reading

Trigger warning: child murder, violence
This is an early superhero fiction story of mine that originally appeared in Corrupts Absolutely?, edited by Lincoln Crisler.

You can read the story at Daily Science Fiction.

Mentioned this on Patreon yesterday and putting it here now. I’m taking November 2 through the 15th off and going to chillax and recuperate a bit. I’ve got that section of time blocked off in my schedule with big letters that say “DO NOT SCHEDULE” and I’ve managed (for the most part) to avoid doing so.

Here’s the anthology update so you don’t have to wade through the rest for it. Yes, the anthology is still happening, but right now I’m working to get it handed off to someone else who has more bandwidth (and organizational skills) but everything should go as planned. But I am gently easing much of it off my plate.

Why? Because I’m tired. So tired. Between teaching and Zoom sessions I haven’t had a single day where I wasn’t working in one form or another in recent months. I’ve been keeping on keeping on unrelentingly since the beginning of 2020 and I need to spend two weeks recharging after 10 months of staying cheerful and finishing two books and a bunch of stories in the face of the pandemic, dealing with the death of two close loved ones, an attempt to move to Portland that fell through, a lot of ongoing online harassment, and the general state of American politics.

This short urban fantasy story originally appeared in Stamps, Vamps, and Tramps, edited by Shannon Robinson. It takes place in Durham, North Carolina, and involves a tattoo artist who’s got a different purpose in mind than her latest client does. It seemed like it would be a fun Halloween story to share!

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I have been remiss about blogging, and I thought I’d like to share some of the stuff I’ve enjoyed lately. I do want to start by pointing out there’s just a couple days left on a Storybundle that includes my Nobeula-winning novelette, Carpe Glitter, as well as one of my favorite reads of 2019, The Traveling Triple-C Incorporeal Circus by Alanna McFail.

I finished Rin Chupeco’s The Bone Witch and The Heart Forger and really liked them both. The third volume in the trilogy, The Shadowglass, is queued up on my e-reader right now. An elegant, enjoyable series.

The screen play of Jordan Peel’s Get Out features an essay by Tananarive Due as well as plenty of deleted material and Peele talking about the script. Really lots of stuff that interested me and I’m really glad I picked it up. I will be going watch to watch the movie again.

Rediscovery: Science Fiction by Women (1958-1963) is a terrific anthology with a lot of stories I hadn’t hit before. part of my self-directed reading this year (as with last year) is finding stuff written by women at the times when conventional wisdom says there weren’t a lot of women writing. Part of the fun of conducting the short story discussion group that’s part of the Chez Rambo community calendar is sharing and exploring some favorites. next up on our agenda, for example, is Kit Reed’s “The Food Farm.” Authors represented are Pauline Ashwell, Rosel George Brown, Doris Pitkin Buck, Otis Kidwell Burger, Sonya Hess Dorman, Joy Leache, Katherine MacLean, Judith Merril, Kit Reed, Jane Rice, Maria Russell, Sydney cvan Scyoc, Anne Walker

Alex Burcher’s alternative history As Ants to the Gods is dense but evocative prose that conveys the flavor of its world, where the Arab civilization has taken over Europe and is in the middle of its Industrial Revolution. The paperback comes out on the 10th and if the production values are as high as the e-book would imply, it will be a pretty book.

I hadn’t learned about the joy that is Rat Queens yet; currently on the 3rd book with the 4th on its way.

Since I love reading gaming supplements and systems, I was pleased to get the fulfillment for a Kickstarter I’d supported, the Monsters! Monsters! RPG Rules by Ken St. Andre along with a solitaire adventure, “Toughest Dungeon in the World.” Another system I picked up recently for reading is Tales from the Loop; I wasn’t entranced by the TV episode I watched, but I may be playing in a brief campaign of this so I wanted to check it out.

I’ve been watching season 2 of The Umbrella Academy (lots of fun but season 1 was better, IMO), Stargirl (so cheesy! so snappy and fun!), and Z Nation (halfway through season 3 and really enjoying it despite the fact I dislike zombies).

Stephen King said, “If you want to be a writer, you must do two things above all others: read a lot and write a lot.” I don’t know many pro writers who disagree with him. We might debate how much reading is enough, and I think a lot of us struggle to find time for writing, reading, and the myriad other things we have to do to live. To me, that competition for time makes the time that I do have to read more important.

I’m a science fiction writer. Right now, I write military sci-fi thrillers. My debut novel, PLANETSIDE, came out in 2018 and the sequel, SPACESIDE, released in late August. I think it surprises people when I tell them that the biggest influence on PLANETSIDE was GONE GIRL, by Gillian Flynn. If you happened to have read both, you’re probably thinking to yourself”¦but wait”¦PLANETSIDE is nothing like GONE GIRL.

Of course it isn’t. Yet, here we are.

I’m tracking my reading on a monthly basis again as part of 2019’s effort to be more methodical about record keeping. So here’s what i read, along with some notes on it, as i start building up in order to be doing more regular lengthy reviews again.

• I have been binge-reading Robert J. Crane’s Out of the Box series and finished up Badder, Nemesis, Apex, Time, Remember, Hero, and Flashback. These are highly satisfying superhero novels and I’m really looking forward to the next installment, which is book #24.
• I also tried to add more nonfiction to my reading list in 2019. The first of these was Seth Godin’s This is Marketing: You Can’t Be Seen Until You Learn to See, which I found myself taking a lot of notes on. I’ve been reading a number of works on marketing and pricing for the Rambo Academy and it’s been handy but right now I feel like I have been slogging through the same grad-level text on pricing for a kerjillion years.
• Because I work with some clients as a writing coach, I found The Coaching Habit: Say Less, Ask More, and Change the Way You Lead Forever by Michael Bungay Stamer useful, particularly the listen more, talk less part.
• William Gibson’s The Peripheral was a terrific read and I’m working on an essay that is an appreciation of Gibson and his work. He’s our latest SFWA Grand master and I’m looking forward to meeting him at the Nebulas.
• I read Diane Morrison’s Once Upon a Time in The Wyrd West in order to blurb it. Here’s the blurb I sent: Saskatchewan gunslinger elves in a world vividly real and detailed. Morrison shows us a rarely explored Weird West landscape. Really a fun book for Weird Western lovers.
• A space romp that I really enjoyed, I read Elizabeth McCoy’s Queen of Roses at the suggestion of M.C.A. Hogarth to think about for an upcoming Storybundle. Pleased to say I’m including it, because it’s a really fun read with a great AI protagonist, Sarafina.
• The book Astounding: John W. Campbell, Isaac Asimov, Robet A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction by Alec Nevala-Lee was an interesting read, particularly since Nevala-Lee’s take on a few figures differed from ones I’d been presented with in the past, particularly Randall Garrett. An acquaintance (now passed) used to insist that Garrett’s habit of walking up to women at parties and saying “I’m Randall Garrett, let’s fuck” was an example of someone unbound by stifling social norms and that no one ever took offense at it, while Nevala-Lee describes Garrett as “a bearded Texan who was known within the science fiction community as a drunk and a sexual predator” (p. 321) following up with a description of Garrett’s actions when engaged to Campbell’s daughter Jane that makes him seem like a pretty awful guy. Anyhow, if you are into SF history, this has a goodly amount, plus a nicely thorough bibliography for further reading.
• I’m very fond of Kindle Unlimited, given how many books I consume on a weekly basis. There’s a lot of quality titles on it, and this is one of them. Currently by Sarah Mensinga features a fascinating world and a resourceful refugee heroine.



• Bird Box by Josh Malerman was in many ways similar to the movie, although the ending is slightly different. Dunno that one has to both read the book and see the movie, unless you really dig understanding the differences between the two forms, in which case it might greatly interest you.
• Lies Sleeping by Ben Aaronovitch finished up the terrific Rivers of London urban fantasy police procedural series and I am amore thant a little sad to say goodbye to its fabulous characters, particularly Peter Grant and Leslie.
• Niall Slater’s The Second Death of Daedalus Mole is not findable in e-form on the Amazon store, but I read it on my e-reader and no longer remember how I came across it. However, it’s another fun space romp, and recommended.
• Charlie Holmberg’s The Plastic Magician is part of the Paper Magician series and is a worthy addition, although it didn’t charm me the way the earlier books did.
• While on the road, I binged on some K.J. Charles, which are M/M Regency romances, and read through An Unseen Attraction, An Unnatural Vice, An Unsuitable Heir (I love Pen!), A Gentleman’s Position, A Fashionable Indulgence, and A Seditious Affair.
• The Last to See Me by M. Dresser was a subtle and lovely read, one of those books that’s thoroughly speculative yet emphasizing its literary qualities. Some beautiful description, and a slowly unfolding mystery about a modern day ghost resisting the exorcist who’s been summoned to clear her away from the house she haunts.
• Queen of the Dark Things by C. Robert Cargill is the sequel to a book I haven’t read but now have to go pick up. The setting is both Austin, Texas and Australia in a nicely done modern fantasy that would have been called horror twenty years ago.
• Another nonfiction read, The Myth of Capitalism: Monopolies and the Death of Competition by Jonathan Tepper and Denise Hearn is a sobering read with a lot of relevance to today’s politics and the rule of the kleptocracy. Well written and clearly laid out.
• The Wild Dead by Carrie Vaughn is also a sequel where I need to go find the first book. This lovely, understated read reminded me of Kim Stanbley Robinson crossed with Ursula K. Le Guin. Beautifully done.
• Baking Powder Wars: The Cutthroat Food Fight that Revolutionized Cooking, by Linda Critello is food history and fascinating, particularly if you ever wondered about the difference between cream of tartar and baking powder.
• Superhero Syndrome by Caryn Larringa is the promising start to another superhero series available on Kindle Unlimited, but it’s the only one available still, although it originally appeared in 2017.
• Molly Tanzer’s Creatures of Want and Ruin is a solid read, and a follow-up to her Creatures of Will and Temper, though it’s set in Prohibition America while its predecessor was Victorian England. Enjoyable and engaging, it was a great read to finish out the month with.

The works read but yet to be reviewed are piling up, so here’s a new roundup to clear away part of the deluge.

The Mere Wife by Maria Dahvana Headley is a retelling of Beowulf from the monster’s point of view, set in a possibly not-so-future world where the rich live in protected enclaves. Stark and beautifully told, the story raises the question of who the actual monsters are and whether they haven’t been residing in us all along. (Farrar, Straus and Giroux; release date 17 July 2018)

A Treacherous Curse by Deanna Raybourn is the second in what feels very much like a series, following A Perilous Undertaking. It reads a lot like Elizabeth Peters’ Amelia Peabody series but with a much more sexually outspoken protagonist named Veronica Speedwell and a dose of fantasy. I initially thought Speedwell’s love interest was Bram Stoker, which actually turned out not to be the case. A fun, light read. (Berkeley Original, 2018)

The Year of the Knife by G.D. Penman is entertaining urban fantasy in the police procedural tradition, and will remind the reader of a Ben Aaronovitch novel with a slightly smaller cast. Meerkat has been putting out some very solid stuff, and this is another example of that. (Meerkat Press, 2017)

Two graphic novels, very different from each other, round out the list. The first is Freedom Hospital: A Syrian Story by Hamid Sulaiman, winner of the English PEN Award. This book is graphic, a brutal and heart-wrenching introduction to conditions in Syria in 2012. The art is simple, sometimes with the quality of a slogan stenciled on a wall: I could image image after image from the book used in that way. Recommended but not light reading. (Interlink Publishing Inc., 2018 American Edition)

Henchgirl, by Kristen Gudsnuk, comes from Dark Horse Books and is a fun exploration of the economics of supervillainy, particularly for the minions and henchfolk just trying to make an honest living. Clear and charming drawing with a nice sense of whimsy. (Dark Horse Books, 2017)

You can read this at http://thegreenmanreview.com/books/recent-reading-wolves-wives-knives-curses-a-hospital-and-a-henchgirl/

This is my first review for The Green Man Review, but I cannot help but feel I have somehow come full circle from the moment in a 2005 World Fantasy Convention bar when someone kept telling me how much they enjoyed my Green Man Review reviews and I kept mentioning they had the wrong Cat. Now all I can do is assume they traveled in time somehow. And so. Let’s look at a nifty book in the here and now, in what is hopefully the first of many reviews.

The Reader: War For The Oaks is a hardbound book presenting a photography project by Tim Cooper. It’s a slim little 8.5″³x 11″³ volume, clocking in at 96 pages. The pleasant interior design presents the photos nicely, along with some pretty arboreal details. The cover, whose design is unobjectionable but unremarkable, features a photo that lets the reader know exactly what the book is about: photos of people reading War For the Oaks in various Minneapolis locations.

There are a few books I have re-read so many times that they are an integral part of fantasy to me, and Emma Bull’s first novel, War for the Oaks is one of them, featuring Eddi McCandrey and her half-human, half-elvish band, the Fey. It was originally published in 1987; the paperback copy I’ve been carrying around for decades is battered and coverless now, but it was a pleasure to have the task of going back and reading it yet again in order to do this review.

I’m not alone in loving this story, and the book’s part in defining and shaping urban fantasy cannot be overestimated. Reading in many ways like a crisper, less Romantic version of Charles de Lint, Bull demonstrates in this book that despite being one of the quieter writers, she will become a major talent. Many nifty but commercially non-viable projects that we would miss if reliant only on traditional publishing have come out in recent years, often supported through crowdfunding; this one was a Kickstarter project. It’s delightful to see a project dedicated to the novel in this way, celebrating how much the book has meant to many readers.

Which is perhaps my major caveat. This book will enchant, down to their very toes and beyond, those who love Bull’s novel and know the city as well. Cooper’s photos show locations from the book in an order corresponding to the novel’s chronology, each time with people reading War for the Oaks somewhere in the picture. For someone who loves the book in part because of its setting, the sole disappointment may be that the photo are low enough resolution that sometimes it is difficult to make everything out.

Familiar with the book but not so much with the city? Mileage will vary here, depending both on one’s degree of affection for the book as well as how firmly the reader is attached to their vision of things. Someone with a mental vision that is particularly strong, in fact, might find it jarring to have it contradicted by these pictures.

Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.

Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.

I’ve stuck this on one of my shelves of favorite F&SF next to that battered paperback copy of War for the Oaks, because it’s definitely a keeper. Next time I’m at a con with the author, I may even take it along, because having it signed by the person whose book inspired so much passion would make it even niftier.

(Tired Tapir Press, 2014)

You can read this review at http://thegreenmanreview.com/books/recent-reading-eddi-and-the-feys-revival-tour/

Reckoning 2: Creative Writing on Environmental Justice is solid in weight and content. The stories, poetry, essays, and art deal with the world around us and our ethics in dealing with it. This refined focus sharpens the magazine’s impact, I think, and makes it something that tries to evoke change through its art rather than the shallow comfort afforded by something whose theme was simply “Nature”.

The annual’s mission statement is A locus for the conflict between the world as it has become and the world as we wanted it to be. Editor Michael DeLuca’s opening editor’s note, “On Having a Kid in the Climate Apocalypse,” deals with a life situation that makes that mission even more pressing: having a kid:

My son is three months old. He has no idea what the world is, what it has become. I can say anything in front of him. I can curse. I can cry. He’s happy or he’s sad. there’s no cause and effect. I can read to him from A Tree Grows in Brooklyn, a book that spends hundreds of pages drawing an analogy between a child growing up and an invasive tree species flourishing in a sidewalk crack, a book full of compassion for the poor hated by the rich, casual about the hatred it portrays for people of other cultures. He doesn’t understand a word.

The essay is intimate, frank, and willing to comtemplate its own imperfections:

Maybe this revelation isn’t for everyone. Maybe not everyone needs it. Maybe, to people who aren’t white, aren’t straight, aren’t privileged children of educated families, some of this is so painfully obvious. I’ve spent this essay embarrassing myself. I needed it. I needed to write it. I needed my assumptions undermined and broken up and reassembled around someone who wasn’t me.

While there are several essays in the magazine, all of them nicely put together and executed, my favorite pieces from the issue are all stories:

“Wispy Chastening” by D.A. Xiaolin Spires is slight but significant, much like the narrator’s crimes against the environment, turning this into a sharp look at the idea of thinking globally but acting locally, or even individually.

“To the Place of Skulls” by Innocent Ilo provides an Afrofuturist post-apocalyptic world where its protagonists visit a landscape of grit and myth:

We are going to the Place of Skulls: Saro-Wiwa, Babbe, Gokana, Ken, Nyo, Ueme, Tai, and myself. For you to know, this is not the place Bro Lucas said Jesus was crucified when he was spitting into my face from the broken lectern during his sermon, last Sunday. The Place of Skulls is where a stark reality stares us in the face. We all have after-school exhaustion, Babbe’s diarrhea has worsened, Gokana is still nursing the burns on his legs from our last visit and Mama will yank at my ear if she hears fim about it, but we must go. The Place of Skulls is that important.

“Girl Singing with Farm” by Kathrin Köhler broke my heart and yet I know I’ll go back and read it several more times. What seems like it may be simplistic turns into a beautiful, layered story with a final image that will linger with the reader.

I’m saving the best for last and that is the story “Fourth-Dimensional Tessellations of the American College Graduate” by Marie Vibbert. I love this story so much that I am not going to discuss a single detail except that the ending made my heart leap and it is my favorite story of 2018 so far. I will hold onto my copy of this magazine forever because it contains it.

Highly recommended for those enjoying more literary SF as well as thoughtful essays.

(Reckoning Press, 2017)

You can read this review at http://thegreenmanreview.com/books/recent-reading-reckoning-2/