Flowers for Algernon was originally a short story by Daniel Keyes that appeared in 1959 in the Magazine of Fantasy & Science Fiction and won the Hugo Award the following year. Seven years after the story’s publication, it appeared in novel form under the same name, and shared that year’s Nebula Award with Samuel R. Delany’s Babel-17.
What: The story is told by Charlie Gordon and involves intelligence experiments being done on both Gordon and the title character Algernon, who is a white mouse.
Who: Anyone who wants to be decently well read in science fiction should read this book. It’s a classic, and one referenced and discussed elsewhere. One of my favorite stories by Susan Palwick, the title story in The Fate of Mice, is told from Algernon’s POV.
Why: Read it because you will want to know Charlie, to hear him tell his story, and to see a master use the device of an unreliable narrator in a way that takes your heart and breaks it over the book’s knee. Read it to discover a story that has survived the test of time and will, I strongly believe, continue to do so.
When: Read this when you’re thinking about things like how a character gets the reader on their side, as well as how what a character doesn’t say is sometimes as telling as what they do. Read this when you are ready to sit down and read it in one full sitting, preferably, which is doable for faster readers since it’s a slender book.
Where and how: Read it where you won’t mind weeping; public spaces (like airplanes) are unsuitable because you will have to have a heart as hard as winter to not tear up some. This is, in fact, one of the best examples of a fabulous tearjerker of a story that I know.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(fantasy short story) The Wizard Niccolo was not happy. At the age of 183—youthful for a wizard, but improbable for an ordinary human—he had thought certain things well out of his life. Sudden changes in his daily routine were one. And romance was another—even if it was his familiar’s romance, and not his own.
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