snippets

So here’s a chunk from this morning’s writing so far. The story will be the sequel to “Sugar”, which is available in Eyes Like Sky and Coal and Moonlight. If you’re interested in getting to see the whole story, then I invite you to support me in the Write-a-thon! I’ll be sending a weekly e-mail that will include the stories that I write for the Write-a-thon over its six-week course, so for a small donation, you’ll be getting what I’d like to think of as high quality fiction. 🙂

Laurana used a bowl of mercury to watch her lover’s battle. The thick, silvery liquid showed the ships from above, a fat-bellied Tabatian merchant, and the two pirate ships, lean-lined and fanged with cannon, converging on it from either side, the wind behind them making them race forward.

Tiny toy ships. The name of the merchant was Saffron Butterfly The pirate ships bore no names, only figureheads of women, one with a flaming skull for a head, the other with bracelets and necklaces of snakes. Flame’s Kiss and The Serpent.

The Kiss neared the merchant. Laurana leaned forward, trying to find Cristina among the mass of pirates: some readying spidery hooks and ropes, others with hackbuts raised and aimed, all braced for collison, another sound dependent on Laurana, whose mind rendered it down to the taste of salt on one’s lips from the relentless wind, the crash louder than anything one had ever heard. There. A purple bandana tied across orange curls. Cristina, swinging herself aboard the pirates’ prey.

Over the years, Tikka’s job as a Minor Propagandist for the planet Porcelain’s Bureau of Tourism had come to shape her way of thinking. She dealt primarily in quintets of attractions, lists of five which were distributed through the Bureau’s publications and information dollops: Five Major China Factories Where the Population of Porcelain Can Be Seen Being Created; Five Views of Porcelain’s Clay Fields; Five Restaurants Serving Native Cuisine at Its Most Natural.

Today she was composing Five Signs of Spring in Eletak, her native city. Here along the waterfront, she added chimmerees to her list as she watched the native creatives, cross between fish and flower, surface, each chimerene spreading its white petals as it surfaced, white clusters holding golden centers, tendrils of golden thread sending their scent into the air along with the most delicate whisper of sound, barely audible over the lapping of the sound’s water.

The urge to pose beat along every energy vein of her silica body, but she resisted it. She would remain alone this spring, as she had every spring since she had made her vow and inscribed it in the notebook where she kept her personal lists, under “Life Resolutions,” #4 under “Keep myself clean in thought and mind,” “Devote myself to promoting Porcelain’s tourism,” and “Fall in love.” The third item had been crossed off at the same time, in vehement black pen strokes.

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(From the beginning of the novel I’m currently about halfway through)

It was Fish Day at Archie McPhee’s.

In another kind of store, Fish Day might have signaled a sale on salmon or fresh herring.
Here in the novelty store, against a backdrop of bins filled with rubber eyeballs and plastic beetles, it meant the appearance of the enormous Wheel of Fish.

The doorbell rang as soon as Simone’s hands were covered with dirt from repotting primroses. That was how it always was lately. She wiped her hands on a dish towel, regretting the dark smears as soon as she saw them. The dish towel landed in the sink; she hurried to the door.

As abrupt and perfumed as a magazine advertisement thrust in her face, a broad-toothed woman in red polka-dots that shouldn’t be chic, but were, atop a teeter of matching red heels.

Presenting her hand in a direct overhand shake, “I’m Cherry Abramson, Unit #8.”

Simone wished she’d washed her hand instead of just wiping it, but she shook anyhow. Cherry’s face remained set in the same smile, but somehow Simone was sure the other woman had noted the half-moons of dirt underneath her fingernails, the scatter of dirty dishes visible in the sink, the cloth across them like a soggy wick.

She squared herself in the doorway. No way was she asking this woman in for coffee. She didn’t want that appraising blue eye noting the stack of boxes, the unfolded laundry heaped on the sofa, already marked with a cat-shaped divot.

“I’m still in the middle of unpacking,” she said.

Nicholas woke slowly. It was chilly in the room, and when he shifted his body between the clinging flannel sheets, he could encounter zones of warmth and cool. Two down comforters were draped over them as well; Nicholas could not sleep without their weight on him, while Feniker, who seemed to burn with a furnace’s metabolism, would inevitably throw most of them off during the night, onto Nicholas.

He could hear Feniker’s soft breathing, a burry almost snore, a sound so uniquely Fen that it tugged a smile onto Nicholas’s lips, knowing what his lover’s face looked like when sleep-slackened, how it must look right now. He had drawn the drapes across the windows; the hotel’s front looked out onto the plaza, but Nicholas had opted for one of the less ostentatious back chambers which he secretly thought more pleasant, overlooking the back gardens, which were the more handsome vista, even when leaf-deprived and blackened by the cold, due to the green cedars that ringed it round.

Another Tabat story is brewing, this time explaining one of the city’s architectural features: the ninety-nine statues of figures from the history of Tabat, commissioned by a Duke to be placed along Salt Road. A mystery arises – what is it about the 99th statue that sets it apart from its fellows? Here’s a snippet from the beginning:

It was one of those rainy days that make up most of Tabat’s spring, a day when the clouds hung so low that the city’s upper terraces were shrouded in fog. When Nicolas started up the foot of Salt Road, it was clear, but as he ascended, the white mist around him thickened and he found himself breathing in cold moisture that made his lungs feel as sodden as the thick wool coat he had imprudently chosen that morning, thinking it would snow and he’d want the warmth.

He shivered and glanced sideways and slightly down at his companion. Feniker marched along with his hands in his pockets, smugly dry in his oilskin cloak and waxed leather boots, both brand new. An elaborate cockade was pinned to the black fabric’s breast.

The Fisher Queen fished her parents out of the sea one evening. The waves were flat as paint, stretching out toward the horizon. Dead fish curled drying on the sand, scenting the air. It was the dog days of summer, windless. Far out past the sand bar, the sea shaded green, then brown.

She felt one of them lip the bait and the tender fumbling as they pushed it back and forth, mouthing it in inquiry. Then they both struck on the double hook, a rush as sudden as a punch, and the tip of the pole dipped in acquiescence to the water.

She pulled them in using long slow pulls, bringing the rod’s tip back towards her shoulder, reeling in swiftly as it lowered again towards the horizon.

She remembered scraps of childhood as she reeled. Hanging upside from the jungle gym, feeling her head throb with onrushing blood while a cat stalked by in the unmown grass, tail high and stiff. Sneaking off to be with a boyfriend for the weekend, her mother finding out, shouting at her. College graduation, their heads among the crowd. Calling her in her first apartment to make sure she was okay, didn’t need anything. Her father’s funeral, her mother’s only a few weeks later, like a swan than has lost its mate, and so lies down to die.

Now they were fish, as long and muscular as sharks, but toothless, living on plankton and the spawn of crustaceans. Now they thought slower, deeper thoughts than when they were human, and if they included thoughts of the Fisher Queen, they betrayed no sign of it.

She waded hip deep into the tepid water, holding a North Carolina summer’s heat still here in the final days of the season. The fish came to her, floated alongside her legs. She bent to each one in turn to coax away the hook piercing their lips. But free, the fish remained there, their scaly sides rasping along her legs. They were all muscle ““ she could feel it when they flexed a tail in over to stay in place.

She rested her fingers on their brows and let them move in tiny, hypnotic circles. The fish floated in the water. She could see their great golden eyes underneath the surface, staring up at her.

He’s become Dr. Fantomas, for Dr. Fantastik seemed too superhero-ish for a Tabat story. Final story came to 6650 words, and I’m pleased with it. Recent reading that may have influenced it include Anthony Trollope’s Can You Forgive Her?, John Hawkes’ The Blood Oranges, and Mary Roberts Rinehart’s Dangerous Days (free on the Kindle!).

The title of the story has become “The Ghost-Eater” as well.

Something in Liam’s demeanor had told him already, but the Doctor pretended to be surprised both times the waitresses told him of the relationship between the cook and Ellie.

“They was to marry, come next year, Ellie said”¦”

“She kept it from her mother ““ Efora wanted her to marry her third cousin Lark Nittlescent. Nice favored boy, and well pocketed, but bland as custard”¦”

That interested him.

“Twin daughters,” Doctor Fantastik said. “That’s very sad. A friend of yours?”
“I bring him spices from the Southern Isles when I come up from there. Saves him on the merchanting mark-up.”
“And the duty, no doubt,” Doctor Fantastik said.
The sailor shrugged. “I’ll give you the address, and you tell ’em Cyril sent ya. They’ll see to my fee. They’re right desperate.”
“How so?”
“At least one of the girls been turned poltergeist,” Cyril said.