to find your work. You do want a website (and a mailing list, but that’s another post), but your website can be a static presence, something you put up and don’t update very often. In fact, if you have very minimal time to invest or otherwise want to limit your online presence to the bare bones, don’t include a blog. Few things look sadder than a blog with a single entry from five years ago, usually about trying to make oneself blog.
Something You Can Always Blog About
One reason to blog on your website is that it means the website is being updated frequently, which makes the site more likely to turn up on search engine results. So here’s two ways you can generate a weekly post. The first depends on having a social media presence; the second does not.
Certainly there are ways to get the most bang for the effort out of these posts: include an image, have a good tagging system, make the most of keywords. But those are advanced techniques, and unnecessary to this basic effort.
If You Only Hate Writing about Writing
As I mentioned above, you do not have to blog about writing. In fact, the world is full of posts about avoiding adverbs, and you probably do not have anything to say on the subject that has not already been said. So blog about something else.
Blog about your adventures in learning how to pickle vegetables or speak Mandarin. Document some longterm project like your garden remodel or the bookstore your partner is opening. In a pinch, you can always fall back on writing about the books you’re reading. The most interesting and effective blogs out there don’t just show you the writer’s writing, but something about them as a person.
Always Be Closing is NOT a Good Axiom for Writers
While all writers need to think about how to help readers find their work, if they are too pushy about forcing them to it, those readers will balk and go no further. Don’t make your website all about sell sell sell. Don’t make it your social media focus nor what you blog about over and over again. You will be wasting your time and driving away fans.
That’s why showing readers scraps from your writing is effective. You are giving them something that is (hopefully) genuinely interesting here and now. If they like it, they may look for it later on when it comes out. Let your writing and its quality do the work of selling for you and don’t worry about the set of steak knives. Just write.
#sfwapro
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The Character Building Workshop is familiar to some of you, and I always love teaching it because I come away with at least a couple of wordlumps that end up being part of the current WIP as well as better insight into the characters I’m working with. Come join us if you want a little inspiration for your current project.
Register by mailing me at catrambo@gmail.com or cat@catrambo.com with the name and date of the class you’re interested in. And please feel free to pass this newsletter along to friends and fellow writers you think might be interested!
April Classes
April 16 (Sat, 9:30-11:30 AM PST) Beginnings and Endings
April 17 (Sun, 9:30-11:30 AM PST) Character Building Workshop
April 23 (Sat, 9:30-11:30 AM PST) Creating an Online Presence for Writers
April 24 (Sun, 9:30-11:30 AM PST) Description and Delivering Information
April 30 (Sat, 9:30-11:30 AM PST) Flash Fiction Workshop
May Classes
May 1 (Sun, 9:30-11:30 AM PST) First Pages with Caren Gussoff
May 14, (Sat, 9:30-11:30 AM PST) Moving from Idea to Finished Draft
May 15 (Sun, 9:30-11:30 AM PST) Literary Techniques for Genre Writers
May 21 (Sat, 9:30-11:30 AM PST) Retelling and Retaleing with Rachel Swirsky
May 22 (Sun, 9:30-11:30 AM PST) Literary Techniques for Genre Writers II
June Classes
June 3 (Sat, 9:30-11:30 AM PST) Writing Your Way Into Your Novel
June 4 (Sun, 9:30-11:30 AM PST) Moving from Idea to Finished Draft
#sfwapro
Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.
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January
I wrote nonfiction column #PurpleSF for Clarkesworld Magazine and my short story “The Ghosteater” appeared in Thirteen: Tales of Transformation, edited by Mark Teppo. The story involves a traveler, Dr. Fantomas, and his companion, who are asked to investigate a haunted restaurant, and it takes place in Tabat.
February
I lounged about the house eating bonbons in February. Well, not really. But I didn’t get anything published.
March
My flash fiction “Bit Player” appeared in Daily Science Fiction, after I wrote it during one of my Flash Fiction Workshops. I went to Emerald City Comicon and had my first book release party there, plus sold it at the Wordfire booth, meeting all sorts of delightful people in the process.
April
The cruelest month was also the busiest month, with the official launch of my first fantasy novel, Beasts of Tabat, the first volume of a fantasy quartet set in the world in which I have placed multiple stories.
I also had stories appear in Airships and Automatons (“Memphis Barbecue”), Beneath Ceaseless Skies (a novelette set in Tabat and related to Beasts of Tabat, “Primaflora’s Journey“), Daily Science Fiction (another story produced in one of my classes, “You Have Always Lived in the Castle“).
I put up Tabat-related flash pieces throughout the month, fifteen total, and another, “A Souvenir of Tabat”, appeared on Quarterreads.
May
“The Subtler Art,” a story set in relatively new locale Serendib, appeared in Blackguards: Tales of Assassins, Mercenaries, and Rogues, featuring retired assassin The Dark and her spouse the wizard-alchemist Tericatus in a game of marital oneupmanship. Also appearing that month was The Haunted Snail, a flash piece (yup, written during one of my classes) in DAILY SCIENCE FICTION, and two Patreon stories, a horror piece titled “Reality Storage” and a story set in the same world as the Blackguards piece, “The Owlkit, the Candymaker, the Beekeeper, and the Brewer”.
And Ad Astra: the SFWA 50th Anniversary Cookbook, which I co-edited with Fran Wilde, appeared, and was a thing of joy and wonder, mostly due to Fran’s effort, as well as those of Sean Wallace. I will remind you all that the cookbook is eligible for a nomination for Best Related Work when Hugo nominations come around, mainly because I love that little book and think it deserves a nod.
June
Patreon story 2611, a horror story set in the apartment complex we have been trying to move out of for several years, appeared. I wrote this last year while we were living in a horrible temporary apartment and trying to get everything packed up and ready to go; most of the events are based in reality.
July
I went on retreat down to southern California and got some work done on Beasts’ sequel, Hearts of Tabat. “California Ghosts” appeared on my blog for Patreon as I switched the campaign over to publicly viewable.
August
Steampunk story “Snakes on a Train” appeared on my blog as part of the Patreon campaign. During the same month I attended Sasquan in Spokane, which was a lot of fun, and read “The Owlkit, the Candymaker, the Beekeeper, and the Brewer” there.
September
Talking in the Night, a literary flash piece appeared on my blog for the Patreon campaign. At the same time, “Marvelous Contrivances of the Heart” appeared in Recycled Pulp, edited by John Helfers. That story owes much to the old Twilight Zone episodes and I hope it manages to evocatively tell the story of an unlikely artist and the consequences of the pieces he creates.
And we moved into Seattle proper, or rather West Seattle, which is AWESOME, and involves an apartment with multiple great writing spaces, including a kitchen table that looks out towards the sound and the mountains.
October
My first on-demand class, Literary Techniques for Speculative Fiction Writers, went up. I took 1500 words of notes for the live workshop, which is based on one I developed for Clarion West and which is one of my most popular classes, and ended up expanding them to 15,000, so I think counting this as a non-fiction publication is quite valid. I still need to go back and reformat and clean this one up somewhat since I’ve learned so much about formatting and setup since then; that’s on the list for January.
At the end of the month, flash piece “As the Crow Flies, So Does the Road” appeared in Grendel Song, newly revived by Paul Jessup.
November
I put up steampunk story, “Laurel Finch, Laurel Finch, Where Do You Wander?” on my website as part of the Patreon campaign. Also “Reflections from Mirror World 57,” a story made up of superhero flash pieces for Outliers.
Two more on-demand classes went up, the Character Building Workshop and Reading to an Audience. As I worked on the former, my ideas about how to shape these classes continued to refine themselves; I’m looking forward to using a lot of what I learned in doing these in classes for 2016.
One piece of past experience that’s been useful in assembling them is a stint of work I did writing study guides for college textbooks, for a range of classes that included economics, retail marketing, and terrorism. I used the software’s capacity to create mini-quizzes with the Character Building Workshop, in a way that led to my only complaint, someone who thought the quizzes were silly.
They are silly — mainly because they’re intended as an amusing interlude that nonetheless gives you a chance to review the core concepts of the material just presented. I’d be curious to hear other takes on them from people who’ve looked at the classes. Should I cut those?
December
December publications included my take on Mrs. Claus in “He Knows When You’re Awake” for Jenn Brozek’s Naughty or Nice holiday anthology, and forthcoming “Dark Shadows on the Earth”.
I also finished up with another nonfiction essay for Clarkesworld Magazine, this time On Reading the Classics and an essay on what I hope for SFWA in 2016 for this blog.
I hope to have one last writing class, Moving from Idea to Draft, done by the end of the year and am working on that, but these classes tend to get more complicated as I write them and this is no exception.
2016
Stories coming out in 2016 include “Red in Tooth and Cog” in The Magazine of Fantasy and Science Fiction (booyah, that is a longtime goal and I am still so tickled to have hit it; “The Mermaid Club,” a conspiracy tale about underground feminists, co-written with Mike Resnick; science fantasy, “Haunted,” co-written with Bud Sparhawk; “Call and Answer, Plant and Harvest,” set in the same city as the owlkit and Blackguards stories, which will appear in in Beneath Ceaseless Skies; “Tongues of Moon Toad” in The Bestiary; Preferences in Chasing Shadows (edited by David Brin) and The Threadbare Magician in Genius Loci, among others.
Status of Current Projects
I need to finish up Hearts of Tabat, and that book was the main casualty of a year whose events included cancer on one side of the family, dementia on another, and a death among my favorite in-laws. I have about 115k words on it and need to make them all make sense and flow nicely into each other. I know the main action of the two books after that. I have some other stuff I’d like to write.
Collaborations coming up include a couple with Rachel Swirsky, one with David Boop, a stroy with Emily Skaftun and Randy henderson that we need to finish up, and one with Tod McCoy.
Upcoming on-demand classes include Creating an Online Presence for Writers, Flash Fiction, Revising and Rewriting, Linguistics for Speculative Fiction Writers with Juliette Wade, Creating Your E-book with Tod McCoy and quite a bit more. And there’s another round of live workshops coming up in January-March.
Books coming out include:
Some Overall Stats:
Stories published in 2015: 33, including flash pieces
Novels published: 1
Nonfiction books published: 1
Number of on-demand classes published: 4
Large writers organizations on which I served on the board: 1
Number of books read: bunches and bunches
Number of blog posts written: I will fill in this number when I have more time.
Happy holidays to all my readers. I hope your end of the year ruminations leave you feeling happy with what you’ve brought to the world over the last twelve months, and that you’re moving forward into productivity and joy in 2016.
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Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, story) When he realized how upset his wife was, George wondered if he might have miscalculated. Normally a quiet and loving partner, she was unpacking the dishwasher with a great deal of clattering and muttering.
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