Five Ways
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WIP: Teaser from Carpe Glitter

Knocked out a good 2200 words on this, which is rapidly stretching towards novelette length, plus a flash piece, and another 500 words on something that may go anywhere, not sure at all with it. Hurray for productivity! Anyhow, here you go.

There was nothing else to do but tackle what I’d put off for so long: Grandmother’s suite. It occupied a good half of the Tudor house’s second floor ““ bedroom, lavishly appointed bath, sitting room. The high ceilings might have been lovely but they also allowed her to stack the boxes even higher there.

I’d avoided this spot even though it made no sense. If there were valuables, this was the logical place for them. No, it was something else that deterred me. Elsewhere in the house I could explore and pretend that my grandmother had just stepped out for a moment. To invade her bedroom, that was a different thing.

That was to acknowledge that she was dead.

I don’t believe in glorifying the dead. I will not pretend that my grandmother was a nice woman. I will not pretend that she was a kind woman. In truth, she was self-absorbed, strong-minded to the point of being a force of nature.
But she loved me. I was her only grandchild and when I was smaller, I could have done no wrong in her eyes. That was, perhaps, one of the things that divided my mother and I. She’d tried so hard all her life for her mother’s approval while I’d gotten it without even asking.

When someone loves you like that, deeply and unconditionally, it’s very hard not to love them back. My grandmother may have coerced me into the college of her choosing, but we’d both known the truth: while she’d do plenty to hurt my mother in the long and complicated game they’d been playing all their lives, she might have threatened to keep me hostage, but it was a strategy that would have worked for either side. My mother had not used it, but I wasn’t sure through unawareness or some moral scruple. I’d never understood all the currents of emotion that ran between them.

I paused in front of the oak double doors. They weren’t original to the house ““ she’d brought them back from somewhere in Bavaria and they were carved with willow trees and Rhine maidens. The handles were brass swans. I laid my fingers on one’s neck and tried the handle: locked. I sighed and began trying keys from the vast loop of unmarked ones I’d found in the kitchen. After ten minutes of trial and error, the lock clicked and I swung the door open.

I flipped the light switch on one side back and forth, but the bulb had long ago burned out. You couldn’t see the room for all the boxes. A narrow passageway led between the stacks of cardboard cartons ““ some old liquor boxes, others from thetrical supplies. The one at eye level to my right read: White Feathers: 1 Gross. White tendrils still clung to the tape along one edge.

I pushed my way forward through that cardboard corridor, so narrow that my shoulders brushed it on either side. It went straight for a few steps then branched, one side leading towards the window and (I presumed) the bed area, the other snaking towards her sitting room.

I opted for the latter.

At the threshold between the two rooms, I sought another light switch, but it was just as fruitless. The air smelled of dust and perfume and ancient cat pee. There had always been a cat around when I was a child, but in later years, Grandmother had renounced them and turned her nurturing side to the succulents out in the courtyard.

I was using my cell phone as a flashlight by now, holding it out between my fingertips. It startled me when it rang.

I glanced at the screen. My mother. I answered, standing there in the dusty darkness that smelled like Grandmother.

“Yes?”

“I need you to pick me up at the airport at 3:23,” my mother said.

“Today?”

“Of course today! I’m about to get on the plane. I’m flying on United, flight 171. Do you need me to repeat all that so you can write it down?”

“Why are you coming?”

“So I can help you, of course.”

Suspicion seized me. “Where are you staying?”

A pause, as though my question were in some foreign language that required translation before it could be processed. “With you, of course. Aren’t you staying there at the house?”

I imagined my mother “helping” me. It made my throat tight. All my life I’d watched the two of them do battle. Now my mother had come to crow over a victory that consisted of simply having outlived the other. Or, worse, like the others ““ the agents, Eterno ““ she wanted something here but would not tell me what.

I steeled myself and said, “No, you can’t do that. I’ll find you a hotel.”

“Don’t be ridiculous. Why on earth can’t I stay there?”

My mind cast about for excuses. There must be some reason.

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WIP: Teaser From "Red in Tooth and Cog"

This is what I’ve been working on today. It’s a lot closer to being done that it was.

This is how Renee lost her phone and gained an obsession.

She was in the park near work. It was a sunny day, on the edge of cold, the wind carrying autumn with it like an accessory it was trying on before settling for it for good.

She set her phone down on the bench beside her as she unfolded her bento box, levering back metal flaps to reveal still-steaming rice, a quivering piece of tofu.

Movement caught her eye. She pulled her feet away as a creature leaped up onto the bench slats beside her, an elastic band snap’s worth of fear as it grabbed the phone, half as large as the creature itself, and moved to the other end of the bench.

The bento box clattered as it hit the concrete, rice grains spilling across the grey.

She’d thought it an animal at first, but it was actually a small robot, a can-opener that had been greatly and somewhat inexpertly augmented, modified. It had two corkscrew claws, and grasshopper legs made from nutcrackers to augment the tiny wheels on its base that had once let it move to hand as needed in a kitchen. Frayed raffia wrapped its handles, scratchy strands feathering out to weathered fuzz. Its original plastic had been some sort of blue, faded now to match the concrete beneath her sensible shoes.

The bench jerked as the robot leaped again, moving behind the trash barrel, still carrying her phone. She stood, stepping over the spilled rice to try to get to the phone, but the leaves still on the rhododendrons thrashed and stilled, and her phone was gone.

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Putting Stuff Up

Cover for Her Windowed Eyes, Her Chambered Heart.
In this steampunk short story, Pinkerton agents Artemus West and Elspeth Sorehs have been chasing their prey across the country. When they finally catch up near the outskirts of the Cascades, though, they find he's gone to ground in a mysterious house that once belonged to his mother, a famous inventor. What secrets hidden in the house will they discover -- and how will the house protect its returned son?
I’ve been putting some stories up on Amazon and Smashwords – I’ve got close to 75 that could go up there, so it’s slow slogging but eventually everything will be up on Amazon, Kobo, and Smashwords. Here’s the categories they fit into:

Altered America series: These are steampunk stories, and include Rappaccini’s Crow, which originally appeared on Beneath Ceaseless Skies. Previously unpublished Her Windowed Eyes, Her Chambered Heart is part of that series, and so are two stories that are yet to come: “Laurel Finch, Laurel Finch, Where Do You Wander?” and “Snakes on a Train”. You can see some of the images inspiring the stories here on Pinterest. Currently in progress is “Blue Train,” which takes place in this world although over in a France beleaguered by fairies, vampires, and werewolves.

Tales of Tabat series: These fantasy stories are set in a world I often write in, and so I won’t list all of them. Most have been previously published. Right now the only ones up are “Narrative of a Beast’s Life” and “How Dogs Came to the New Continent.”

Women of Zalanthas: I’ve written a number of stories based on Zalanthas, the world of Armageddon MUD, so I’ve put them together. Right now, stories up include “Aquila’s Ring“, “Karaluvian Fale“, and “Mirabai the Twice-lived“. Others to come include “Besana Kurac” and the title story from Eyes Like Sky and Coal and Moonlight.

The Villa Encantada series: None of these urban fantasy stories are up yet, but there’s a slew of them, primarily horror. Slightly related to them is previously unpublished horror story, “Jaco Tours.”

SF Stories: I haven’t made the SF stories a series because there’s no real link between most of them. Up so far are “Grandmother“, “Tortoiseshell Cats Are Not Refundable“, “Five Ways to Fall in Love on Planet Porcelain,” “Bus Ride to Mars,” and “Elsewhere, Within, Elsewhen.”

Remember that if you want fresh stories from me each month in your mailbox, you can get them via my Patreon campaign.

#sfwapro

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Coming to the End of Costa Rica

Image of a baby two-toed sloth, taken at the Sloth Sanctuary in Costa Rica.
This is a baby two-toed sloth. I can't decide whether or not they're cuter than baby three-toed sloths. It's a toss up, really.

Down to our last week here! We leave next Thursday and head to Miami where we’ll spend a day and then (yay!) hop on a cruise ship to take advantage of a last-minute opportunity. I’ve never been on one, so I’ve been reading up on the experience and am looking forward to it. We’ll be spending seven days on the boat and seeing a little of the Caribbean (which I cannot envision without thinking of the Sid Meier Pirates! game, which consumed a great deal of my time at one point. After that we’re headed up to the NYC/PA area for early October, where I think I’ll be around the time of the SFWA reception there, but I’m still figuring that out.

I’ve not gotten much writing this week, but for good reasons. First we visited the Sloth Sanctuary here and spent the night in the Buttercup Room of their B&B. We got to go for an early morning canoe ride along a placid salt-water river, seeing bats, birds, and beautiful vegetation, then spent a couple of hours touring and seeing sloths, including the babies, which are the essence of cuteness. Here’s a video from the baby sloth nursery.

(more…)

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What I'm Working On

Manipulated picture of linoleum print by Cat RamboReally pleased with the current project, a continuation and expansion of A Seed on the Wind:

He took a landing towards Neryon neighborhood, a narrow outjut of stone augmented with board and rope buildings dragging at the stone, which was carved with a sinewy overlay of snakes and bees. In midday, it seemed to be drowsing. In a few hours it would begin to stretch and yawn itself awake. The caffeine vendors, selling chai and kaf and a dozen teas would range about filling cups and mugs or doling out thick cups that could later be chewed to mushy fiber for a quick thirdmeal as the evening began in earnest.

He made his way to a sleepy tavern, and slouched in a rear table, nursing leedink, mind thumbing through the possibilities as he fingered the wicker and wood puzzle centered on the table.

He could always go back to Poit. Or Ellsfall. Either of those choices itched him wrong, though.

A being sliding onto the bench across him in the wall niche. The stone shelf under its elbow as it leaned forward. “Pleasance, chum.”

Expensive clothes. Rasp-skinned, narrow-headed, not-human. Flat dark eyes, cold as shadowed caverns. Smile tied on with insincerity.

“Fuck off,” Bill said.

The smile widened, deepened, showed pointed teeth, filed sharper. Gold inlay in the closest one, a design of fish and flowers, a spray of rubies in a line down the front. “An asking for you, Mr. Bill.”

Panicked question stabbed through his stomach. Why did this stranger know his name? He sat back. “What’s that?”

“You know a guy, cook at Fleur, name’s John.”

Chef John. One of the possibilities that had been flickering through his minds. He shrugged. “Don’t ring no chime.”

“All I want is you to takespeak a word or two.”

Bill waited. In the room, the clackclask of pool balls, two youths playing, dressed in leather and thorns. The electric light flickflickered on arcs of white and jasper plastic, stacattoing light.

“Tell him the big companies don’t mind freelancers trading bittybit on the side. But he’s getting bittybig. Needs to step back.”

He hunched his shoulders in a shrug. “Happen to run into him, may say. What’s the what if I do?”

The stranger’s fingerscales were pointed, each tipped with a flower of gold, a stinger of steel, as it spread them as though to smooth the shrug away from the air.

“Bittybit money for you, friend. Just come here an asking.”

(If you want to make sure you get to read the finished version, sign up for my Patreon campaign and get two stories a month for as little as $1 each!)

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WIP: A Cavern Ripe With Dreams

Cover for A Seed on the Wind, painting by Mats Minnhagen
Tiny things floated through the air all around him. He stretched out his palm and kept it motionless long enough that one drifted to be trapped in his palm. A seed, a brown seed. Attached to one end a tuft of hairs, fine and feathery, to carry it along. Carefully he raised his hand, examined it more closely. So small. As it neared his eye, it became no longer brown, ridges and swirls marked its surface in grays and greens and reds that somehow blended together to create the impression of brown from just a few inches farther away.
I’m finishing up A Cavern Ripe with Dreams, the sequel to A Seed On the Wind. A version will undoubtedly go out to Patreon patrons before I start shopping the combined novellas around as a single entity.

This story owes a great deal to both William S. Burroughs’ Junky (indeed, the protagonist is named Bill in his honor) and Joe R. Lansdale’s Drive-In, a book I found immensely freeing and exhilarating in its sheer WTFery and bravura. If you’ve read A Querulous Flute of Bone, it’s the same world, that of the co-writing project The Fathomless Abyss.

From part of today’s writing:

Bill felt a rush of fear, but a kind that he had never experienced before, something like the fear you feel when someone tells you a frightening story that they believe is true. A terror that was convincing yet somehow dilute. A terror that was not his, somehow.

A fear that was enjoyable.

He realized that it was the creature. That he was feeling its emotions. That if he closed his eyes, he could still see the room like a ghostly overlay across the darkness behind his lids.

He wondered if it experienced the same phenomenon, this double life. He put his hand up and touched it with a fingertip, stroking along the coarse fur that was still damp with eggy fluid. It smelled like newly-split wood, rare and sharp. As he touched it, it shuddered but stayed still, like a woman whose innermost core had been touched, who feared and craved more. At the thought, he grew hard, and he felt it shudder again before it curled tighter around his neck.

He lay there with it around his neck, savoring the mental taste of it, dipping in and out of its perceptions. After a while, his bladder drove him into standing and using the chamber pot beneath his bed. As he pissed, he could feel the creature tasting his sensations in turn.

It made him curious. Settling back onto the bed, he took a syrette from the bedside table, already loaded with honeypain. He injected it in his wrist and lay back to feel the twofold sensation.

First it felt as though the back of his eyes had dissolved, only to be filled with a subtle warmth that flowed out from them, flowing through him until he was only a zone of temperature and sensation, as though he was warm water in a bath, only an outline. But always with that lurking presence perceiving him, keeping him whole. He had loved honeypain for its ability to take him outside himself, but now he realized that it was nothing compared to the creature.

He tried to think at it, to see if it would answer him, but all his thoughts were blurred by the honeypain. He could hear only his blood drumming in his veins, a hard and insistent beat that told him he was alive, as it had before, for sometimes when he was dipped deep in these reveries, he thought himself dead. Now he had that beat but more ““ the creature curled on his chest. Part of him but not part.

After a while he slept.

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WIP: Reality Storage

Cup of Coffee
Coffee cup
Finishing up the final polish of a story today, titled “Reality Storage”. It fits in both the Villa Encantada series as well as the category of “stories inspired by the remodeling and moving process.” Here you go:

So there I was staring at the bank of monitors. It was still early in the morning; my coffee was half-full but I’d finished my muffin. I was thinking about the way Bonnie smelled in the morning, before she showered, still a little sweaty but with a lingering edge like lilac and mint from her bodywash, and a little musty too, when you burrowed your face down into the hollow of her neck.

On monitor three, the guy entered, got a cart, and then pretended to load stuff onto it from his car. That’s what made me look a second time, catching him lifting empty air up. He did it five or six times, then trundled the cart onto the elevator and took it up to locker 234.

I watched him all the way, sipping my coffee, wondering what he was up to. He opened up the locker, mimed lifting six things into it, closed and locked it. He even wore work gloves to protect his hands. I wondered if he was practicing some kind of act. It looked so realistic, to the point where he staggered on the last lift, as though thrown off balance by the burden’s heaviness.

He stripped off the gloves, closed up the unit, and locked it again. He didn’t bother to take the empty cart back down with him, just left it there, which made me think the worse of him. It’s shitty not to do little things like that, to make someone else clean up after you.

While he was in the elevator, he looks straight at the camera. He rubbed at his ear, frowning. Then he shrugged and gave the camera a wave, as though he saw me watching.

Then he got back into his sporty little pickup truck and drove away.

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WIP: Carpe Glitter

Today I have been writing! Costa Rica is fabulous, and we’re enjoying Jaco. Walked out for breakfast this morning and later on to the super mercado for groceries. My high school Spanish is, luckily, coming back in leaps and bounds.

I’ve been working not on a story set here, though, but one in Vegas. Here’s the beginning of what is looking like it will hit novelette length at least, “Carpe Glitter.”

Carpe glitter, my grandmother always said. Seize the glitter.

And that was what I remembered best about her: the glitter. A dazzle of rhinestone, a waft of Patou Joy, lipstick like a red banner across her mouth. Underneath all that, a worry little old lay with silver hair and vampire-pale skin.

Not that she was one, of course. But grandmother hung with everyone during her days in the Vegas crowd. Celebrities, presidents, they all came to her show at the Sparkle Dome, watched her strut her stuff in a black top hat and fishnet stockings, conjuring flames and doves (never card tricks, which she hated), making ghosts speak to loved ones in the audience and when she stepped off the stage, she left in a scintillating dazzle, like a fairy queen stepping off her throne.

All that shine. And at home?

She hoarded.

I mopped sweat off my forehead with the hem of my t-shirt and attacked another pile of magazines. No cat pee – I’d been spared that in these back rooms, closed off for at least a couple of decades. Grandmother had bought the house when she was at the height of her first fortune, just burst onto the stage magician scene, a woman from Brooklyn who’d trained herself in sleight of hand and studied under the most famous female stage of her time.

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WIP: Teaser from The Bloodwarm Rain, Part 2

Along Vera’s neck, on either side, are three round bits of grillwork, and when she comes in hard and fast, they scream, a whine that grates along all your nerves, even when you’ve heard it before.

They screamed now, and even muffled by the tents, they still forced Roto’s ears to flatten back, his whiskers tensed in an involuntary sneer and made me clamp my forearms over the sides of my head, muffling it. Shots barked out, then a rat-a-tat of semi-automatic followed by another like an echo. Vera’s own guns boomed.

There were screams.

I unfolded myself and started to rise. Roto yanked me back down just as a round of flying metal buried itself in the canvas bundle. If I’d stood, it would have decapitated me. We both stared at it. My ribs pulsed with ache and I realized I’d been holding my breath, I didn’t know how long.

There’s only so many ways for a group to attack you on particular terrain, and everyone had done exactly as they were supposed. The Bird Woman had a wing clipped, high and gouging the bone and all her children were fussing about her while Sieg bandaged it, the littlest with their heads buried in her skirts.

Bodies were slumped on the ground, five or six of them, but none of them were ours, so they didn’t matter. No one seemed worried about the post where the flashes of light had come from, so Vera must have taken care of those before coming down to us, as she was supposed to.

June was there with Vera, checking her over, fanning the long metal pinions out and examining them for wear and tear. The guns athwart her prow swiveled in two directions as though still alert, worried that something might happen. Pal was riffling that packs and pockets, but with little luck, judging by his expression, other than the pile of weapons slowly accumulating underneath the sign that read, “Trucks this way”.

Wren and two roustabouts who’d come on three towns ago were off to one side. On the road they didn’t smoke anything but jitter weed, and drank thermoses of strong black coffee, the good stuff, horded for when we were on the road.

Vera stirred as I went past, headed to bum a smoke from Wren. June turned, chuffing out a chuckle under her breath as she saw me.

“Miss Meg,” she said. “It’s just Miss Meg.” She patted Vera’s flank where she leaned up against it, and the war machine went quiet, though I could still feel its eyes on me.

“Good job, Vera,” I said, feeling daring. Most people didn’t talk to Vera. It was as though they forgot she could talk back. “Thank you for saving all our asses.”

June’s eyes widened, a tell so small I wouldn’t have noticed it if I hadn’t been watching her.

Vera chirped. “You’re welcome,” she said, after waiting a few seconds to make sure the chirp was not returned.

Neesh had most of the livestock out for a graze and mostly a poop. He knew the more of it they did on the cracked asphalt of the plaza, the less he’d have to clean out of the trailers. I checked the mini-elephants over out of habit, from the summer I spent tending them, but they were all unharmed, and engaged in eating all the nasturtiums out of the circular flowerbed in front of the runs that had once been a rest stop building. Out of habit I looked to see if it was loot able, but places like that have all been scavenged away, decades ago.

I got to Wren, Roto in my wake, and at my outstretched hand and upturned eyebrows, she shook a smoke loose for me and tossed it over.

“How long’s the break?” I asked.

Wren shrugged. “Never too short, out here in this heat. Once we get further down, we’ll be out of the heat.”

“We push on then?” I pursued. Wren shrugged again. She was affecting herself a bit in front of the new hires. She was circus born and bred, they were newbies, but she was still unused to the sway she held as their temporary boss.

Her nonchalance made me a little hot under the collar. She acted so cool. But she’d surely been hunkered down under cover like all the rest of us.

She narrowed her eyes at me as though reading my mind. “Problem, Meg?”

I shrugged and would have left it at that, but she just wasn’t content to let it go. Angry heat spiked through me as she stepped forward, towering over me.

I stuck my hands out to repel her.

She reeled back as my skin burst into flame.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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WIP: Teaser from The Bloodwarm Rain (YA SF)

Picture of an abstract sculpture.I’d been feeling queazy for miles “” too much fresh fruit last town, trying to pack in as much as I could “” so finally I tapped Roto on the shoulder and we left the bus during a stretch and pee break. Big Fredo was driving the tents truck and he had a sweet spot for Roto, so he let us climb up into the sheltered spot just behind the cab, where we were sheltered from the wind but still could feel the bite of the air and where, if I needed to, I could lean out and vomit into the sandy gravel of the road.

It made me feel better almost immediately and my mood, which had been gloomy and self pitying (or so Roto kept informing me), lifted, as though the high blue sky overhead were pulling it upwards.

Okay, maybe I had been being kind of a bitch. I shrugged at Roto in apology and he shrugged back. That was one of the nice things about Roto. Once a fight was over, it was done with. It was a quality I envied, and couldn’t begin to claim. I was capable of holding a grudge for years, and had all my life, even though that was only fifteen years so far.

He grinned sideways at me, whiskers twitching, and leaned back to let his upper torso, bare except for the stripes of dun for, smolder golden in the sun. I settled back myself, though I stayed in the shade.

On my right, past Roto, was the steep downward slope of the cliff, covered with slides of shale and wiry brown bushes and past that, a blaze of sunlight on the ocean, dazzling and headache inducing. I looked away and up the mountainside. We were swinging out and around a curve before going inward and Sieg, who was the pace setter up front in his jeep, was, in my opinion, taking it a little fast.

That’s how I saw it. Flash flash. Two blinks of light from far up the mountain ahead of us. Then again. Flash flash.

I squinted up the mountain but didn’t see it again. But I crawled forward, clinging to the netting that held the ranks of tents in place, and tapped my knuckles hard on the cab’s back window. Kali was riding shotgun, her own window open and dreads flying back in the wind. She twisted around to slide the window open.

“I saw someone signaling up ahead,” I shouted.

“We’re on it,” she shouted back. Big Fredo tapped the bead in his ear. Someone else must’ve seen it as well, and gotten to our radio network faster than I had. That was always the story. I was never the hero. My spirits sagged again.

Kali slammed the window shut and turned back to watching the road ahead. I made my slow return to Roto. It seemed to me we had sped up a little but I couldn’t be sure. Maybe it was just my own anxiety.

Roto gave me a questioning look.

“They’re on it, she said.” I shrugged. Not like we could do much about anything. Better to move forward with our eyes open than let them know we had spotted them and they should open fire.

A faded blue sign flickered past. “Rest stop 1 mile Gas Services”

“You know that’s where they’re going to try to hit us,” Roto said. He stopped lounging and leaned forward.

“Yeah, but what else can they do? There’s no other place to turn around.”

We both wriggled back as far as we could, putting furled canvas between ourselves and possible missiles. The smart-canvas of the main tent might stop a bullet but the thick rolls of more ordinary heavy fabric would still foil arrows or darts.

My stomach wasn’t queasy anymore at all. Instead, hot bile chewed at the back of my throat and worry threaded all my bones. We hadn’t brought weapons with us from the bus; June doesn’t like us carrying them around, but when we’re traveling, we’re supposed to have something with us.

Roto had claws and teeth. I had nothing but my own blunt fists and wits.

Gravel hissed under the wheels as we swung left and slowed. I tried to peer out.

Roto put his palm on the top of my head and shoved downward. “Don’t be an asshole, Meg.”

We held still. I could hear the other cars and trucks pulling in, slowing. The turnaround must have been blocked, otherwise Sieg would have used it to lead the whole convoy to circle back as quickly as he could while Vera had our backs. But stopping there meant there was some sort of blockade.

A voice from up ahead. A man’s voice, and one that had meanness in it despite the pleasantness of the words. “And a good afternoon to you folks!”

Car door slamming and then the crunch crunch of footsteps, barely audible over the sound of the last few stragglers pulling in. I knew that if I looked back people would be fanning out as best they could. We all drilled aon what to do on occasions like this, but I’d only been in a few fights. And not since I had become, technically, an adult.

But surely an adult would have known enough to carry at least a knife with them. I glanced over at Roto and was relieved to see that he looked as anxious as I felt.

June’s deep voice, carefully modulated and empty of emotion. “Afternoon, gentlemen.”

I angled my line of sight upward, hoping to catch a glance of Vera. So much depended on what these bandits were carrying. Hopefully, just a few guns, but probably a bit more than that.

“We were just discussing how it looked as though your trucks were too heavily loaded,” the voice said. “We thought maybe we could help you out, maybe take some of the livestock. That way you’ve got less to feed, we’ve got more to feed ourselves with.” He laughed, the sort of laugh where you could easily imagine the sneer that came with it.

June’ voice, so polite. “I’m afraid that the livestock are members of the troupe as well.”

The man mimicked her. “I’m afraid that you don’t have a choice.”

“That’s a point of debate,” June said. “Vera, now.”

Not many people have seen any of the old war machines. Some were disabled, others disabled themselves. We don’t know what side Vera was on back then. Just that she was on ours now.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson
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